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== Attributions == | == Attributions == | ||
Several theories as to the identity of "H.M.T." have been made, but none have gained widespread approval. It was theorized to be the south German composer [[Michael Tonsor]]<ref>Junghans, Wilhelm. ''Lüneburg eine Pflegstätte kirchlicher Musik''. Aus dem Ostern 1870 herausgegebenen Programm des Johanneums zu Lun̈eburg abgedruckt. 33.</ref>. The musicologist [[Fritz Dietrich]] wrote that it may be a distortion of "F.T." (=[[Franz Tunder]]) and "H.S.M." (=[[Heinrich Scheidemann]]), two initials which appear in this manuscript<ref>Brieg, Werner. ''Die Orgelwerke von Heinrich Scheidemann''. Archiv für Musikwissenschaft. Wiesbaden: Franz Steiner Verlag, 1967. 56.</ref>. | Several theories as to the identity of "H.M.T." have been made, but none have gained widespread approval. It was theorized to be the south German composer [[Michael Tonsor]]<ref>Junghans, Wilhelm. ''Lüneburg eine Pflegstätte kirchlicher Musik''. Aus dem Ostern 1870 herausgegebenen Programm des Johanneums zu Lun̈eburg abgedruckt. 33.</ref> (an [[Intabulation]] of a piece by Tonsor does appear in [[D-Lr Mus.ant.pract. K.N. 210]]<ref>[[Lydia Schierning]]. ''Die Überlieferung der deutschen Orgel- und Klaviermusik aus der ersten Hälfte des 17. Jahrhunderts.'' Kassel: Bärenreiter, 1961. 106.</ref><ref>{{RISM|450101516}}</ref>). The musicologist [[Fritz Dietrich]] wrote that it may be a distortion of "F.T." (=[[Franz Tunder]]) and "H.S.M." (=[[Heinrich Scheidemann]]), two initials which appear in this manuscript<ref>Brieg, Werner. ''Die Orgelwerke von Heinrich Scheidemann''. Archiv für Musikwissenschaft. Wiesbaden: Franz Steiner Verlag, 1967. 56.</ref>. | ||
Despite these, the initials remain unsolved; in ''Repertorium Orgelmusik'' the initials are left unattributed<ref>Beckmann, Klaus. ''Repertorium Orgelmusik''. New York: Schott, 2001.</ref>. | Despite these, the initials remain unsolved; in ''Repertorium Orgelmusik'' the initials are left unattributed<ref>Beckmann, Klaus. ''Repertorium Orgelmusik''. New York: Schott, 2001.</ref>. | ||
Revision as of 18:01, 3 November 2023
One piece in D-Lr Mus.ant.pract. K.N. 209 is headed by the currently unsolved initials "H.M.T.".
Attributions
Several theories as to the identity of "H.M.T." have been made, but none have gained widespread approval. It was theorized to be the south German composer Michael Tonsor[1] (an Intabulation of a piece by Tonsor does appear in D-Lr Mus.ant.pract. K.N. 210[2][3]). The musicologist Fritz Dietrich wrote that it may be a distortion of "F.T." (=Franz Tunder) and "H.S.M." (=Heinrich Scheidemann), two initials which appear in this manuscript[4].
Despite these, the initials remain unsolved; in Repertorium Orgelmusik the initials are left unattributed[5].
Works[6][7]
| Manuscript | No. | Pages | Title | Incipits |
|---|---|---|---|---|
| D-B mus.ant.pract. K.N. 209 | 47 | 256-261 |
|
1st 2nd  3rd  |
See also
Editions of "Ich ruf zu dir, Herr Jesu Christ":
- Partitura Organum (2019)[2]
- William Rehwinkel (2023)[3]
References
- ↑ Junghans, Wilhelm. Lüneburg eine Pflegstätte kirchlicher Musik. Aus dem Ostern 1870 herausgegebenen Programm des Johanneums zu Lun̈eburg abgedruckt. 33.
- ↑ Lydia Schierning. Die Überlieferung der deutschen Orgel- und Klaviermusik aus der ersten Hälfte des 17. Jahrhunderts. Kassel: Bärenreiter, 1961. 106.
- ↑ RISM450101516
- ↑ Brieg, Werner. Die Orgelwerke von Heinrich Scheidemann. Archiv für Musikwissenschaft. Wiesbaden: Franz Steiner Verlag, 1967. 56.
- ↑ Beckmann, Klaus. Repertorium Orgelmusik. New York: Schott, 2001.
- ↑ Rehwinkel, William (editor). "Ich ruf zu dir, Herr Jesu Christ" 22 May, 2023. [1] Accessed 17 July, 2023.
- ↑ RISM450101450
