Jean Langlais: Difference between revisions
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| 1946 || Fete || || First american commission || ''Modern Anthology''<br>H. W. Gray, 1949<br>''Saint Secilia Series'' 884-885 || W136 | | 1946 || Fete || || First american commission || ''Modern Anthology''<br>H. W. Gray, 1949<br>''Saint Secilia Series'' 884-885 || W136 | ||
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| 14-20 February 1949 || Incantation pour un jour Saint || || || ''Orgue et Liturgie/Paques''<br>Editions Schola Cantorum, 1950<br>Editions Schola Cantorum, 1980 || W141 | |||
|- | |||
| 1951 || Hommage a Frescobaldi || Prelude au Kyrie<br>Offertoire<br>Elevation<br>Communion<br>Fantasie<br>Antienne<br>Theme et variations<br>Epilogue || || Bornemann, 1954 || W139 | |||
|- | |- | ||
| 1952 || Folkloric Suite || Fugue on "O Filii"<br>Legende de Saint Nicolas<br>Cantique<br>Canzona<br>Rhapsodie sur deux Noëls || || FizSimons, 1954 || W137 | | 1952 || Folkloric Suite || Fugue on "O Filii"<br>Legende de Saint Nicolas<br>Cantique<br>Canzona<br>Rhapsodie sur deux Noëls || || FizSimons, 1954 || W137 | ||
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| March 1957 || Three Characteristic Pieces || Pastoral-Prelude<br>Interlude<br>Bells || Homage to [[John Stanley]] || Novello, 1957 || W128 | | March 1957 || Three Characteristic Pieces || Pastoral-Prelude<br>Interlude<br>Bells || Homage to [[John Stanley]] || Novello, 1957 || W128 | ||
|- | |||
| 1958 || Miniature || || Modified from 1935 || H. W. Gray, 1960 || W149 | |||
|- | |- | ||
| 1959-1960 || American Suite || Big Texas<br>New York on a Sunday Morning<br>Californian Evocation<br>Confirmation in Chicago<br>At Buffalo Bill's Grave<br>Scherzo-Cats<br>Boys Town<br>Storm in Florida || || H. W. Gray, 1961. || W123 | | 1959-1960 || American Suite || Big Texas<br>New York on a Sunday Morning<br>Californian Evocation<br>Confirmation in Chicago<br>At Buffalo Bill's Grave<br>Scherzo-Cats<br>Boys Town<br>Storm in Florida || || H. W. Gray, 1961. || W123 | ||
|- | |||
| 1962 || Trois Meditations sur la Sainte Trinite || Le Pere<br>Le Fils<br>Le Saint Esprit || || Philippo, 1962 || W147 | |||
|- | |- | ||
| 10-11 November, 1962 || Essai || || || Bornemann, 1962 || W133 | | 10-11 November, 1962 || Essai || || || Bornemann, 1962 || W133 | ||
|- | |- | ||
| 1962-1964 || Homage to Jean-Philippe Rameau || Remembrance<br>Allegretto<br>Meditation<br>Evocation<br>As a fugue<br>United themes || Commissioned for 200th anniversary of the death of Rameau || Elkan-Vogel, 1965<br>Bornemann, 1987 || W138 | | 1962-1964 || Homage to Jean-Philippe Rameau || Remembrance<br>Allegretto<br>Meditation<br>Evocation<br>As a fugue<br>United themes || Commissioned for 200th anniversary of the death of Rameau || Elkan-Vogel, 1965<br>Bornemann, 1987 || W138 | ||
|- | |||
| February 19, 1968 || Livre Oecumenique || Sacris Solemnis<br>Du fond de ma detresse<br>Verbum Supernum<br>Notre Dieu est une puissante forteresse<br>Ave Maris Stella<br>Mon ame exalte le Seigneur<br>Pater Noster<br>Notre Peree qui es aux Cieux<br>Kyrie<br>Kyrie, Dieu, Pere Eternel<br>Gloria<br>Gloire a Dieu au plus haut des Cieux || || Bornemann, 1968 || W144 | |||
|- | |- | ||
| 30 August, 1968 || Adoration || || || ''Zeitgenössische Orgelmusik im Gottesdienst''<br>Editions Eulenburg, 1970. || W120 | | 30 August, 1968 || Adoration || || || ''Zeitgenössische Orgelmusik im Gottesdienst''<br>Editions Eulenburg, 1970. || W120 | ||
|- | |||
| 1970 || Trois Implorations || Pour le Joie<br>Pour l'indulgence<br>Pour la Croyance || || Bornemann, 1970 || W140 | |||
|- | |- | ||
| 1971 || Cinq Chorals || Gesegn uns, Herr, die Gaben dein<br>Jauchzt, alle Lande, Gott zu Ehren<br>O daß doch bald dein Feuer brennte<br>Wie lieblich schön, Herr Zebaoth<br>Wir wollen singn ein' Lobgesang. || || ''Choralvorspiele für den Gottesdienstlichen Gebrauch''<br>Bärenreiter, 1975. || W129 | | 1971 || Cinq Chorals || Gesegn uns, Herr, die Gaben dein<br>Jauchzt, alle Lande, Gott zu Ehren<br>O daß doch bald dein Feuer brennte<br>Wie lieblich schön, Herr Zebaoth<br>Wir wollen singn ein' Lobgesang. || || ''Choralvorspiele für den Gottesdienstlichen Gebrauch''<br>Bärenreiter, 1975. || W129 | ||
|- | |||
| 1973 || Cinq Meditations sur l'Apocalypse || Celui qui a des oreilles, qu'il ecoute<br>Il etait, il est, et il vient<br>Visions phophetiques<br>Oh oui, viens Seigneur Jesus<br>La Cinquieme trompette || Bornemann, 1974 || W146 | |||
|- | |- | ||
| November 1974 || Huit Chants de Bretagne || Le Paradis<br>Disons le Chapelet<br>Angelus<br>Noël Bretun<br>Jesus, mon Sauveur beni<br>Jesus nous dit de prier<br>Aux lys avec leurs feuilles argentees<br>Penesz a l'eternite || || Bornemann, 1975 || W127. | | November 1974 || Huit Chants de Bretagne || Le Paradis<br>Disons le Chapelet<br>Angelus<br>Noël Bretun<br>Jesus, mon Sauveur beni<br>Jesus nous dit de prier<br>Aux lys avec leurs feuilles argentees<br>Penesz a l'eternite || || Bornemann, 1975 || W127. | ||
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| 14 January, 1975 || Celebration || || Dedicated to [[Frank Cunkle]] || || W126 | | 14 January, 1975 || Celebration || || Dedicated to [[Frank Cunkle]] || || W126 | ||
|- | |||
| 1976 || Mosaique I || Stele pour Gabriel Faure<br>Sur la tombe de Buffalo Bill<br>Double Fantaisie pour deux organistes<br>Boys town, leiu de paix || || Combre, 1977 || W151 | |||
|- | |||
| 1976 || Mosaique II || Gable<br>Images<br>Trio<br>Complainte de Pontkalleg<br>Salve Regina || || Combre 1977 || W154 | |||
|- | |- | ||
| 1977 || Ave Maris Stella, Choral pour orgue || || || || W124 | | 1977 || Ave Maris Stella, Choral pour orgue || || || || W124 | ||
|- | |||
| 20 June, 1980 || Marienstatt Chorals || Lobpreiset all zu dierser Zeit<br>Erfreue dich, Himmel<br>Freu dich, du Himmels Königin<br>Pange Lingua || || Assorted volumes of ''Marienstatter Orgelbüchlein''<br>Breitkopf & Härtel || W145 | |||
|- | |- | ||
| June 1983 || Sept Etudes de Concert || Chromatique<br>Countrepoint 1<br>Alternances<br>Contrepoint 2<br>Staccato<br>Trilles<br>Alleluia || Pedal solo || Universal, 1984 || W134 | | June 1983 || Sept Etudes de Concert || Chromatique<br>Countrepoint 1<br>Alternances<br>Contrepoint 2<br>Staccato<br>Trilles<br>Alleluia || Pedal solo || Universal, 1984 || W134 | ||
|- | |||
| 1984 || Methode d'Orgue || || || Combre, 1984 || W148 | |||
|- | |||
| March 1984 || Miniature II || || Collection [[La Pléiade]] level: Elementaire 2 || Combre, 1984 || W150 | |||
|- | |||
| 1985 || Drei Leichte Stücke für Orgel || Libre<br>Recitativ<br>Allegro || || Pro Organo, 1986 || W143 | |||
|- | |- | ||
| September 1985 || B.A.C.H. || || Six pieces composed for the 300 year anniversary of the birth of [[Johann Sebastian Bach]] || Bornemann, 1985 || W125 | | September 1985 || B.A.C.H. || || Six pieces composed for the 300 year anniversary of the birth of [[Johann Sebastian Bach]] || Bornemann, 1985 || W125 | ||
|- | |||
| 1986 || In Memoriam || || "A la memoire de mom maitre, [[Charles Tournemire]]" || Combre, 1987 || W142 | |||
|- | |- | ||
| 1986 || Fantasy on two Scottish Themes || || Commissioned in recognition of the composer's 80th birthday || Novello || W135 | | 1986 || Fantasy on two Scottish Themes || || Commissioned in recognition of the composer's 80th birthday || Novello || W135 |
Revision as of 17:54, 17 August 2023
Works
Date | Title | Incipit | Notes | Publ. | Ref. |
---|---|---|---|---|---|
1929 | Adoration des Bergers | Only surviving work of Six Preludes. 1982 title: "Chant des bergers" |
Revue de la Schola Cantorum, September-October 1938 Das neue Orgelalbum Universal Edition, 1982. |
W121 | |
1946 | Fete | First american commission | Modern Anthology H. W. Gray, 1949 Saint Secilia Series 884-885 |
W136 | |
14-20 February 1949 | Incantation pour un jour Saint | Orgue et Liturgie/Paques Editions Schola Cantorum, 1950 Editions Schola Cantorum, 1980 |
W141 | ||
1951 | Hommage a Frescobaldi | Prelude au Kyrie Offertoire Elevation Communion Fantasie Antienne Theme et variations Epilogue |
Bornemann, 1954 | W139 | |
1952 | Folkloric Suite | Fugue on "O Filii" Legende de Saint Nicolas Cantique Canzona Rhapsodie sur deux Noëls |
FizSimons, 1954 | W137 | |
21 October, 1954 | Dominica in Palmis | L'Organiste Liturgique 8/Passion Editions Schola Cantorum, 1954 Editions Schola Cantorum, 1980 Music 11, no. 3, 1977 |
W130 | ||
March 1957 | Three Characteristic Pieces | Pastoral-Prelude Interlude Bells |
Homage to John Stanley | Novello, 1957 | W128 |
1958 | Miniature | Modified from 1935 | H. W. Gray, 1960 | W149 | |
1959-1960 | American Suite | Big Texas New York on a Sunday Morning Californian Evocation Confirmation in Chicago At Buffalo Bill's Grave Scherzo-Cats Boys Town Storm in Florida |
H. W. Gray, 1961. | W123 | |
1962 | Trois Meditations sur la Sainte Trinite | Le Pere Le Fils Le Saint Esprit |
Philippo, 1962 | W147 | |
10-11 November, 1962 | Essai | Bornemann, 1962 | W133 | ||
1962-1964 | Homage to Jean-Philippe Rameau | Remembrance Allegretto Meditation Evocation As a fugue United themes |
Commissioned for 200th anniversary of the death of Rameau | Elkan-Vogel, 1965 Bornemann, 1987 |
W138 |
February 19, 1968 | Livre Oecumenique | Sacris Solemnis Du fond de ma detresse Verbum Supernum Notre Dieu est une puissante forteresse Ave Maris Stella Mon ame exalte le Seigneur Pater Noster Notre Peree qui es aux Cieux Kyrie Kyrie, Dieu, Pere Eternel Gloria Gloire a Dieu au plus haut des Cieux |
Bornemann, 1968 | W144 | |
30 August, 1968 | Adoration | Zeitgenössische Orgelmusik im Gottesdienst Editions Eulenburg, 1970. |
W120 | ||
1970 | Trois Implorations | Pour le Joie Pour l'indulgence Pour la Croyance |
Bornemann, 1970 | W140 | |
1971 | Cinq Chorals | Gesegn uns, Herr, die Gaben dein Jauchzt, alle Lande, Gott zu Ehren O daß doch bald dein Feuer brennte Wie lieblich schön, Herr Zebaoth Wir wollen singn ein' Lobgesang. |
Choralvorspiele für den Gottesdienstlichen Gebrauch Bärenreiter, 1975. |
W129 | |
1973 | Cinq Meditations sur l'Apocalypse | Celui qui a des oreilles, qu'il ecoute Il etait, il est, et il vient Visions phophetiques Oh oui, viens Seigneur Jesus La Cinquieme trompette |
Bornemann, 1974 | W146 | |
November 1974 | Huit Chants de Bretagne | Le Paradis Disons le Chapelet Angelus Noël Bretun Jesus, mon Sauveur beni Jesus nous dit de prier Aux lys avec leurs feuilles argentees Penesz a l'eternite |
Bornemann, 1975 | W127. | |
1975 | Tois Esquisses Gothiques | Veni Creator Virgo Dei Genitrix Sequence pour la fete de la Dedicace |
For two organs, second organ ad lib. | Bornemann, 1977 | W131 |
1975 | Tois Esquisses Romanes | Sequence Hac Clara Die - Tu Autem Kyrie Rex Splendens Jerusalem mirabilis |
For two organs, second organ ad lib. | Bornemann, 1976 | W132 |
14 January, 1975 | Celebration | Dedicated to Frank Cunkle | W126 | ||
1976 | Mosaique I | Stele pour Gabriel Faure Sur la tombe de Buffalo Bill Double Fantaisie pour deux organistes Boys town, leiu de paix |
Combre, 1977 | W151 | |
1976 | Mosaique II | Gable Images Trio Complainte de Pontkalleg Salve Regina |
Combre 1977 | W154 | |
1977 | Ave Maris Stella, Choral pour orgue | W124 | |||
20 June, 1980 | Marienstatt Chorals | Lobpreiset all zu dierser Zeit Erfreue dich, Himmel Freu dich, du Himmels Königin Pange Lingua |
Assorted volumes of Marienstatter Orgelbüchlein Breitkopf & Härtel |
W145 | |
June 1983 | Sept Etudes de Concert | Chromatique Countrepoint 1 Alternances Contrepoint 2 Staccato Trilles Alleluia |
Pedal solo | Universal, 1984 | W134 |
1984 | Methode d'Orgue | Combre, 1984 | W148 | ||
March 1984 | Miniature II | Collection La Pléiade level: Elementaire 2 | Combre, 1984 | W150 | |
1985 | Drei Leichte Stücke für Orgel | Libre Recitativ Allegro |
Pro Organo, 1986 | W143 | |
September 1985 | B.A.C.H. | Six pieces composed for the 300 year anniversary of the birth of Johann Sebastian Bach | Bornemann, 1985 | W125 | |
1986 | In Memoriam | "A la memoire de mom maitre, Charles Tournemire" | Combre, 1987 | W142 | |
1986 | Fantasy on two Scottish Themes | Commissioned in recognition of the composer's 80th birthday | Novello | W135 | |
12 February, 1986 | American Folk-Hymn Settings | Amazing Grace! How Sweet the Sound Battle Hymn of the Republic How Firm a Foundation There is a Fountain Filled with Blood When I can read my Title clear On Jordan's stormy Banks I stand |
FitzSimons, 1986 | W122. |
- ↑ Thomerson, Kathleen, Jean Langlais: A Bio-Bibliography. Bio-Bibliographies in Music no.10. New York: Greenwood Press, 1988. p.38-50