Heinrich Scheidemann: Difference between revisions

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''NOTE: this article was automatically generated from an entry submitted to '''wvlist.net'''. You can help add pictures and more information to this article!''
''NOTE: this article was automatically generated from an entry submitted to '''wvlist.net'''. You can help add pictures and more information to this article!''


{{Stub}}[[Category:Persons]][[Category:WVlist pages]]
{{Stub}}


== WVlist Notes ==
== WVlist Notes ==
Line 25: Line 25:


<blockquote><nowiki>According to Dirksen, WV 78 has been found to be an intabulation of a dance song by Giovanni Gastoldi.</nowiki><br>-WR, May 11, 2022</blockquote>
<blockquote><nowiki>According to Dirksen, WV 78 has been found to be an intabulation of a dance song by Giovanni Gastoldi.</nowiki><br>-WR, May 11, 2022</blockquote>
<blockquote><nowiki></nowiki><br>-Fabian Beron, Feb 14, 2023</blockquote>


== Works ==
== Works ==
Line 474: Line 472:
== References ==
== References ==
''See notes''
''See notes''
[[Category:Persons|Scheidemann, Heinrich]]
[[Category:Composers|Scheidemann, Heinrich]]
[[Category:Baroque Composers|Scheidemann, Heinrich]]
[[Category:Organists|Scheidemann, Heinrich]]
[[Category:Baroque|Scheidemann, Heinrich]]
[[Category:Norddeutsche Orgelschule|Scheidemann, Heinrich]]
[[Category:WVlist pages|Scheidemann, Heinrich]]

Revision as of 16:45, 26 July 2023

Heinrich Scheidemann (1595-1663)

NOTE: this article was automatically generated from an entry submitted to wvlist.net. You can help add pictures and more information to this article!

This article is a stub, you can help expand it with more information and citations!

WVlist Notes

WV numbers are from the complete works edition by Werner Brieg, which are themselves derived from "Die Orgelwerke von Heinrich Scheidemann", Wiesbaden, 1967
-William Rehwinkel, Feb 20, 2022

Full catalogue of WV list of Scheidemann organ works from Werner Breig, "Die Orgelwerke von Heinrich Scheidemann". Wiesbaden, Franz Steiner Verlag Gmbh, 1967. The table is divided in the following catagories: 1-56: Works secured according to tradition and style (1-29: Chorale-based works, 30-44: Free compositions, 45-56: Motet intabulations), 57-74: Anonymous pieces that can be attributed to Scheidemann (57-71: Chorale-based compositions, 72-74: Free works), 75-86: Works of dubious authenticity inscribed with Scheidemann's initials in the sources (75-81: Chorale-based works, 82-86: Free works), 87-88: works incorrectly identified with scheidemann's initials in individual sources
-William Rehwinkel, Feb 26, 2022

WV 1-13 incipits are derived from Fock according to "Ausgaben" in Brieg.
-William Rehwinkel, Mar 3, 2022

Breig does not list any published edition of the Motet Intabulations WV 45-56. Incipits are from Scheidemann, Heinrich: "12 Orgelintavolierungen", edited by Cleveland Johnson. Wilhelmshaven: Heinrichshofen (1990). (vol. 1-3)
-William Rehwinkel, Mar 3, 2022

Incipits for chorale-based works (confirmed, anonymous but attributed, listed as composer but considered dubious) in which Brieg lists the work in BA 5481, edited by Gustav Fock.
-William Rehwinkel, Mar 5, 2022


-Anonymous, Mar 14, 2022

Incipits for Fragmentary O Lux Beata Trinitas and Te Deum are derived from Dirksen, Pieter. "Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology", Hampshire: Ashgate Publishing Limited, 2007.
-William Rehwinkel, Apr 18, 2022


-William Rehwinkel, May 9, 2022

The 7th intabulation, WV 51, has been found to have been based on a motet by Giovanni Bassano.
-William Rehwinkel, May 9, 2022

According to Dirksen, WV 78 has been found to be an intabulation of a dance song by Giovanni Gastoldi.
-WR, May 11, 2022

Works

WV 1 A solis ortus cardine incipit:[1]
WV 2 Aus tiefer Not schrei ich zu dir incipit:[2]
WV 3 Christ lag in Todesbanden incipit:[3]
WV 4 Erbarm dich mein, o Herre Gott incipit:[4]
WV 5 Es spricht der Unweisen Mund wohl incipit:[5]
WV 6 Gott sei gelobet und gebenedeiet incipit:[6]
WV 7 Herr Christ, der einig Gottes Sohn incipit:[7]
WV 8 In dich hab ich gehoffet, Herr incipit:[8]
WV 9 In dich hab ich gehoffet, Herr incipit:[9]
WV 10 Jesus Christus, unser Heiland incipit:[10]
WV 11 Kyrie dominicale incipit:[11]
WV 12 Kyrie summum incipit:[12]
WV 13 Lobet den Herren, denn er ist sehr freundlich incipit:[13]
WV 14 Magnificat I. Toni incipit:[14]
WV 15 Magnificat II. Toni incipit:[15]
WV 16 Magnificat III. Toni incipit:[16]
WV 17 Magnificat IV. Toni incipit:[17]
WV 18 Magnificat V. Toni incipit:[18]
WV 19 Magnificat VI. Toni incipit:[19]
WV 20 Magnificat VIII. Toni incipit:[20]
WV 21 Mensch, willst du leben seliglich incipit:[21]
WV 22 O Gott, wir danken deiner Güt incipit:[22]
WV 23 O lux beata trinitas incipit:[23]
WV 24 O lux beata trinitas (Frag.) incipit:[24]
WV 25 Te Deum laudamus (Frag.) incipit:[25]
WV 26 Vater unser im Himmelreich incipit:[26]
WV 27 Vater unser im Himmelreich (Fantasy) incipit:[27]
WV 28 Vater unser im Himmelreich incipit:[28]
WV 29 Wir glauben all an einen Gott incipit:[29]
WV 30 Praeambulum in C incipit:[30]
WV 31 Praeambulum in d incipit:[31]
WV 32 Praeambulum in d incipit:[32]
WV 33 Praeambulum in d incipit:[33]
WV 34 Praeambulum in d incipit:[34]
WV 35 Praeambulum in d incipit:[35]
WV 36 Praeambulum in d incipit:[36]
WV 37 Praeambulum in e incipit:[37]
WV 38 Praeambulum in e incipit:[38]
WV 39 Praeambulum in F incipit:[39]
WV 40 Praeambulum in F incipit:[40]
WV 41 Praeambulum in g incipit:[41]
WV 42 Fuga in D incipit:[42]
WV 43 Toccata in G incipit:[43]
WV 44 Canzon in F incipit:[44]
WV 45 (Haßler) Alleluja. Laudem dicite incipit:[45]
WV 46 (Lasso) Angelus ad pastores ait incipit:[46]
WV 47 (Lasso) Benedicam Dominum incipit:[47]
WV 48 (Hier. Praetorius) Benedicam Dominum incipit:[48]
WV 49 (Lasso) Confitemini Domino et invocate incipit:[49]
WV 50 (Lasso) De ore prudentis procedit mel incipit:[50]
WV 51 (Bassano) Dic nobis, Maria, quid vidisti in via incipit:[51]
WV 52 (Haßler) Dixit Maria ad angelum incipit:[52]
WV 53 (Lasso) Ego sum panis incipit:[53]
WV 54 (Lasso) Omnia, quae fecisti nobis incipit:[54]
WV 55 (Lasso) Surrexit pastor bonus incipit:[55]
WV 56 (Haßler) Verbum caro factum est incipit:[56]
WV 57 Durch Adams Fall ist ganz verderbt incipit:[57]
WV 58 Es ist das Heil uns kommen her incipit:[58]
WV 59 Es ist gewißlich an der Zeit incipit:[59]
WV 60 Gelobet seist du, Jesu Christ incipit:[60]
WV 61 Herr Christ, der einig Gotts Sohn incipit:[61]
WV 62 Herzlich lieb hab ich dich, o Herr incipit:[62]
WV 63 Jesus Christus, unser Heiland incipit:[63]
WV 64 Jesus Christus, unser Heiland incipit:[64]
WV 65 Magnificat VII. Toni incipit:[65]
WV 66 Magnificat VIII. Toni incipit:[66]
WV 67 Nun freut euch, lieben Christen gmein incipit:[67]
WV 68 Victimae paschali laudes incipit:[68]
WV 69 Vom Himmel hoch da komm ich her incipit:[69]
WV 70 Wär Gott nicht mit uns diese Zeit incipit:[70]
WV 71 Wo Gott der Herr nicht bei uns hält incipit:[71]
WV 72 Praeambulum in C incipit:[72]
WV 73 Praeambulum in G incipit:[73]
WV 74 Canzon in G incipit:[74]
WV 75 Allein zu dir, Herr Jesu Christ incipit:[75]
WV 76 Ein feste Burg ist unser Gott incipit:[76]
WV 77 Gott der Vater wohn uns bei incipit:[77]
WV 78 (Gastoldi) Jesu, wollst uns weisen incipit:[78]
WV 79 Jesus Christus, unser Heiland incipit:[79]
WV 80 Komm, heiliger Geist, Herre Gott incipit:[80]
WV 81 Nun bitten wir den heiligen Geist incipit:[81]
WV 82 Fantasia in C incipit:[82]
WV 83 Fantasia in d incipit:[83]
WV 84 Fuga incipit:[84]
WV 85 Toccata in C incipit:[85]
WV 86 Fantasia in C incipit:[86]
WV* 87 Erbarm dich mein, o Herre Gott (by Sweelinck) incipit:[87]
WV* 88 Fantasia in g (by Frescobaldi) incipit:[88]

References

See notes

  1. \clef alto \relative a { a1 c2 c d e } << {a2 f'\laissezVibrer} \\ {d1} >>
  2. \key g \major << \relative g' { R1 g1 fis2. g4 } \\ \relative c' { c1 b2 c d d } >>
  3. << \relative a' { a1 gis2 a c2*1/4 } \\ \relative e' { R1 r4 e c d e8 } >>
  4. \relative e' { e1 c2 c b <a e'> }
  5. << \relative c'' { c1 c2. } \\ \relative e' { r4 e4 c d8 e f2 c4 } >>
  6. << \relative g' { g1 g2 } \\ \relative c' { r4 c b a g2 } \\ \relative e' { r4 e d c b4 } >>
  7. \key g \major \relative g { g1 g2 b a g }
  8. \clef alto << \relative d' { d1 d2 a' e2*1/4 } \\ \relative d { r2 d2~4 e f g a8 } >>
  9. \clef alto << \relative d' { d1 d2 a' e } \\ \relative d { r2 d2~4 e f g a2 } \\ \relative a { R1 a2. b4 c } >>
  10. \clef alto \relative a { a1 d d2 cis d }
  11. \key f \major << \relative a' { a1 bes1*3/4 \bar "" } \\ \relative d' { r4 d4. e8 fis4 g f8 e d4 } >>
  12. << \relative g' { g1 a b2 } \\ \relative c' { r2 c2~4 c d2~4 } \\ \relative e' { r2 e2~4 e fis2~4 } >>
  13. \key f \major \clef bass << \relative d' { R1 d2 cis4 } \\ \relative g { g2 fis4 g4 8 a bes g a } >>
  14. << \relative f' { f1 g2. 4 a4 } \\ \relative d' { r2 d e4 d c b a } >>
  15. << \relative f' { f1 g f2 } \\ \relative d' { r4 d f2~4 f ees2 d2. } >>
  16. << \relative g' { g1 a1*5/8 \bar "" } \\ \relative e' { r4 e c4. d16 e f4. e8 d } >>
  17. << \relative e' { e1 g a2 c\laissezVibrer } \\ \relative a { R1 R a } >>
  18. << \relative f' { R1 f a2 } \\ \relative bes { bes1 d2 d4. e8 f2 } >>
  19. << \relative f' { f1 g } \\ \relative d' { r4 d f2~4 e8 d e f g e } >>
  20. << \relative g' { r2 g2~4 a b c d1 } \\ \relative g { g1~1 a } \\ \relative d' { r2 d2 e4 fis g2~4 fis8 e fis2 } \\ \relative b { r2 b c d2~2 2 } >>
  21. \clef alto << \relative e' { e1 g2 } \\ \relative a { r4 <a c>4 <g b> <a f> <e g> <d b'> } >>
  22. \time 3/2 \partial 2 \key d \minor \relative d' { <d fis a d>2 <d g bes>1 <d f bes>2 <c f a>2 }
  23. << \relative e' { r1 a g2 } \\ \relative e' { e1 d2 c b4 } >>
  24. \clef alto \relative e' { e1~2 d c b c }
  25. << \relative a' { a1 gis4 gis8 a b4 e,8 fis } \\ \relative c' { c4 d8 e f4 c8 d e1 } >>
  26. \key bes \major << \relative g' { g1 g2 ees f } \\ \relative c' { r4 c c d ees d c bes aes } >>
  27. \clef alto \key bes \major << \relative ees' { r4 ees d c bes a g bes a } \\ \relative g { g1 g2 ees f } >>
  28. \key bes \major << \relative g' { g1 g2 ees f g ees } \\ \relative c' { r2 c2~2 c aes bes c } >>
  29. << \relative d' { d1 a'2 g a } \\ \relative a { R1 r4 a e' d c } >>
  30. \relative g' { g4 a8 b c b c d <e g,>2. }
  31. << \relative d' { d1~4 e8 fis g4 a bes2. } \\ \relative a { a1 bes2. c4 d1 } >>
  32. \relative a' { <a d, a fis>1 } \bar "||" << \relative g' { g4\repeatTie g4 fis e f! } \\ \relative bes { bes4\repeatTie bes a g a4 } \\ \relative d' { d1\repeatTie~4 } >>
  33. \relative a' { a4 b!8 c d4 c } \bar "||" \partial 4 << \relative d'' { d4~d8 d a4 c4. } \\ \relative d' { r4 <d f>4. 8 <e a,>4 } >>
  34. << \relative a' { R1 a1~4 } \\ \relative f' { R1 f2. e8 d cis4 } \\ \\ \relative d' { d1~d4 c8 b a2~4 } >>
  35. \relative a' { <a d, fis,>1 } \bar "||" \partial 2 << \relative a' { a2~4 a d2 c4 } \\ \relative c' { r2 d2. d4 a'2.*1/3 } >>
  36. << \relative d' { d2~8 e f g <f a>1 } \\ \relative a { R1 r8 a b c d2 } >>
  37. << \relative b' { b4 c8 d e2~e4 d c b a1 } \\ \relative b { b1 a2. b c2 } >>
  38. << \relative b' { b1~8 b c d e4 b8 d }\\ { <e' b gis>1 1 } >>
  39. \key f \major c''1 << \relative c'' { c8) c8 d e f a, bes c } \\ \relative c' { <c a f>1 } >>
  40. \key f \major << \relative c'' { c1 d4 ees8 d c bes c4 } \\ \relative f' { f1 f } >>
  41. \key f \major << \relative g' { g1~4 a8 b c4 d } \\ \relative d' { d1 ees2. f4 } >>
  42. << \relative a' { a2 f4 d a' b c2 r8 } \\ \relative d' { R1 r4 d c a f' } >>
  43. \clef alto << \relative d' { r2 d d4. e8 d4 c b2 } \\ \relative g { g1 g~4 } \\ \relative b { b2. a4 b4. c8 b4 a g2 } >>
  44. \key f \major \relative c'' { c4 a8 c \repeat tremolo 4 bes8 a4 g8 f g8. }
  45. \relative e' { <e e'>2 <a cis>4 <f d'> <e e'>2 }
  46. \key f \major \clef alto << { R1 g'1~4. } \\ \relative g { g1~2 g4 a bes2*3/4 } \\ \relative d' { R1 r2 d2~2*3/4 } \\ \relative g { R1 R1 g1*3/8 \bar "" } >>
  47. << \relative g' { g1~2 g4 a b4. a8 b4 } \\ \relative g { R1 g1~2 4 } \\ \relative d' { R1 R1 d\laissezVibrer \bar "" } >>
  48. << \relative a' { R1 r8 a16 b c d e f g2\laissezVibrer } \\ \relative c'' { c1 g } >>
  49. \clef alto << \relative a' { R1 a a2 2\laissezVibrer \bar "" } \\ \relative d { R1 R1 d } \\ \relative d' { R1 R1 r2 d\laissezVibrer } \\ \relative a { a1 a2 a2~4 4 4. } >>
  50. << \relative a' { a1~8 d c bes a bes a g } \\ \relative d' { R1 d\laissezVibrer } >>
  51. << \relative d'' { d4 d d8 c16 d e f g c, d8 } \\ \relative g' { <g b>4 4 4 <c c,> <g b>2*1/4 } >>
  52. \key f \major \clef bass \relative f { f1 f2 f g2. f8 }
  53. \key f \major << \relative c'' { c1~2 c8. d16 bes8. c16 a2\laissezVibrer } \\ \relative f' { R1 f1 f8. g16 e8. } >>
  54. << \relative a' { R1 a\laissezVibrer } \\ \relative d' { d1~8 e f e d cis d4 } >>
  55. \key f \major << \relative c' { c2. d8 e f1~2 f4 } \\ \relative f { R1 f2. a8 bes bes1\laissezVibrer \bar "" } \\ \relative c' { R1 r2 c d1\laissezVibrer } >>
  56. << \relative e'' { e8. d16 e8. f16 e4 e } \\ \relative a' { <a c>2. 4 } >>
  57. << \relative a' { a1 a2 a g } \\ \relative d' { r2 d4 e f2 <a, c>4 <b d> <c e>2 } >>
  58. \key d \major << \relative a' { a1 a2 a a c b } \\ \relative d' { s1 s r4 d e fis g2 } >>
  59. \key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>
  60. << \relative g' { g1 g2 2 } \\ \relative g { r2 <g b>4 <a c> <b d> <g b> <c e\laissezVibrer >2 } >>
  61. \key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>
  62. << \relative c'' { c1~4 d8 c b4 c8 b a4 } \\ \relative c' { <c e g>1~2 <g d' g>2 <a c e> } >>
  63. \clef bass \relative d { d1 a' a2 g a d,2~4 }
  64. \clef alto << \relative d' { d2 a'2~4 g f2~4 g8 f e4 } \\ \relative d { R1 r2 d a'1*3/4 \bar "" } \\ \relative a { r2 r4 a d2 d2~4 d c } >>
  65. << \relative a' { a1 gis2 a r4 } \\ \relative d' { r2 d e4. d8 cis4 a d2 } >>
  66. \clef alto << \relative b { r4 b e d g4. f8 e f d e c1\laissezVibrer } \\ \relative g { g1~1 a\laissezVibrer } >>
  67. \clef bass \relative g { g1 g2 d g <c g'\laissezVibrer> }
  68. \clef bass << \relative a { r2 a2~4 a g2 f4 } \\ \relative d { d1 c d2.*1/3 } >>
  69. << \relative c'' { c1 b2 a b4. } \\ \relative b { R1 r4 b c d b }\\ \relative c' { r4 c e fis g2. fis4 g4. } >>
  70. \clef alto \key g \major << \relative e' { e1 g2 g a } \\ \relative a { r2 a e'2. d4 cis } >>
  71. \clef bass << \relative g { r4 g bes c d4. g8 d4 e f2 } \\ \relative g, { R1 r4 g bes c d } \\ \\ \relative bes { R1 bes1 bes2 } >>
  72. << \relative g' { g2. a8 b c2. d8 e } \\ \relative c' { c1~1 } \\ \relative e' { e1~4 f8 g a2 } >>
  73. << \relative g' { g2. a4 b c d2~2*1/2 } \\ \relative b { b2. c4 d2. c4 b2.*1/3 } \\ \relative d' { d1 g2 a~4 } >>
  74. \clef alto << \relative d' { d2 4 4 g f8 e d4 g e } \\ \relative g { R1 g2 g4 g c } >>
  75. \clef alto << \relative g' {r4 g4~16. f32 e16. d32 c8 } \\ \relative c' { c4 c16. c32 b16. a32 g4 a8.*2/3 } >>
  76. \clef alto << \relative g' { r2 r4 g g g c,4. d8 e2 } \\ \relative c' { c2 c4 c g2 a4. b8 c2 } >>
  77. \partial 4 << \relative g' { g16 g a b c8 c b4 a8. b16 c4*1/4 \bar "" } \\ \relative c' { r4 c8 c d e f f e16 } >>
  78. \clef alto \partial 2 \relative g { <g d' g b>4 8 8 4 <e g g' cis> }
  79. << \relative d' { d2 a'2 a4 g a } \\ \relative d { \clef alto r4 d8 e f g a b! c8 d e d c } >>
  80. \clef bass \key f \major \relative f { f1 g2 <f c'>2 <d d'> <f\laissezVibrer c'> }
  81. \clef alto \key f \major << \relative bes { bes1 c2 c bes4 a bes c d } \\ \relative f { R1 r2 f g g f4 } >>
  82. << \relative c'' { <c g>1 <c a>2. <b g>8 <a f> <e g>4 } \\ \relative e' { e1 f4 e8 d c4 d e } >>
  83. \relative a' { a2 4 4 c cis d c8 b } << { a'2} \\ { r4 d'4 } >>
  84. \clef alto \relative e' { e2 4 4 a, c d e f4. }
  85. \relative c'' { <c g e>4 b8 a g f e d <e g>1 }
  86. << \relative d'' { d2. d4 e2~8 d c b a2*1/4 } \\ \relative g' { r2 g2~4 g a2~8 } >>
  87. \clef bass \relative e { e1 g2 g a b } << {e'1 \bar ""} \\ \relative c' { c4. b8 a b c } >>
  88. \key f \major \relative d'' { d2 d4 c8 bes a4 a d g, bes }