H. M. T.: Difference between revisions
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[[File:Signature-H. M. T..png|thumb|Initials in K.N. 209]] | [[File:Signature-H. M. T..png|thumb|Initials in K.N. 209]] | ||
One piece in [[D-Lr | One piece in [[D-Lr Mus.ant.pract. K.N. 209]] is headed by the currently unsolved initials '''"H.M.T."'''. | ||
== Attributions == | == Attributions == | ||
Revision as of 12:59, 30 July 2023
One piece in D-Lr Mus.ant.pract. K.N. 209 is headed by the currently unsolved initials "H.M.T.".
Attributions
Several theories as to the identity of "H.M.T." have been made, but none have gained widespread approval. It was theorized to be the south German composer Michael Tonsor[1]. The musicologist Fritz Dietrich wrote that it may be a distortion of "F.T." (=Franz Tunder) and "H.S.M." (=Heinrich Scheidemann), two initials which appear in this manuscript[2].
Despite these, the initials remain unsolved; in Repertorium Orgelmusik the initials are left unattributed[3].
Works[4][5]
| Manuscript | No. | Pages | Title | Incipits |
|---|---|---|---|---|
| D-B mus.ant.pract. K.N. 209 | 47 | 256-261 |
|
1st 2nd  3rd  |
See also
Editions of "Ich ruf zu dir, Herr Jesu Christ":
- Partitura Organum (2019)[2]
- William Rehwinkel (2013)[3]
References
- ↑ Junghans, Wilhelm. Lüneburg eine Pflegstätte kirchlicher Musik. Aus dem Ostern 1870 herausgegebenen Programm des Johanneums zu Lun̈eburg abgedruckt. 33.
- ↑ Brieg, Werner. Die Orgelwerke von Heinrich Scheidemann. Archiv für Musikwissenschaft. Wiesbaden: Franz Steiner Verlag, 1967. 56.
- ↑ Beckmann, Klaus. Repertorium Orgelmusik. New York: Schott, 2001.
- ↑ Rehwinkel, William (editor). "Ich ruf zu dir, Herr Jesu Christ" 22 May, 2023. [1] Accessed 17 July, 2023.
- ↑ RISM450101450
