M. W. C. B. M.: Difference between revisions

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Two pieces in [[The Lynar Tablatures|D-B Mus. Ms. Lynar B 3]] are headed by the unsolved initials '''M. W. C. B. M.''' It has been theorized that this refers to the composer [[Wilhelm Karges]] by [[Max Seiffert]]{{Citation needed}}.
Two pieces in [[The Lynar Tablatures|D-B Mus. Ms. Lynar B 3]] are headed by the unsolved initials '''M. W. C. B. M.''' It has been theorized that this refers to the composer [[Wilhelm Karges]] by [[Max Seiffert]]{{Citation needed}}.


== Works<ref>Mus. Ms. Lynar B 3, scanned by Staatsbibliothek, Berlin. [http://resolver.staatsbibliothek-berlin.de/SBB000066CC00000000] Accessed 17 July, 2023</ref> ==
== Works<ref>Mus. Ms. Lynar B 3, scanned by Staatsbibliothek, Berlin. [http://resolver.staatsbibliothek-berlin.de/SBB000066CC00000000] Accessed 17 July, 2023</ref><ref name="b">{{RO2001|Karges, Wilhelm}}</ref> ==
[[File:Mwcbm o mensch end.jpg|thumb|The end of ''O Mensch, bewein dein Sünde groß'', showing haphazard part-writing]]
[[File:Mwcbm o mensch end.jpg|thumb|The end of ''O Mensch, bewein dein Sünde groß'']]
{{Lacks citations}}


Mus. Ms. Lynar B 3 is written in [[New German Tablature Notation]], but the two pieces by M. W. C. B. M. have some haphazard part-writing in the accompanying voices, and frequent changes in the number of voices (such as an addition of a fifth voice at cadences in ''O Mensch, bewein dein Sünde Groß''). One particularly egregious example of this is the end of ''O Mensch, bewein dein Sünde groß'', in which the bass and tenor appear to move in parallel fifths. Based on the vertical alignment of the notes, the alto appears to become the ''quintus'' (a term used by [[Klaus Beckmann]] to refer to the middle of five voices<ref>[[Klaus Beckmann|Beckmann, Klaus]] (editor). ''Dietrich Buxtehude: Sämtliche Orgelwerke, Band I-II''. Wiesbaden, Breitkopf & Härtel, 1997. 104.</ref>) resulting in an incorrect handling of the leading tone.
The first piece is a chorale setting of ''Vater unser in Himmelreich'' in three verses. The second and third variations are [[Bicinium|Biciniums]] with the [[Cantus firmus]] in the bass and treble respectively. One aspect of note is that the third verse is succeeded by "Verte.", suggesting that the piece is incomplete (as ''verte'' is typically an instruction to the player to turn the page to continue the piece{{Citation needed}}). The second piece is an example of the practice of ornamenting the cantus firmus, and it is dated 1628.
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== Notes ==
== Notes ==
These works are listed in [[Repertorium Orgelmusik]] under [[Wilhelm Karges]]<ref>{{RO2001|Karges, Wilhelm}}</ref>.
These works are listed in [[Repertorium Orgelmusik]] under [[Wilhelm Karges]]<ref name="b"></ref>.


==References==
==References==

Revision as of 22:03, 26 August 2023

The composer's initials

Two pieces in D-B Mus. Ms. Lynar B 3 are headed by the unsolved initials M. W. C. B. M. It has been theorized that this refers to the composer Wilhelm Karges by Max Seiffert[Citation needed].

Works[1][2]

The end of O Mensch, bewein dein Sünde groß
Works by M. W. C. B. M.
Manuscript Title Notes
D-B Mus. Ms. Lynar B 3 No. 6 Vater unser / in Himmell / reich. / MW.C.B.M. 3 verses. Third verse ends with "verte [sic.]"
D-B Mus. Ms. Lynar B 3 No. 24 O Mensch Be / weine deine / sünde gros auf. / 2 Clavier der Co / rahll gecollorirett / M. W. C. B. M.

Notes

These works are listed in Repertorium Orgelmusik under Wilhelm Karges[2].

References

  1. ↑ Mus. Ms. Lynar B 3, scanned by Staatsbibliothek, Berlin. [1] Accessed 17 July, 2023
  2. ↑ 2.0 2.1 [Karges, Wilhelm in Repertorium Orgelmusik]
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