Jehan Titelouze: Difference between revisions

Revision as of 21:53, 29 July 2023

Jehan Titelouze (1562-1633)

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WVlist Notes

Organist at St. Jean, Rouen. HDE=Hymnes de l'eglise, edited by A. Guilmant Mag=Le Magnificat ou cantique de la vierge
-William Rehwinkel, May 12, 2022

Works

HDE	1	Ad Coenam (4 Verset)	$<< \relative d' { \clef bass r4 d4~8 d8 f4~8 f d e f4.2/3 } \\ \relative d { d1 d16/8 } \\ \\ \relative a { r2 a4. 8 bes4. a8 f4 } >>$
HDE	2	Veni Creator (4)	$<< \relative d' { \clef alto d4 e2 d4 c d e d8 c d4 } \\ \relative g { g1 a g1*1/4 } >>$
HDE	3	Pange Lingua (3)	$<< \relative e'' { \clef alto r2 e2~4 d c b8 a g41/2 } \\ \relative e { R1 e1 e11/8 } \\ \\ \relative e' { e2. d4 c4 b8 a g4 a b8 } >>$
HDE	4	Ut Queant Laxis (3)	$<< \relative d' { \clef bass d2 c d4 e f e8 d e4.2/3 } \\ \relative d { R1 d1 c11/4 } \\ \\ \relative a { r2 a f a4 b c4 } >>$
HDE	5	Ave Maris Stella (4)	$<< \relative a' { \clef alto R1 r4 a2 b4 cis4 } \\ \relative d { d1 a' a11/4 } \\ \relative d' { d4 e fis g~g f! e2 a21/2 } \\ \relative a { a2. b4 cis d c d e } >>$
HDE	6	Conditor alme Siderum (3)	$<< \relative b' {\time 3/1 r1 b\breve a1 g\breve } \\ \relative e' { e\breve d1 c\breve e1 } >>$
HDE	7	A Solis Ortus (3)	$<< \relative d' { \ottava #1 \clef bass d2. e8 f g4 f e2 a4 } \\ \relative d { d1 e f1*1/4 } \\ \\ \relative a { a4 b8 c d4 c b2 c4 c~c } >>$
HDE	8	Exsultet Coelum (3)	$<< \relative f' { \ottava #-1 \key f \major \time 3/1 f1 g a bes11/2 } \\ \relative f { r\breve f1 g11/2 } \\ \relative c' { r1 c1. d2~2 } >>$
HDE	9	Annue Christe (2 + Amen)	$<< \relative c'' { \clef alto R1 c2. bes8 a g4 } \\ \relative f { f1 f e11/4 } \\ \\ \relative f' { f2. e8 d c4 bes a2 c21/2 } >>$
HDE	10	Sanctorum Meritis (3)	$<< \relative a' { s1 a4 d2 f4 e41/2 } \\ \relative d { d1~1 a'11/8 } \\ \relative d' { d4 a'2 g4 a4 r8 e8 f g a b c } \\ \relative a { r2 a4 d4~d f d2 c4.*1/3 } >>$
HDE	11	Iste Confessor (3)	$<< \relative e'' { r2 e8 d e d16 c b4.2/3 } \\ \relative a { a1 g11/4 } \\ \\ \relative a' { a8 g a g16 f e4. fis8 g4 } >>$
HDE	12	Urbs Jerusalem (3)	$<< \relative a'' { s1 a4 a } \\ \relative a { a1 a1*1/2 } \\ \relative e'' { r2 e4 e~e d } \\ \relative a' { a4 a2 g4 f2 } >>$
Mag	1	Primi Toni	$<< \relative f' { \time 2/1 \clef alto r1 f1~f\breve1/8 } \\ \relative d { r\breve d2.1/3 } \\ \relative d' { d2. c4 bes a bes a2.*1/3 } \\ \relative d { r1 d2. e4 f } >>$
Mag	2	Secundi Toni	$<< \relative f' { \clef alto \key f \major \time 2/1 r1 f1~\breve1/8 } \\ \relative f { r\breve f2.1/3 } \\ \relative bes { bes2. c4 d4 a bes2 c4 } >>$
Mag	3	Tertii Toni	$\relative g { \clef bass g2. a4 b2 c\laissezVibrer }$
Mag	4	Quarti Toni	$<< \relative a' { \time 2/1 \clef alto a\breve~\breve1/2 } \\ \relative a { a1. g2 f1.2/3 } \\ \relative e' { e2 d c1~2 f4 e } >>$
Mag	5	Quinti Toni	$<< \relative f' { \time 2/1 r1 r2 f2 a2. b4 c2 } \\ \relative c' { c1 d2. e4 f2 d c2.*2/3 } >>$
Mag	6	Sexti Toni	$<< \relative c' { \key f \major \clef bass \time 2/1 r1 c2. d4 e2 d4 c g' } \\ \relative f, { f2. g4 a2 g4 f c'2 b4 a b21/2 } \\ \relative f { f\breve g\breve5/8 } >>$
Mag	7	Septimi Toni	$<< \relative a' { \time 2/1 \clef alto s\breve r2 a2 a21/2 } \\ \relative d {r1 d1 a'2. g4 f4 } \\ \relative d' { r1 d2. d4 e2 f4 e d } \\ \relative a { a1 a2 b c1 a21/2 } >>$
Mag	8	Octavi Toni	$<< \relative g' { \ottava #-1 R1 g1~g13/4 } \\ \relative c { R1 r2 c2 e2. } \\ \relative g { g2 c2~4 d e2~e b21/2 } >>$

References

See notes

@@ Line 14: / Line 14: @@
 |1
 |Ad Coenam (4 Verset)
-|<score>\clef bass << \relative d' { r4 d4~8 d8 f4~8 f d e f4.*2/3 } \\ \relative d { d1 d1*6/8 } \\ \\ \relative a { r2 a4. 8 bes4. a8 f4 } >></score>
+|<score><< \relative d' { \clef bass r4 d4~8 d8 f4~8 f d e f4.*2/3 } \\ \relative d { d1 d1*6/8 } \\ \\ \relative a { r2 a4. 8 bes4. a8 f4 } >></score>
 |-
 |HDE
 |2
 |Veni Creator (4)
-|<score>\clef alto << \relative d' { d4 e2 d4 c d e d8 c d4 } \\ \relative g { g1 a g1*1/4 } >></score>
+|<score><< \relative d' { \clef alto d4 e2 d4 c d e d8 c d4 } \\ \relative g { g1 a g1*1/4 } >></score>
 |-
 |HDE
 |3
 |Pange Lingua (3)
-|<score>\clef alto << \relative e'' { r2 e2~4 d c b8 a g4*1/2 } \\ \relative e { R1 e1 e1*1/8 } \\ \\ \relative e' { e2. d4 c4 b8 a g4 a b8 } >></score>
+|<score><< \relative e'' { \clef alto r2 e2~4 d c b8 a g4*1/2 } \\ \relative e { R1 e1 e1*1/8 } \\ \\ \relative e' { e2. d4 c4 b8 a g4 a b8 } >></score>
 |-
 |HDE
 |4
 |Ut Queant Laxis (3)
-|<score>\clef bass << \relative d' { d2 c d4 e f e8 d e4.*2/3 } \\ \relative d { R1 d1 c1*1/4 } \\ \\ \relative a { r2 a f a4 b c4 } >></score>
+|<score><< \relative d' { \clef bass d2 c d4 e f e8 d e4.*2/3 } \\ \relative d { R1 d1 c1*1/4 } \\ \\ \relative a { r2 a f a4 b c4 } >></score>
 |-
 |HDE
 |5
 |Ave Maris Stella (4)
-|<score>\clef alto << \relative a' { R1 r4 a2 b4 cis4 } \\ \relative d { d1 a' a1*1/4 } \\ \relative d' { d4 e fis g~g f! e2 a2*1/2 } \\ \relative a { a2. b4 cis d c d e } >></score>
+|<score><< \relative a' { \clef alto R1 r4 a2 b4 cis4 } \\ \relative d { d1 a' a1*1/4 } \\ \relative d' { d4 e fis g~g f! e2 a2*1/2 } \\ \relative a { a2. b4 cis d c d e } >></score>
 |-
 |HDE
 |6
 |Conditor alme Siderum (3)
-|<score>\time 3/1 << \relative b' { r1 b\breve a1 g\breve } \\ \relative e' { e\breve d1 c\breve e1 } >></score>
+|<score> << \relative b' {\time 3/1 r1 b\breve a1 g\breve } \\ \relative e' { e\breve d1 c\breve e1 } >></score>
 |-
 |HDE
 |7
 |A Solis Ortus (3)
-|<score>\ottava #1 \clef bass << \relative d' { d2. e8 f g4 f e2 a4 } \\ \relative d { d1 e f1*1/4 } \\ \\ \relative a { a4 b8 c d4 c b2 c4 c~c } >></score>
+|<score><< \relative d' { \ottava #1 \clef bass d2. e8 f g4 f e2 a4 } \\ \relative d { d1 e f1*1/4 } \\ \\ \relative a { a4 b8 c d4 c b2 c4 c~c } >></score>
 |-
 |HDE
 |8
 |Exsultet Coelum (3)
-|<score>\ottava #-1 \key f \major \time 3/1 << \relative f' { f1 g a bes1*1/2 } \\ \relative f { r\breve f1 g1*1/2 } \\ \relative c' { r1 c1. d2~2 } >></score>
+|<score><< \relative f' { \ottava #-1 \key f \major \time 3/1 f1 g a bes1*1/2 } \\ \relative f { r\breve f1 g1*1/2 } \\ \relative c' { r1 c1. d2~2 } >></score>
 |-
 |HDE
 |9
 |Annue Christe (2 + Amen)
-|<score>\clef alto << \relative c'' { R1 c2. bes8 a g4 } \\ \relative f { f1 f e1*1/4 } \\ \\ \relative f' { f2. e8 d c4 bes a2 c2*1/2 } >></score>
+|<score><< \relative c'' { \clef alto R1 c2. bes8 a g4 } \\ \relative f { f1 f e1*1/4 } \\ \\ \relative f' { f2. e8 d c4 bes a2 c2*1/2 } >></score>
 |-
 |HDE
@@ Line 74: / Line 74: @@
 |1
 |Primi Toni
-|<score>\time 2/1 \clef alto << \relative f' { r1 f1~f\breve*1/8 } \\ \relative d { r\breve d2.*1/3 } \\ \relative d' { d2. c4 bes a bes a2.*1/3 } \\ \relative d { r1 d2. e4 f } >></score>
+|<score><< \relative f' { \time 2/1 \clef alto r1 f1~f\breve*1/8 } \\ \relative d { r\breve d2.*1/3 } \\ \relative d' { d2. c4 bes a bes a2.*1/3 } \\ \relative d { r1 d2. e4 f } >></score>
 |-
 |Mag
 |2
 |Secundi Toni
-|<score>\clef alto \key f \major \time 2/1 << \relative f' { r1 f1~\breve*1/8 } \\ \relative f { r\breve f2.*1/3 } \\ \relative bes { bes2. c4 d4 a bes2 c4 } >></score>
+|<score><< \relative f' { \clef alto \key f \major \time 2/1 r1 f1~\breve*1/8 } \\ \relative f { r\breve f2.*1/3 } \\ \relative bes { bes2. c4 d4 a bes2 c4 } >></score>
 |-
 |Mag
 |3
 |Tertii Toni
-|<score>\clef bass \relative g { g2. a4 b2 c\laissezVibrer }</score>
+|<score>\relative g { \clef bass g2. a4 b2 c\laissezVibrer }</score>
 |-
 |Mag
 |4
 |Quarti Toni
-|<score>\time 2/1 \clef alto << \relative a' { a\breve~\breve*1/2 } \\ \relative a { a1. g2 f1.*2/3  } \\ \relative e' { e2 d c1~2 f4 e } >></score>
+|<score><< \relative a' { \time 2/1 \clef alto a\breve~\breve*1/2 } \\ \relative a { a1. g2 f1.*2/3  } \\ \relative e' { e2 d c1~2 f4 e } >></score>
 |-
 |Mag
 |5
 |Quinti Toni
-|<score>\time 2/1  << \relative f' { r1 r2 f2 a2. b4 c2 } \\ \relative c' { c1 d2. e4 f2 d c2.*2/3 } >></score>
+|<score> << \relative f' { \time 2/1 r1 r2 f2 a2. b4 c2 } \\ \relative c' { c1 d2. e4 f2 d c2.*2/3 } >></score>
 |-
 |Mag
 |6
 |Sexti Toni
-|<score>\key f \major \clef bass \time 2/1 << \relative c' { r1 c2. d4 e2 d4 c g' } \\ \relative f, { f2. g4 a2 g4 f c'2 b4 a b2*1/2 } \\ \relative f { f\breve g\breve*5/8 } >></score>
+|<score><< \relative c' { \key f \major \clef bass \time 2/1 r1 c2. d4 e2 d4 c g' } \\ \relative f, { f2. g4 a2 g4 f c'2 b4 a b2*1/2 } \\ \relative f { f\breve g\breve*5/8 } >></score>
 |-
 |Mag
 |7
 |Septimi Toni
-|<score>\time 2/1 \clef alto << \relative a' { s\breve r2 a2 a2*1/2 } \\ \relative d {r1 d1 a'2. g4 f4 } \\ \relative d' { r1 d2. d4 e2 f4 e d } \\ \relative a { a1 a2 b c1 a2*1/2 } >></score>
+|<score><< \relative a' { \time 2/1 \clef alto s\breve r2 a2 a2*1/2 } \\ \relative d {r1 d1 a'2. g4 f4 } \\ \relative d' { r1 d2. d4 e2 f4 e d } \\ \relative a { a1 a2 b c1 a2*1/2 } >></score>
 |-
 |Mag
 |8
 |Octavi Toni
-|<score>\ottava #-1 << \relative g' { R1 g1~g1*3/4 } \\ \relative c { R1 r2 c2 e2. } \\ \relative g { g2 c2~4 d e2~e b2*1/2 } >></score>
+|<score><< \relative g' { \ottava #-1 R1 g1~g1*3/4 } \\ \relative c { R1 r2 c2 e2. } \\ \relative g { g2 c2~4 d e2~e b2*1/2 } >></score>
 |}

Jehan Titelouze: Difference between revisions

Revision as of 21:53, 29 July 2023

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