Tabulaturen Etlicher Lobgesang

Tabulaturen etlicher Lobgesang und Lidlein is the title of a compilation of sacred and secular instrumental pieces published in 1512 by Peter Schöffer, containing organ and lute music composed by Arnold Schlick. The purpose of the volume, as described in the composer's son's letter reprinted in the foreword, was to preserve the aging musician's art for later generations, as although he was held in high esteem by his peers, none of his music had been made public in the years prior. In the foreword, there is also an angered retort at an earlier libellous comment by Sebastian Virdung, as well as a short poem introducing the music itself.^{[Citation needed]}

The Tabulaturen are notable for being the first substantial print of organ music (earlier examples of printed keyboard notation include a few snippets in Virdung's Musica getutscht). In the context of the German Renaissance tradition, the collection stands out for being written in a style markedly different - while not necessarily "less ornamental" - than that of Schlick's contemporaries further to the south.

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Organ music within Schlick's Tabulaturen
Page	Title	Incipit	Notes
1-18	Salve regina	$<< \clef treble \omit Score.TimeSignature \relative c' { \set Timing.measureLength = #(ly:make-moment 3/4) d8. e16 f8 g a bes c[ d] e[ f] g4 \bar "" } \\ \relative c' { \set Timing.measureLength = #(ly:make-moment 3/4) \once \override NoteHead.duration-log = #2 d11/2 d4 \once \override NoteHead.duration-log = #2 c11/2 c4 \bar "" } >>$ Ad te clamamus $<< \clef tenor \omit Score.TimeSignature \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) r11/2 r \override NoteHead.duration-log = #2 f g \bar "" } \\ \relative c { \set Timing.measureLength = #(ly:make-moment 2/4) \override NoteHead.duration-log = #2 bes11/2 c d c \bar "" } >>$ Eya ergo advocata $<< \clef bass \omit Score.TimeSignature \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \once \override NoteHead.duration-log = #2 f11/2 \once \override NoteHead.duration-log = #2 g f4. f8 \bar "" } \\ \relative c { \set Timing.measureLength = #(ly:make-moment 2/4) \override NoteHead.duration-log = #2 r11/2 r bes \bar "" } >>$ O pia $<< \clef bass \omit Score.TimeSignature \relative c { \set Timing.measureLength = #(ly:make-moment 2/4) \override NoteHead.duration-log = #2 d11/2 d d \bar "" } \\ \relative f, { \set Timing.measureLength = #(ly:make-moment 2/4) r8 f g a bes c d e f g a bes \bar "" } >>$ O dulcis Maria $<< \clef tenor \omit Score.TimeSignature \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) r4 d8. e16 f4 f8. g16 \bar "" } \\ \relative c { \set Timing.measureLength = #(ly:make-moment 2/4) d8. e16 f8 g a bes32[ a g a] bes!8 a41/2 \bar "" } >>$
18-23	Pete quid vis	$<< \clef alto \omit Score.TimeSignature \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) c4. c8 d4 e \once \override NoteHead.duration-log = #2 f11/2 \bar "" } \\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) r11/2 r f4. f8 g4 a \bar "" } >>$
24-28	Hoe losteleck	$<< \clef tenor \omit Score.TimeSignature \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) g4 a16 g f g a g a bes a bes! c d \bar "" } \\ \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) \once \override NoteHead.duration-log = #2 g1*1/2 f4 d \bar "" } >>$
29-33	Benedictus	$\relative c { \clef bass \omit Score.TimeSignature \set Timing.measureLength = #(ly:make-moment 2/4) d8. e16 f d g e a8 g r16 fis g fis! \bar "" }$
34-37	Primi toni	$<< \clef tenor \omit Score.TimeSignature \relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) g8. f32[ e] d16 e f g f g a bes a g a8 \bar "" } \\ \relative f, { \set Timing.measureLength = #(ly:make-moment 2/4) \once \override NoteHead.duration-log = #2 g11/2 d'4 f \bar "" } \\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \override NoteHead.duration-log = #2 g11/2 a \bar "" } >>$
37-41	Maria zart	$<< \clef tenor \omit Score.TimeSignature \relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) a4. a32 g a bes c4 bes \bar "" } \\ \relative f, { \set Timing.measureLength = #(ly:make-moment 2/4) \once \override NoteHead.duration-log = #2 a1*1/2 a4 bes \bar "" } >>$
42-45	Criste	$<< \clef tenor \omit Score.TimeSignature \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) r11/2 r21/2 d4 \bar "" } \\ \relative c { \set Timing.measureLength = #(ly:make-moment 2/4) d8. c16 d c d8 e4 f8 g32[ f e f] \bar "" } >>$
45-49	Da pacem	$<< \clef bass \omit Score.TimeSignature \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) r11/2 r \once \override NoteHead.duration-log = #2 g f \bar "" } \\ \relative f, { \set Timing.measureLength = #(ly:make-moment 2/4) \once \override NoteHead.duration-log = #2 g11/2 \once \override NoteHead.duration-log = #2 f g4. a8 bes8. c16 d e f8 \bar "" } >>$	setting "in discantu"
49-52	Da pacem	$<< \clef bass \omit Score.TimeSignature \relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) d8. ees16 d8 ees!32[ d c bes] a8. g16 a8 bes \bar "" } \\ \relative f, { \set Timing.measureLength = #(ly:make-moment 2/4) \override NoteHead.duration-log = #2 g11/2 d' \bar "" } \\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \override NoteHead.duration-log = #2 g11/2 f \bar "" } >>$	setting "in tenore"
53-56	Da pacem	$<< \clef tenor \omit Score.TimeSignature \relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) g4. g8 a8. g16 a g a8 \bar "" } \\ \relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) \override NoteHead.duration-log = #2 <d g, g,>1*1/2 <f c f,,> \bar "" } >>$	setting "in basso"

After these, fifteen lute pieces follow.

Tabulaturen Etlicher Lobgesang

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