Heinrich Scheidemann: Difference between revisions

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[[File:Heinrich Scheidemann.jpg|thumb|right|[[Heinrich Scheidemann]]]]
'''Heinrich Scheidemann''' (1595-1663)
'''Heinrich Scheidemann''' (1595-1663)


''NOTE: this article was automatically generated from an entry submitted to '''wvlist.net'''. You can help add pictures and more information to this article!''
Scheidemann has been described as ''both the originator as well as the principal master of the North German [[Chorale Fantasia]]''.<ref>[[Pieter Dirksen|Dirksen, Pieter]] (editor), ''Heinrich Scheidemann: Choralfantasien für Orgel''. Wiesbaden: Breitkopf & Härtel, 2022. p.7</ref>


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== WVlist Notes ==
== Works ==
<blockquote><nowiki>WV numbers are from the complete works edition by Werner Brieg, which are themselves derived from "Die Orgelwerke von Heinrich Scheidemann", Wiesbaden, 1967</nowiki><br>-William Rehwinkel, Feb 20, 2022</blockquote>
=== WV ===
 
The Werke-Verzeichnis catalogue of Scheidemann's works was first published by [[Werner Breig]] in his 1967 book on Scheidemann's organ works. His list included source information and scores in which the pieces could be located (some pieces had not been published yet at that time; others were found in scores of works from other composers due to older attributions). His list was split into four parts: works securely attributable by name (in the manuscript) and style, anonymous works attributable to Scheidemann, works with Scheidemann's name which were dubious, and two works which were known to be not composed by Scheidemann (WV 87-88). Within each of these sections, the pieces were simply arranged with the chorale-based works first in alphabetical order of the choral, then the präaumbulums in order of key, the other free works, and finally the intabulations.
<blockquote><nowiki>Full catalogue of WV list of Scheidemann organ works from Werner Breig, "Die Orgelwerke von Heinrich Scheidemann". Wiesbaden, Franz Steiner Verlag Gmbh, 1967. The table is divided in the following catagories: 1-56: Works secured according to tradition and style (1-29: Chorale-based works, 30-44: Free compositions, 45-56: Motet intabulations), 57-74: Anonymous pieces that can be attributed to Scheidemann (57-71: Chorale-based compositions, 72-74: Free works), 75-86: Works of dubious authenticity inscribed with Scheidemann's initials in the sources (75-81: Chorale-based works, 82-86: Free works), 87-88: works incorrectly identified with scheidemann's initials in individual sources</nowiki><br>-William Rehwinkel, Feb 26, 2022</blockquote>
 
<blockquote><nowiki>WV 1-13 incipits are derived from Fock according to "Ausgaben" in Brieg.</nowiki><br>-William Rehwinkel, Mar 3, 2022</blockquote>


<blockquote><nowiki>Breig does not list any published edition of the Motet Intabulations WV 45-56. Incipits are from Scheidemann, Heinrich: "12 Orgelintavolierungen", edited by Cleveland Johnson. Wilhelmshaven: Heinrichshofen (1990). (vol. 1-3)</nowiki><br>-William Rehwinkel, Mar 3, 2022</blockquote>
This list was expanded on by [[Pieter Dirksen]] in his Scheidemann book. While he left the WV numbers the same for all of the pieces, Dirksen's opinions about the part that each piece was catalogued in were different. He also added a few new pieces (all anonymously attributed) starting with WV number 89, and he catalogued the known harpsichord pieces by Scheidemann starting with number 100.


<blockquote><nowiki>Incipits for chorale-based works (confirmed, anonymous but attributed, listed as composer but considered dubious) in which Brieg lists the work in BA 5481, edited by Gustav Fock.</nowiki><br>-William Rehwinkel, Mar 5, 2022</blockquote>
=== Works secured according to attribution and style ===
 
<blockquote><nowiki></nowiki><br>-Anonymous, Mar 14, 2022</blockquote>
 
<blockquote><nowiki>Incipits for Fragmentary O Lux Beata Trinitas and Te Deum are derived from Dirksen, Pieter. "Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology", Hampshire: Ashgate Publishing Limited, 2007.</nowiki><br>-William Rehwinkel, Apr 18, 2022</blockquote>
 
<blockquote><nowiki></nowiki><br>-William Rehwinkel, May 9, 2022</blockquote>
 
<blockquote><nowiki>The 7th intabulation, WV 51, has been found to have been based on a motet by Giovanni Bassano.</nowiki><br>-William Rehwinkel, May 9, 2022</blockquote>
 
<blockquote><nowiki>According to Dirksen, WV 78 has been found to be an intabulation of a dance song by Giovanni Gastoldi.</nowiki><br>-WR, May 11, 2022</blockquote>
 
== Works ==
{| class="wikitable"
{| class="wikitable"
|-
|-
! Sources<ref name="dirked">[[Pieter Dirksen|Dirksen, Pieter]] (editor), ''Heinrich Scheidemann: Choralfantasien für Orgel''. Wiesbaden: Breitkopf & Härtel, 2022. Dirksens says "KN 208i" instead of "K.N. 208"</ref> !! WV !! Title !! Incipit
! Sources !! WV !! Title !! Incipit !! Notes !! Ref.
|-
|-
|
|
Line 35: Line 21:
|A solis ortus cardine
|A solis ortus cardine
|<score>{\clef alto \relative a { a1 c2 c d e  } << {a2 f'\laissezVibrer} \\ {d1} >>}</score>
|<score>{\clef alto \relative a { a1 c2 c d e  } << {a2 f'\laissezVibrer} \\ {d1} >>}</score>
|
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|-
|-
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Line 40: Line 28:
|Aus tiefer Not schrei ich zu dir
|Aus tiefer Not schrei ich zu dir
|<score>{\key g \major << \relative g' { R1 g1 fis2. g4 } \\ \relative c' { c1 b2 c d d } >>}</score>
|<score>{\key g \major << \relative g' { R1 g1 fis2. g4 } \\ \relative c' { c1 b2 c d d } >>}</score>
|
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|-
|-
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Line 45: Line 35:
|Christ lag in Todesbanden
|Christ lag in Todesbanden
|<score>{<< \relative a' { a1 gis2 a c2*1/4 } \\ \relative e' { R1 r4 e c d e8 } >>}</score>
|<score>{<< \relative a' { a1 gis2 a c2*1/4 } \\ \relative e' { R1 r4 e c d e8 } >>}</score>
|
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|-
|-
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Line 50: Line 42:
|Erbarm dich mein, o Herre Gott
|Erbarm dich mein, o Herre Gott
|<score>{\relative e' { e1 c2 c b <a e'> }}</score>
|<score>{\relative e' { e1 c2 c b <a e'> }}</score>
|
|
|-
|-
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Line 55: Line 49:
|Es spricht der Unweisen Mund wohl
|Es spricht der Unweisen Mund wohl
|<score>{<< \relative c'' { c1 c2. } \\ \relative e' { r4 e4 c d8 e f2 c4 } >>}</score>
|<score>{<< \relative c'' { c1 c2. } \\ \relative e' { r4 e4 c d8 e f2 c4 } >>}</score>
|
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|-
|-
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Line 60: Line 56:
|Gott sei gelobet und gebenedeiet
|Gott sei gelobet und gebenedeiet
|<score>{<< \relative g' { g1 g2 } \\ \relative c' { r4 c b a g2 } \\ \relative e' { r4 e d c b4 } >>}</score>
|<score>{<< \relative g' { g1 g2 } \\ \relative c' { r4 c b a g2 } \\ \relative e' { r4 e d c b4 } >>}</score>
|
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|-
|-
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Line 65: Line 63:
|Herr Christ, der einig Gottes Sohn
|Herr Christ, der einig Gottes Sohn
|<score>{\key g \major \relative g { g1 g2 b a g }}</score>
|<score>{\key g \major \relative g { g1 g2 b a g }}</score>
|
|
|-
|-
|[[Lynar Tablatures|D-B Ms. Lynar B 4]] f.1r-2r<br>[[D-Lr Mus.ant.pract. K.N. 208]] f.38v-41r<br>[[Zellerfeld Tablatures|D-CZu Zellerfelder Orgeltabulatur 2]] f.24v
|[[Lynar Tablatures|D-B Ms. Lynar B 4]] f.1r-2r<br>[[D-Lr Mus.ant.pract. K.N. 208]] f.38v-41r<br>[[Zellerfeld Tablatures|D-CZu Zellerfelder Orgeltabulatur 2]] f.24
|8
|8
|In dich hab ich gehoffet, Herr
|In dich hab ich gehoffet, Herr
|<score>{\clef alto << \relative d' { d1 d2 a' e2*1/4 } \\ \relative d { r2 d2~4 e f g a8 } >>}</score>
|<score>{\clef alto << \relative d' { d1 d2 a' e2*1/4 } \\ \relative d { r2 d2~4 e f g a8 } >>}</score>
|
|<ref name="dirked">[[Pieter Dirksen|Dirksen, Pieter]] (editor), ''Heinrich Scheidemann: Choralfantasien für Orgel''. Wiesbaden: Breitkopf & Härtel, 2022. Dirksens says "KN 208i" instead of "K.N. 208"</ref>
|-
|-
|
|
Line 75: Line 77:
|In dich hab ich gehoffet, Herr
|In dich hab ich gehoffet, Herr
|<score>{\clef alto << \relative d' { d1 d2 a' e } \\ \relative d { r2 d2~4 e f g a2 } \\ \relative a { R1 a2. b4 c } >>}</score>
|<score>{\clef alto << \relative d' { d1 d2 a' e } \\ \relative d { r2 d2~4 e f g a2 } \\ \relative a { R1 a2. b4 c } >>}</score>
|
|
|-
|-
|[[Zellerfeld Tablatures|D-CZu Zellerfelder Orgeltabulatur 1]] p.111<br>[[Lynar Tablatures|D-B Ms. Lynar B 4]] f.2v-5r<br>[[Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] f.139v-144r
|[[Zellerfeld Tablatures|D-CZu Zellerfelder Orgeltabulatur 1]] p.111<ref name="dirked"></ref><br>[[Lynar Tablatures|D-B Ms. Lynar B 4]] f.2v-5r<ref name="dirked"></ref><br>[[Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] f.139v-144r<ref name="dirked"></ref>
|10
|10
|Jesus Christus, unser Heiland
|Jesus Christus, unser Heiland
|<score>{\clef alto \relative a { a1 d d2 cis d }}</score>
|<score>{\clef alto \relative a { a1 d d2 cis d }}</score>
|
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|-
|-
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Line 85: Line 91:
|Kyrie dominicale
|Kyrie dominicale
|<score>{\key f \major << \relative a' { a1 bes1*3/4 \bar "" } \\ \relative d' { r4 d4. e8 fis4 g f8 e d4 } >>}</score>
|<score>{\key f \major << \relative a' { a1 bes1*3/4 \bar "" } \\ \relative d' { r4 d4. e8 fis4 g f8 e d4 } >>}</score>
|
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|-
|-
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Line 90: Line 98:
|Kyrie summum
|Kyrie summum
|<score>{<< \relative g' { g1 a b2 } \\ \relative c' { r2 c2~4 c d2~4 } \\ \relative e' { r2 e2~4 e fis2~4 } >>}</score>
|<score>{<< \relative g' { g1 a b2 } \\ \relative c' { r2 c2~4 c d2~4 } \\ \relative e' { r2 e2~4 e fis2~4 } >>}</score>
|
|
|-
|-
|[[D-Lr Mus.ant.pract. K.N. 209]] pp.174f
|[[D-Lr Mus.ant.pract. K.N. 209]] pp.174f<ref name="dirked"></ref>
|13
|13
|Lobet den Herren, denn er ist sehr freundlich
|Lobet den Herren, denn er ist sehr freundlich
|<score>{\key f \major \clef bass << \relative d' { R1 d2 cis4 } \\ \relative g { g2 fis4 g4 8 a bes g a } >>}</score>
|<score>{\key f \major \clef bass << \relative d' { R1 d2 cis4 } \\ \relative g { g2 fis4 g4 8 a bes g a } >>}</score>
|
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|-
|-
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Line 100: Line 112:
|Magnificat I. Toni
|Magnificat I. Toni
|<score>{<< \relative f' { f1 g2. 4 a4 } \\ \relative d' { r2 d e4 d c b a } >>}</score>
|<score>{<< \relative f' { f1 g2. 4 a4 } \\ \relative d' { r2 d e4 d c b a } >>}</score>
|
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Line 105: Line 119:
|Magnificat II. Toni
|Magnificat II. Toni
|<score>{<< \relative f' { f1 g f2 } \\ \relative d' { r4 d f2~4 f ees2 d2. } >>}</score>
|<score>{<< \relative f' { f1 g f2 } \\ \relative d' { r4 d f2~4 f ees2 d2. } >>}</score>
|
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Line 110: Line 126:
|Magnificat III. Toni
|Magnificat III. Toni
|<score>{<< \relative g' { g1 a1*5/8 \bar "" } \\ \relative e' { r4 e c4. d16 e f4. e8 d } >>}</score>
|<score>{<< \relative g' { g1 a1*5/8 \bar "" } \\ \relative e' { r4 e c4. d16 e f4. e8 d } >>}</score>
|
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|-
|-
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Line 115: Line 133:
|Magnificat IV. Toni
|Magnificat IV. Toni
|<score>{<< \relative e' { e1 g a2 c\laissezVibrer } \\ \relative a { R1 R a } >>}</score>
|<score>{<< \relative e' { e1 g a2 c\laissezVibrer } \\ \relative a { R1 R a } >>}</score>
|
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|-
|-
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Line 120: Line 140:
|Magnificat V. Toni
|Magnificat V. Toni
|<score>{<< \relative f' { R1 f a2 } \\ \relative bes { bes1 d2 d4. e8 f2 }  >>}</score>
|<score>{<< \relative f' { R1 f a2 } \\ \relative bes { bes1 d2 d4. e8 f2 }  >>}</score>
|
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|-
|-
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Line 125: Line 147:
|Magnificat VI. Toni
|Magnificat VI. Toni
|<score>{<< \relative f' { f1 g  } \\ \relative d' { r4 d f2~4 e8 d e f g e } >>}</score>
|<score>{<< \relative f' { f1 g  } \\ \relative d' { r4 d f2~4 e8 d e f g e } >>}</score>
|
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|-
|-
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Line 130: Line 154:
|Magnificat VIII. Toni
|Magnificat VIII. Toni
|<score>{<< \relative g' { r2 g2~4 a b c d1 } \\ \relative g { g1~1 a } \\ \relative d' { r2 d2 e4 fis g2~4 fis8 e fis2 } \\ \relative b { r2 b c d2~2 2 } >>}</score>
|<score>{<< \relative g' { r2 g2~4 a b c d1 } \\ \relative g { g1~1 a } \\ \relative d' { r2 d2 e4 fis g2~4 fis8 e fis2 } \\ \relative b { r2 b c d2~2 2 } >>}</score>
|
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|-
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Line 135: Line 161:
|Mensch, willst du leben seliglich
|Mensch, willst du leben seliglich
|<score>{\clef alto << \relative e' { e1 g2 } \\ \relative a { r4 <a c>4 <g b> <a f> <e g> <d b'> } >>}</score>
|<score>{\clef alto << \relative e' { e1 g2 } \\ \relative a { r4 <a c>4 <g b> <a f> <e g> <d b'> } >>}</score>
|
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|-
|-
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Line 140: Line 168:
|O Gott, wir danken deiner Güt
|O Gott, wir danken deiner Güt
|<score>{\time 3/2 \partial 2 \key d \minor \relative d' { <d fis a d>2 <d g bes>1 <d f bes>2 <c f a>2 }}</score>
|<score>{\time 3/2 \partial 2 \key d \minor \relative d' { <d fis a d>2 <d g bes>1 <d f bes>2 <c f a>2 }}</score>
|
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|-
|-
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Line 145: Line 175:
|O lux beata trinitas
|O lux beata trinitas
|<score>{<< \relative e' { r1 a g2 } \\ \relative e' { e1 d2 c b4 } >>}</score>
|<score>{<< \relative e' { r1 a g2 } \\ \relative e' { e1 d2 c b4 } >>}</score>
|
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|-
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Line 150: Line 182:
|O lux beata trinitas (Frag.)
|O lux beata trinitas (Frag.)
|<score>{\clef alto \relative e' { e1~2 d c b c }}</score>
|<score>{\clef alto \relative e' { e1~2 d c b c }}</score>
|
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|-
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Line 155: Line 189:
|Te Deum laudamus (Frag.)
|Te Deum laudamus (Frag.)
|<score>{<< \relative a' { a1 gis4 gis8 a b4 e,8 fis  } \\ \relative c' { c4 d8 e f4 c8 d e1  } >>}</score>
|<score>{<< \relative a' { a1 gis4 gis8 a b4 e,8 fis  } \\ \relative c' { c4 d8 e f4 c8 d e1  } >>}</score>
|
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Line 160: Line 196:
|Vater unser im Himmelreich
|Vater unser im Himmelreich
|<score>{\key bes \major << \relative g' { g1 g2 ees f } \\ \relative c' { r4 c c d ees d c bes aes } >>}</score>
|<score>{\key bes \major << \relative g' { g1 g2 ees f } \\ \relative c' { r4 c c d ees d c bes aes } >>}</score>
|
|
|-
|-
|[[D-Lr Mus.ant.pract. K.N. 208]] f.25v-28r
|[[D-Lr Mus.ant.pract. K.N. 208]] f.25v-28r<ref name="dirked"></ref>
|27
|27
|Vater unser im Himmelreich (Fantasy)
|Vater unser im Himmelreich (Fantasy)
|<score>{\clef alto \key bes \major << \relative ees' { r4 ees d c bes a g bes a } \\ \relative g { g1 g2 ees f } >>}</score>
|<score>{\clef alto \key bes \major << \relative ees' { r4 ees d c bes a g bes a } \\ \relative g { g1 g2 ees f } >>}</score>
|
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Line 170: Line 210:
|Vater unser im Himmelreich
|Vater unser im Himmelreich
|<score>{\key bes \major << \relative g' { g1 g2 ees f g ees } \\ \relative c' { r2 c2~2 c aes bes c } >>}</score>
|<score>{\key bes \major << \relative g' { g1 g2 ees f g ees } \\ \relative c' { r2 c2~2 c aes bes c } >>}</score>
|
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Line 175: Line 217:
|Wir glauben all an einen Gott
|Wir glauben all an einen Gott
|<score>{<< \relative d' { d1 a'2 g a } \\ \relative a { R1 r4 a e' d c } >>}</score>
|<score>{<< \relative d' { d1 a'2 g a } \\ \relative a { R1 r4 a e' d c } >>}</score>
|
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Line 180: Line 224:
|Praeambulum in C
|Praeambulum in C
|<score>{\relative g' { g4 a8 b c b c d <e g,>2. }}</score>
|<score>{\relative g' { g4 a8 b c b c d <e g,>2. }}</score>
|
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|-
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Line 185: Line 231:
|Praeambulum in d
|Praeambulum in d
|<score>{<< \relative d' { d1~4 e8 fis g4 a bes2. } \\ \relative a { a1 bes2. c4 d1 } >>}</score>
|<score>{<< \relative d' { d1~4 e8 fis g4 a bes2. } \\ \relative a { a1 bes2. c4 d1 } >>}</score>
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Line 190: Line 238:
|Praeambulum in d
|Praeambulum in d
|<score>{\relative a' { <a d, a fis>1 } \bar "||" << \relative g' { g4\repeatTie g4 fis e f! } \\ \relative bes { bes4\repeatTie bes a g a4 } \\ \relative d' { d1\repeatTie~4 }  >>}</score>
|<score>{\relative a' { <a d, a fis>1 } \bar "||" << \relative g' { g4\repeatTie g4 fis e f! } \\ \relative bes { bes4\repeatTie bes a g a4 } \\ \relative d' { d1\repeatTie~4 }  >>}</score>
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Line 195: Line 245:
|Praeambulum in d
|Praeambulum in d
|<score>{\relative a' { a4 b!8 c d4 c } \bar "||" \partial 4 << \relative d'' { d4~d8 d a4 c4. } \\ \relative d' { r4 <d f>4. 8 <e a,>4 } >>}</score>
|<score>{\relative a' { a4 b!8 c d4 c } \bar "||" \partial 4 << \relative d'' { d4~d8 d a4 c4. } \\ \relative d' { r4 <d f>4. 8 <e a,>4 } >>}</score>
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Line 200: Line 252:
|Praeambulum in d
|Praeambulum in d
|<score>{<< \relative a' { R1 a1~4 } \\ \relative f' { R1 f2. e8 d cis4 } \\ \\ \relative d' { d1~d4 c8 b a2~4 } >>}</score>
|<score>{<< \relative a' { R1 a1~4 } \\ \relative f' { R1 f2. e8 d cis4 } \\ \\ \relative d' { d1~d4 c8 b a2~4 } >>}</score>
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Line 205: Line 259:
|Praeambulum in d
|Praeambulum in d
|<score>{\relative a' { <a d, fis,>1 } \bar "||" \partial 2 << \relative a' { a2~4 a d2 c4 } \\ \relative c' { r2 d2. d4 a'2.*1/3 } >>}</score>
|<score>{\relative a' { <a d, fis,>1 } \bar "||" \partial 2 << \relative a' { a2~4 a d2 c4 } \\ \relative c' { r2 d2. d4 a'2.*1/3 } >>}</score>
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Line 210: Line 266:
|Praeambulum in d
|Praeambulum in d
|<score>{<< \relative d' { d2~8 e f g <f a>1 } \\ \relative a { R1 r8 a b c d2 } >>}</score>
|<score>{<< \relative d' { d2~8 e f g <f a>1 } \\ \relative a { R1 r8 a b c d2 } >>}</score>
|
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Line 215: Line 273:
|Praeambulum in e
|Praeambulum in e
|<score>{<< \relative b' { b4 c8 d e2~e4 d c b a1 } \\ \relative b { b1 a2. b c2 } >>}</score>
|<score>{<< \relative b' { b4 c8 d e2~e4 d c b a1 } \\ \relative b { b1 a2. b c2 } >>}</score>
|
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|-
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Line 220: Line 280:
|Praeambulum in e
|Praeambulum in e
|<score>{<< \relative b' { b1~8 b c d e4 b8 d }\\ { <e' b gis>1 1 } >>}</score>
|<score>{<< \relative b' { b1~8 b c d e4 b8 d }\\ { <e' b gis>1 1 } >>}</score>
|
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|-
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Line 225: Line 287:
|Praeambulum in F
|Praeambulum in F
|<score>{\key f \major c''1 << \relative c'' { c8) c8 d e f a, bes c } \\ \relative c' {  <c a f>1 }  >>}</score>
|<score>{\key f \major c''1 << \relative c'' { c8) c8 d e f a, bes c } \\ \relative c' {  <c a f>1 }  >>}</score>
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Line 230: Line 294:
|Praeambulum in F
|Praeambulum in F
|<score>{\key f \major << \relative c'' { c1 d4 ees8 d c bes c4 } \\ \relative f' { f1 f } >>}</score>
|<score>{\key f \major << \relative c'' { c1 d4 ees8 d c bes c4 } \\ \relative f' { f1 f } >>}</score>
|
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Line 235: Line 301:
|Praeambulum in g
|Praeambulum in g
|<score>{\key f \major << \relative g' { g1~4 a8 b c4 d } \\ \relative d' { d1 ees2. f4 } >>}</score>
|<score>{\key f \major << \relative g' { g1~4 a8 b c4 d } \\ \relative d' { d1 ees2. f4 } >>}</score>
|
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Line 240: Line 308:
|Fuga in D
|Fuga in D
|<score>{<< \relative a' { a2 f4 d a' b c2 r8 } \\ \relative d' { R1 r4 d c a f' } >>}</score>
|<score>{<< \relative a' { a2 f4 d a' b c2 r8 } \\ \relative d' { R1 r4 d c a f' } >>}</score>
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Line 245: Line 315:
|Toccata in G
|Toccata in G
|<score>{\clef alto << \relative d' { r2 d d4. e8 d4 c b2 } \\ \relative g { g1 g~4 } \\ \relative b { b2. a4 b4. c8 b4 a g2 } >>}</score>
|<score>{\clef alto << \relative d' { r2 d d4. e8 d4 c b2 } \\ \relative g { g1 g~4 } \\ \relative b { b2. a4 b4. c8 b4 a g2 } >>}</score>
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Line 250: Line 322:
|Canzon in F
|Canzon in F
|<score>{\key f \major \relative c'' { c4 a8 c \repeat tremolo 4 bes8 a4 g8 f g8. }}</score>
|<score>{\key f \major \relative c'' { c4 a8 c \repeat tremolo 4 bes8 a4 g8 f g8. }}</score>
|
|
|-
|-
|
|
Line 255: Line 329:
|(Haßler) Alleluja. Laudem dicite
|(Haßler) Alleluja. Laudem dicite
|<score>{\relative e' { <e e'>2 <a cis>4 <f d'> <e e'>2 }}</score>
|<score>{\relative e' { <e e'>2 <a cis>4 <f d'> <e e'>2 }}</score>
|
|
|-
|-
|
|
Line 260: Line 336:
|(Lasso) Angelus ad pastores ait
|(Lasso) Angelus ad pastores ait
|<score>{\key f \major \clef alto << { R1 g'1~4. } \\ \relative g { g1~2 g4 a bes2*3/4 } \\ \relative d' { R1 r2 d2~2*3/4 } \\ \relative g { R1 R1 g1*3/8 \bar "" } >>}</score>
|<score>{\key f \major \clef alto << { R1 g'1~4. } \\ \relative g { g1~2 g4 a bes2*3/4 } \\ \relative d' { R1 r2 d2~2*3/4 } \\ \relative g { R1 R1 g1*3/8 \bar "" } >>}</score>
|
|
|-
|-
|
|
Line 265: Line 343:
|(Lasso) Benedicam Dominum
|(Lasso) Benedicam Dominum
|<score>{<< \relative g' { g1~2 g4 a b4. a8 b4 } \\ \relative g { R1 g1~2 4 } \\ \relative d' { R1 R1 d\laissezVibrer \bar "" } >>}</score>
|<score>{<< \relative g' { g1~2 g4 a b4. a8 b4 } \\ \relative g { R1 g1~2 4 } \\ \relative d' { R1 R1 d\laissezVibrer \bar "" } >>}</score>
|
|
|-
|-
|
|
Line 270: Line 350:
|(Hier. Praetorius) Benedicam Dominum
|(Hier. Praetorius) Benedicam Dominum
|<score>{<< \relative a' { R1 r8 a16 b c d e f g2\laissezVibrer } \\ \relative c'' { c1 g } >>}</score>
|<score>{<< \relative a' { R1 r8 a16 b c d e f g2\laissezVibrer } \\ \relative c'' { c1 g } >>}</score>
|
|
|-
|-
|
|
Line 275: Line 357:
|(Lasso) Confitemini Domino et invocate
|(Lasso) Confitemini Domino et invocate
|<score>{\clef alto << \relative a' { R1 a a2 2\laissezVibrer  \bar "" } \\ \relative d { R1 R1 d } \\ \relative d' { R1 R1 r2 d\laissezVibrer } \\ \relative a { a1 a2 a2~4 4 4. } >>}</score>
|<score>{\clef alto << \relative a' { R1 a a2 2\laissezVibrer  \bar "" } \\ \relative d { R1 R1 d } \\ \relative d' { R1 R1 r2 d\laissezVibrer } \\ \relative a { a1 a2 a2~4 4 4. } >>}</score>
|
|
|-
|-
|
|
Line 280: Line 364:
|(Lasso) De ore prudentis procedit mel
|(Lasso) De ore prudentis procedit mel
|<score>{<< \relative a' { a1~8 d c bes a bes a g } \\ \relative d' { R1 d\laissezVibrer }  >>}</score>
|<score>{<< \relative a' { a1~8 d c bes a bes a g } \\ \relative d' { R1 d\laissezVibrer }  >>}</score>
|
|
|-
|-
|
|
Line 285: Line 371:
|(Bassano) Dic nobis, Maria, quid vidisti in via
|(Bassano) Dic nobis, Maria, quid vidisti in via
|<score>{<< \relative d'' { d4 d d8  c16 d e f g c, d8 } \\ \relative g' { <g b>4 4 4 <c c,> <g b>2*1/4 } >>}</score>
|<score>{<< \relative d'' { d4 d d8  c16 d e f g c, d8 } \\ \relative g' { <g b>4 4 4 <c c,> <g b>2*1/4 } >>}</score>
|
|
|-
|-
|
|
Line 290: Line 378:
|(Haßler) Dixit Maria ad angelum
|(Haßler) Dixit Maria ad angelum
|<score>{\key f \major \clef bass \relative f { f1 f2 f g2. f8 }}</score>
|<score>{\key f \major \clef bass \relative f { f1 f2 f g2. f8 }}</score>
|
|
|-
|-
|
|
Line 295: Line 385:
|(Lasso) Ego sum panis
|(Lasso) Ego sum panis
|<score>{\key f \major << \relative c'' { c1~2 c8. d16 bes8. c16 a2\laissezVibrer } \\ \relative f' { R1 f1 f8. g16 e8. } >>}</score>
|<score>{\key f \major << \relative c'' { c1~2 c8. d16 bes8. c16 a2\laissezVibrer } \\ \relative f' { R1 f1 f8. g16 e8. } >>}</score>
|
|
|-
|-
|
|
Line 300: Line 392:
|(Lasso) Omnia, quae fecisti nobis
|(Lasso) Omnia, quae fecisti nobis
|<score>{<< \relative a' { R1 a\laissezVibrer } \\ \relative d' { d1~8 e f e d cis d4 } >>}</score>
|<score>{<< \relative a' { R1 a\laissezVibrer } \\ \relative d' { d1~8 e f e d cis d4 } >>}</score>
|
|
|-
|-
|
|
Line 305: Line 399:
|(Lasso) Surrexit pastor bonus
|(Lasso) Surrexit pastor bonus
|<score>{\key f \major << \relative c' { c2. d8 e f1~2 f4 } \\ \relative f { R1 f2. a8 bes bes1\laissezVibrer \bar "" } \\ \relative c' { R1 r2 c d1\laissezVibrer } >>}</score>
|<score>{\key f \major << \relative c' { c2. d8 e f1~2 f4 } \\ \relative f { R1 f2. a8 bes bes1\laissezVibrer \bar "" } \\ \relative c' { R1 r2 c d1\laissezVibrer } >>}</score>
|
|
|-
|-
|
|
Line 310: Line 406:
|(Haßler) Verbum caro factum est
|(Haßler) Verbum caro factum est
|<score>{<< \relative e'' { e8. d16 e8. f16 e4 e } \\ \relative a' { <a c>2. 4 } >>}</score>
|<score>{<< \relative e'' { e8. d16 e8. f16 e4 e } \\ \relative a' { <a c>2. 4 } >>}</score>
|
|
|}
=== Anonymous pieces attributed to Scheidemann ===
{| class="wikitable"
|-
! Sources !! WV !! Title !! Incipit !! Notes !! Ref.
|-
|-
|
|
Line 315: Line 420:
|Durch Adams Fall ist ganz verderbt
|Durch Adams Fall ist ganz verderbt
|<score>{<< \relative a' { a1 a2 a g } \\ \relative d' { r2 d4 e f2 <a, c>4 <b d> <c e>2 } >>}</score>
|<score>{<< \relative a' { a1 a2 a g } \\ \relative d' { r2 d4 e f2 <a, c>4 <b d> <c e>2 } >>}</score>
|
|
|-
|-
|
|
Line 320: Line 427:
|Es ist das Heil uns kommen her
|Es ist das Heil uns kommen her
|<score>{\key d \major << \relative a' { a1 a2 a a c b } \\ \relative d' { s1 s r4 d e fis g2 } >>}</score>
|<score>{\key d \major << \relative a' { a1 a2 a a c b } \\ \relative d' { s1 s r4 d e fis g2 } >>}</score>
|
|
|-
|-
|
|
Line 325: Line 434:
|Es ist gewißlich an der Zeit
|Es ist gewißlich an der Zeit
|<score>{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}</score>
|<score>{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}</score>
|
|
|-
|-
|
|
Line 330: Line 441:
|Gelobet seist du, Jesu Christ
|Gelobet seist du, Jesu Christ
|<score>{<< \relative g' { g1 g2 2 } \\ \relative g { r2 <g b>4 <a c> <b d> <g b> <c e\laissezVibrer >2 } >>}</score>
|<score>{<< \relative g' { g1 g2 2 } \\ \relative g { r2 <g b>4 <a c> <b d> <g b> <c e\laissezVibrer >2 } >>}</score>
|
|
|-
|-
|
|
Line 335: Line 448:
|Herr Christ, der einig Gotts Sohn
|Herr Christ, der einig Gotts Sohn
|<score>{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}</score>
|<score>{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}</score>
|
|
|-
|-
|
|
Line 340: Line 455:
|Herzlich lieb hab ich dich, o Herr
|Herzlich lieb hab ich dich, o Herr
|<score>{<< \relative c'' { c1~4 d8 c b4 c8 b a4 } \\ \relative c' { <c e g>1~2 <g d' g>2 <a c e> } >>}</score>
|<score>{<< \relative c'' { c1~4 d8 c b4 c8 b a4 } \\ \relative c' { <c e g>1~2 <g d' g>2 <a c e> } >>}</score>
|
|
|-
|-
|
|
Line 345: Line 462:
|Jesus Christus, unser Heiland
|Jesus Christus, unser Heiland
|<score>{\clef bass \relative d { d1 a' a2 g a d,2~4 }}</score>
|<score>{\clef bass \relative d { d1 a' a2 g a d,2~4 }}</score>
|
|
|-
|-
|
|
Line 350: Line 469:
|Jesus Christus, unser Heiland
|Jesus Christus, unser Heiland
|<score>{\clef alto << \relative d' { d2 a'2~4 g f2~4 g8 f e4  } \\ \relative d { R1 r2 d a'1*3/4 \bar "" } \\ \relative a { r2 r4 a d2 d2~4 d c  } >>}</score>
|<score>{\clef alto << \relative d' { d2 a'2~4 g f2~4 g8 f e4  } \\ \relative d { R1 r2 d a'1*3/4 \bar "" } \\ \relative a { r2 r4 a d2 d2~4 d c  } >>}</score>
|
|
|-
|-
|
|
Line 355: Line 476:
|Magnificat VII. Toni
|Magnificat VII. Toni
|<score>{<< \relative a' { a1 gis2 a r4 } \\ \relative d' { r2 d e4. d8 cis4 a d2 } >>}</score>
|<score>{<< \relative a' { a1 gis2 a r4 } \\ \relative d' { r2 d e4. d8 cis4 a d2 } >>}</score>
|
|
|-
|-
|
|
Line 360: Line 483:
|Magnificat VIII. Toni
|Magnificat VIII. Toni
|<score>{\clef alto << \relative b { r4 b e d g4. f8 e f d e c1\laissezVibrer } \\ \relative g { g1~1 a\laissezVibrer } >>}</score>
|<score>{\clef alto << \relative b { r4 b e d g4. f8 e f d e c1\laissezVibrer } \\ \relative g { g1~1 a\laissezVibrer } >>}</score>
|
|
|-
|-
|[[D-Lr Mus.ant.pract. K.N. 208]] f.30v-33r
|[[D-Lr Mus.ant.pract. K.N. 208]] f.30v-33r<ref name="dirked"></ref>
|67
|67
|Nun freut euch, lieben Christen gmein
|Nun freut euch, lieben Christen gmein
|<score>{\clef bass \relative g { g1 g2 d g <c g'\laissezVibrer> }}</score>
|<score>{\clef bass \relative g { g1 g2 d g <c g'\laissezVibrer> }}</score>
|
|
|-
|-
|
|
Line 370: Line 497:
|Victimae paschali laudes
|Victimae paschali laudes
|<score>{\clef bass << \relative a { r2 a2~4 a g2 f4 } \\ \relative d { d1 c d2.*1/3 } >>}</score>
|<score>{\clef bass << \relative a { r2 a2~4 a g2 f4 } \\ \relative d { d1 c d2.*1/3 } >>}</score>
|
|
|-
|-
|
|
Line 375: Line 504:
|Vom Himmel hoch da komm ich her
|Vom Himmel hoch da komm ich her
|<score>{<< \relative c'' { c1 b2 a b4. } \\ \relative b { R1 r4 b c d b }\\ \relative c' { r4 c e fis g2. fis4 g4. } >>}</score>
|<score>{<< \relative c'' { c1 b2 a b4. } \\ \relative b { R1 r4 b c d b }\\ \relative c' { r4 c e fis g2. fis4 g4. } >>}</score>
|
|
|-
|-
|
|
Line 380: Line 511:
|Wär Gott nicht mit uns diese Zeit
|Wär Gott nicht mit uns diese Zeit
|<score>{\clef alto \key g \major << \relative e' { e1 g2 g a } \\ \relative a { r2 a e'2. d4 cis } >>}</score>
|<score>{\clef alto \key g \major << \relative e' { e1 g2 g a } \\ \relative a { r2 a e'2. d4 cis } >>}</score>
|
|
|-
|-
|
|
Line 385: Line 518:
|Wo Gott der Herr nicht bei uns hält
|Wo Gott der Herr nicht bei uns hält
|<score>{\clef bass << \relative g { r4 g bes c d4. g8 d4 e f2 } \\ \relative g, { R1 r4 g bes c d } \\ \\ \relative bes { R1 bes1 bes2 } >>}</score>
|<score>{\clef bass << \relative g { r4 g bes c d4. g8 d4 e f2 } \\ \relative g, { R1 r4 g bes c d } \\ \\ \relative bes { R1 bes1 bes2 } >>}</score>
|
|
|-
|-
|
|
Line 390: Line 525:
|Praeambulum in C
|Praeambulum in C
|<score>{<< \relative g' { g2. a8 b c2. d8 e } \\ \relative c' { c1~1 } \\ \relative e' { e1~4 f8 g a2 } >>}</score>
|<score>{<< \relative g' { g2. a8 b c2. d8 e } \\ \relative c' { c1~1 } \\ \relative e' { e1~4 f8 g a2 } >>}</score>
|
|
|-
|-
|
|
Line 395: Line 532:
|Praeambulum in G
|Praeambulum in G
|<score>{<< \relative g' { g2. a4 b c d2~2*1/2 } \\ \relative b { b2. c4 d2. c4 b2.*1/3 } \\ \relative d' { d1 g2 a~4 } >>}</score>
|<score>{<< \relative g' { g2. a4 b c d2~2*1/2 } \\ \relative b { b2. c4 d2. c4 b2.*1/3 } \\ \relative d' { d1 g2 a~4 } >>}</score>
|
|
|-
|-
|
|
Line 400: Line 539:
|Canzon in G
|Canzon in G
|<score>{\clef alto << \relative d' { d2 4 4 g f8 e d4 g e } \\ \relative g { R1 g2 g4 g c } >>}</score>
|<score>{\clef alto << \relative d' { d2 4 4 g f8 e d4 g e } \\ \relative g { R1 g2 g4 g c } >>}</score>
|
|
|}
=== Works of dubious authenticity with Scheidemann's name ===
{| class="wikitable"
|-
! Sources !! WV !! Title !! Incipit !! Notes !! Ref.
|-
|-
|[[Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] f.123v-127r
|[[Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] f.123v-127r<ref name="dirked"></ref>
|75
|75
|Allein zu dir, Herr Jesu Christ
|Allein zu dir, Herr Jesu Christ
|<score>{\clef alto << \relative g'  {r4 g4~16. f32 e16. d32 c8 } \\ \relative c' { c4 c16. c32 b16. a32 g4 a8.*2/3 } >>}</score>
|<score>{\clef alto << \relative g'  {r4 g4~16. f32 e16. d32 c8 } \\ \relative c' { c4 c16. c32 b16. a32 g4 a8.*2/3 } >>}</score>
|
|
|-
|-
|[[Pelplin Tablatures|PL-PE 304 (Tabulatura organowa Tom. I)]]<br>[[D-Lr Mus.ant.pract. K.N. 208]] f.11v-12r
|[[Pelplin Tablatures|PL-PE 304 (Tabulatura organowa Tom. I)]]<ref name="dirked"></ref><br>[[D-Lr Mus.ant.pract. K.N. 208]] f.11v-12r<ref name="dirked"></ref>
|76
|76
|Ein feste Burg ist unser Gott
|Ein feste Burg ist unser Gott
|<score>{\clef alto << \relative g' { r2 r4 g g g c,4. d8 e2 } \\ \relative c' { c2 c4 c g2 a4. b8 c2 } >>}</score>
|<score>{\clef alto << \relative g' { r2 r4 g g g c,4. d8 e2 } \\ \relative c' { c2 c4 c g2 a4. b8 c2 } >>}</score>
|
|
|-
|-
|
|
Line 415: Line 567:
|Gott der Vater wohn uns bei
|Gott der Vater wohn uns bei
|<score>{\partial 4 << \relative g' { g16 g a b c8 c b4 a8. b16 c4*1/4 \bar "" } \\ \relative c' { r4 c8 c d e f f e16 } >>}</score>
|<score>{\partial 4 << \relative g' { g16 g a b c8 c b4 a8. b16 c4*1/4 \bar "" } \\ \relative c' { r4 c8 c d e f f e16 } >>}</score>
|
|
|-
|-
|
|
Line 420: Line 574:
|(Gastoldi) Jesu, wollst uns weisen
|(Gastoldi) Jesu, wollst uns weisen
|<score>{\clef alto \partial 2 \relative g { <g d' g b>4 8 8 4 <e g g' cis> }}</score>
|<score>{\clef alto \partial 2 \relative g { <g d' g b>4 8 8 4 <e g g' cis> }}</score>
|
|
|-
|-
|
|
Line 425: Line 581:
|Jesus Christus, unser Heiland
|Jesus Christus, unser Heiland
|<score>{<< \relative d' { d2 a'2 a4 g a } \\ \relative d { \clef alto r4 d8 e f g a b! c8 d e d c } >>}</score>
|<score>{<< \relative d' { d2 a'2 a4 g a } \\ \relative d { \clef alto r4 d8 e f g a b! c8 d e d c } >>}</score>
|
|
|-
|-
|
|
Line 430: Line 588:
|Komm, heiliger Geist, Herre Gott
|Komm, heiliger Geist, Herre Gott
|<score>{\clef bass \key f \major \relative f { f1 g2 <f c'>2 <d d'> <f\laissezVibrer c'> }}</score>
|<score>{\clef bass \key f \major \relative f { f1 g2 <f c'>2 <d d'> <f\laissezVibrer c'> }}</score>
|
|
|-
|-
|
|
Line 435: Line 595:
|Nun bitten wir den heiligen Geist
|Nun bitten wir den heiligen Geist
|<score>{\clef alto \key f \major << \relative bes { bes1 c2 c bes4 a bes c d } \\ \relative f { R1 r2 f g g f4 } >>}</score>
|<score>{\clef alto \key f \major << \relative bes { bes1 c2 c bes4 a bes c d } \\ \relative f { R1 r2 f g g f4 } >>}</score>
|
|
|-
|-
|
|
Line 440: Line 602:
|Fantasia in C
|Fantasia in C
|<score>{<< \relative c'' { <c g>1 <c a>2. <b g>8 <a f> <e g>4 } \\ \relative e' { e1 f4 e8 d c4 d e } >>}</score>
|<score>{<< \relative c'' { <c g>1 <c a>2. <b g>8 <a f> <e g>4 } \\ \relative e' { e1 f4 e8 d c4 d e } >>}</score>
|
|
|-
|-
|
|
Line 445: Line 609:
|Fantasia in d
|Fantasia in d
|<score>{\relative a' { a2 4 4 c cis d c8 b  } << { a'2} \\ { r4 d'4 } >>}</score>
|<score>{\relative a' { a2 4 4 c cis d c8 b  } << { a'2} \\ { r4 d'4 } >>}</score>
|
|
|-
|-
|
|
Line 450: Line 616:
|Fuga
|Fuga
|<score>{\clef alto \relative e' { e2 4 4 a, c d e f4. }}</score>
|<score>{\clef alto \relative e' { e2 4 4 a, c d e f4. }}</score>
|
|
|-
|-
|
|
Line 455: Line 623:
|Toccata in C
|Toccata in C
|<score>{\relative c'' { <c g e>4 b8 a g f e d <e g>1 }}</score>
|<score>{\relative c'' { <c g e>4 b8 a g f e d <e g>1 }}</score>
|
|
|-
|-
|
|
Line 460: Line 630:
|Fantasia in C
|Fantasia in C
|<score>{<< \relative d'' { d2. d4 e2~8 d c b a2*1/4 } \\ \relative g' { r2 g2~4 g a2~8 } >>}</score>
|<score>{<< \relative d'' { d2. d4 e2~8 d c b a2*1/4 } \\ \relative g' { r2 g2~4 g a2~8 } >>}</score>
|
|
|}
=== Later additions to Scheidemann WV table ===
{| class="wikitable"
|-
! Sources !! WV !! Title !! Incipit !! Notes !! Ref.
|-
|-
|[[Lynar Tablatures|D-B Ms. Lynar B 2]] f.6v-8r
|[[Lynar Tablatures|D-B Ms. Lynar B 2]] f.6v-8r
| 89<ref name="dirked"></ref>
| 89
| Ach Gott, vom Himmel sieh darein
| Ach Gott, vom Himmel sieh darein
|
|
|
|<ref name="dirked"></ref>
|-
|-
|[[Lynar Tablatures|D-B Ms. Lynar B 2]] f.12v-15r, 22v-23r
|[[Lynar Tablatures|D-B Ms. Lynar B 2]] f.12v-15r, 22v-23r
| 91<ref name="dirked"></ref>
| 91
| Nun freut euch, lieben Christen gmein
| Nun freut euch, lieben Christen gmein
|
|
|
|<ref name="dirked"></ref>
|}
|}
== Chronological Bibliography ==
[[Werner Breig|Breig, Werner]]. ''Die Orgelwerke von Heinrich Scheidemann.'' Beihefte zum Archiv für Musikwissenschaft: Band 3. Wiesbaden: Steiner, 1967.
[[Pieter Dirksen|Dirksen, Pieter]]. ''Heinrich Scheidemann's keyboard music: transmission, style and chronology.'' Aldershot: Ashcroft, 2007.
{{NdS2 2009}} 172-210.


== References ==
== References ==
''See notes''


[[Category:Persons|Scheidemann, Heinrich]]
[[Category:Persons|Scheidemann, Heinrich]]

Latest revision as of 16:35, 13 October 2024

Heinrich Scheidemann

Heinrich Scheidemann (1595-1663)

Scheidemann has been described as both the originator as well as the principal master of the North German Chorale Fantasia.[1]

This article is a stub, you can help expand it with more information and citations!

Works

WV

The Werke-Verzeichnis catalogue of Scheidemann's works was first published by Werner Breig in his 1967 book on Scheidemann's organ works. His list included source information and scores in which the pieces could be located (some pieces had not been published yet at that time; others were found in scores of works from other composers due to older attributions). His list was split into four parts: works securely attributable by name (in the manuscript) and style, anonymous works attributable to Scheidemann, works with Scheidemann's name which were dubious, and two works which were known to be not composed by Scheidemann (WV 87-88). Within each of these sections, the pieces were simply arranged with the chorale-based works first in alphabetical order of the choral, then the präaumbulums in order of key, the other free works, and finally the intabulations.

This list was expanded on by Pieter Dirksen in his Scheidemann book. While he left the WV numbers the same for all of the pieces, Dirksen's opinions about the part that each piece was catalogued in were different. He also added a few new pieces (all anonymously attributed) starting with WV number 89, and he catalogued the known harpsichord pieces by Scheidemann starting with number 100.

Works secured according to attribution and style

Sources WV Title Incipit Notes Ref.
1 A solis ortus cardine
{\clef alto \relative a { a1 c2 c d e } << {a2 f'\laissezVibrer} \\ {d1} >>}
2 Aus tiefer Not schrei ich zu dir
{\key g \major << \relative g' { R1 g1 fis2. g4 } \\ \relative c' { c1 b2 c d d } >>}
3 Christ lag in Todesbanden
{<< \relative a' { a1 gis2 a c2*1/4 } \\ \relative e' { R1 r4 e c d e8 } >>}
4 Erbarm dich mein, o Herre Gott
{\relative e' { e1 c2 c b <a e'> }}
5 Es spricht der Unweisen Mund wohl
{<< \relative c'' { c1 c2. } \\ \relative e' { r4 e4 c d8 e f2 c4 } >>}
6 Gott sei gelobet und gebenedeiet
{<< \relative g' { g1 g2 } \\ \relative c' { r4 c b a g2 } \\ \relative e' { r4 e d c b4 } >>}
7 Herr Christ, der einig Gottes Sohn
{\key g \major \relative g { g1 g2 b a g }}
D-B Ms. Lynar B 4 f.1r-2r
D-Lr Mus.ant.pract. K.N. 208 f.38v-41r
D-CZu Zellerfelder Orgeltabulatur 2 f.24 		8 In dich hab ich gehoffet, Herr
{\clef alto << \relative d' { d1 d2 a' e2*1/4 } \\ \relative d { r2 d2~4 e f g a8 } >>}
 [2]
9 In dich hab ich gehoffet, Herr
{\clef alto << \relative d' { d1 d2 a' e } \\ \relative d { r2 d2~4 e f g a2 } \\ \relative a { R1 a2. b4 c } >>}
D-CZu Zellerfelder Orgeltabulatur 1 p.111[2]
D-B Ms. Lynar B 4 f.2v-5r[2]
PL-PE 306 (Tabulatura organowa Tom. III) f.139v-144r[2] 		10 Jesus Christus, unser Heiland
{\clef alto \relative a { a1 d d2 cis d }}
11 Kyrie dominicale
{\key f \major << \relative a' { a1 bes1*3/4 \bar "" } \\ \relative d' { r4 d4. e8 fis4 g f8 e d4 } >>}
12 Kyrie summum
{<< \relative g' { g1 a b2 } \\ \relative c' { r2 c2~4 c d2~4 } \\ \relative e' { r2 e2~4 e fis2~4 } >>}
D-Lr Mus.ant.pract. K.N. 209 pp.174f[2] 13 Lobet den Herren, denn er ist sehr freundlich
{\key f \major \clef bass << \relative d' { R1 d2 cis4 } \\ \relative g { g2 fis4 g4 8 a bes g a } >>}
14 Magnificat I. Toni
{<< \relative f' { f1 g2. 4 a4 } \\ \relative d' { r2 d e4 d c b a } >>}
15 Magnificat II. Toni
{<< \relative f' { f1 g f2 } \\ \relative d' { r4 d f2~4 f ees2 d2. } >>}
16 Magnificat III. Toni
{<< \relative g' { g1 a1*5/8 \bar "" } \\ \relative e' { r4 e c4. d16 e f4. e8 d } >>}
17 Magnificat IV. Toni
{<< \relative e' { e1 g a2 c\laissezVibrer } \\ \relative a { R1 R a } >>}
18 Magnificat V. Toni
{<< \relative f' { R1 f a2 } \\ \relative bes { bes1 d2 d4. e8 f2 } >>}
19 Magnificat VI. Toni
{<< \relative f' { f1 g } \\ \relative d' { r4 d f2~4 e8 d e f g e } >>}
20 Magnificat VIII. Toni
{<< \relative g' { r2 g2~4 a b c d1 } \\ \relative g { g1~1 a } \\ \relative d' { r2 d2 e4 fis g2~4 fis8 e fis2 } \\ \relative b { r2 b c d2~2 2 } >>}
21 Mensch, willst du leben seliglich
{\clef alto << \relative e' { e1 g2 } \\ \relative a { r4 <a c>4 <g b> <a f> <e g> <d b'> } >>}
22 O Gott, wir danken deiner Güt
{\time 3/2 \partial 2 \key d \minor \relative d' { <d fis a d>2 <d g bes>1 <d f bes>2 <c f a>2 }}
23 O lux beata trinitas
{<< \relative e' { r1 a g2 } \\ \relative e' { e1 d2 c b4 } >>}
24 O lux beata trinitas (Frag.)
{\clef alto \relative e' { e1~2 d c b c }}
25 Te Deum laudamus (Frag.)
{<< \relative a' { a1 gis4 gis8 a b4 e,8 fis } \\ \relative c' { c4 d8 e f4 c8 d e1 } >>}
26 Vater unser im Himmelreich
{\key bes \major << \relative g' { g1 g2 ees f } \\ \relative c' { r4 c c d ees d c bes aes } >>}
D-Lr Mus.ant.pract. K.N. 208 f.25v-28r[2] 27 Vater unser im Himmelreich (Fantasy)
{\clef alto \key bes \major << \relative ees' { r4 ees d c bes a g bes a } \\ \relative g { g1 g2 ees f } >>}
28 Vater unser im Himmelreich
{\key bes \major << \relative g' { g1 g2 ees f g ees } \\ \relative c' { r2 c2~2 c aes bes c } >>}
29 Wir glauben all an einen Gott
{<< \relative d' { d1 a'2 g a } \\ \relative a { R1 r4 a e' d c } >>}
30 Praeambulum in C
{\relative g' { g4 a8 b c b c d <e g,>2. }}
31 Praeambulum in d
{<< \relative d' { d1~4 e8 fis g4 a bes2. } \\ \relative a { a1 bes2. c4 d1 } >>}
32 Praeambulum in d
{\relative a' { <a d, a fis>1 } \bar "||" << \relative g' { g4\repeatTie g4 fis e f! } \\ \relative bes { bes4\repeatTie bes a g a4 } \\ \relative d' { d1\repeatTie~4 } >>}
33 Praeambulum in d
{\relative a' { a4 b!8 c d4 c } \bar "||" \partial 4 << \relative d'' { d4~d8 d a4 c4. } \\ \relative d' { r4 <d f>4. 8 <e a,>4 } >>}
34 Praeambulum in d
{<< \relative a' { R1 a1~4 } \\ \relative f' { R1 f2. e8 d cis4 } \\ \\ \relative d' { d1~d4 c8 b a2~4 } >>}
35 Praeambulum in d
{\relative a' { <a d, fis,>1 } \bar "||" \partial 2 << \relative a' { a2~4 a d2 c4 } \\ \relative c' { r2 d2. d4 a'2.*1/3 } >>}
36 Praeambulum in d
{<< \relative d' { d2~8 e f g <f a>1 } \\ \relative a { R1 r8 a b c d2 } >>}
37 Praeambulum in e
{<< \relative b' { b4 c8 d e2~e4 d c b a1 } \\ \relative b { b1 a2. b c2 } >>}
38 Praeambulum in e
{<< \relative b' { b1~8 b c d e4 b8 d }\\ { <e' b gis>1 1 } >>}
39 Praeambulum in F
{\key f \major c''1 << \relative c'' { c8) c8 d e f a, bes c } \\ \relative c' { <c a f>1 } >>}
40 Praeambulum in F
{\key f \major << \relative c'' { c1 d4 ees8 d c bes c4 } \\ \relative f' { f1 f } >>}
41 Praeambulum in g
{\key f \major << \relative g' { g1~4 a8 b c4 d } \\ \relative d' { d1 ees2. f4 } >>}
42 Fuga in D
{<< \relative a' { a2 f4 d a' b c2 r8 } \\ \relative d' { R1 r4 d c a f' } >>}
43 Toccata in G
{\clef alto << \relative d' { r2 d d4. e8 d4 c b2 } \\ \relative g { g1 g~4 } \\ \relative b { b2. a4 b4. c8 b4 a g2 } >>}
44 Canzon in F
{\key f \major \relative c'' { c4 a8 c \repeat tremolo 4 bes8 a4 g8 f g8. }}
45 (Haßler) Alleluja. Laudem dicite
{\relative e' { <e e'>2 <a cis>4 <f d'> <e e'>2 }}
46 (Lasso) Angelus ad pastores ait
{\key f \major \clef alto << { R1 g'1~4. } \\ \relative g { g1~2 g4 a bes2*3/4 } \\ \relative d' { R1 r2 d2~2*3/4 } \\ \relative g { R1 R1 g1*3/8 \bar "" } >>}
47 (Lasso) Benedicam Dominum
{<< \relative g' { g1~2 g4 a b4. a8 b4 } \\ \relative g { R1 g1~2 4 } \\ \relative d' { R1 R1 d\laissezVibrer \bar "" } >>}
48 (Hier. Praetorius) Benedicam Dominum
{<< \relative a' { R1 r8 a16 b c d e f g2\laissezVibrer } \\ \relative c'' { c1 g } >>}
49 (Lasso) Confitemini Domino et invocate
{\clef alto << \relative a' { R1 a a2 2\laissezVibrer \bar "" } \\ \relative d { R1 R1 d } \\ \relative d' { R1 R1 r2 d\laissezVibrer } \\ \relative a { a1 a2 a2~4 4 4. } >>}
50 (Lasso) De ore prudentis procedit mel
{<< \relative a' { a1~8 d c bes a bes a g } \\ \relative d' { R1 d\laissezVibrer } >>}
51 (Bassano) Dic nobis, Maria, quid vidisti in via
{<< \relative d'' { d4 d d8 c16 d e f g c, d8 } \\ \relative g' { <g b>4 4 4 <c c,> <g b>2*1/4 } >>}
52 (Haßler) Dixit Maria ad angelum
{\key f \major \clef bass \relative f { f1 f2 f g2. f8 }}
53 (Lasso) Ego sum panis
{\key f \major << \relative c'' { c1~2 c8. d16 bes8. c16 a2\laissezVibrer } \\ \relative f' { R1 f1 f8. g16 e8. } >>}
54 (Lasso) Omnia, quae fecisti nobis
{<< \relative a' { R1 a\laissezVibrer } \\ \relative d' { d1~8 e f e d cis d4 } >>}
55 (Lasso) Surrexit pastor bonus
{\key f \major << \relative c' { c2. d8 e f1~2 f4 } \\ \relative f { R1 f2. a8 bes bes1\laissezVibrer \bar "" } \\ \relative c' { R1 r2 c d1\laissezVibrer } >>}
56 (Haßler) Verbum caro factum est
{<< \relative e'' { e8. d16 e8. f16 e4 e } \\ \relative a' { <a c>2. 4 } >>}

Anonymous pieces attributed to Scheidemann

Sources WV Title Incipit Notes Ref.
57 Durch Adams Fall ist ganz verderbt
{<< \relative a' { a1 a2 a g } \\ \relative d' { r2 d4 e f2 <a, c>4 <b d> <c e>2 } >>}
58 Es ist das Heil uns kommen her
{\key d \major << \relative a' { a1 a2 a a c b } \\ \relative d' { s1 s r4 d e fis g2 } >>}
59 Es ist gewißlich an der Zeit
{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}
60 Gelobet seist du, Jesu Christ
{<< \relative g' { g1 g2 2 } \\ \relative g { r2 <g b>4 <a c> <b d> <g b> <c e\laissezVibrer >2 } >>}
61 Herr Christ, der einig Gotts Sohn
{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}
62 Herzlich lieb hab ich dich, o Herr
{<< \relative c'' { c1~4 d8 c b4 c8 b a4 } \\ \relative c' { <c e g>1~2 <g d' g>2 <a c e> } >>}
63 Jesus Christus, unser Heiland
{\clef bass \relative d { d1 a' a2 g a d,2~4 }}
64 Jesus Christus, unser Heiland
{\clef alto << \relative d' { d2 a'2~4 g f2~4 g8 f e4 } \\ \relative d { R1 r2 d a'1*3/4 \bar "" } \\ \relative a { r2 r4 a d2 d2~4 d c } >>}
65 Magnificat VII. Toni
{<< \relative a' { a1 gis2 a r4 } \\ \relative d' { r2 d e4. d8 cis4 a d2 } >>}
66 Magnificat VIII. Toni
{\clef alto << \relative b { r4 b e d g4. f8 e f d e c1\laissezVibrer } \\ \relative g { g1~1 a\laissezVibrer } >>}
D-Lr Mus.ant.pract. K.N. 208 f.30v-33r[2] 67 Nun freut euch, lieben Christen gmein
{\clef bass \relative g { g1 g2 d g <c g'\laissezVibrer> }}
68 Victimae paschali laudes
{\clef bass << \relative a { r2 a2~4 a g2 f4 } \\ \relative d { d1 c d2.*1/3 } >>}
69 Vom Himmel hoch da komm ich her
{<< \relative c'' { c1 b2 a b4. } \\ \relative b { R1 r4 b c d b }\\ \relative c' { r4 c e fis g2. fis4 g4. } >>}
70 Wär Gott nicht mit uns diese Zeit
{\clef alto \key g \major << \relative e' { e1 g2 g a } \\ \relative a { r2 a e'2. d4 cis } >>}
71 Wo Gott der Herr nicht bei uns hält
{\clef bass << \relative g { r4 g bes c d4. g8 d4 e f2 } \\ \relative g, { R1 r4 g bes c d } \\ \\ \relative bes { R1 bes1 bes2 } >>}
72 Praeambulum in C
{<< \relative g' { g2. a8 b c2. d8 e } \\ \relative c' { c1~1 } \\ \relative e' { e1~4 f8 g a2 } >>}
73 Praeambulum in G
{<< \relative g' { g2. a4 b c d2~2*1/2 } \\ \relative b { b2. c4 d2. c4 b2.*1/3 } \\ \relative d' { d1 g2 a~4 } >>}
74 Canzon in G
{\clef alto << \relative d' { d2 4 4 g f8 e d4 g e } \\ \relative g { R1 g2 g4 g c } >>}

Works of dubious authenticity with Scheidemann's name

Sources WV Title Incipit Notes Ref.
PL-PE 306 (Tabulatura organowa Tom. III) f.123v-127r[2] 75 Allein zu dir, Herr Jesu Christ
{\clef alto << \relative g' {r4 g4~16. f32 e16. d32 c8 } \\ \relative c' { c4 c16. c32 b16. a32 g4 a8.*2/3 } >>}
PL-PE 304 (Tabulatura organowa Tom. I)[2]
D-Lr Mus.ant.pract. K.N. 208 f.11v-12r[2] 		76 Ein feste Burg ist unser Gott
{\clef alto << \relative g' { r2 r4 g g g c,4. d8 e2 } \\ \relative c' { c2 c4 c g2 a4. b8 c2 } >>}
77 Gott der Vater wohn uns bei
{\partial 4 << \relative g' { g16 g a b c8 c b4 a8. b16 c4*1/4 \bar "" } \\ \relative c' { r4 c8 c d e f f e16 } >>}
78 (Gastoldi) Jesu, wollst uns weisen
{\clef alto \partial 2 \relative g { <g d' g b>4 8 8 4 <e g g' cis> }}
79 Jesus Christus, unser Heiland
{<< \relative d' { d2 a'2 a4 g a } \\ \relative d { \clef alto r4 d8 e f g a b! c8 d e d c } >>}
80 Komm, heiliger Geist, Herre Gott
{\clef bass \key f \major \relative f { f1 g2 <f c'>2 <d d'> <f\laissezVibrer c'> }}
81 Nun bitten wir den heiligen Geist
{\clef alto \key f \major << \relative bes { bes1 c2 c bes4 a bes c d } \\ \relative f { R1 r2 f g g f4 } >>}
82 Fantasia in C
{<< \relative c'' { <c g>1 <c a>2. <b g>8 <a f> <e g>4 } \\ \relative e' { e1 f4 e8 d c4 d e } >>}
83 Fantasia in d
{\relative a' { a2 4 4 c cis d c8 b } << { a'2} \\ { r4 d'4 } >>}
84 Fuga
{\clef alto \relative e' { e2 4 4 a, c d e f4. }}
85 Toccata in C
{\relative c'' { <c g e>4 b8 a g f e d <e g>1 }}
86 Fantasia in C
{<< \relative d'' { d2. d4 e2~8 d c b a2*1/4 } \\ \relative g' { r2 g2~4 g a2~8 } >>}

Later additions to Scheidemann WV table

Sources WV Title Incipit Notes Ref.
D-B Ms. Lynar B 2 f.6v-8r 89 Ach Gott, vom Himmel sieh darein [2]
D-B Ms. Lynar B 2 f.12v-15r, 22v-23r 91 Nun freut euch, lieben Christen gmein [2]

Chronological Bibliography

Breig, Werner. Die Orgelwerke von Heinrich Scheidemann. Beihefte zum Archiv für Musikwissenschaft: Band 3. Wiesbaden: Steiner, 1967.

Dirksen, Pieter. Heinrich Scheidemann's keyboard music: transmission, style and chronology. Aldershot: Ashcroft, 2007.

Beckmann, Klaus, Die Norddeutsche Schule. Teil II: Blütezeit und Verfall. Mainz: Schott, 2009. 172-210.

References

  1. ↑ Dirksen, Pieter (editor), Heinrich Scheidemann: Choralfantasien für Orgel. Wiesbaden: Breitkopf & Härtel, 2022. p.7
  2. ↑ 2.00 2.01 2.02 2.03 2.04 2.05 2.06 2.07 2.08 2.09 2.10 2.11 Dirksen, Pieter (editor), Heinrich Scheidemann: Choralfantasien für Orgel. Wiesbaden: Breitkopf & Härtel, 2022. Dirksens says "KN 208i" instead of "K.N. 208"
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