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== WVlist Notes ==
== WVlist Notes ==
<blockquote><nowiki>Organist at St. Jean, Rouen. HDE=Hymnes de l'eglise, edited by A. Guilmant Mag=Le Magnificat ou cantique de la vierge</nowiki><br>-William Rehwinkel, May 12, 2022</blockquote>
<blockquote><nowiki>Organist at St. Jean, Rouen. =Hymnes de l'eglise, edited by A. Guilmant Mag=Le Magnificat ou cantique de la vierge</nowiki><br>-William Rehwinkel, May 12, 2022</blockquote>


== Works ==
== Works ==
=== Hymns ===
==== Title ====
<blockquote>''HYMNES DE L'EGLISE<br>POVR TOVCHER SVR L'ORGVE,<br>AVEC LES FVGVES ET RECHERCHES<br>SVR LEVR PLAIN-CHANT.<br>PAR I. TITELOVZE,<br>Chanoine, et Organiste de l'Eglise de Roüen.<br>A PARIS.<br>PAR PIERRE BALLARD, Imprimeur de la Musique du Roy, demeurant<br>rue S. Iean de Beauuais, à l'enseigne du mont Parnasse.<br>1623.<br>Avec privilége du Roy.''</blockquote>
==== Contents ====
[[File:Titelouze ut queant.jpg|thumb|right|The third verse of ''Ut queant laxis'']]
{| class="wikitable"
{| class="wikitable"
|-
|-
|HDE
! Pages !! Verses !! Title !! Incipit
|1
|-
|
|
|Ad Coenam (4 Verset)
|Ad Coenam (4 Verset)
|<score><< \relative d' { \clef bass r4 d4~8 d8 f4~8 f d e f4.*2/3 } \\ \relative d { d1 d1*6/8 } \\ \\ \relative a { r2 a4. 8 bes4. a8 f4 } >></score>
|<score><< \relative d' { \clef bass r4 d4~8 d8 f4~8 f d e f4.*2/3 } \\ \relative d { d1 d1*6/8 } \\ \\ \relative a { r2 a4. 8 bes4. a8 f4 } >></score>
|-
|-
|HDE
|
|2
|
|Veni Creator (4)
|Veni Creator (4)
|<score><< \relative d' { \clef alto d4 e2 d4 c d e d8 c d4 } \\ \relative g { g1 a g1*1/4 } >></score>
|<score><< \relative d' { \clef alto d4 e2 d4 c d e d8 c d4 } \\ \relative g { g1 a g1*1/4 } >></score>
|-
|-
|HDE
|
|3
|
|Pange Lingua (3)
|Pange Lingua (3)
|<score><< \relative e'' { \clef alto r2 e2~4 d c b8 a g4*1/2 } \\ \relative e { R1 e1 e1*1/8 } \\ \\ \relative e' { e2. d4 c4 b8 a g4 a b8 } >></score>
|<score><< \relative e'' { \clef alto r2 e2~4 d c b8 a g4*1/2 } \\ \relative e { R1 e1 e1*1/8 } \\ \\ \relative e' { e2. d4 c4 b8 a g4 a b8 } >></score>
|-
|-
|HDE
|
|4
|
|Ut Queant Laxis (3)
|Ut Queant Laxis (3)
|<score><< \relative d' { \clef bass d2 c d4 e f e8 d e4.*2/3 } \\ \relative d { R1 d1 c1*1/4 } \\ \\ \relative a { r2 a f a4 b c4 } >></score>
|<score><< \relative d' { \clef bass d2 c d4 e f e8 d e4.*2/3 } \\ \relative d { R1 d1 c1*1/4 } \\ \\ \relative a { r2 a f a4 b c4 } >></score>
|-
|-
|HDE
|
|5
|
|Ave Maris Stella (4)
|Ave Maris Stella (4)
|<score><< \relative a' { \clef alto R1 r4 a2 b4 cis4 } \\ \relative d { d1 a' a1*1/4 } \\ \relative d' { d4 e fis g~g f! e2 a2*1/2 } \\ \relative a { a2. b4 cis d c d e } >></score>
|<score><< \relative a' { \clef alto R1 r4 a2 b4 cis4 } \\ \relative d { d1 a' a1*1/4 } \\ \relative d' { d4 e fis g~g f! e2 a2*1/2 } \\ \relative a { a2. b4 cis d c d e } >></score>
|-
|-
|HDE
|
|6
|
|Conditor alme Siderum (3)
|Conditor alme Siderum (3)
|<score> << \relative b' {\time 3/1 r1 b\breve a1 g\breve } \\ \relative e' { e\breve d1 c\breve e1 } >></score>
|<score> << \relative b' {\time 3/1 r1 b\breve a1 g\breve } \\ \relative e' { e\breve d1 c\breve e1 } >></score>
|-
|-
|HDE
|
|7
|
|A Solis Ortus (3)
|A Solis Ortus (3)
|<score><< \relative d' { \ottava #1 \clef bass d2. e8 f g4 f e2 a4 } \\ \relative d { d1 e f1*1/4 } \\ \\ \relative a { a4 b8 c d4 c b2 c4 c~c } >></score>
|<score><< \relative d' { \ottava #1 \clef bass d2. e8 f g4 f e2 a4 } \\ \relative d { d1 e f1*1/4 } \\ \\ \relative a { a4 b8 c d4 c b2 c4 c~c } >></score>
|-
|-
|HDE
|
|8
|
|Exsultet Coelum (3)
|Exsultet Coelum (3)
|<score><< \relative f' { \ottava #-1 \key f \major \time 3/1 f1 g a bes1*1/2 } \\ \relative f { r\breve f1 g1*1/2 } \\ \relative c' { r1 c1. d2~2 } >></score>
|<score><< \relative f' { \ottava #-1 \key f \major \time 3/1 f1 g a bes1*1/2 } \\ \relative f { r\breve f1 g1*1/2 } \\ \relative c' { r1 c1. d2~2 } >></score>
|-
|-
|HDE
|
|9
|
|Annue Christe (2 + Amen)
|Annue Christe (2 + Amen)
|<score><< \relative c'' { \clef alto R1 c2. bes8 a g4 } \\ \relative f { f1 f e1*1/4 } \\ \\ \relative f' { f2. e8 d c4 bes a2 c2*1/2 } >></score>
|<score><< \relative c'' { \clef alto R1 c2. bes8 a g4 } \\ \relative f { f1 f e1*1/4 } \\ \\ \relative f' { f2. e8 d c4 bes a2 c2*1/2 } >></score>
|-
|-
|HDE
|
|10
|
|Sanctorum Meritis (3)
|Sanctorum Meritis (3)
|<score><< \relative a' { s1 a4 d2 f4 e4*1/2 } \\ \relative d { d1~1 a'1*1/8 } \\ \relative d' { d4 a'2 g4 a4 r8 e8 f g a b c } \\ \relative a { r2 a4 d4~d f d2 c4.*1/3 } >></score>
|<score><< \relative a' { s1 a4 d2 f4 e4*1/2 } \\ \relative d { d1~1 a'1*1/8 } \\ \relative d' { d4 a'2 g4 a4 r8 e8 f g a b c } \\ \relative a { r2 a4 d4~d f d2 c4.*1/3 } >></score>
|-
|-
|HDE
|
|11
|
|Iste Confessor (3)
|Iste Confessor (3)
|<score><< \relative e'' { r2 e8 d e d16 c b4.*2/3 } \\ \relative a { a1 g1*1/4 } \\ \\ \relative a' { a8 g a g16 f e4. fis8 g4 } >></score>
|<score><< \relative e'' { r2 e8 d e d16 c b4.*2/3 } \\ \relative a { a1 g1*1/4 } \\ \\ \relative a' { a8 g a g16 f e4. fis8 g4 } >></score>
|-
|-
|HDE
|
|12
|
|Urbs Jerusalem (3)
|Urbs Jerusalem (3)
|<score><< \relative a'' { s1 a4 a } \\ \relative a { a1 a1*1/2 } \\ \relative e'' { r2 e4 e~e d } \\ \relative a' { a4 a2 g4 f2 } >></score>
|<score><< \relative a'' { s1 a4 a } \\ \relative a { a1 a1*1/2 } \\ \relative e'' { r2 e4 e~e d } \\ \relative a' { a4 a2 g4 f2 } >></score>
|}
=== Magnificats ===
==== Title ====
<blockquote>''LE<br>MAGNIFICAT,<br>OV<br>CANTIQVE DE LA VIERGE<br>POVR TOVCHER SVR l'ORGVE,<br>SVIVANT LES HVIT TONS<br>DE L'ÉGLISE.<br>PAR I. TITELOVZE,<br>Chanoine, et Organiste de l'Eglise de Roüen.<br>A PARIS.<br>PAR PIERRE BALLARD, Imprimeur de la Musique du Roy, demeurant<br>rue S. Iean de Beauuais, à l'enseigne du mont Parnasse.<br>1626.<br>Avec privilége du Roy.''</blockquote>
==== Contents ====
[[File:Titelouze magnificat 1.jpg|thumb|right|The first verse of ''Magnificat Primi Toni'']]
{| class="wikitable"
|-
|-
|Mag
! Pages !! Verses !! Title !! Incipit
|1
|-
|
|
|Primi Toni
|Primi Toni
|<score><< \relative f' { \time 2/1 \clef alto r1 f1~f\breve*1/8 } \\ \relative d { r\breve d2.*1/3 } \\ \relative d' { d2. c4 bes a bes a2.*1/3 } \\ \relative d { r1 d2. e4 f } >></score>
|<score><< \relative f' { \time 2/1 \clef alto r1 f1~f\breve*1/8 } \\ \relative d { r\breve d2.*1/3 } \\ \relative d' { d2. c4 bes a bes a2.*1/3 } \\ \relative d { r1 d2. e4 f } >></score>
|-
|-
|Mag
|
|2
|
|Secundi Toni
|Secundi Toni
|<score><< \relative f' { \clef alto \key f \major \time 2/1 r1 f1~\breve*1/8 } \\ \relative f { r\breve f2.*1/3 } \\ \relative bes { bes2. c4 d4 a bes2 c4 } >></score>
|<score><< \relative f' { \clef alto \key f \major \time 2/1 r1 f1~\breve*1/8 } \\ \relative f { r\breve f2.*1/3 } \\ \relative bes { bes2. c4 d4 a bes2 c4 } >></score>
|-
|-
|Mag
|
|3
|
|Tertii Toni
|Tertii Toni
|<score>\relative g { \clef bass g2. a4 b2 c\laissezVibrer }</score>
|<score>\relative g { \clef bass g2. a4 b2 c\laissezVibrer }</score>
|-
|-
|Mag
|
|4
|
|Quarti Toni
|Quarti Toni
|<score><< \relative a' { \time 2/1 \clef alto a\breve~\breve*1/2 } \\ \relative a { a1. g2 f1.*2/3  } \\ \relative e' { e2 d c1~2 f4 e } >></score>
|<score><< \relative a' { \time 2/1 \clef alto a\breve~\breve*1/2 } \\ \relative a { a1. g2 f1.*2/3  } \\ \relative e' { e2 d c1~2 f4 e } >></score>
|-
|-
|Mag
|
|5
|
|Quinti Toni
|Quinti Toni
|<score> << \relative f' { \time 2/1 r1 r2 f2 a2. b4 c2 } \\ \relative c' { c1 d2. e4 f2 d c2.*2/3 } >></score>
|<score> << \relative f' { \time 2/1 r1 r2 f2 a2. b4 c2 } \\ \relative c' { c1 d2. e4 f2 d c2.*2/3 } >></score>
|-
|-
|Mag
|
|6
|
|Sexti Toni
|Sexti Toni
|<score><< \relative c' { \key f \major \clef bass \time 2/1 r1 c2. d4 e2 d4 c g' } \\ \relative f, { f2. g4 a2 g4 f c'2 b4 a b2*1/2 } \\ \relative f { f\breve g\breve*5/8 } >></score>
|<score><< \relative c' { \key f \major \clef bass \time 2/1 r1 c2. d4 e2 d4 c g' } \\ \relative f, { f2. g4 a2 g4 f c'2 b4 a b2*1/2 } \\ \relative f { f\breve g\breve*5/8 } >></score>
|-
|-
|Mag
|
|7
|
|Septimi Toni
|Septimi Toni
|<score><< \relative a' { \time 2/1 \clef alto s\breve r2 a2 a2*1/2 } \\ \relative d {r1 d1 a'2. g4 f4 } \\ \relative d' { r1 d2. d4 e2 f4 e d } \\ \relative a { a1 a2 b c1 a2*1/2 } >></score>
|<score><< \relative a' { \time 2/1 \clef alto s\breve r2 a2 a2*1/2 } \\ \relative d {r1 d1 a'2. g4 f4 } \\ \relative d' { r1 d2. d4 e2 f4 e d } \\ \relative a { a1 a2 b c1 a2*1/2 } >></score>
|-
|-
|Mag
|
|8
|
|Octavi Toni
|Octavi Toni
|<score><< \relative g' { \ottava #-1 R1 g1~g1*3/4 } \\ \relative c { R1 r2 c2 e2. } \\ \relative g { g2 c2~4 d e2~e b2*1/2 } >></score>
|<score><< \relative g' { \ottava #-1 R1 g1~g1*3/4 } \\ \relative c { R1 r2 c2 e2. } \\ \relative g { g2 c2~4 d e2~e b2*1/2 } >></score>
|}
|}
== Links ==
=== Facsimiles ===
==== Hymnes de l'eglise ====
{{OnlFac|sig=F-Psg VM 120 RES|url=https://archive.org/download/VM120RES|urlc=archive.org|date=31 December, 2023}}
{{OnlFac|sig=F-Pn RES VM7-344|url=https://gallica.bnf.fr/ark:/12148/bpt6k4500368m|urlc=gallica.bnf.fr|date=31 December, 2023|imslp=584210}}
==== Le Magnificat ====
{{OnlFac|sig=F-Psg VM 121 RES|url=https://archive.org/download/VM121RES|urlc=archive.org|date=31 December, 2023}}


== References ==
== References ==
Hymnes de l'eglise: {{RISM|990064352}}
Le Magnificat: {{RISM|990064353}}
''See notes''
''See notes''


Latest revision as of 14:20, 31 December 2023

Jehan Titelouze (1562-1633)

NOTE: this article was automatically generated from an entry submitted to wvlist.net. You can help add pictures and more information to this article!

This article is a stub, you can help expand it with more information and citations!

WVlist Notes

Organist at St. Jean, Rouen. =Hymnes de l'eglise, edited by A. Guilmant Mag=Le Magnificat ou cantique de la vierge
-William Rehwinkel, May 12, 2022

Works

Hymns

Title

HYMNES DE L'EGLISE
POVR TOVCHER SVR L'ORGVE,
AVEC LES FVGVES ET RECHERCHES
SVR LEVR PLAIN-CHANT.
PAR I. TITELOVZE,
Chanoine, et Organiste de l'Eglise de Roüen.
A PARIS.
PAR PIERRE BALLARD, Imprimeur de la Musique du Roy, demeurant
rue S. Iean de Beauuais, à l'enseigne du mont Parnasse.
1623.
Avec privilége du Roy.

Contents

The third verse of Ut queant laxis
Pages Verses Title Incipit
Ad Coenam (4 Verset)
<< \relative d' { \clef bass r4 d4~8 d8 f4~8 f d e f4.*2/3 } \\ \relative d { d1 d1*6/8 } \\ \\ \relative a { r2 a4. 8 bes4. a8 f4 } >>
Veni Creator (4)
<< \relative d' { \clef alto d4 e2 d4 c d e d8 c d4 } \\ \relative g { g1 a g1*1/4 } >>
Pange Lingua (3)
<< \relative e'' { \clef alto r2 e2~4 d c b8 a g4*1/2 } \\ \relative e { R1 e1 e1*1/8 } \\ \\ \relative e' { e2. d4 c4 b8 a g4 a b8 } >>
Ut Queant Laxis (3)
<< \relative d' { \clef bass d2 c d4 e f e8 d e4.*2/3 } \\ \relative d { R1 d1 c1*1/4 } \\ \\ \relative a { r2 a f a4 b c4 } >>
Ave Maris Stella (4)
<< \relative a' { \clef alto R1 r4 a2 b4 cis4 } \\ \relative d { d1 a' a1*1/4 } \\ \relative d' { d4 e fis g~g f! e2 a2*1/2 } \\ \relative a { a2. b4 cis d c d e } >>
Conditor alme Siderum (3)
<< \relative b' {\time 3/1 r1 b\breve a1 g\breve } \\ \relative e' { e\breve d1 c\breve e1 } >>
A Solis Ortus (3)
<< \relative d' { \ottava #1 \clef bass d2. e8 f g4 f e2 a4 } \\ \relative d { d1 e f1*1/4 } \\ \\ \relative a { a4 b8 c d4 c b2 c4 c~c } >>
Exsultet Coelum (3)
<< \relative f' { \ottava #-1 \key f \major \time 3/1 f1 g a bes1*1/2 } \\ \relative f { r\breve f1 g1*1/2 } \\ \relative c' { r1 c1. d2~2 } >>
Annue Christe (2 + Amen)
<< \relative c'' { \clef alto R1 c2. bes8 a g4 } \\ \relative f { f1 f e1*1/4 } \\ \\ \relative f' { f2. e8 d c4 bes a2 c2*1/2 } >>
Sanctorum Meritis (3)
<< \relative a' { s1 a4 d2 f4 e4*1/2 } \\ \relative d { d1~1 a'1*1/8 } \\ \relative d' { d4 a'2 g4 a4 r8 e8 f g a b c } \\ \relative a { r2 a4 d4~d f d2 c4.*1/3 } >>
Iste Confessor (3)
<< \relative e'' { r2 e8 d e d16 c b4.*2/3 } \\ \relative a { a1 g1*1/4 } \\ \\ \relative a' { a8 g a g16 f e4. fis8 g4 } >>
Urbs Jerusalem (3)
<< \relative a'' { s1 a4 a } \\ \relative a { a1 a1*1/2 } \\ \relative e'' { r2 e4 e~e d } \\ \relative a' { a4 a2 g4 f2 } >>

Magnificats

Title

LE
MAGNIFICAT,
OV
CANTIQVE DE LA VIERGE
POVR TOVCHER SVR l'ORGVE,
SVIVANT LES HVIT TONS
DE L'ÉGLISE.
PAR I. TITELOVZE,
Chanoine, et Organiste de l'Eglise de Roüen.
A PARIS.
PAR PIERRE BALLARD, Imprimeur de la Musique du Roy, demeurant
rue S. Iean de Beauuais, à l'enseigne du mont Parnasse.
1626.
Avec privilége du Roy.

Contents

The first verse of Magnificat Primi Toni
Pages Verses Title Incipit
Primi Toni
<< \relative f' { \time 2/1 \clef alto r1 f1~f\breve*1/8 } \\ \relative d { r\breve d2.*1/3 } \\ \relative d' { d2. c4 bes a bes a2.*1/3 } \\ \relative d { r1 d2. e4 f } >>
Secundi Toni
<< \relative f' { \clef alto \key f \major \time 2/1 r1 f1~\breve*1/8 } \\ \relative f { r\breve f2.*1/3 } \\ \relative bes { bes2. c4 d4 a bes2 c4 } >>
Tertii Toni
\relative g { \clef bass g2. a4 b2 c\laissezVibrer }
Quarti Toni
<< \relative a' { \time 2/1 \clef alto a\breve~\breve*1/2 } \\ \relative a { a1. g2 f1.*2/3 } \\ \relative e' { e2 d c1~2 f4 e } >>
Quinti Toni
<< \relative f' { \time 2/1 r1 r2 f2 a2. b4 c2 } \\ \relative c' { c1 d2. e4 f2 d c2.*2/3 } >>
Sexti Toni
<< \relative c' { \key f \major \clef bass \time 2/1 r1 c2. d4 e2 d4 c g' } \\ \relative f, { f2. g4 a2 g4 f c'2 b4 a b2*1/2 } \\ \relative f { f\breve g\breve*5/8 } >>
Septimi Toni
<< \relative a' { \time 2/1 \clef alto s\breve r2 a2 a2*1/2 } \\ \relative d {r1 d1 a'2. g4 f4 } \\ \relative d' { r1 d2. d4 e2 f4 e d } \\ \relative a { a1 a2 b c1 a2*1/2 } >>
Octavi Toni
<< \relative g' { \ottava #-1 R1 g1~g1*3/4 } \\ \relative c { R1 r2 c2 e2. } \\ \relative g { g2 c2~4 d e2~e b2*1/2 } >>

Links

Facsimiles

Hymnes de l'eglise

F-Psg VM 120 RES Online facsimile: archive.org accessed 31 December, 2023.

F-Pn RES VM7-344 Online facsimile: gallica.bnf.fr accessed 31 December, 2023, mirrored IMSLP584210.

Le Magnificat

F-Psg VM 121 RES Online facsimile: archive.org accessed 31 December, 2023.

References

Hymnes de l'eglise: RISM990064352

Le Magnificat: RISM990064353

See notes

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