Pelplin Tablatures: Difference between revisions

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Chorale fantasias in Pelplin Tablatures^[1]^[2]^[3]^[4]^[5]
Fol.	Composer	Title	Incipit	Notes	Ref.
Vol. 1
Iv-VIII^{old fol.}	Heinrich Scheidemann	Ein feste burg H.S.M.	$<< \relative g' { R1 r2 g g g } \\ \relative c' { c1 c2 c g1 } >>$		^[1]^[5]
IXv-XI^{new fol.}	Ewaldt Hintz^[6]	Allein zu dir Herr Jesu Christ Ewaldt	$<< \relative c' { \clef bass c2 g4 a c e } \\ \relative f { r2 r4 f c c } >>$		^[1]^[4]
Vol. 2
IIv-IV^{new fol.}	Nicolaus Hasse	Allein Gott in d Höh sei Ehr Nic Hasse / Conscriptum a Fr Maurit	$<< \relative c' { \time 6/4 \partial 4 r4 r4 c d e } \\ \relative f { \clef bass f8 g a2 bes4 c2*1/2 } >>$		^[2]^[4]
IIIv-V^{new fol.}	Nicolaus Hasse	Jesus Christus unser Heiland Nic Hasse	$<< \relative d' { d2 a' a4 } \\ \relative g { r8 g bes g c a d e f4} >>$		^[2]^[4]
V-VI^{new fol.}	Heinrich Scheidemann	Jesus Christus unser Heiland H.S.M.	$<< \relative d' { \clef bass d1 a'1*1/2 } \\ \relative d { r2 d4 e f g } >>$		^[2]^[5]
143v-X^{new fol.}	Franz Tunder	Was kan uns kommen an für Noth 2 Clav. Ped. Franz Tunder	$<< \relative c'' { c1 c4. d8 e21/2} \\ \relative e' { r2 e e4 f e4 } \\ \relative g' { r2 g a g21/2 } >>$		^[2]^[5]
Xv-XI^{new fol.}	Heinrich Scheidemann	Gott der Vater / H.S.M.	$<< \relative g' { \time 4/2 g4 g a b c c b2 } \\ \relative c' { r1 c4 c d e } >>$	One verse, chorale in basso.	^[2]
Vol. 3
Iv-VIII^{new fol.}	Nicolaus Hasse	Komm heiliger Geist Herre Gott auf 2 Clav. N H	$<< \relative f' { r8 f16 g a bes a g f g a bes c } \\ \relative f { <f a c>2~2*1/2 } >>$		^[3]^[4]
115v-118^{new fol.}	Nicolaus Hasse	Jesus Christus pro 3 Clav. Nic Hasse	$<< \relative a { \clef bass a2 e' e4 d e a,8 b } \\ \relative d { R1 r2 r4 d } >>$		^[3]^[4]
123v-127^{new fol.}	Heinrich Scheidemann	Allein zu dir Herr Jesu Christ pro 2 Clav. H.S.M.	$<< \relative g' { r2 g2 g8. f16 e8. d16 } \\ \relative c' { c2 c8. c16 b8. a16 g2 } >>$		^[3]^[5]
134v-XVIII^{new fol.}	Franz Tunder	Christ lag in Todtes Banden Frans Tunder	$<< \relative a' { a1 g2 a } \\ \relative a { r4 a d c b c4. a8 <d d,>4 } >>$		^[3]^[5]

Analysis of the North-German Organ Works

Heinrich Scheidemann

According to Pieter Dirksen, the works Gott der Vater wohn uns bei and Jesus Christus, unser Heiland are considered dubious compositions by Scheidemann. These works have some typically-Scheidemann motifs and idioms, but they are handled in "an entirely untypical stiff and dogmatic manner". In addition, it has been noted by Michael Belotti that the chorales in these pieces aligns with those in the Görlitzer Tabulaturbuch by Sammuel Scheidt^[7].

↑ ^1.0 ^1.1 ^1.2 Antiquitates musicae in Polonia, v.2
↑ ^2.0 ^2.1 ^2.2 ^2.3 ^2.4 ^2.5 Antiquitates musicae in Polonia, v.3
↑ ^3.0 ^3.1 ^3.2 ^3.3 ^3.4 Antiquitates musicae in Polonia, v.4
↑ ^4.0 ^4.1 ^4.2 ^4.3 ^4.4 ^4.5 Corpus of Early Keyboard Music, vol. 10 part 1
↑ ^5.0 ^5.1 ^5.2 ^5.3 ^5.4 ^5.5 Corpus of Early Keyboard Music, vol. 10 part 2
↑ Gołos, Jerzy: "Hintz [Hinsch], Ewaldt." [1], accessed 2 September, 2023.
↑ Dirksen, Pieter, Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology. Hampshire: Ashgate, 2007. 57.

[ampv2-1] 1.0 ^1.1 ^1.2 Antiquitates musicae in Polonia, v.2

[ampv3-2] 2.0 ^2.1 ^2.2 ^2.3 ^2.4 ^2.5 Antiquitates musicae in Polonia, v.3

[ampv4-3] 3.0 ^3.1 ^3.2 ^3.3 ^3.4 Antiquitates musicae in Polonia, v.4

[cekm101-4] 4.0 ^4.1 ^4.2 ^4.3 ^4.4 ^4.5 Corpus of Early Keyboard Music, vol. 10 part 1

[cekm102-5] 5.0 ^5.1 ^5.2 ^5.3 ^5.4 ^5.5 Corpus of Early Keyboard Music, vol. 10 part 2

[6] Gołos, Jerzy: "Hintz [Hinsch], Ewaldt." [1], accessed 2 September, 2023.

[7] Dirksen, Pieter, Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology. Hampshire: Ashgate, 2007. 57.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

Revision as of 17:29, 7 June 2024 (view source) Fiskfan1999 (talk \| contribs) (move piece which was mistakenly said to not be published in CEKM 10.) ← Older edit		Revision as of 19:49, 13 November 2024 (view source) Fiskfan1999 (talk \| contribs) m (Text replacement - "Baroque manuscripts" to "Baroque Manuscripts") Newer edit →
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	According to [[Pieter Dirksen]], the works ''Gott der Vater wohn uns bei'' and ''Jesus Christus, unser Heiland'' are considered dubious compositions by Scheidemann. These works have some typically-Scheidemann motifs and idioms, but they are handled in "an entirely untypical stiff and dogmatic manner". In addition, it has been noted by [[Michael Belotti]] that the chorales in these pieces aligns with those in the [[Görlitzer Tabulaturbuch]] by [[Sammuel Scheidt]]<ref>[[Pieter Dirksen\|Dirksen, Pieter]], ''Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology''. Hampshire: Ashgate, 2007. 57.</ref>.		According to [[Pieter Dirksen]], the works ''Gott der Vater wohn uns bei'' and ''Jesus Christus, unser Heiland'' are considered dubious compositions by Scheidemann. These works have some typically-Scheidemann motifs and idioms, but they are handled in "an entirely untypical stiff and dogmatic manner". In addition, it has been noted by [[Michael Belotti]] that the chorales in these pieces aligns with those in the [[Görlitzer Tabulaturbuch]] by [[Sammuel Scheidt]]<ref>[[Pieter Dirksen\|Dirksen, Pieter]], ''Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology''. Hampshire: Ashgate, 2007. 57.</ref>.

	[[Category:Manuscripts]][[Category:Baroque ~~manuscripts~~]][[Category:Polish manuscripts]][[Category:Baroque]][[Category:Polish]][[Category:German]]		[[Category:Manuscripts]][[Category:Baroque Manuscripts]][[Category:Polish manuscripts]][[Category:Baroque]][[Category:Polish]][[Category:German]]

Pelplin Tablatures: Difference between revisions

Revision as of 19:49, 13 November 2024

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German Chorale Fantasias

Analysis of the North-German Organ Works

Heinrich Scheidemann

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