Conrad Brumann: Difference between revisions

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== Biography & Works ==
== Biography & Works ==
[[Otmar Nachtgall|Luscinius]] numbers him among the pupils of [[Paul Hofhaimer]]. From 1513 on, he was employed at the cathedral of Speyer, and he is referred to by this title (as "Org von Spyr. m. conrat") in [[Leonhard Kleber Tablature|Kleber's tablature]].
[[Otmar Nachtgall|Luscinius]] numbers him among the pupils of [[Paul Hofhaimer]]. From 1513 on, he was employed at the cathedral of Speyer, and he is referred to by this title (as "Org von Spyr. m. conrat") in [[D-B Mus.ms. 40026|Kleber's tablature]].


In said source, his compositions are identified by the initials ''V. S.'' (presumably for "''von Speyer''"), and they include a "Pleni", an untitled "Carmen", a "Praeambalum in Sol", and a coloration of Hofhaimer's "Zucht eer und lob".
In said source, his compositions are identified by the initials ''V. S.'' (presumably for "''von Speyer''"). Similarly to his teacher, Brumann made use of unusually virtuosic diminutions.
 
{| class="wikitable"
|+ Keyboard music by Conrad Brumann
|-
! Folio !! Title (modernised) !! Title in index !! Title in situ !! Incipit !! Notes !! Ref.
|-
| 58v-59v || Pleni || Pleni sunt celi } Org von Spyr. m. conrat || Pleni / M. Conradus. Or. / Spyrensis. <br> (''above'') 1521 ||
<score> << \clef alto \omit Score.TimeSignature
\relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) d8.\mordent e16[ f g] f8\mordent r32 e f g f e f d f e f g f e d c \bar "" }
\\ \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 bes4 d \bar "" }
>> </score>
| || <ref>[http://resolver.staatsbibliothek-berlin.de/SBB0002C41800000000 digital.staatsbibliothek-berlin.de], accessed on 28 October 2024.</ref>
|-
| 59v-60r || Carmen || Carmen in sol } Org von Spyr. m. conrat || (''to the side'') V. S. / de ůl etc ||
<score> << \clef alto \omit Score.TimeSignature
\relative g' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 g4 g16 f g a \bar "" }
\\ \relative g { \set Timing.measureLength = #(ly:make-moment 2/4) g4 g g8 g32[ f e d] c'4 \bar "" }
\\ \relative g { \set Timing.measureLength = #(ly:make-moment 2/4) g8 c,32[ d e f] g[ f g a] g16[ f] e4 c \bar "" }
>> </score>
| || <ref>Ibid.</ref>
|-
| 66v-67r || Zucht, Ehr' und Lob || Zucht eer und lob. manu: || Zucht / eer und / Lob. / manüaliter. ||
<score> << \clef bass \omit Score.TimeSignature
\relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) f4 r16 e32 d c b c d e16 d e f d4 \bar "" }
\\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \once \omit Stem f,4*2 c'4 bes16 c d e \bar "" }
\\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \once \omit Stem f4*2 g4 bes \bar "" }
>> </score>
| Colorised version of Hofhaimer's song. || <ref>Ibid.</ref>
|}


== References ==
== References ==

Revision as of 04:28, 10 November 2024

Conrad Brumann (~1480-1526) was a German organist.

Biography & Works

Luscinius numbers him among the pupils of Paul Hofhaimer. From 1513 on, he was employed at the cathedral of Speyer, and he is referred to by this title (as "Org von Spyr. m. conrat") in Kleber's tablature.

In said source, his compositions are identified by the initials V. S. (presumably for "von Speyer"). Similarly to his teacher, Brumann made use of unusually virtuosic diminutions.

Keyboard music by Conrad Brumann
Folio Title (modernised) Title in index Title in situ Incipit Notes Ref.
58v-59v Pleni Pleni sunt celi } Org von Spyr. m. conrat Pleni / M. Conradus. Or. / Spyrensis.
(above) 1521
<< \clef alto \omit Score.TimeSignature \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) d8.\mordent e16[ f g] f8\mordent r32 e f g f e f d f e f g f e d c \bar "" } \\ \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 bes4 d \bar "" } >>
[1]
59v-60r Carmen Carmen in sol } Org von Spyr. m. conrat (to the side) V. S. / de ůl etc
<< \clef alto \omit Score.TimeSignature \relative g' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 g4 g16 f g a \bar "" } \\ \relative g { \set Timing.measureLength = #(ly:make-moment 2/4) g4 g g8 g32[ f e d] c'4 \bar "" } \\ \relative g { \set Timing.measureLength = #(ly:make-moment 2/4) g8 c,32[ d e f] g[ f g a] g16[ f] e4 c \bar "" } >>
[2]
66v-67r Zucht, Ehr' und Lob Zucht eer und lob. manu: Zucht / eer und / Lob. / manüaliter.
<< \clef bass \omit Score.TimeSignature \relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) f4 r16 e32 d c b c d e16 d e f d4 \bar "" } \\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \once \omit Stem f,4*2 c'4 bes16 c d e \bar "" } \\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \once \omit Stem f4*2 g4 bes \bar "" } >>
Colorised version of Hofhaimer's song. [3]

References

Moser, H. J. (1966). Paul Hofhaimer. Georg Olms, Hildesheim.

Loewenfeld, H. (1897). Leonhard Kleber und sein Orgeltabulaturbuch als Beitrag zur Geschichte der Orgelmusik im beginnenden XVI. Jahrhundert. Doctoral dissertation, Humboldt University, Berlin.

  1. ↑ digital.staatsbibliothek-berlin.de, accessed on 28 October 2024.
  2. ↑ Ibid.
  3. ↑ Ibid.
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