Lynar Tablatures: Difference between revisions
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[[File:PPN1032686251 00000006.jpg|thumb|The ending of the fragmented ''Durch Adams fall'' by Jacob Praetorius]] | [[File:PPN1032686251 00000006.jpg|thumb|The ending of the fragmented ''Durch Adams fall'' by Jacob Praetorius]] | ||
This manuscript contains one piece, a fragment of a [[Chorale Fantasia]] ''Durch Adams Fall ist ganz verderbt'' auff 3 clavier by [[Jakob Praetorius]]. The piece is neatly written in five voices, suggesting that the top voice is to be played on ''Rückpositiv'', the second on ''Brustwerk'', the third and fourth on ''Organum'', and the bottom in ''Pedal''<ref>[[Werner Brieg|Brieg, Werner]] (editor). ''Jacob Praetorius: Choralbearbeitunen für Orgel.'' Kassel: Bärenreiter, 1974.</ref>. | This manuscript contains one piece, a fragment of a [[Chorale Fantasia]] ''Durch Adams Fall ist ganz verderbt'' auff 3 clavier by [[Jakob Praetorius]]. The piece is neatly written in five voices, suggesting that the top voice is to be played on ''Rückpositiv'', the second on ''Brustwerk'', the third and fourth on ''Organum'', and the bottom in ''Pedal''<ref>[[Werner Brieg|Brieg, Werner]] (editor). ''Jacob Praetorius: Choralbearbeitunen für Orgel.'' Kassel: Bärenreiter, 1974.</ref>. | ||
=== Lynar b 6<ref>[http://resolver.staatsbibliothek-berlin.de/SBB0002438300000000] accessed 18 July, 2023.</ref> === | |||
Mus. ms. Lynar b 6 contains a manualiter Toccata auf 2 clavir by [[Heinrich Scheidemann]] on 10 pages. | |||
=== Lynar b 8<ref>[http://resolver.staatsbibliothek-berlin.de/SBB0002438600000000] accessed 18 July, 2023.</ref> === | === Lynar b 8<ref>[http://resolver.staatsbibliothek-berlin.de/SBB0002438600000000] accessed 18 July, 2023.</ref> === | ||
Revision as of 15:50, 18 July 2023
The Lynar tablatures are a collection of manuscripts that are currently held in the Staatsbibliothek, Berlin. Many of the manuscripts are now available on the internet.
Contents
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Lynar B1[1]
| No. | Title | notes |
|---|---|---|
| 1 | Fantasia Auff die manier von ein Echo. M. J. P. S. | Jan Pieterszoon Sweelinck |
| 2 | Puer natusin Bethlehem a Paulus Sivert | Paul Siefert |
| 3 | Nun komm der Heÿden Heÿlandt | Paul Siefert? |
| 4 | Nun Lobe meine Seele den Herren Auff 2 Clavir D. H. | Düben? |
| 5 | Wo Gott der Herr nicht beÿ unß Held auff 2 Clavir Andræ Duben | Andreas Düben |
| 6 | Allein Gott inn der Höh seÿ Ehr. M. J. P. | Jan Pieterszoon Sweelinck |
| 7 | Variatio Bicinium M. J. P. | Jan Pieterszoon Sweelinck |
| 8 | Variatio coral in Tenor M. J. P. | Jan Pieterszoon Sweelinck |
| 9 | Variatio coral in cantu 4 Vocum M. J. P. | Jan Pieterszoon Sweelinck |
| 10 | Variatio Choral in Cantu auff 2 Clavier A. Duben | Andreas Düben |
| 11 | Variatio choral in Basso A. D. | Andreas Düben |
| 12 | Variatio Choral in Bass M. Duben | Martin Düben |
| 13 | Variatio Choral in Baß 3 vocum | |
| 14 | Varatio | |
| 15 | Variatio Choral in Tenore 3 vocum P Hassen | Petrus Hasse |
| 16 | Variatio 3 Vocum Choral in Basso P. Hass | Petrus Hasse |
| 17 | Var. 12 G. S. | Gottfried Scheidt |
| 18 | Var. Choral in Cantu auff 2 Clav. G. S. | Gottfried Scheidt |
| 19 | 4 vocum | |
| 20 | Variatio Zum Alt vndt Tenor muße nur Stimmen von 4 Fuß gezogen werden | |
| 21 | Variatio Choral in Cantu auf 2 Clav. | |
| 22 | Variatio Choral in Tenore | |
| 23 | Allein Gott in der Höh seÿ EHR: S. S. | Samuel Scheidt |
| 24 | Allein Gott â 3 Vocum Choral in Bass W. Karges | Wilhelm Karges |
| 25 | Erstanden ist der Heilige Christ M. D. Simpel - Auff 2. Clavir - Choral in Cantu auff 2. Clavier. - Coral in Basso 3. Voc: | Martin Düben |
Lynar B2[2]
| No. | Title | notes |
|---|---|---|
| 1 | [Fanta]sia [mit B]indungen | Jan Pieterszoon Sweelinck |
| 2 | Fantasia A 4 | Anonymus: Jan Pieterszoon Sweelinck |
| 3 | fantasia primi Toni A 4 | Nun komm der Heiden Heiland |
| 4 | ach Gott vom him: mel sieh darein. | Heinrich Scheidemann? |
| 5 | Herr Christ der Einig Gottes Sohn… M.S | Melchior Schildt |
| 6 | Wie schön leucht unß der Morgenstern | |
| 7 | Nun freut euch lieben Christen gmein | |
| 8 | psalm 116 J. P. | Jan Pieterszoon Sweelinck |
| 9 | O Lux Beata Trinitas: | |
| 10 | psalm 60 A 2 | Anonymus: Jan Pieterszoon Sweelinck |
| 11 | O Gott du unser Vater bist | Anonymus: Jan Pieterszoon Sweelinck |
| 12 | P 23 Mein hütter Undt mein hirtt | Anonymus: Jan Pieterszoon Sweelinck |
| 13 | die 10 Gebott Gottes | Jan Pieterszoon Sweelinck |
| 14 | Es spricht den unweisen Mundt woll | Heinrich Scheidemann |
| 15 | Fuga Cromatico ex D.la.sol.re. | |
| 16 | Fantasia A. 2: 3: et 4 Vocum | Anonymus: Jan Pieterszoon Sweelinck |
| 17 | Fantasia Super ut re mi fa.sol.la. A. 3. Vocum |
Lynar B 3[3]
This manuscript's pages are numbered in a way that is slightly similar to the recto and verso method of numbering folios, in which each group of two pages that are visible when opened are counted together. In other words, 2v-3r is labeled 2. A piece which is on four pages (in other words, 2v-4r) is labeled 2-3. The numbering on the left side and right side of each group of pages are not idential, the numbering on the left side is counted here.
| No. | Title | notes |
|---|---|---|
| 1 | [fragment] | Recto folio only |
| 1 | Praeludium [fragment] | Recto folio only |
| 2 | Praludium | |
| 3 | Praeludium | |
| 4 | Praludium | |
| 5 | Praludium / H S M | H S M = Heinrich Scheidemann |
| 6 | Vater unser / in Himmel / reich. / MW. C. B. M. // 2 Variation // 3 | 3 verses. Final verse is succeeded by "Verte [sic.]" |
| 7-9 | Fantasia / J. P. [?] | |
| 10 | Fantasia. / 6 toni. | |
| 11 | Praludium / pedaliter | |
| 11 | Praeludium | |
| 12 | Herr Christ / der einige Gott / es dahin [?] | |
| 13 | Praludium | |
| 14 | Praludium | |
| 15 | Praludium | |
| 16 | Praludium / secundi Toni / Auf 2 Clavir / und pedahll. | Succeeded by "finis" |
| 17-19 | Fantasia | Succeeded by "finis". |
| 20-21 | [20] Vater unser / im himmell / reich Corahll / im Bas. // [21] 2 Vers auf // 2 ine[?] Clavier / und pedahll | 2 verses. 1st verse succeeded by "verte". 2nd verse succeeded by "finis" |
| 22-23 | O Mensch be= / weine deine / sünde gros auf. / 2 Clavier der Co= / rahll gecollorirett / M. W. C. B. M. | succeeded by "In 5 April / Ao 1628 / Sequitur" |
| (blank pages) | ||
| 24 | Praeludium / pedaliter / David Abel. | |
| 25 | Praludium / David Abels. | |
| 26 | Fuga | |
| 27 | Ricercar / primi Toni | |
| 28-30 | Ricercar / primi Toni / ex G. B. moll | |
| 31 | Praludium / Ex E. Vel / a. pedaliter / M. D. O. | |
| 32 | Praambulum / pedaliter / M. D. O. | |
| 33 | Praambulum / pedaliter | |
| 34 | Praambulum / pedaliter | |
| 34 | Praludium / pedaliter | |
| 35 | Praambulum / pedaliter / P. H. | |
| 36 | Praludium / pedaliter / M. F. P. S. W. | |
| 37 | Praludium / pedaliter | |
| 38 | Praludium / M. D. O | Fragment? |
| 39 | Praludium / pedaliter | |
| 39 | Praludium | |
| 39 | Praeludium / pedaliter | |
| 39 | Praeludium / pedaliter | |
| 40 | Praludium / pedaliter | Verso folio. Fragment |
Lynar b 4[4]
This manuscript contains four pieces:
- "In dir hab / ich gehoffet / Herr / auf 2 Clavier / manualiter" starting on page 1
- Illegible, maybe "Jesus Christus / unser heÿlantt / auf 2 Clavir / pedaliter" on page 4
- "Fantasia / M. S[?]. P." on page 10
- "Fantasia / A. 3 Vocum / Transpon: per 4ton" starting on page 14 and ending on the page 16-17 opening.
The page numbers (instead of folios) have been penciled in by a librarian.
Lynar b 5[5]
This manuscript contains one piece, a fragment of a Chorale Fantasia Durch Adams Fall ist ganz verderbt auff 3 clavier by Jakob Praetorius. The piece is neatly written in five voices, suggesting that the top voice is to be played on Rückpositiv, the second on Brustwerk, the third and fourth on Organum, and the bottom in Pedal[6].
Lynar b 6[7]
Mus. ms. Lynar b 6 contains a manualiter Toccata auf 2 clavir by Heinrich Scheidemann on 10 pages.
Lynar b 8[8]
This manuscript contains two pieces, "Ich ruff zu / dir herr / Jesu Christ / auff 2. clavier" and "Alio modo / auff 2. und 3. / Clavir, und auff der / Pedal zu gebrauf [?] / Anton Neünhaber." These are thought to be two verses of the same piece by Andreas Neunhaber[9]. The second piece is in five voices and has detailed manual change indications written into the tablature.
References
- ↑ Beckmann, K., 2009. "Blütezeit und Verfall", 1. Auflage. ed, "Die Norddeutsche Schule: Orgelmusik im protestantischen Norddeutschland zwischen 1517 und 1755". Schott, Mainz.
- ↑ Dirksen, P., "Eight Chorale Settings by Jan P. Sweelinck and his School", 1991, Vereniging voor Nederlandse Muziekgeschiedenis, Utrecht
- ↑ [1] accessed 17 July, 2023.
- ↑ [2] accessed 18 July, 2023.
- ↑ [3] accessed 17 July, 2023.
- ↑ Brieg, Werner (editor). Jacob Praetorius: Choralbearbeitunen für Orgel. Kassel: Bärenreiter, 1974.
- ↑ [4] accessed 18 July, 2023.
- ↑ [5] accessed 18 July, 2023.
- ↑ Beckmann, K. (editor). 3 Choralbearbeitunten von Anton Neunhaber und Ewald Hintz. Wiesbaden: Breitkopf & Härtel, 1974.
