Conrad Brumann: Difference between revisions

From pipe-organ.wiki
Jump to navigationJump to search
m (accidentally omitted part of one title - fixed)
m (fixed incorrect dating for the online facsimile, copied over from luscinius article)
 
Line 16: Line 16:
\\ \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 bes4 d \bar "" }
\\ \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 bes4 d \bar "" }
>> </score>
>> </score>
| || <ref>[http://resolver.staatsbibliothek-berlin.de/SBB0002C41800000000 digital.staatsbibliothek-berlin.de], accessed on 28 October 2024.</ref>
| || <ref>[http://resolver.staatsbibliothek-berlin.de/SBB0002C41800000000 digital.staatsbibliothek-berlin.de], accessed on 12 November 2024.</ref>
|-
|-
| 59v-60r || Carmen || Carmen in sol } Org von Spyr. m. conrat || (''to the side'') V. S. / de ůl etc ||
| 59v-60r || Carmen || Carmen in sol } Org von Spyr. m. conrat || (''to the side'') V. S. / de ůl etc ||

Latest revision as of 14:48, 12 November 2024

Conrad Brumann (~1480-1526) was a German organist.

Biography & Works

Luscinius numbers him among the pupils of Paul Hofhaimer. From 1513 on, Brumann was employed at the cathedral of Speyer, and he is referred to by this title in Kleber's tablature.

In said source, his compositions are identified by the initials V. S. (presumably for "von Speyer"). Similarly to his teacher, Brumann made use of unusually virtuosic diminutions.

Keyboard music by Conrad Brumann
Folio Title (modernised) Title in index Title in situ Incipit Notes Ref.
58v-59v Pleni Pleni sunt celi } Org von Spyr. m. conrat Pleni / M. Conradus. Or. / Spyrensis.
(above) 1521
 << \clef alto \omit Score.TimeSignature
\relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) d8.\mordent e16[ f g] f8\mordent r32 e f g f e f d f e f g f e d c \bar "" }
\\ \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 bes4 d \bar "" }
>>
[1]
59v-60r Carmen Carmen in sol } Org von Spyr. m. conrat (to the side) V. S. / de ůl etc
 << \clef alto \omit Score.TimeSignature
\relative g' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 g4 g16 f g a \bar "" }
\\ \relative g { \set Timing.measureLength = #(ly:make-moment 2/4) g8 c,32[ d e f] g[ f g a] g16[ f] e4 c \bar "" }
\\ \relative g { \set Timing.measureLength = #(ly:make-moment 2/4) g4 g g8 g32[ f e d] c'4 \bar "" }
>>
[2]
66v-67r Zucht, Ehr' und Lob Zucht eer und lob. manu: Zucht / eer und / Lob. / manüaliter.
(at top of page) V. S.
 << \clef bass \omit Score.TimeSignature
\relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) f4 r16 e32 d c b c d e16 d e f d4 \bar "" }
\\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \once \override NoteHead.duration-log = #2 f,1*1/2 c'4 bes16 c d e \bar "" }
\\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \once \override NoteHead.duration-log = #2 f1*1/2 g4 bes \bar "" }
>>
Colorised version of Hofhaimer's song. [3]

References

Moser, H. J. (1966). Paul Hofhaimer. Georg Olms, Hildesheim.

Loewenfeld, H. (1897). Leonhard Kleber und sein Orgeltabulaturbuch als Beitrag zur Geschichte der Orgelmusik im beginnenden XVI. Jahrhundert. Doctoral dissertation, Humboldt University, Berlin.

  1. digital.staatsbibliothek-berlin.de, accessed on 12 November 2024.
  2. Ibid.
  3. Ibid.