Franz Tunder: Difference between revisions

Revision as of 14:57, 16 September 2023

Franz Tunder

Works

Except for one work, all remaining pieces by Franz Tunder only occur in one early source. The sources of Tunder's organ music are in three main categories:

a collection of manuscripts in the Rätsbucherei, Lüneburg.

The Lüneburg Tablatures, including Mus.ant.pract. K.N. 209.
The Pelplin Tablatures, a collection of manuscripts from the Pelplin Monestary.
The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala.

Note: numbers in brackets are written in the manuscript by a librarian.

Surviving works by Franz Tunder
Source(s)	Title	Notes	Incipit
D-Lr Mus.ant.pract. K.N. 209 P486-489	[34] Auff meinen Lieben / Gott / Auff 2 Clavier / Manualiter / F. Tunder		$\relative d' {\key g \minor \partial 4 d8 e16 fis \| g4 a8 bes16 c bes4 c \| d2. }$
PL-PE 306 (Tabulatura organowa Tom. III) P282-293	Christ lag in / todtes banden / Frans: Tunder:		$<< \relative a' { \clef alto a1 g2 a2*1/2 } \\ \relative a { r4 a d c \| b c4. a8 }>>$
D-Lr Mus.ant.pract. K.N. 207/17/1 P428-431 D-Lr Mus.ant.pract. K.N. 209 P644-649	[207/17/1:] [13] Herr Gott / dich loben wir p / auff 2. Clav. / Franciscus Tunder.		$<< \relative e' { \clef alto e1 g2 a4. b8 } \\ \relative a { r4 a c2 b4 <e e,> <c f,> <d d,> } >>$
D-Lr Mus.ant.pract. K.N. 209 P474-477	[30] Indich habichge / hoffet Herr. / Auff 2. Clavier. / F. Tunder.		$\relative g { \key g \minor g16 a b a g a b c d g e fis g a fis a g1 }$
D-Lr Mus.ant.pract. K.N. 209 P562-565	[48] Jesus Christus / Unser Heÿland. / F. T.		$\relative a { \clef bass r16 a g a fis g e g fis8 g16 e fis d e cis << d1 \\ \relative d, { r4 d g1*1/2 } >> }$
D-Lr Mus.ant.pract. K.N. 209 P470-473	[29] Jesus Christus / wahr Gottes Sohn / F: Tunder		$<< \relative g' { \key g \minor \time 3/2 \partial 2 g4 a bes1 c2 d1*1/4 } \\ \relative g' { r2 r2 g4 f ees f bes, } >>$
D-Lr Mus.ant.pract. K.N. 209 P634-639	[72] Komm Heÿliger / Geist Herre Gott / Auff 2 Clauier / Franciscus: Tunder: Ped:		$\relative d' { \key g \major r16 d e fis g a fis a g a b c d e cis e << d1 \\ { r2 <g, b, g>2 } >> }$
PL-PE 305 (Tabulatura organowa Tom. II) P288-294	Was kan uns / kommen an fur: / Noth / 2 Clav: Ped: / Frans: Tunder.	Pelplin/C-Major version, fragment	$<< \relative c'' { c1 c4. d8 e2 } \\ \relative g' { r2 g2 a g } \\ \\ \relative e' { r2 e2 e4 f e c } >>$
D-Lr Mus.ant.pract. K.N. 209 P612-621	[65] Waß kan vns / kommen an / für noth / Auf 2. Clauier. / F. Tunder. Ped:	Lüneburg/F-Major version	$\relative f { \key f \major \clef bass f16 c a' f c' a f c' \clef treble f2 f8. e16 d e f g a2 }$
D-Lr Mus.ant.pract. K.N. 207/16 F3v-4r	Praeludium / [3] / Franc: Tunder.	F-Major	$\relative f'' { \key f \major f8. g16 a e f g c, f e f c d a bes << c1*1/2 \\ { r4 <a f>4 } >> }$
D-Lr Mus.ant.pract. K.N. 207/16 F2v-3r	Praeludium / [2] / Franc. Tunder.	G-Minor	$\relative d'' { \key g \minor r16 d e f g d f ees d b c d g, b a c << <b d, g,>4. \\ g1*3/8 >> }$
D-Lr Mus.ant.pract. K.N. 207/16 F4v-5r	Praeludium / Franc. Tunder. [4]	G-Minor	$\relative g { \key g \minor g16 b a b g a b c b d c d b c d ees d g e fis g }$
D-Lr Mus.ant.pract. K.N. 207/16 F5v-6r	Praeludium [5] / Franc: Tunder	G-Minor	$<< \relative d'' { \key g \minor d8. ees16 d8. c16 b4 c } \\ \relative g' g1 \\ \\ \relative b { b4 c d8. ees16 c8. d16 } >>$
D-Lr Mus.ant.pract. K.N. 207/15 P909-910	[55] Praeludium / F. Tund:	G-Minor	$<< \relative a'' { \key g \minor r16 a g e fis g e fis d c bes c a bes g a fis } \\ \relative a' { s2 r16 a g e fis g e fis d } >>$
S-Uu Ms. Ihre 285 P50-52	[20] Cantzon / F: Töndern	On a theme by Francesco Della Porta	$\relative d'' { \key g \major d8 d d e c8. b16 a8 b16 c d8 d, g a }$

Other theorized works

Two chorale fantasias from the Pelplin Tablatures are theorized to be by Franz Tunder by Klaus Beckmann, despite the composer "H.M.T." being written^[1]. He also theorized that the anonymous Magnificat octavi toni (also a chorale fantasia) from the Zellerfeld Tablatures no.1 is by Tunder^{[Citation needed]}.

The first praeludium in D-Lr Mus.ant.pract. K.N. 207/16, which is anonymous, has been described as being reminiscent of Tunder^[2].

Editions

The following is an incomplete list of editions of the organ music of Franz Tunder.

Claudia Schumacher, Meister der Norddeutschen Orgelschule vol.17, 2022 (revised edition).

Michael Belotti, Tunder: Complete Organ Works. Wiesbaden: Breitkopf & Härtel, 2012.

Klaus Beckmann, Sämtliche Orgelwerke. Wiesbaden: Breitkopf & Härtel, 1974.

Jerzy Gołos and Adam Sutkowski, Corpus of Early Keyboard Music vol.10-2. (the first edition of the chorale fantasias in the Pelplin Tablatures)

Rudolf Walter, Sämtliche Choralbearbeitungen für Orgel. Mainz: Schott, 1958.

Max Seiffert, Organum IV vol.6 (preludiums)

References

Schumacher, Claudia (editor). Franz Tunder: Sämtliche Orgelwerke. Mainz: Schott, 2019.

↑ Beckmann, Klaus (editor), Zwei Choralfantasien: Allein zu dir, Herr Jesu Christ ; Ein feste Burg ist unser Gott. Wiesbaden: Breitkopf & Härtel, 1991.
↑ Organum IV vol.10

[1] Beckmann, Klaus (editor), Zwei Choralfantasien: Allein zu dir, Herr Jesu Christ ; Ein feste Burg ist unser Gott. Wiesbaden: Breitkopf & Härtel, 1991.

[2] Organum IV vol.10

[1]

[2]

@@ Line 7: / Line 7: @@
 * [[:Category:Lüneburg Tablatures|The Lüneburg Tablatures]], including Mus.ant.pract. K.N. 209.
-*[[The Pelplin Tablatures]], a collection of manuscripts from the Pelplin Monestary.
+*[[Pelplin Tablatures|The Pelplin Tablatures]], a collection of manuscripts from the Pelplin Monestary.
 *The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala.
@@ Line 19: / Line 19: @@
 | [[D-Lr Mus.ant.pract. K.N. 209]] P486-489 || [34] Auff meinen Lieben / Gott / Auff 2 Clavier / Manualiter / F. Tunder || || <score>\relative d' {\key g \minor \partial 4 d8 e16 fis | g4 a8 bes16 c bes4 c | d2. }</score>
 |-
-| [[The Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] P282-293 || Christ lag in / todtes banden / Frans: Tunder: || || <score><< \relative a' { \clef alto a1 g2 a2*1/2 } \\ \relative a { r4 a d c | b c4. a8 }>></score>
+| [[Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] P282-293 || Christ lag in / todtes banden / Frans: Tunder: || || <score><< \relative a' { \clef alto a1 g2 a2*1/2 } \\ \relative a { r4 a d c | b c4. a8 }>></score>
 |-
 | [[D-Lr Mus.ant.pract. K.N. 207/17/1]] P428-431
@@ Line 33: / Line 33: @@
 | [[D-Lr Mus.ant.pract. K.N. 209]] P634-639 || [72] Komm Heÿliger / Geist Herre Gott / Auff 2 Clauier / Franciscus: Tunder: Ped: || || <score>\relative d' { \key g \major r16 d e fis g a fis a g a b c d e cis e << d1 \\ { r2 <g, b, g>2 } >> }</score>
 |-
-| [[The Pelplin Tablatures|PL-PE 305 (Tabulatura organowa Tom. II)]] P288-294 || Was kan uns / kommen an fur: / Noth / 2 Clav: Ped: / Frans: Tunder. || Pelplin/C-Major version, fragment || <score><< \relative c'' { c1 c4. d8 e2 } \\ \relative g' { r2 g2 a g } \\ \\ \relative e' { r2 e2 e4 f e c } >></score>
+| [[Pelplin Tablatures|PL-PE 305 (Tabulatura organowa Tom. II)]] P288-294 || Was kan uns / kommen an fur: / Noth / 2 Clav: Ped: / Frans: Tunder. || Pelplin/C-Major version, fragment || <score><< \relative c'' { c1 c4. d8 e2 } \\ \relative g' { r2 g2 a g } \\ \\ \relative e' { r2 e2 e4 f e c } >></score>
 |-
 | [[D-Lr Mus.ant.pract. K.N. 209]] P612-621 || [65] Waß kan vns / kommen an / für noth / Auf 2. Clauier. / F. Tunder. Ped: || Lüneburg/F-Major version || <score>\relative f { \key f \major \clef bass f16 c a' f c' a f c' \clef treble f2 f8. e16 d e f g a2 }</score>

Franz Tunder: Difference between revisions

Revision as of 14:57, 16 September 2023

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