D-Lr Mus.ant.pract. K.N. 207/16: Difference between revisions
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!Fol. | !Fol. | ||
!Title | !Title | ||
! | !Incipit | ||
|- | |- | ||
|1 | |1 | ||
|1v-3r | |1v-3r | ||
|[1] Praeludium / a. 5. | |[1] Praeludium / a. 5. | ||
| | |<score><< \relative f' {\clef bass \time 4/2 \key f \major f1~f~f } \\ \relative f { f1~1 f,2 f'4 e } \\ \relative c' { c1 d c } \\ \relative a { a1~2 bes2~bes a } \\ \relative f { f1~1~2 2 } >></score> | ||
|- | |- | ||
|2 | |2 | ||
|2v-3r | |2v-3r | ||
|Praeludium [2] / Franc. Tunder. | |Praeludium [2] / Franc. Tunder. | ||
| | |<score>\relative d'' { \key g \minor r16 d e f g d f ees d b c d g, b a c << <b d, g,>4. \\ g1*3/8 >> }</score> | ||
|- | |- | ||
|3 | |3 | ||
|3v-4r | |3v-4r | ||
|Praeludium / [3] / Franc: Tunder. | |Praeludium / [3] / Franc: Tunder. | ||
| | |<score>\relative f'' { \key f \major f8. g16 a e f g c, f e f c d a bes << c1*1/2 \\ { r4 <a f>4 } >> }</score> | ||
|- | |- | ||
|4 | |4 | ||
|4v-5r | |4v-5r | ||
|Praeludium / Franc. Tunder. [4] | |Praeludium / Franc. Tunder. [4] | ||
| | |<score>\relative g { \key g \minor g16 b a b g a b c b d c d b c d ees d g e fis g }</score> | ||
|- | |- | ||
|5 | |5 | ||
|5r-6v | |5r-6v | ||
|Praeludium [5] / Franc: Tunder | |Praeludium [5] / Franc: Tunder | ||
| | |<score><< \relative d'' { \key g \minor d8. ees16 d8. c16 b4 c } \\ \relative g' g1 \\ \\ \relative b { b4 c d8. ees16 c8. d16 } >></score> | ||
|} | |} | ||
Revision as of 12:45, 1 August 2023
Mus.ant.pract. KN 20716 (Also sylized 207/16, or 207-16) is a manuscript held in the Ratsbücherei, Lüneburg.
Description
The manuscript is written in New German Tablature Notation and contains five preludes, four by Franz Tunder and one unattributed. The anonymous prelude has been attributed to Tunder[1] and Weckmann[2].
It has been theorized that this manuscript was written by Heinrich Baltzer Wedemann.
The five preludes are numbered from 1 to 5 by a later librarian's hand.
Contents
The preludes by Franz Tunder can be found in numerous editions of his works, such as the complete editions by Klaus Beckmann[3], Claudia Schumacher, and Michael Belotti. The anonymous Praeludium can be found in the 10th volume of Organum IV, edited by Max Seiffert
Note: The Schumacher edition states that the first piece is on two pages, f.1v-2r, however, a facsimile shows that the final system of the first Prelude extends accross the next two pages[2].
| No. | Fol. | Title | Incipit |
|---|---|---|---|
| 1 | 1v-3r | [1] Praeludium / a. 5. |  |
| 2 | 2v-3r | Praeludium [2] / Franc. Tunder. |  |
| 3 | 3v-4r | Praeludium / [3] / Franc: Tunder. |  |
| 4 | 4v-5r | Praeludium / Franc. Tunder. [4] |  |
| 5 | 5r-6v | Praeludium [5] / Franc: Tunder |  |
Reference
Schumacher, Claudia (editor). Franz Tunder: Sämtliche Orgelwerke. Mainz: Schott Music GmBH, 2022. 94.
- ↑ Seiffert, Max (editor). 6 Preludien und Fugen Anonymi der Norddeutschen Scule. Organum IV vol. 10. Lippstadt: Kistner & Siegel, undated.
- ↑ 2.0 2.1 Belotti, Michael (editor). Tunder: Sämtliche Orgelwerke. Breitkopf & Härtel, 2012.
- ↑ Beckmann, Klaus (editor). Tunder: Sämtliche Orgelwerke. Wiesbaden: Breitkopf & Härtel, 1974.
