Heinrich Scheidemann
Heinrich Scheidemann (1595-1663)
NOTE: this article was automatically generated from an entry submitted to wvlist.net. You can help add pictures and more information to this article!
This article is a stub, you can help expand it with more information and citations!
WVlist Notes
WV numbers are from the complete works edition by Werner Brieg, which are themselves derived from "Die Orgelwerke von Heinrich Scheidemann", Wiesbaden, 1967
-William Rehwinkel, Feb 20, 2022
Full catalogue of WV list of Scheidemann organ works from Werner Breig, "Die Orgelwerke von Heinrich Scheidemann". Wiesbaden, Franz Steiner Verlag Gmbh, 1967. The table is divided in the following catagories: 1-56: Works secured according to tradition and style (1-29: Chorale-based works, 30-44: Free compositions, 45-56: Motet intabulations), 57-74: Anonymous pieces that can be attributed to Scheidemann (57-71: Chorale-based compositions, 72-74: Free works), 75-86: Works of dubious authenticity inscribed with Scheidemann's initials in the sources (75-81: Chorale-based works, 82-86: Free works), 87-88: works incorrectly identified with scheidemann's initials in individual sources
-William Rehwinkel, Feb 26, 2022
WV 1-13 incipits are derived from Fock according to "Ausgaben" in Brieg.
-William Rehwinkel, Mar 3, 2022
Breig does not list any published edition of the Motet Intabulations WV 45-56. Incipits are from Scheidemann, Heinrich: "12 Orgelintavolierungen", edited by Cleveland Johnson. Wilhelmshaven: Heinrichshofen (1990). (vol. 1-3)
-William Rehwinkel, Mar 3, 2022
Incipits for chorale-based works (confirmed, anonymous but attributed, listed as composer but considered dubious) in which Brieg lists the work in BA 5481, edited by Gustav Fock.
-William Rehwinkel, Mar 5, 2022
-Anonymous, Mar 14, 2022
Incipits for Fragmentary O Lux Beata Trinitas and Te Deum are derived from Dirksen, Pieter. "Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology", Hampshire: Ashgate Publishing Limited, 2007.
-William Rehwinkel, Apr 18, 2022
-William Rehwinkel, May 9, 2022
The 7th intabulation, WV 51, has been found to have been based on a motet by Giovanni Bassano.
-William Rehwinkel, May 9, 2022
According to Dirksen, WV 78 has been found to be an intabulation of a dance song by Giovanni Gastoldi.
-WR, May 11, 2022
Works
WV | 1 | A solis ortus cardine | incipit:[1] |
WV | 2 | Aus tiefer Not schrei ich zu dir | incipit:[2] |
WV | 3 | Christ lag in Todesbanden | incipit:[3] |
WV | 4 | Erbarm dich mein, o Herre Gott | incipit:[4] |
WV | 5 | Es spricht der Unweisen Mund wohl | incipit:[5] |
WV | 6 | Gott sei gelobet und gebenedeiet | incipit:[6] |
WV | 7 | Herr Christ, der einig Gottes Sohn | incipit:[7] |
WV | 8 | In dich hab ich gehoffet, Herr | incipit:[8] |
WV | 9 | In dich hab ich gehoffet, Herr | incipit:[9] |
WV | 10 | Jesus Christus, unser Heiland | incipit:[10] |
WV | 11 | Kyrie dominicale | incipit:[11] |
WV | 12 | Kyrie summum | incipit:[12] |
WV | 13 | Lobet den Herren, denn er ist sehr freundlich | incipit:[13] |
WV | 14 | Magnificat I. Toni | incipit:[14] |
WV | 15 | Magnificat II. Toni | incipit:[15] |
WV | 16 | Magnificat III. Toni | incipit:[16] |
WV | 17 | Magnificat IV. Toni | incipit:[17] |
WV | 18 | Magnificat V. Toni | incipit:[18] |
WV | 19 | Magnificat VI. Toni | incipit:[19] |
WV | 20 | Magnificat VIII. Toni | incipit:[20] |
WV | 21 | Mensch, willst du leben seliglich | incipit:[21] |
WV | 22 | O Gott, wir danken deiner Güt | incipit:[22] |
WV | 23 | O lux beata trinitas | incipit:[23] |
WV | 24 | O lux beata trinitas (Frag.) | incipit:[24] |
WV | 25 | Te Deum laudamus (Frag.) | incipit:[25] |
WV | 26 | Vater unser im Himmelreich | incipit:[26] |
WV | 27 | Vater unser im Himmelreich (Fantasy) | incipit:[27] |
WV | 28 | Vater unser im Himmelreich | incipit:[28] |
WV | 29 | Wir glauben all an einen Gott | incipit:[29] |
WV | 30 | Praeambulum in C | incipit:[30] |
WV | 31 | Praeambulum in d | incipit:[31] |
WV | 32 | Praeambulum in d | incipit:[32] |
WV | 33 | Praeambulum in d | incipit:[33] |
WV | 34 | Praeambulum in d | incipit:[34] |
WV | 35 | Praeambulum in d | incipit:[35] |
WV | 36 | Praeambulum in d | incipit:[36] |
WV | 37 | Praeambulum in e | incipit:[37] |
WV | 38 | Praeambulum in e | incipit:[38] |
WV | 39 | Praeambulum in F | incipit:[39] |
WV | 40 | Praeambulum in F | incipit:[40] |
WV | 41 | Praeambulum in g | incipit:[41] |
WV | 42 | Fuga in D | incipit:[42] |
WV | 43 | Toccata in G | incipit:[43] |
WV | 44 | Canzon in F | incipit:[44] |
WV | 45 | (Haßler) Alleluja. Laudem dicite | incipit:[45] |
WV | 46 | (Lasso) Angelus ad pastores ait | incipit:[46] |
WV | 47 | (Lasso) Benedicam Dominum | incipit:[47] |
WV | 48 | (Hier. Praetorius) Benedicam Dominum | incipit:[48] |
WV | 49 | (Lasso) Confitemini Domino et invocate | incipit:[49] |
WV | 50 | (Lasso) De ore prudentis procedit mel | incipit:[50] |
WV | 51 | (Bassano) Dic nobis, Maria, quid vidisti in via | incipit:[51] |
WV | 52 | (Haßler) Dixit Maria ad angelum | incipit:[52] |
WV | 53 | (Lasso) Ego sum panis | incipit:[53] |
WV | 54 | (Lasso) Omnia, quae fecisti nobis | incipit:[54] |
WV | 55 | (Lasso) Surrexit pastor bonus | incipit:[55] |
WV | 56 | (Haßler) Verbum caro factum est | incipit:[56] |
WV | 57 | Durch Adams Fall ist ganz verderbt | incipit:[57] |
WV | 58 | Es ist das Heil uns kommen her | incipit:[58] |
WV | 59 | Es ist gewißlich an der Zeit | incipit:[59] |
WV | 60 | Gelobet seist du, Jesu Christ | incipit:[60] |
WV | 61 | Herr Christ, der einig Gotts Sohn | incipit:[61] |
WV | 62 | Herzlich lieb hab ich dich, o Herr | incipit:[62] |
WV | 63 | Jesus Christus, unser Heiland | incipit:[63] |
WV | 64 | Jesus Christus, unser Heiland | incipit:[64] |
WV | 65 | Magnificat VII. Toni | incipit:[65] |
WV | 66 | Magnificat VIII. Toni | incipit:[66] |
WV | 67 | Nun freut euch, lieben Christen gmein | incipit:[67] |
WV | 68 | Victimae paschali laudes | incipit:[68] |
WV | 69 | Vom Himmel hoch da komm ich her | incipit:[69] |
WV | 70 | Wär Gott nicht mit uns diese Zeit | incipit:[70] |
WV | 71 | Wo Gott der Herr nicht bei uns hält | incipit:[71] |
WV | 72 | Praeambulum in C | incipit:[72] |
WV | 73 | Praeambulum in G | incipit:[73] |
WV | 74 | Canzon in G | incipit:[74] |
WV | 75 | Allein zu dir, Herr Jesu Christ | incipit:[75] |
WV | 76 | Ein feste Burg ist unser Gott | incipit:[76] |
WV | 77 | Gott der Vater wohn uns bei | incipit:[77] |
WV | 78 | (Gastoldi) Jesu, wollst uns weisen | incipit:[78] |
WV | 79 | Jesus Christus, unser Heiland | incipit:[79] |
WV | 80 | Komm, heiliger Geist, Herre Gott | incipit:[80] |
WV | 81 | Nun bitten wir den heiligen Geist | incipit:[81] |
WV | 82 | Fantasia in C | incipit:[82] |
WV | 83 | Fantasia in d | incipit:[83] |
WV | 84 | Fuga | incipit:[84] |
WV | 85 | Toccata in C | incipit:[85] |
WV | 86 | Fantasia in C | incipit:[86] |
WV* | 87 | Erbarm dich mein, o Herre Gott (by Sweelinck) | incipit:[87] |
WV* | 88 | Fantasia in g (by Frescobaldi) | incipit:[88] |
References
See notes
- ↑ \clef alto \relative a { a1 c2 c d e } << {a2 f'\laissezVibrer} \\ {d1} >>
- ↑ \key g \major << \relative g' { R1 g1 fis2. g4 } \\ \relative c' { c1 b2 c d d } >>
- ↑ << \relative a' { a1 gis2 a c2*1/4 } \\ \relative e' { R1 r4 e c d e8 } >>
- ↑ \relative e' { e1 c2 c b <a e'> }
- ↑ << \relative c'' { c1 c2. } \\ \relative e' { r4 e4 c d8 e f2 c4 } >>
- ↑ << \relative g' { g1 g2 } \\ \relative c' { r4 c b a g2 } \\ \relative e' { r4 e d c b4 } >>
- ↑ \key g \major \relative g { g1 g2 b a g }
- ↑ \clef alto << \relative d' { d1 d2 a' e2*1/4 } \\ \relative d { r2 d2~4 e f g a8 } >>
- ↑ \clef alto << \relative d' { d1 d2 a' e } \\ \relative d { r2 d2~4 e f g a2 } \\ \relative a { R1 a2. b4 c } >>
- ↑ \clef alto \relative a { a1 d d2 cis d }
- ↑ \key f \major << \relative a' { a1 bes1*3/4 \bar "" } \\ \relative d' { r4 d4. e8 fis4 g f8 e d4 } >>
- ↑ << \relative g' { g1 a b2 } \\ \relative c' { r2 c2~4 c d2~4 } \\ \relative e' { r2 e2~4 e fis2~4 } >>
- ↑ \key f \major \clef bass << \relative d' { R1 d2 cis4 } \\ \relative g { g2 fis4 g4 8 a bes g a } >>
- ↑ << \relative f' { f1 g2. 4 a4 } \\ \relative d' { r2 d e4 d c b a } >>
- ↑ << \relative f' { f1 g f2 } \\ \relative d' { r4 d f2~4 f ees2 d2. } >>
- ↑ << \relative g' { g1 a1*5/8 \bar "" } \\ \relative e' { r4 e c4. d16 e f4. e8 d } >>
- ↑ << \relative e' { e1 g a2 c\laissezVibrer } \\ \relative a { R1 R a } >>
- ↑ << \relative f' { R1 f a2 } \\ \relative bes { bes1 d2 d4. e8 f2 } >>
- ↑ << \relative f' { f1 g } \\ \relative d' { r4 d f2~4 e8 d e f g e } >>
- ↑ << \relative g' { r2 g2~4 a b c d1 } \\ \relative g { g1~1 a } \\ \relative d' { r2 d2 e4 fis g2~4 fis8 e fis2 } \\ \relative b { r2 b c d2~2 2 } >>
- ↑ \clef alto << \relative e' { e1 g2 } \\ \relative a { r4 <a c>4 <g b> <a f> <e g> <d b'> } >>
- ↑ \time 3/2 \partial 2 \key d \minor \relative d' { <d fis a d>2 <d g bes>1 <d f bes>2 <c f a>2 }
- ↑ << \relative e' { r1 a g2 } \\ \relative e' { e1 d2 c b4 } >>
- ↑ \clef alto \relative e' { e1~2 d c b c }
- ↑ << \relative a' { a1 gis4 gis8 a b4 e,8 fis } \\ \relative c' { c4 d8 e f4 c8 d e1 } >>
- ↑ \key bes \major << \relative g' { g1 g2 ees f } \\ \relative c' { r4 c c d ees d c bes aes } >>
- ↑ \clef alto \key bes \major << \relative ees' { r4 ees d c bes a g bes a } \\ \relative g { g1 g2 ees f } >>
- ↑ \key bes \major << \relative g' { g1 g2 ees f g ees } \\ \relative c' { r2 c2~2 c aes bes c } >>
- ↑ << \relative d' { d1 a'2 g a } \\ \relative a { R1 r4 a e' d c } >>
- ↑ \relative g' { g4 a8 b c b c d <e g,>2. }
- ↑ << \relative d' { d1~4 e8 fis g4 a bes2. } \\ \relative a { a1 bes2. c4 d1 } >>
- ↑ \relative a' { <a d, a fis>1 } \bar "||" << \relative g' { g4\repeatTie g4 fis e f! } \\ \relative bes { bes4\repeatTie bes a g a4 } \\ \relative d' { d1\repeatTie~4 } >>
- ↑ \relative a' { a4 b!8 c d4 c } \bar "||" \partial 4 << \relative d'' { d4~d8 d a4 c4. } \\ \relative d' { r4 <d f>4. 8 <e a,>4 } >>
- ↑ << \relative a' { R1 a1~4 } \\ \relative f' { R1 f2. e8 d cis4 } \\ \\ \relative d' { d1~d4 c8 b a2~4 } >>
- ↑ \relative a' { <a d, fis,>1 } \bar "||" \partial 2 << \relative a' { a2~4 a d2 c4 } \\ \relative c' { r2 d2. d4 a'2.*1/3 } >>
- ↑ << \relative d' { d2~8 e f g <f a>1 } \\ \relative a { R1 r8 a b c d2 } >>
- ↑ << \relative b' { b4 c8 d e2~e4 d c b a1 } \\ \relative b { b1 a2. b c2 } >>
- ↑ << \relative b' { b1~8 b c d e4 b8 d }\\ { <e' b gis>1 1 } >>
- ↑ \key f \major c''1 << \relative c'' { c8) c8 d e f a, bes c } \\ \relative c' { <c a f>1 } >>
- ↑ \key f \major << \relative c'' { c1 d4 ees8 d c bes c4 } \\ \relative f' { f1 f } >>
- ↑ \key f \major << \relative g' { g1~4 a8 b c4 d } \\ \relative d' { d1 ees2. f4 } >>
- ↑ << \relative a' { a2 f4 d a' b c2 r8 } \\ \relative d' { R1 r4 d c a f' } >>
- ↑ \clef alto << \relative d' { r2 d d4. e8 d4 c b2 } \\ \relative g { g1 g~4 } \\ \relative b { b2. a4 b4. c8 b4 a g2 } >>
- ↑ \key f \major \relative c'' { c4 a8 c \repeat tremolo 4 bes8 a4 g8 f g8. }
- ↑ \relative e' { <e e'>2 <a cis>4 <f d'> <e e'>2 }
- ↑ \key f \major \clef alto << { R1 g'1~4. } \\ \relative g { g1~2 g4 a bes2*3/4 } \\ \relative d' { R1 r2 d2~2*3/4 } \\ \relative g { R1 R1 g1*3/8 \bar "" } >>
- ↑ << \relative g' { g1~2 g4 a b4. a8 b4 } \\ \relative g { R1 g1~2 4 } \\ \relative d' { R1 R1 d\laissezVibrer \bar "" } >>
- ↑ << \relative a' { R1 r8 a16 b c d e f g2\laissezVibrer } \\ \relative c'' { c1 g } >>
- ↑ \clef alto << \relative a' { R1 a a2 2\laissezVibrer \bar "" } \\ \relative d { R1 R1 d } \\ \relative d' { R1 R1 r2 d\laissezVibrer } \\ \relative a { a1 a2 a2~4 4 4. } >>
- ↑ << \relative a' { a1~8 d c bes a bes a g } \\ \relative d' { R1 d\laissezVibrer } >>
- ↑ << \relative d'' { d4 d d8 c16 d e f g c, d8 } \\ \relative g' { <g b>4 4 4 <c c,> <g b>2*1/4 } >>
- ↑ \key f \major \clef bass \relative f { f1 f2 f g2. f8 }
- ↑ \key f \major << \relative c'' { c1~2 c8. d16 bes8. c16 a2\laissezVibrer } \\ \relative f' { R1 f1 f8. g16 e8. } >>
- ↑ << \relative a' { R1 a\laissezVibrer } \\ \relative d' { d1~8 e f e d cis d4 } >>
- ↑ \key f \major << \relative c' { c2. d8 e f1~2 f4 } \\ \relative f { R1 f2. a8 bes bes1\laissezVibrer \bar "" } \\ \relative c' { R1 r2 c d1\laissezVibrer } >>
- ↑ << \relative e'' { e8. d16 e8. f16 e4 e } \\ \relative a' { <a c>2. 4 } >>
- ↑ << \relative a' { a1 a2 a g } \\ \relative d' { r2 d4 e f2 <a, c>4 <b d> <c e>2 } >>
- ↑ \key d \major << \relative a' { a1 a2 a a c b } \\ \relative d' { s1 s r4 d e fis g2 } >>
- ↑ \key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>
- ↑ << \relative g' { g1 g2 2 } \\ \relative g { r2 <g b>4 <a c> <b d> <g b> <c e\laissezVibrer >2 } >>
- ↑ \key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>
- ↑ << \relative c'' { c1~4 d8 c b4 c8 b a4 } \\ \relative c' { <c e g>1~2 <g d' g>2 <a c e> } >>
- ↑ \clef bass \relative d { d1 a' a2 g a d,2~4 }
- ↑ \clef alto << \relative d' { d2 a'2~4 g f2~4 g8 f e4 } \\ \relative d { R1 r2 d a'1*3/4 \bar "" } \\ \relative a { r2 r4 a d2 d2~4 d c } >>
- ↑ << \relative a' { a1 gis2 a r4 } \\ \relative d' { r2 d e4. d8 cis4 a d2 } >>
- ↑ \clef alto << \relative b { r4 b e d g4. f8 e f d e c1\laissezVibrer } \\ \relative g { g1~1 a\laissezVibrer } >>
- ↑ \clef bass \relative g { g1 g2 d g <c g'\laissezVibrer> }
- ↑ \clef bass << \relative a { r2 a2~4 a g2 f4 } \\ \relative d { d1 c d2.*1/3 } >>
- ↑ << \relative c'' { c1 b2 a b4. } \\ \relative b { R1 r4 b c d b }\\ \relative c' { r4 c e fis g2. fis4 g4. } >>
- ↑ \clef alto \key g \major << \relative e' { e1 g2 g a } \\ \relative a { r2 a e'2. d4 cis } >>
- ↑ \clef bass << \relative g { r4 g bes c d4. g8 d4 e f2 } \\ \relative g, { R1 r4 g bes c d } \\ \\ \relative bes { R1 bes1 bes2 } >>
- ↑ << \relative g' { g2. a8 b c2. d8 e } \\ \relative c' { c1~1 } \\ \relative e' { e1~4 f8 g a2 } >>
- ↑ << \relative g' { g2. a4 b c d2~2*1/2 } \\ \relative b { b2. c4 d2. c4 b2.*1/3 } \\ \relative d' { d1 g2 a~4 } >>
- ↑ \clef alto << \relative d' { d2 4 4 g f8 e d4 g e } \\ \relative g { R1 g2 g4 g c } >>
- ↑ \clef alto << \relative g' {r4 g4~16. f32 e16. d32 c8 } \\ \relative c' { c4 c16. c32 b16. a32 g4 a8.*2/3 } >>
- ↑ \clef alto << \relative g' { r2 r4 g g g c,4. d8 e2 } \\ \relative c' { c2 c4 c g2 a4. b8 c2 } >>
- ↑ \partial 4 << \relative g' { g16 g a b c8 c b4 a8. b16 c4*1/4 \bar "" } \\ \relative c' { r4 c8 c d e f f e16 } >>
- ↑ \clef alto \partial 2 \relative g { <g d' g b>4 8 8 4 <e g g' cis> }
- ↑ << \relative d' { d2 a'2 a4 g a } \\ \relative d { \clef alto r4 d8 e f g a b! c8 d e d c } >>
- ↑ \clef bass \key f \major \relative f { f1 g2 <f c'>2 <d d'> <f\laissezVibrer c'> }
- ↑ \clef alto \key f \major << \relative bes { bes1 c2 c bes4 a bes c d } \\ \relative f { R1 r2 f g g f4 } >>
- ↑ << \relative c'' { <c g>1 <c a>2. <b g>8 <a f> <e g>4 } \\ \relative e' { e1 f4 e8 d c4 d e } >>
- ↑ \relative a' { a2 4 4 c cis d c8 b } << { a'2} \\ { r4 d'4 } >>
- ↑ \clef alto \relative e' { e2 4 4 a, c d e f4. }
- ↑ \relative c'' { <c g e>4 b8 a g f e d <e g>1 }
- ↑ << \relative d'' { d2. d4 e2~8 d c b a2*1/4 } \\ \relative g' { r2 g2~4 g a2~8 } >>
- ↑ \clef bass \relative e { e1 g2 g a b } << {e'1 \bar ""} \\ \relative c' { c4. b8 a b c } >>
- ↑ \key f \major \relative d'' { d2 d4 c8 bes a4 a d g, bes }