Pipe-organ.wiki:Incipits style guide: Difference between revisions

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== Introduction ==
== Introduction ==
Incipits are entered using the [https://www.mediawiki.org/wiki/Extension:Score Score] extension which uses Lilypond (or ABC) notation. '''Do not''' upload scans of a score and embed the image in place of an incipit, or upload an incipit created with some other music notation and exported in PDF or image format. For a brief introduction to the Lilypond notation method, see [https://lilypond.org/text-input.html] and then [https://lilypond.org/doc/v2.24/Documentation/learning/common-notation]<ref>Mirrored at [https://partitura.org/wp-content/uploads/lilypond/html/Documentation/learning-big-page.html#common-notation partitura.org].</ref>.
Write the incipit in the following way (the musical notation should be written as it would appear after '''\score [text]'''):
<pre><score>\relative c' { r16 c d e f d e c g'8 }</score></pre>
<score>\relative c' { r16 c d e f d e c g'8 }</score>
The resulting image is placed in-line where you write it. So you can include an incipit in a table.
<pre>{| class="wikitable"
|-
| [[Nicolaus Bruhns]] || Prelude in E Minor || <score>\relative e { \clef bass e16 g e g fis a fis a g b g b a c a c }</score>
|}</pre>
{| class="wikitable"
|-
| [[Nicolaus Bruhns]] || Prelude in E Minor || <score>\relative e { \clef bass e16 g e g fis a fis a g b g b a c a c }</score>
|}


== General rules ==
== General rules ==
The following is a general guide for how to enter incipits. For now, it is very basic.
The following is a general style-guide for how to enter incipits.
 
=== What part ===
The incipit should only be of the '''very start''' of the piece, even if a certain thematic material enters later. For example, the incipit for ''An Wässerflussen Babylon'' by [[Johann Sebastian Bach]] should be something like<br><score><< \relative d'' { \time 3/4 \key g \major d4 e d8. e32 c b4. c8 d4\laissezVibrer } \\ \relative b' { b4 a8. b32 g fis4 | g8 a16 g fis g e8 d4 } >></score><br>not<br><score>\relative d' { \time 3/4 \key g \major d4 e d8. e32 c | b4.^\trill c8 d4\laissezVibrer }</score>
 
=== Length ===
The length of the incipit does not have to be long. It should only be long enough to identify which piece it is or to differentiate it from another of the same name.
 
For example,<br><score>\relative g' { \key g \minor g4 d' bes4. a8 g bes a g fis a d,4 g8 d a' d, bes' a16 g a8 d, g d16 g a8 d,16 a' bes8 a16 g a d, d' c bes a g bes a g fis a g d g a bes c d e }</score><br>is much longer than necessary to identify what piece this is. A shorter incipit like the following is sufficient.<br><score>\relative g' { \key g \minor g4 d' bes4. a8 g bes a g fis }</score><br>Even if it is a bit short, the combination of this with the composer and name of the piece should eliminate all doubt.
 
One caveat is that sometimes several pieces start very similarly to each other. One example of this is the Preludes WV 32 and 35 by [[Heinrich Scheidemann]]. In these cases, a temporary solution can be used, such as putting a later section of the piece separated by double bars.
 
=== Staves ===
All incipits must be on ONE STAFF only if at all possible. This is to save space. You may not be able to include every note that is written (see below), but only one or two voices should still be enough.


* Please make the incipit short, only one or two measures max.
For example,<br><score><< \new PianoStaff << \new Staff \relative g'' {\key g \minor g8~-\mordent g32 bes a g fis g fis g g16.*5/6-\trill fis64 g a ees8\laissezVibrer } \new Staff \with {} \relative d' { \key g \minor <d g bes>4 r4 <c fis a>4 } >> \new Staff \with { \clef bass } \relative g, { \key g \minor g4 r4 g } >></score><br>is entirely too many staves, instead the following is acceptable.<br><score><< \relative g'' {\key g \minor g8~-\mordent g32 bes a g fis g fis g g16.*5/6-\trill fis64 g a  } \\ \relative d' { \key g \minor <d g bes>4 r4 } >></score>
* Please limit the incipit to ONE STAFF if at all possible (even if some notes can't be shown).
* You DO NOT have to put all the notes in the incipit, just enough that you would recognize the piece (and that it is differentiable from others)

Revision as of 17:22, 23 August 2023

Incipits are one of the primary features of pipe-organ.wiki. The thematic index of works by organ composers (as opposed to a list of titles) can be a valuable reference to organists. Please note the following style guide so that incipits can be a useful as possible without taking up too much space.

Introduction

Incipits are entered using the Score extension which uses Lilypond (or ABC) notation. Do not upload scans of a score and embed the image in place of an incipit, or upload an incipit created with some other music notation and exported in PDF or image format. For a brief introduction to the Lilypond notation method, see [1] and then [2][1].

Write the incipit in the following way (the musical notation should be written as it would appear after \score [text]): 

<score>\relative c' { r16 c d e f d e c g'8 }</score>
\relative c' { r16 c d e f d e c g'8 }

The resulting image is placed in-line where you write it. So you can include an incipit in a table. 

{| class="wikitable"
|-
| [[Nicolaus Bruhns]] || Prelude in E Minor || <score>\relative e { \clef bass e16 g e g fis a fis a g b g b a c a c }</score>
|}
Nicolaus Bruhns Prelude in E Minor
\relative e { \clef bass e16 g e g fis a fis a g b g b a c a c }

General rules

The following is a general style-guide for how to enter incipits.

What part

The incipit should only be of the very start of the piece, even if a certain thematic material enters later. For example, the incipit for An Wässerflussen Babylon by Johann Sebastian Bach should be something like

<< \relative d'' { \time 3/4 \key g \major d4 e d8. e32 c b4. c8 d4\laissezVibrer } \\ \relative b' { b4 a8. b32 g fis4 | g8 a16 g fis g e8 d4 } >>


not

\relative d' { \time 3/4 \key g \major d4 e d8. e32 c | b4.^\trill c8 d4\laissezVibrer }

Length

The length of the incipit does not have to be long. It should only be long enough to identify which piece it is or to differentiate it from another of the same name.

For example,

\relative g' { \key g \minor g4 d' bes4. a8 g bes a g fis a d,4 g8 d a' d, bes' a16 g a8 d, g d16 g a8 d,16 a' bes8 a16 g a d, d' c bes a g bes a g fis a g d g a bes c d e }


is much longer than necessary to identify what piece this is. A shorter incipit like the following is sufficient.

\relative g' { \key g \minor g4 d' bes4. a8 g bes a g fis }


Even if it is a bit short, the combination of this with the composer and name of the piece should eliminate all doubt.

One caveat is that sometimes several pieces start very similarly to each other. One example of this is the Preludes WV 32 and 35 by Heinrich Scheidemann. In these cases, a temporary solution can be used, such as putting a later section of the piece separated by double bars.

Staves

All incipits must be on ONE STAFF only if at all possible. This is to save space. You may not be able to include every note that is written (see below), but only one or two voices should still be enough.

For example,

<< \new PianoStaff << \new Staff \relative g'' {\key g \minor g8~-\mordent g32 bes a g fis g fis g g16.*5/6-\trill fis64 g a ees8\laissezVibrer } \new Staff \with {} \relative d' { \key g \minor <d g bes>4 r4 <c fis a>4 } >> \new Staff \with { \clef bass } \relative g, { \key g \minor g4 r4 g } >>


is entirely too many staves, instead the following is acceptable.

<< \relative g'' {\key g \minor g8~-\mordent g32 bes a g fis g fis g g16.*5/6-\trill fis64 g a } \\ \relative d' { \key g \minor <d g bes>4 r4 } >>
  1. ↑ Mirrored at partitura.org.
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