Johann Praetorius

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Johann Praetorius was an organist.

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No compositions by Johann Praetorius survive. However, he has been at the center of a decades-long controversy surrounding the attribution of some pieces (some anonymous, some with initials such as J. P.), mainly by Klaus Beckmann.

Attributions

Pieter Dirksen

On the topic of D-B Ms. Lynar A 1, Dirksen and Herald Vogel wrote in the introduction of the Breitkopf & Härtel edition of the complete keyboard works by Sweelinck:

On the other hand, it is also impossible to ascribe to another composer works from Sweelinck's substantiated output through a listing of correspondences with compositions from the Sweelinck School. Klaus Beckmann undertook this endeavor, and in two editions he attributed well-known Sweelinck works to the Hamburg organist Johann (Johannes) Praetorius, who had studied in Amsterdam, just as his brother Jacob Praetorius. Unfortunately, he misjuddged the provenance of the main source LyA1, which invalidates one of the major grounds for his argumentation. This source has no transmission link to Hamburg.[1]

They continued: "Without sufficient research into their respective provenance, the various forms of the name in the sources do not justify changing the attribution from the teacher to a pupil who has yet to emerge with an independent profile."

Works

In 2004, Klaus Beckmann published the 7th volume of the Meister der Norddeutschen Orgelschule series, of the organ works attributed to Johann Praetorius, containing the following works.

Works attributed to Johann Praetorius
Source Title Incipit Notes Ref.
Zellerfeld Organ Tablatures I p.133-138 Allein zu /
dir Herr /
Jesu Christ /
Johan. P. /
Manual:
D-B Ms. Lynar A 1 p.201-204
I-Tn Collezione Foa, Ms. 8 f.133v-137r
A-Wm Ms. VIX/714 f.223v-224r
[A 1:] Christe quj lux /
es et dies /
Johann Peters.
D-B Ms. Lynar A 1 p.133-139
D-B Mus.ms. 40316 f.26v-28r
[A 1:] Da pacem Domine /
in dieb nostris. /
Joann. Pieters.
D-B Ms. Lynar A 1 p.117-120
Zellerfeld Organ Tablatures II p.36-37
Zellerfeld Organ Tablatures II p.38-41
I-Tn Collezione Giordano, Ms. 5 f.130v-136r
[A 1:] Erbarm dich mein /
o Herre Gott. /
Joann Pieters.
I-Tn Collezione Giordano, Ms. 5 f.125v-131r Versus /
J. P. S.
Es sind doch selig alle
D-B Ms. Lynar B 2 f.23v-25r
Eckelt Tablature f.45v-46r
Zellerfeld Organ Tablatuers I p.236-239
Zellerfeld Organ Tablatures II p.54-57
[B 2:] Es spricht der /
unweisen Mundt /
woll
Zellerfeld Organ Tablatures I p.20-25/179-184 Herr Christ /
d einige Got= /
tessohn

Chronological Bibliography

Klaus Beckmann. "Echtheitsprobleme im Repertoire des hanseatischen Orgelbarocks". In Ars Organi 37, 1989. p.150-162.

Klaus Beckmann. "Der Fall 'Johan. P.'. Die Rehabilitierung des Hamburger Nicolai-Organisten Johann Praetorius (d. 1660) und ihre Folgen für das Orgeloeuvre Jan Pieterszoon Sweelincks". In Der Kirchenmusiker 41 (1990). p.16-22.

Klaus Beckmann. "Der Fall 'Johan. P' (II). Die Rehabilitierung des Hamburger Nicolai-Organisten Johann Praetorius (d. 1660) und ihre Folgen für das Orgeloeuvre Heinrich Scheidemanns." in Der Kirchenmusiker 41 (1990) p.215-222.

Pieter Dirksen. "Sweelinck versus Praetorius." in Het Orgel 86 (1990) p.279-286.

Klaus Beckmann. "Der Fall 'Johan. P' (III). Die Rehabilitierung des Hamburger Nicolai-Organisten Johann Praetorius (d. 1660) und ihre Folgen für das Orgeloeuvre Heinrich Scheidemanns." in Der Kirchenmusiker 42 (1991) p.51-58.

Klaus Beckmann. "Johannes redivivus Praetorius." in Der Kirchenmusiker 42 (1991) p.95-101.

Pieter Dirksen. "Nogmals: De zaak Johannes Praetorius." in Het Orgel 87 (1991) p.41-50.

Barbara Stirn. "Die Orgeltabulaturen der Calvörschen Bibliothek zu Clausthal-Zellerfeld..." Hausarbeit zur Erlangung des Magistergrades (M.A.) Göttingen 1991.

Klaus Beckmann Johann Praetorius: Sämtliche Orgelwerke. Meister der Norddeutschen Orgelschule 7. Mainz: Schott, 2004.

Ibo Ortgies. "Zur Diskussion um die Zellerfelder Orgeltabulatur in Concerto Nr.207/208." in Concerto 209. Köln: Concerto 2006. p.22-24.

Pieter Dirksen. "Der Entstehungshintergrund der Zellerfelder Orgeltabulaturen. Neue Erkenntnisse." in Concerto 207. Köln: Concerto 2006. p.23-27

Herald Vogel and Pieter Dirksen. Jan Pieterszoon Sweelinck: Sämtliche Werke für Tasteninstrumente. Wiesbaden: Breitkopf & Härtel, 2006.

Beckmann, Klaus, Die Norddeutsche Schule. Teil II: Blütezeit und Verfall. Mainz: Schott, 2009. p.166-172.

  1. Herald Vogel and Pieter Dirksen. Jan Pieterszoon Sweelinck: Sämtliche Werke für Tanteninstrumente. Vol. 3: Choral- und Psalmvariationen. Wiesbaden: Edition Breitkopf. 2004. p.19.