Franz Tunder

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Franz Tunder

Analysis

The organ chorale works of Franz Tunder can be divided into four categories[1]:

  • Verse cycles with separate verses - Jesus Christus, unser Heiland
  • Continuous Verse cycles - Auf meinen lieben Gott
  • Choral ricercare - Jesus Christus, wahr' Gottes Sohn
  • Choral Fantasie (the rest of the surviving compositions)

Works

The Canzona by Franz Tunder, found in S-Uu Ms. Ihre 285

Except for one work, all remaining pieces by Franz Tunder only occur in one early source. The sources of Tunder's organ music are in three main categories:

a collection of manuscripts in the Rätsbucherei, Lüneburg.

  • The Lüneburg Tablatures, including Mus.ant.pract. K.N. 209.
  • The Pelplin Tablatures, a collection of manuscripts from the Pelplin Monestary.
  • The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala.

Note: numbers in brackets are written in the manuscript by a librarian.

Surviving works by Franz Tunder
Source(s) Title Notes Incipit
D-Lr Mus.ant.pract. K.N. 209 P486-489 [34] Auff meinen Lieben / Gott / Auff 2 Clavier / Manualiter / F. Tunder
\relative d' {\key g \minor \partial 4 d8 e16 fis | g4 a8 bes16 c bes4 c | d2. }
PL-PE 306 (Tabulatura organowa Tom. III) P282-293 Christ lag in / todtes banden / Frans: Tunder:
<< \relative a' { \clef alto a1 g2 a2*1/2 } \\ \relative a { r4 a d c | b c4. a8 }>>
D-Lr Mus.ant.pract. K.N. 207/17/1 P428-431

D-Lr Mus.ant.pract. K.N. 209 P644-649

[207/17/1:] [13] Herr Gott / dich loben wir p / auff 2. Clav. / Franciscus Tunder.
<< \relative e' { \clef alto e1 g2 a4. b8 } \\ \relative a { r4 a c2 b4 <e e,> <c f,> <d d,> } >>
D-Lr Mus.ant.pract. K.N. 209 P474-477 [30] Indich habichge / hoffet Herr. / Auff 2. Clavier. / F. Tunder.
\relative g { \key g \minor g16 a b a g a b c d g e fis g a fis a g1 }
D-Lr Mus.ant.pract. K.N. 209 P562-565 [48] Jesus Christus / Unser Heÿland. / F. T.
\relative a { \clef bass r16 a g a fis g e g fis8 g16 e fis d e cis << d1 \\ \relative d, { r4 d g1*1/2 } >> }
D-Lr Mus.ant.pract. K.N. 209 P470-473 [29] Jesus Christus / wahr Gottes Sohn / F: Tunder
<< \relative g' { \key g \minor \time 3/2 \partial 2 g4 a bes1 c2 d1*1/4 } \\ \relative g' { r2 r2 g4 f ees f bes, } >>
D-Lr Mus.ant.pract. K.N. 209 P634-639 [72] Komm Heÿliger / Geist Herre Gott / Auff 2 Clauier / Franciscus: Tunder: Ped:
\relative d' { \key g \major r16 d e fis g a fis a g a b c d e cis e << d1 \\ { r2 <g, b, g>2 } >> }
PL-PE 305 (Tabulatura organowa Tom. II) P288-294 Was kan uns / kommen an fur: / Noth / 2 Clav: Ped: / Frans: Tunder. Pelplin/C-Major version, fragment
<< \relative c'' { c1 c4. d8 e2 } \\ \relative g' { r2 g2 a g } \\ \\ \relative e' { r2 e2 e4 f e c } >>
D-Lr Mus.ant.pract. K.N. 209 P612-621 [65] Waß kan vns / kommen an / für noth / Auf 2. Clauier. / F. Tunder. Ped: Lüneburg/F-Major version
\relative f { \key f \major \clef bass f16 c a' f c' a f c' \clef treble f2 f8. e16 d e f g a2 }
D-Lr Mus.ant.pract. K.N. 207/16 F3v-4r Praeludium / [3] / Franc: Tunder. F-Major
\relative f'' { \key f \major f8. g16 a e f g c, f e f c d a bes << c1*1/2 \\ { r4 <a f>4 } >> }
D-Lr Mus.ant.pract. K.N. 207/16 F2v-3r Praeludium / [2] / Franc. Tunder. G-Minor
\relative d'' { \key g \minor r16 d e f g d f ees d b c d g, b a c << <b d, g,>4. \\ g1*3/8 >> }
D-Lr Mus.ant.pract. K.N. 207/16 F4v-5r Praeludium / Franc. Tunder. [4] G-Minor
\relative g { \key g \minor g16 b a b g a b c b d c d b c d ees d g e fis g }
D-Lr Mus.ant.pract. K.N. 207/16 F5v-6r Praeludium [5] / Franc: Tunder G-Minor
<< \relative d'' { \key g \minor d8. ees16 d8. c16 b4 c } \\ \relative g' g1 \\ \\ \relative b { b4 c d8. ees16 c8. d16 } >>
D-Lr Mus.ant.pract. K.N. 207/15 P909-910 [55] Praeludium / F. Tund: G-Minor
<< \relative a'' { \key g \minor r16 a g e fis g e fis d c bes c a bes g a fis } \\ \relative a' { s2 r16 a g e fis g e fis d } >>
S-Uu Ms. Ihre 285 P50-52 [20] Cantzon / F: Töndern On a theme by Francesco Della Porta
\relative d'' { \key g \major d8 d d e c8. b16 a8 b16 c d8 d, g a }

Other theorized works

Two chorale fantasias from the Pelplin Tablatures are theorized to be by Franz Tunder by Klaus Beckmann, despite the composer "H.M.T." being written[2]. He also theorized that the anonymous Magnificat octavi toni (also a chorale fantasia) from the Zellerfeld Tablatures no.1 is by Tunder[Citation needed].

The first praeludium in D-Lr Mus.ant.pract. K.N. 207/16, which is anonymous, has been described as being reminiscent of Tunder[3].

References

Schumacher, Claudia (editor). Franz Tunder: Sämtliche Orgelwerke. Mainz: Schott, 2019.

  1. ↑ Beckmann, Klaus, Die Norddeutsche Schule. Teil II: Blütezeit und Verfall. Mainz: Schott, 2009. 277
  2. ↑ Beckmann, Klaus (editor), Zwei Choralfantasien: Allein zu dir, Herr Jesu Christ ; Ein feste Burg ist unser Gott. Wiesbaden: Breitkopf & Härtel, 1991.
  3. ↑ Organum IV vol.10
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