Lindemann Tablatures: Difference between revisions
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== Description == | == Description == | ||
[[File:Alvin-record 443261-ATTACHMENT-0002.jpg|thumb|The beginning of the Canzon in G Major by [[Dietrich Buxtehude]] in [[S-L Wenster N:8]]]] | |||
"Lindemann Tab" refers to a bundle of individual manuscripts, each containing one piece. | "Lindemann Tab" refers to a bundle of individual manuscripts, each containing one piece. | ||
Two hands can be identified, one of Lindemann and another from a certain "J. C. H." (the initials are left on one of the fascicles) which has added a few notes in '''S-L Wenster N:5''' and '''N:9'''<ref name="belotti">[[Michael Belotti|Belotti, Michael]] (editor), ''Dietrich Buxtehude: The Collected works.'' Vol.15, "Preludes, Toccatas, and Ciacconas for Organ (pedaliter) (Section B: Commentary)." New York: The Broude Trust, 1998. 6-7. 161.</ref>. | |||
=== Proximity to Buxtehude === | |||
Lindemann was a student of [[Friedrich Gottlieb Klingenberg]] and [[Michael Rohde]] (another pupil of Klingenberg), and copied the fascicles which can be traced to his hand during these times. Since Klingenberg had claimed to be a pupil of Buxtehude, theoretically we could be dealing with manuscripts extremely close to the autographs of Buxtehude, only a "third or fourth generation" copy in fact<ref name="belotti"></ref>. | |||
The different pieces by Buxtehude that were copied by Lindemann have different amounts of errors in them, which suggests that these fascicles were copied exactly from their sources (without a critical eye) and were based on a variety of different sources (some with more or fewer errors)<ref>[[Christoph Wolff|Wolff, Christoph]] (editor), ''Dietrich Buxtehude: The Collected works.'' Vol.17, "Preludes, Toccatas, Fugues, and Canzonas for Organ (manualiter), Harpsichord, or Clavichord." New York: The Broude Trust, 2016. 120.</ref>. | |||
== Contents == | == Contents == | ||
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| S-L Wenster N:6 || Cantzon. / ex: C: h: / di / D: Buxtehude: / G: Lindemann: / Ao: 1713. / d[ie]: 5: Martij: || BuxWV 167 | | S-L Wenster N:6 || Cantzon. / ex: C: h: / di / D: Buxtehude: / G: Lindemann: / Ao: 1713. / d[ie]: 5: Martij: || BuxWV 167 | ||
|- | |- | ||
| S-L Wenster N:8 | | S-L Wenster N:8 || Cantzon. ex. G: h / di. / Diet: Buxtehude / G: Lindemann. || BuxWV 170 | ||
|- | |- | ||
| S-L Wenster N:9 || Cantzon. ex: E. b. / di: / Diet: Buxtehude. / G: Lindemann. || BuxWV 169 | | S-L Wenster N:9 || Cantzon. ex: E. b. / di: / Diet: Buxtehude. / G: Lindemann. || BuxWV 169 | ||
| Line 30: | Line 38: | ||
| S-L Wenster U:6 || Praeludium. ex: D: h: / di. / Diet: Buxtehude. / G: Lindemann: [page 2:] J: N: J: 1714. d[ie] 3 Janu: || BuxWV 139 | | S-L Wenster U:6 || Praeludium. ex: D: h: / di. / Diet: Buxtehude. / G: Lindemann: [page 2:] J: N: J: 1714. d[ie] 3 Janu: || BuxWV 139 | ||
|} | |} | ||
== Description == | |||
{{Stub}} | |||
=== N:1b<ref name="belotti"></ref> === | |||
[[File:Lindemann b flat major.jpg|thumb|right|The first page of Wenster N:1b]] | |||
'''Wenster N:1b''' transmits a fragmented prelude in B-flat major. The notation stops in the middle of the second to last system on the first page, and no indication to turn the page ("verte", etc.) is given. | |||
== See Also == | |||
[[S-L Engelhart 216]], a manuscript containing BuxWV 147. | |||
== Links == | |||
{{OnlFac|sig=S-L Wenster N:8|url=http://urn.kb.se/resolve?urn=urn:nbn:se:alvin:portal:record-443261|urlc=www.alvin-portal.org|date=20 July, 2023}} | |||
== References == | == References == | ||
[[Klaus Beckmann|Beckmann, Klaus]] (editor). ''Dietrich Buxtehude: Sämtliche Orgelwerke, Band I-II''. Wiesbaden, Breitkopf & Härtel, 1997. 104. | [[Klaus Beckmann|Beckmann, Klaus]] (editor). ''Dietrich Buxtehude: Sämtliche Orgelwerke, Band I-II''. Wiesbaden, Breitkopf & Härtel, 1997. 104. | ||
[[Category:Manuscripts|Lindemann]] | |||
[[Category:Tablatures|Lindemann]] | |||
[[Category:Swedish Manuscripts|Lindemann]] | |||
Latest revision as of 19:56, 13 November 2024
The Lindemann Tablatures are a collection of manuscripts copied by Gottfried Lindemann which contain organ music from Dietrich Buxtehude and currently held in the Universitetsbibliotek, Lund. They are dated 1713-1714. It is theorized that these manuscripts may be the most direct descendent from autographs of organ music written by Buxtehude[Citation needed].
Description
"Lindemann Tab" refers to a bundle of individual manuscripts, each containing one piece.
Two hands can be identified, one of Lindemann and another from a certain "J. C. H." (the initials are left on one of the fascicles) which has added a few notes in S-L Wenster N:5 and N:9[1].
Proximity to Buxtehude
Lindemann was a student of Friedrich Gottlieb Klingenberg and Michael Rohde (another pupil of Klingenberg), and copied the fascicles which can be traced to his hand during these times. Since Klingenberg had claimed to be a pupil of Buxtehude, theoretically we could be dealing with manuscripts extremely close to the autographs of Buxtehude, only a "third or fourth generation" copy in fact[1].
The different pieces by Buxtehude that were copied by Lindemann have different amounts of errors in them, which suggests that these fascicles were copied exactly from their sources (without a critical eye) and were based on a variety of different sources (some with more or fewer errors)[2].
Contents
Note: according to www.alvin-portal.org, the shelfmark for manuscripts donated by Wenster is Wenster N:8 etc.
| RISM/Signature | Title | BuxWV number |
|---|---|---|
| S-L Wenster N:1 | Cantzon / ex: G: b. / G: Lindemann. / Anno 1713. / d[ie]: 6 April: | BuxWV 173 |
| S-L Wenster N:1b | Praeludium. / di. / Dieter. Buxtehude. | BuxWV 154 |
| S-L Wenster N:2 | Praeludium. manualit: / ex: G: h. / di. / Diet: Buxtehude. / G: Lindemann. [page 2:] Ao: 1713 d[ie]: 6 Nove: | BuxWV 162 |
| S-L Wenster N:5 | Praeludium. ex: E: b. / di / D: B: H: / Pedalieter. / G. Lindemann / Ao: 1714. d[ie]: 17 Maij | BuxWV 142 |
| S-L Wenster N:6 | Cantzon. / ex: C: h: / di / D: Buxtehude: / G: Lindemann: / Ao: 1713. / d[ie]: 5: Martij: | BuxWV 167 |
| S-L Wenster N:8 | Cantzon. ex. G: h / di. / Diet: Buxtehude / G: Lindemann. | BuxWV 170 |
| S-L Wenster N:9 | Cantzon. ex: E. b. / di: / Diet: Buxtehude. / G: Lindemann. | BuxWV 169 |
| S-L Wenster U:5 | Praeludium. ex. G: b: / di. / Diete: Buxtehude. / G: Lindemann / Ao: 1714: / d[ie] 15 Maij. [page 2:] J: N: J: 1714. / 5 April. [end:] Soli Deo / Gloria. / d[ie] 15 Maij. / Soli DEO / Gloria: | BuxWV 149 |
| S-L Wenster U:6 | Praeludium. ex: D: h: / di. / Diet: Buxtehude. / G: Lindemann: [page 2:] J: N: J: 1714. d[ie] 3 Janu: | BuxWV 139 |
Description
This article is a stub, you can help expand it with more information and citations!
N:1b[1]
Wenster N:1b transmits a fragmented prelude in B-flat major. The notation stops in the middle of the second to last system on the first page, and no indication to turn the page ("verte", etc.) is given.
See Also
S-L Engelhart 216, a manuscript containing BuxWV 147.
Links
S-L Wenster N:8 Online facsimile: www.alvin-portal.org accessed 20 July, 2023.
References
Beckmann, Klaus (editor). Dietrich Buxtehude: Sämtliche Orgelwerke, Band I-II. Wiesbaden, Breitkopf & Härtel, 1997. 104.
- ↑ 1.0 1.1 1.2 Belotti, Michael (editor), Dietrich Buxtehude: The Collected works. Vol.15, "Preludes, Toccatas, and Ciacconas for Organ (pedaliter) (Section B: Commentary)." New York: The Broude Trust, 1998. 6-7. 161.
- ↑ Wolff, Christoph (editor), Dietrich Buxtehude: The Collected works. Vol.17, "Preludes, Toccatas, Fugues, and Canzonas for Organ (manualiter), Harpsichord, or Clavichord." New York: The Broude Trust, 2016. 120.
