Jehan Titelouze: Difference between revisions
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''NOTE: this article was automatically generated from an entry submitted to '''wvlist.net'''. You can help add pictures and more information to this article!'' | ''NOTE: this article was automatically generated from an entry submitted to '''wvlist.net'''. You can help add pictures and more information to this article!'' | ||
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== WVlist Notes == | == WVlist Notes == | ||
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== References == | == References == | ||
''See notes'' | ''See notes'' | ||
[[Category:Persons|Titelouze, Jehan]] | |||
[[Category:Composers|Titelouze, Jehan]] | |||
[[Category:Baroque Composers|Titelouze, Jehan]] | |||
[[Category:Organists|Titelouze, Jehan]] | |||
[[Category:Baroque|Titelouze, Jehan]] | |||
[[Category:WVlist pages|Titelouze, Jehan]] | |||
Revision as of 16:53, 26 July 2023
Jehan Titelouze (1562-1633)
NOTE: this article was automatically generated from an entry submitted to wvlist.net. You can help add pictures and more information to this article!
This article is a stub, you can help expand it with more information and citations!
WVlist Notes
Organist at St. Jean, Rouen. HDE=Hymnes de l'eglise, edited by A. Guilmant Mag=Le Magnificat ou cantique de la vierge
-William Rehwinkel, May 12, 2022
Works
| HDE | 1 | Ad Coenam (4 Verset) | incipit:[1] |
| HDE | 2 | Veni Creator (4) | incipit:[2] |
| HDE | 3 | Pange Lingua (3) | incipit:[3] |
| HDE | 4 | Ut Queant Laxis (3) | incipit:[4] |
| HDE | 5 | Ave Maris Stella (4) | incipit:[5] |
| HDE | 6 | Conditor alme Siderum (3) | incipit:[6] |
| HDE | 7 | A Solis Ortus (3) | incipit:[7] |
| HDE | 8 | Exsultet Coelum (3) | incipit:[8] |
| HDE | 9 | Annue Christe (2 + Amen) | incipit:[9] |
| HDE | 10 | Sanctorum Meritis (3) | incipit:[10] |
| HDE | 11 | Iste Confessor (3) | incipit:[11] |
| HDE | 12 | Urbs Jerusalem (3) | incipit:[12] |
| Mag | 1 | Primi Toni | incipit:[13] |
| Mag | 2 | Secundi Toni | incipit:[14] |
| Mag | 3 | Tertii Toni | incipit:[15] |
| Mag | 4 | Quarti Toni | incipit:[16] |
| Mag | 5 | Quinti Toni | incipit:[17] |
| Mag | 6 | Sexti Toni | incipit:[18] |
| Mag | 7 | Septimi Toni | incipit:[19] |
| Mag | 8 | Octavi Toni | incipit:[20] |
References
See notes
- ↑ \clef bass << \relative d' { r4 d4~8 d8 f4~8 f d e f4.*2/3 } \\ \relative d { d1 d1*6/8 } \\ \\ \relative a { r2 a4. 8 bes4. a8 f4 } >>
- ↑ \clef alto << \relative d' { d4 e2 d4 c d e d8 c d4 } \\ \relative g { g1 a g1*1/4 } >>
- ↑ \clef alto << \relative e'' { r2 e2~4 d c b8 a g4*1/2 } \\ \relative e { R1 e1 e1*1/8 } \\ \\ \relative e' { e2. d4 c4 b8 a g4 a b8 } >>
- ↑ \clef bass << \relative d' { d2 c d4 e f e8 d e4.*2/3 } \\ \relative d { R1 d1 c1*1/4 } \\ \\ \relative a { r2 a f a4 b c4 } >>
- ↑ \clef alto << \relative a' { R1 r4 a2 b4 cis4 } \\ \relative d { d1 a' a1*1/4 } \\ \relative d' { d4 e fis g~g f! e2 a2*1/2 } \\ \relative a { a2. b4 cis d c d e } >>
- ↑ \time 3/1 << \relative b' { r1 b\breve a1 g\breve } \\ \relative e' { e\breve d1 c\breve e1 } >>
- ↑ \ottava #1 \clef bass << \relative d' { d2. e8 f g4 f e2 a4 } \\ \relative d { d1 e f1*1/4 } \\ \\ \relative a { a4 b8 c d4 c b2 c4 c~c } >>
- ↑ \ottava #-1 \key f \major \time 3/1 << \relative f' { f1 g a bes1*1/2 } \\ \relative f { r\breve f1 g1*1/2 } \\ \relative c' { r1 c1. d2~2 } >>
- ↑ \clef alto << \relative c'' { R1 c2. bes8 a g4 } \\ \relative f { f1 f e1*1/4 } \\ \\ \relative f' { f2. e8 d c4 bes a2 c2*1/2 } >>
- ↑ << \relative a' { s1 a4 d2 f4 e4*1/2 } \\ \relative d { d1~1 a'1*1/8 } \\ \relative d' { d4 a'2 g4 a4 r8 e8 f g a b c } \\ \relative a { r2 a4 d4~d f d2 c4.*1/3 } >>
- ↑ << \relative e'' { r2 e8 d e d16 c b4.*2/3 } \\ \relative a { a1 g1*1/4 } \\ \\ \relative a' { a8 g a g16 f e4. fis8 g4 } >>
- ↑ << \relative a'' { s1 a4 a } \\ \relative a { a1 a1*1/2 } \\ \relative e'' { r2 e4 e~e d } \\ \relative a' { a4 a2 g4 f2 } >>
- ↑ \time 2/1 \clef alto << \relative f' { r1 f1~f\breve*1/8 } \\ \relative d { r\breve d2.*1/3 } \\ \relative d' { d2. c4 bes a bes a2.*1/3 } \\ \relative d { r1 d2. e4 f } >>
- ↑ \clef alto \key f \major \time 2/1 << \relative f' { r1 f1~\breve*1/8 } \\ \relative f { r\breve f2.*1/3 } \\ \relative bes { bes2. c4 d4 a bes2 c4 } >>
- ↑ \clef bass \relative g { g2. a4 b2 c\laissezVibrer }
- ↑ \time 2/1 \clef alto << \relative a' { a\breve~\breve*1/2 } \\ \relative a { a1. g2 f1.*2/3 } \\ \relative e' { e2 d c1~2 f4 e } >>
- ↑ \time 2/1 << \relative f' { r1 r2 f2 a2. b4 c2 } \\ \relative c' { c1 d2. e4 f2 d c2.*2/3 } >>
- ↑ \key f \major \clef bass \time 2/1 << \relative c' { r1 c2. d4 e2 d4 c g' } \\ \relative f, { f2. g4 a2 g4 f c'2 b4 a b2*1/2 } \\ \relative f { f\breve g\breve*5/8 } >>
- ↑ \time 2/1 \clef alto << \relative a' { s\breve r2 a2 a2*1/2 } \\ \relative d {r1 d1 a'2. g4 f4 } \\ \relative d' { r1 d2. d4 e2 f4 e d } \\ \relative a { a1 a2 b c1 a2*1/2 } >>
- ↑ \ottava #-1 << \relative g' { R1 g1~g1*3/4 } \\ \relative c { R1 r2 c2 e2. } \\ \relative g { g2 c2~4 d e2~e b2*1/2 } >>
