Lynar Tablatures: Difference between revisions

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(Lynar B2)
(Ergänzung)
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== Contents ==
== Contents ==
''Note: You can help pipe-organ.wiki complete this list!''
''Note: You can help pipe-organ.wiki complete this list!''
===Lynar B1===
{| class="wikitable mw-collapsible"
|+Works in D-B Mus. Ms. Lynar B2
!No.
!Title
!notes
|-
|1
|Fantasia Auff die manier von ein Echo. M. J. P. S.
|[[Jan Pieterszoon Sweelinck]]
|-
|2
|Puer natusin Bethlehem a Paulus Sivert
|[[Paul Siefert]]
|-
|3
|Nun komm der Heÿden Heÿlandt
|Paul Siefert?
|-
|4
|Nun Lobe meine Seele den Herren Auff 2 Clavir D. H.
|Düben?
|-
|5
|Wo Gott der Herr nicht beÿ unß Held auff 2 Clavir Andræ Duben
|[[Andreas Düben]]
|-
|6
|Allein Gott inn der Höh seÿ Ehr. M. J. P.
|Jan Pieterszoon Sweelinck
|-
|7
|Variatio Bicinium M. J. P.
|Jan Pieterszoon Sweelinck
|-
|8
|Variatio coral in Tenor M. J. P.
|Jan Pieterszoon Sweelinck
|-
|9
|Variatio coral in cantu 4 Vocum M. J. P.
|Jan Pieterszoon Sweelinck
|-
|10
|Variatio Choral in Cantu auff 2 Clavier A. Duben
|Andreas Düben
|-
|11
|Variatio choral in Basso A. D.
|Andreas Düben
|-
|12
|Variatio Choral in Bass M. Duben
|[[Martin Düben]]
|-
|13
|Variatio Choral in Baß 3 vocum
|
|-
|14
|Varatio
|
|-
|15
|Variatio Choral in Tenore 3 vocum P Hassen
|[[Petrus Hasse]]
|-
|16
|Variatio 3 Vocum Choral in Basso P. Hass
|Petrus Hasse
|-
|17
|Var. 12 G. S.
|[[Gottfried Scheidt]]
|-
|18
|Var. Choral in Cantu auff 2 Clav. G. S.
|Gottfried Scheidt
|-
|19
|4 vocum
|
|-
|20
|Variatio Zum Alt vndt Tenor muße nur Stimmen von 4 Fuß gezogen werden
|
|-
|21
|Variatio Choral in Cantu auf 2 Clav.
|
|-
|22
|Variatio Choral in Tenore
|
|-
|23
|Allein Gott in der Höh seÿ EHR: S. S.
|[[Samuel Scheidt]]
|-
|24
|Allein Gott â 3 Vocum Choral in Bass W. Karges
|[[Wilhelm Karges]]
|-
|25
|Erstanden ist der Heilige Christ M. D. Simpel - Auff 2. Clavir - Choral in Cantu auff 2. Clavier. - Coral in Basso 3. Voc:
|[[Martin Düben]]
|}


===Lynar B2===
===Lynar B2===
Line 13: Line 121:
|1
|1
|[Fanta]sia [mit B]indungen
|[Fanta]sia [mit B]indungen
|[[Jan Pieterszoon Sweelinck]]
|Jan Pieterszoon Sweelinck
|-
|-
|2
|2

Revision as of 05:35, 18 July 2023

The Lynar tablatures are a collection of manuscripts that are currently held in the Staatsbibliothek, Berlin. Many of the manuscripts are now available on the internet.

Contents

Note: You can help pipe-organ.wiki complete this list!

Lynar B1

Works in D-B Mus. Ms. Lynar B2
No. Title notes
1 Fantasia Auff die manier von ein Echo. M. J. P. S. Jan Pieterszoon Sweelinck
2 Puer natusin Bethlehem a Paulus Sivert Paul Siefert
3 Nun komm der Heÿden Heÿlandt Paul Siefert?
4 Nun Lobe meine Seele den Herren Auff 2 Clavir D. H. Düben?
5 Wo Gott der Herr nicht beÿ unß Held auff 2 Clavir Andræ Duben Andreas Düben
6 Allein Gott inn der Höh seÿ Ehr. M. J. P. Jan Pieterszoon Sweelinck
7 Variatio Bicinium M. J. P. Jan Pieterszoon Sweelinck
8 Variatio coral in Tenor M. J. P. Jan Pieterszoon Sweelinck
9 Variatio coral in cantu 4 Vocum M. J. P. Jan Pieterszoon Sweelinck
10 Variatio Choral in Cantu auff 2 Clavier A. Duben Andreas Düben
11 Variatio choral in Basso A. D. Andreas Düben
12 Variatio Choral in Bass M. Duben Martin Düben
13 Variatio Choral in Baß 3 vocum
14 Varatio
15 Variatio Choral in Tenore 3 vocum P Hassen Petrus Hasse
16 Variatio 3 Vocum Choral in Basso P. Hass Petrus Hasse
17 Var. 12 G. S. Gottfried Scheidt
18 Var. Choral in Cantu auff 2 Clav. G. S. Gottfried Scheidt
19 4 vocum
20 Variatio Zum Alt vndt Tenor muße nur Stimmen von 4 Fuß gezogen werden
21 Variatio Choral in Cantu auf 2 Clav.
22 Variatio Choral in Tenore
23 Allein Gott in der Höh seÿ EHR: S. S. Samuel Scheidt
24 Allein Gott â 3 Vocum Choral in Bass W. Karges Wilhelm Karges
25 Erstanden ist der Heilige Christ M. D. Simpel - Auff 2. Clavir - Choral in Cantu auff 2. Clavier. - Coral in Basso 3. Voc: Martin Düben

Lynar B2

Works in D-B Mus. Ms. Lynar B2
No. Title notes
1 [Fanta]sia [mit B]indungen Jan Pieterszoon Sweelinck
2 Fantasia A 4 Anonymus: Jan Pieterszoon Sweelinck
3 fantasia primi Toni A 4 Nun komm der Heiden Heiland
4 ach Gott vom him: mel sieh darein. Heinrich Scheidemann?
5 Herr Christ der Einig Gottes Sohn… M.S Melchior Schildt
6 Wie schön leucht unß der Morgenstern
7 Nun freut euch lieben Christen gmein
8 psalm 116 J. P. Jan Pieterszoon Sweelinck
9 O Lux Beata Trinitas:
10 psalm 60 A 2 Anonymus: Jan Pieterszoon Sweelinck
11 O Gott du unser Vater bist Anonymus: Jan Pieterszoon Sweelinck
12 P 23 Mein hütter Undt mein hirtt Anonymus: Jan Pieterszoon Sweelinck
13 die 10 Gebott Gottes Jan Pieterszoon Sweelinck
14 Es spricht den unweisen Mundt woll Heinrich Scheidemann
15 Fuga Cromatico ex D.la.sol.re.
16 Fantasia A. 2: 3: et 4 Vocum Anonymus: Jan Pieterszoon Sweelinck
17 Fantasia Super ut re mi fa.sol.la. A. 3. Vocum

Lynar B 3[1]

This manuscript's pages are numbered in a way that is slightly similar to the recto and verso method of numbering folios, in which each group of two pages that are visible when opened are counted together. In other words, 2v-3r is labeled 2. A piece which is on four pages (in other words, 2v-4r) is labeled 2-3. The numbering on the left side and right side of each group of pages are not idential, the numbering on the left side is counted here.

Works in D-B Mus. Ms. Lynar B 3
No. Title notes
1 [fragment] Recto folio only
1 Praeludium [fragment] Recto folio only
2 Praludium
3 Praeludium
4 Praludium
5 Praludium / H S M H S M = Heinrich Scheidemann
6 Vater unser / in Himmel / reich. / MW. C. B. M. // 2 Variation // 3 3 verses. Final verse is succeeded by "Verte [sic.]"
7-9 Fantasia / J. P. [?]
10 Fantasia. / 6 toni.
11 Praludium / pedaliter
11 Praeludium
12 Herr Christ / der einige Gott / es dahin [?]
13 Praludium
14 Praludium
15 Praludium
16 Praludium / secundi Toni / Auf 2 Clavir / und pedahll. Succeeded by "finis"
17-19 Fantasia Succeeded by "finis".
20-21 [20] Vater unser / im himmell / reich Corahll / im Bas. // [21] 2 Vers auf // 2 ine[?] Clavier / und pedahll 2 verses. 1st verse succeeded by "verte". 2nd verse succeeded by "finis"
22-23 O Mensch be= / weine deine / sünde gros auf. / 2 Clavier der Co= / rahll gecollorirett / M. W. C. B. M. succeeded by "In 5 April / Ao 1628 / Sequitur"
(blank pages)
24 Praeludium / pedaliter / David Abel.
25 Praludium / David Abels.
26 Fuga
27 Ricercar / primi Toni
28-30 Ricercar / primi Toni / ex G. B. moll
31 Praludium / Ex E. Vel / a. pedaliter / M. D. O.
32 Praambulum / pedaliter / M. D. O.
33 Praambulum / pedaliter
34 Praambulum / pedaliter
34 Praludium / pedaliter
35 Praambulum / pedaliter / P. H.
36 Praludium / pedaliter / M. F. P. S. W.
37 Praludium / pedaliter
38 Praludium / M. D. O Fragment?
39 Praludium / pedaliter
39 Praludium
39 Praeludium / pedaliter
39 Praeludium / pedaliter
40 Praludium / pedaliter Verso folio. Fragment

Lynar b 5[2]

The ending of the fragmented Durch Adams fall by Jacob Praetorius

This manuscript contains one piece, a fragment of a Chorale Fantasia Durch Adams Fall ist ganz verderbt auff 3 clavier by Jakob Praetorius. The piece is neatly written in five voices, suggesting that the top voice is to be played on Rückpositiv, the second on Brustwerk, the third and fourth on Organum, and the bottom in Pedal[3].

Lynar b 8[4]

This manuscript contains two pieces, "Ich ruff zu / dir herr / Jesu Christ / auff 2. clavier" and "Alio modo / auff 2. und 3. / Clavir, und auff der / Pedal zu gebrauf [?] / Anton Neunhaber." The second piece is in five voices and has detailed manual change indications written into the tablature.

References

  1. ↑ [1] accessed 17 July, 2023.
  2. ↑ [2] accessed 17 July, 2023.
  3. ↑ Brieg, Werner (editor). Jacob Praetorius: Choralbearbeitunen für Orgel. Kassel: Bärenreiter, 1974.
  4. ↑ [3] accessed 18 July, 2023.
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