Pelplin Tablatures: Difference between revisions
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| Iv-VIII<sup>old fol.</sup> || [[Heinrich Scheidemann]] || Ein feste burg H.S.M. || <score><< \relative g' { R1 r2 g g g } \\ \relative c' { c1 c2 c g1 } >></score> || || <ref name="ampv2"></ref><ref name="cekm102"></ref> | | Iv-VIII<sup>old fol.</sup> || [[Heinrich Scheidemann]] || Ein feste burg H.S.M. || <score><< \relative g' { R1 r2 g g g } \\ \relative c' { c1 c2 c g1 } >></score> || || <ref name="ampv2"></ref><ref name="cekm102"></ref> | ||
|- | |- | ||
| IXv-XI<sup>new fol.</sup> || [[ | | IXv-XI<sup>new fol.</sup> || [[Ewaldt Hintz]]<ref>Gołos, Jerzy: "Hintz [Hinsch], Ewaldt." [https://doi.org/10.1093/gmo/9781561592630.article.13065], accessed 2 September, 2023.</ref> || Allein zu dir Herr Jesu Christ Ewaldt || <score><< \relative c' { \clef bass c2 g4 a c e } \\ \relative f { r2 r4 f c c } >></score> || || <ref name="ampv2"></ref><ref name="cekm101"></ref> | ||
|- | |- | ||
!colspan="6"| Vol. 2 | !colspan="6"| Vol. 2 | ||
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|- | |- | ||
| 143v-X<sup>new fol.</sup> || [[Franz Tunder]] || Was kan uns kommen an für Noth 2 Clav. Ped. Franz Tunder || <score><< \relative c'' { c1 c4. d8 e2*1/2} \\ \relative e' { r2 e e4 f e4 } \\ \relative g' { r2 g a g2*1/2 } >></score> || || <ref name="ampv3"></ref><ref name="cekm102"></ref> | | 143v-X<sup>new fol.</sup> || [[Franz Tunder]] || Was kan uns kommen an für Noth 2 Clav. Ped. Franz Tunder || <score><< \relative c'' { c1 c4. d8 e2*1/2} \\ \relative e' { r2 e e4 f e4 } \\ \relative g' { r2 g a g2*1/2 } >></score> || || <ref name="ampv3"></ref><ref name="cekm102"></ref> | ||
|- | |||
| Xv-XI<sup>new fol.</sup> || [[Heinrich Scheidemann]] || Gott der Vater / H.S.M. || <score><< \relative g' { \time 4/2 g4 g a b c c b2 } \\ \relative c' { r1 c4 c d e } >></score> || One verse, chorale in basso. || <ref name="ampv3"></ref> | |||
|- | |- | ||
!colspan="6"| Vol. 3 | !colspan="6"| Vol. 3 | ||
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| 123v-127<sup>new fol.</sup> || [[Heinrich Scheidemann]] || Allein zu dir Herr Jesu Christ pro 2 Clav. H.S.M. || <score><< \relative g' { r2 g2 g8. f16 e8. d16 } \\ \relative c' { c2 c8. c16 b8. a16 g2 } >></score> || || <ref name="ampv4"></ref><ref name="cekm102"></ref> | | 123v-127<sup>new fol.</sup> || [[Heinrich Scheidemann]] || Allein zu dir Herr Jesu Christ pro 2 Clav. H.S.M. || <score><< \relative g' { r2 g2 g8. f16 e8. d16 } \\ \relative c' { c2 c8. c16 b8. a16 g2 } >></score> || || <ref name="ampv4"></ref><ref name="cekm102"></ref> | ||
|- | |- | ||
| 134v-XVIII<sup>new fol.</sup || [[Franz Tunder]] || Christ lag in Todtes Banden Frans Tunder || <score><< \relative a' { a1 g2 a } \\ \relative a { r4 a d c b c4. a8 <d d,>4 } >></score> || ||<ref name="ampv4"></ref><ref name="cekm102"></ref> | | 134v-XVIII<sup>new fol.</sup> || [[Franz Tunder]] || Christ lag in Todtes Banden Frans Tunder || <score><< \relative a' { a1 g2 a } \\ \relative a { r4 a d c b c4. a8 <d d,>4 } >></score> || ||<ref name="ampv4"></ref><ref name="cekm102"></ref> | ||
|} | |} | ||
=== | === Analysis of the North-German Organ Works === | ||
==== Heinrich Scheidemann ==== | |||
According to [[Pieter Dirksen]], the works ''Gott der Vater wohn uns bei'' and ''Jesus Christus, unser Heiland'' are considered dubious compositions by Scheidemann. These works have some typically-Scheidemann motifs and idioms, but they are handled in "an entirely untypical stiff and dogmatic manner". In addition, it has been noted by [[Michael Belotti]] that the chorales in these pieces aligns with those in the [[Görlitzer Tabulaturbuch]] by [[Sammuel Scheidt]]<ref>[[Pieter Dirksen|Dirksen, Pieter]], ''Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology''. Hampshire: Ashgate, 2007. 57.</ref>. | |||
[[Category:Manuscripts]][[Category:Baroque | [[Category:Manuscripts]][[Category:Baroque Manuscripts]][[Category:Polish Manuscripts]][[Category:Baroque]][[Category:Polish]][[Category:German]] |
Latest revision as of 19:53, 13 November 2024
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Contents
German Chorale Fantasias
The fantasias can be found in Corpus of Early Keyboard Music vol. 10 parts 1 and 2, and facsimiles in Antiquitates musicae in Polonia v.2-4.
Note: in the Fol. column, the lowercase "v" refers to "verso".
Fol. | Composer | Title | Incipit | Notes | Ref. |
---|---|---|---|---|---|
Vol. 1 | |||||
Iv-VIIIold fol. | Heinrich Scheidemann | Ein feste burg H.S.M. | [1][5] | ||
IXv-XInew fol. | Ewaldt Hintz[6] | Allein zu dir Herr Jesu Christ Ewaldt | [1][4] | ||
Vol. 2 | |||||
IIv-IVnew fol. | Nicolaus Hasse | Allein Gott in d Höh sei Ehr Nic Hasse / Conscriptum a Fr Maurit | [2][4] | ||
IIIv-Vnew fol. | Nicolaus Hasse | Jesus Christus unser Heiland Nic Hasse | [2][4] | ||
V-VInew fol. | Heinrich Scheidemann | Jesus Christus unser Heiland H.S.M. | [2][5] | ||
143v-Xnew fol. | Franz Tunder | Was kan uns kommen an für Noth 2 Clav. Ped. Franz Tunder | [2][5] | ||
Xv-XInew fol. | Heinrich Scheidemann | Gott der Vater / H.S.M. | One verse, chorale in basso. | [2] | |
Vol. 3 | |||||
Iv-VIIInew fol. | Nicolaus Hasse | Komm heiliger Geist Herre Gott auf 2 Clav. N H | [3][4] | ||
115v-118new fol. | Nicolaus Hasse | Jesus Christus pro 3 Clav. Nic Hasse | [3][4] | ||
123v-127new fol. | Heinrich Scheidemann | Allein zu dir Herr Jesu Christ pro 2 Clav. H.S.M. | [3][5] | ||
134v-XVIIInew fol. | Franz Tunder | Christ lag in Todtes Banden Frans Tunder | [3][5] |
Analysis of the North-German Organ Works
Heinrich Scheidemann
According to Pieter Dirksen, the works Gott der Vater wohn uns bei and Jesus Christus, unser Heiland are considered dubious compositions by Scheidemann. These works have some typically-Scheidemann motifs and idioms, but they are handled in "an entirely untypical stiff and dogmatic manner". In addition, it has been noted by Michael Belotti that the chorales in these pieces aligns with those in the Görlitzer Tabulaturbuch by Sammuel Scheidt[7].
- ↑ 1.0 1.1 1.2 Antiquitates musicae in Polonia, v.2
- ↑ 2.0 2.1 2.2 2.3 2.4 2.5 Antiquitates musicae in Polonia, v.3
- ↑ 3.0 3.1 3.2 3.3 3.4 Antiquitates musicae in Polonia, v.4
- ↑ 4.0 4.1 4.2 4.3 4.4 4.5 Corpus of Early Keyboard Music, vol. 10 part 1
- ↑ 5.0 5.1 5.2 5.3 5.4 5.5 Corpus of Early Keyboard Music, vol. 10 part 2
- ↑ Gołos, Jerzy: "Hintz [Hinsch], Ewaldt." [1], accessed 2 September, 2023.
- ↑ Dirksen, Pieter, Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology. Hampshire: Ashgate, 2007. 57.