Labarte Organ Tablature: Difference between revisions
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[[Christoph Wolff|Wolff, Christoph]], "Orgelmessen aus dem 16. Jahrhundert in einer wenig bekannten deutsch-italienischen Handschrift." Basler Jahrbuch für historische Musikpraxis 22 (1998). [https://www.e-periodica.ch/cntmng?pid=bjm-001%3A1998%3A22%3A%3A354] accessed 14 September, 2023. | [[Christoph Wolff|Wolff, Christoph]], "Orgelmessen aus dem 16. Jahrhundert in einer wenig bekannten deutsch-italienischen Handschrift." Basler Jahrbuch für historische Musikpraxis 22 (1998). [https://www.e-periodica.ch/cntmng?pid=bjm-001%3A1998%3A22%3A%3A354] accessed 14 September, 2023. | ||
[[Category:Manuscripts]][[Category:German manuscripts]][[Category:Baroque | [[Category:Manuscripts]][[Category:German manuscripts]][[Category:Baroque Manuscripts]][[Category:Renaissance manuscripts]][[Category:German]][[Category:Baroque]][[Category:Renaissance]] |
Revision as of 19:49, 13 November 2024
The Labarte Organ Tablature (now assigned shelfmark US-CAh MS Mus 191) is a manuscript which was in the possession of Jules Labarte. In 1864, it was lost. However, around 1990 it reappeared in the Houghton Library at Harvard University.
The manuscript is dated to the 16th century and it contains three anonymous Alternatum organ masses.
References
[Labarte-Orgeltabulatur in Repertorium Orgelmusik (page 120)]
id.lib.harvard.edu accessed 14 September, 2023.
Wolff, Christoph, "Orgelmessen aus dem 16. Jahrhundert in einer wenig bekannten deutsch-italienischen Handschrift." Basler Jahrbuch für historische Musikpraxis 22 (1998). [1] accessed 14 September, 2023.