Lynar Tablatures

The Lynar tablatures are a collection of manuscripts that are currently held in the Staatsbibliothek, Berlin. Many of the manuscripts are now available on the internet.

Contents

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Lynar B2

Works in D-B Mus. Ms. Lynar B2

No.	Title	notes
1	[Fanta]sia [mit B]indungen	Jan Pieterszoon Sweelinck
2	Fantasia A 4	Anonymus: Jan Pieterszoon Sweelinck
3	fantasia primi Toni A 4	Nun komm der Heiden Heiland
4	ach Gott vom him: mel sieh darein.	Heinrich Scheidemann?
5	Herr Christ der Einig Gottes Sohn… M.S	Melchior Schildt
6	Wie schön leucht unß der Morgenstern
7	Nun freut euch lieben Christen gmein
8	psalm 116 J. P.	Jan Pieterszoon Sweelinck
9	O Lux Beata Trinitas:
10	psalm 60 A 2	Anonymus: Jan Pieterszoon Sweelinck
11	O Gott du unser Vater bist	Anonymus: Jan Pieterszoon Sweelinck
12	P 23 Mein hütter Undt mein hirtt	Anonymus: Jan Pieterszoon Sweelinck
13	die 10 Gebott Gottes	Jan Pieterszoon Sweelinck
14	Es spricht den unweisen Mundt woll	Heinrich Scheidemann
15	Fuga Cromatico ex D.la.sol.re.
16	Fantasia A. 2: 3: et 4 Vocum	Anonymus: Jan Pieterszoon Sweelinck
17	Fantasia Super ut re mi fa.sol.la. A. 3. Vocum

Lynar B 3

This manuscript's pages are numbered in a way that is slightly similar to the recto and verso method of numbering folios, in which each group of two pages that are visible when opened are counted together. In other words, 2v-3r is labeled 2. A piece which is on four pages (in other words, 2v-4r) is labeled 2-3. The numbering on the left side and right side of each group of pages are not idential, the numbering on the left side is counted here.

Works in D-B Mus. Ms. Lynar B 3

No.	Title	notes
1	[fragment]	Recto folio only
1	Praeludium [fragment]	Recto folio only
2	Praludium
3	Praeludium
4	Praludium
5	Praludium / H S M	H S M = Heinrich Scheidemann
6	Vater unser / in Himmel / reich. / MW. C. B. M. // 2 Variation // 3	3 verses. Final verse is succeeded by "Verte [sic.]"
7-9	Fantasia / J. P. [?]
10	Fantasia. / 6 toni.
11	Praludium / pedaliter
11	Praeludium
12	Herr Christ / der einige Gott / es dahin [?]
13	Praludium
14	Praludium
15	Praludium
16	Praludium / secundi Toni / Auf 2 Clavir / und pedahll.	Succeeded by "finis"
17-19	Fantasia	Succeeded by "finis".
20-21	[20] Vater unser / im himmell / reich Corahll / im Bas. // [21] 2 Vers auf // 2 ine[?] Clavier / und pedahll	2 verses. 1st verse succeeded by "verte". 2nd verse succeeded by "finis"
22-23	O Mensch be= / weine deine / sünde gros auf. / 2 Clavier der Co= / rahll gecollorirett / M. W. C. B. M.	succeeded by "In 5 April / Ao 1628 / Sequitur"
	(blank pages)
24	Praeludium / pedaliter / David Abel.
25	Praludium / David Abels.
26	Fuga
27	Ricercar / primi Toni
28-30	Ricercar / primi Toni / ex G. B. moll
31	Praludium / Ex E. Vel / a. pedaliter / M. D. O.
32	Praambulum / pedaliter / M. D. O.
33	Praambulum / pedaliter
34	Praambulum / pedaliter
34	Praludium / pedaliter
35	Praambulum / pedaliter / P. H.
36	Praludium / pedaliter / M. F. P. S. W.
37	Praludium / pedaliter
38	Praludium / M. D. O	Fragment?
39	Praludium / pedaliter
39	Praludium
39	Praeludium / pedaliter
39	Praeludium / pedaliter
40	Praludium / pedaliter	Verso folio. Fragment

Lynar b 5

The ending of the fragmented Durch Adams fall by Jacob Praetorius

This manuscript contains one piece, a fragment of a Chorale Fantasia Durch Adams Fall ist ganz verderbt auff 3 clavier by Jakob Praetorius. The piece is neatly written in five voices, suggesting that the top voice is to be played on Rückpositiv, the second on Brustwerk, the third and fourth on Organum, and the bottom in Pedal.

Lynar b 8

This manuscript contains two pieces, "Ich ruff zu / dir herr / Jesu Christ / auff 2. clavier" and "Alio modo / auff 2. und 3. / Clavir, und auff der / Pedal zu gebrauf [?] / Anton Neunhaber." The second piece is in five voices and has detailed manual change indications written into the tablature.