S-L Engelhart 216: Difference between revisions

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[[File:Alvin-record 321077-ATTACHMENT-0001.jpg|thumb|right|The opening of BuxWV 147 in S-L Engelhart 216]]
[[File:Alvin-record 321077-ATTACHMENT-0001.jpg|thumb|right|The opening of BuxWV 147 in S-L Engelhart 216]]
'''S-L Engelhart 216''' is a manuscript which contains the Preludium in G Major by [[Dietrich Buxtehude]] and is held in the ''Universitetsbiblioteket'', Lund. The manuscript is written in [[New German Tablature Notation]] likely around 1710-1720 by [[Hinrich Christopher Engelhardt]]<ref>[[Klaus Beckmann|Beckmann, Klaus]] (editor). ''Dietrich Buxtehude: Sämtliche Orgelwerke, Band I-II''. Wiesbaden, Breitkopf & Härtel, 1997. 106.</ref>.
'''S-L Engelhart 216''' is a manuscript which contains the Preludium in G Major by [[Dietrich Buxtehude]] and is held in the ''Universitetsbiblioteket'', Lund.
 
== Description ==
The manuscript is written in [[New German Tablature Notation]]. It adheres to the older tradition in notating organ music in which the final note of each voice is written with a fermata (meaning to hold it to the end) instead of supplying the necessary number of ties and supplementary notes. It includes some ornaments (all are placed under the note it affects), one resembling a diagonal pound symbol, and another resembling a type of ''tremblement''. One unique feature that is found in this manuscript is that some small notes (pitch names) are written in-between other notes, some with and others without corresponding rhythmic symbols.
 
The hand is unidentified, but perhaps the manuscript was copied around 1710-1720 by [[Heinrich Christopher Engelhardt]]<ref>[[Klaus Beckmann|Beckmann, Klaus]] (editor). ''Dietrich Buxtehude: Sämtliche Orgelwerke, Band I-II''. Wiesbaden, Breitkopf & Härtel, 1997. 106.</ref>.
 
On the question of proximity to Buxtehude, it has been theorized that this is a copy of an autograph by Buxtehude (a "first-generation" copy, so to say). The features that support this theory include
* The inclusion of "I.N.I." on the title page,
* The writing of the name "Buxtehude" appearing to be in ''manu propria'' style,
* The similarity with some of the letters of tablature to those in known Buxtehude autographs.


== References ==
== References ==
[http://urn.kb.se/resolve?urn=urn:nbn:se:alvin:portal:record-321077 www.alvin-portal.org], Mirrored {{IMSLP|854290}}, accessed 20 July, 2023.
[http://urn.kb.se/resolve?urn=urn:nbn:se:alvin:portal:record-321077 www.alvin-portal.org], Mirrored {{IMSLP|854290}}, accessed 20 July, 2023.
[[Michael Belotti|Belotti, Michael]] (editor), ''Dietrich Buxtehude: The Collected works.'' Vol.15, "Orekydesm Toccatas, and Ciacconas for Organ (pedaliter) (Section B: Commentary)." New York: The Broude Trust, 1998. 6-7.


[[Category:Manuscripts|Engelhart 216]]
[[Category:Manuscripts|Engelhart 216]]
[[Category:Tablatures|Engelhart 216]]
[[Category:Tablatures|Engelhart 216]]
[[Category:Swedish manuscripts|Engelhart 216]]
[[Category:Swedish manuscripts|Engelhart 216]]

Revision as of 16:14, 13 September 2023

The opening of BuxWV 147 in S-L Engelhart 216

S-L Engelhart 216 is a manuscript which contains the Preludium in G Major by Dietrich Buxtehude and is held in the Universitetsbiblioteket, Lund.

Description

The manuscript is written in New German Tablature Notation. It adheres to the older tradition in notating organ music in which the final note of each voice is written with a fermata (meaning to hold it to the end) instead of supplying the necessary number of ties and supplementary notes. It includes some ornaments (all are placed under the note it affects), one resembling a diagonal pound symbol, and another resembling a type of tremblement. One unique feature that is found in this manuscript is that some small notes (pitch names) are written in-between other notes, some with and others without corresponding rhythmic symbols.

The hand is unidentified, but perhaps the manuscript was copied around 1710-1720 by Heinrich Christopher Engelhardt[1].

On the question of proximity to Buxtehude, it has been theorized that this is a copy of an autograph by Buxtehude (a "first-generation" copy, so to say). The features that support this theory include

  • The inclusion of "I.N.I." on the title page,
  • The writing of the name "Buxtehude" appearing to be in manu propria style,
  • The similarity with some of the letters of tablature to those in known Buxtehude autographs.

References

www.alvin-portal.org, Mirrored IMSLP854290, accessed 20 July, 2023.

Belotti, Michael (editor), Dietrich Buxtehude: The Collected works. Vol.15, "Orekydesm Toccatas, and Ciacconas for Organ (pedaliter) (Section B: Commentary)." New York: The Broude Trust, 1998. 6-7.

  1. Beckmann, Klaus (editor). Dietrich Buxtehude: Sämtliche Orgelwerke, Band I-II. Wiesbaden, Breitkopf & Härtel, 1997. 106.