Iberian Tablature Notation: Difference between revisions

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== References ==
== References ==
[[Christina Kwon|Kwon, Christina]]. ''16th-Century Keyboard Tablature as Performance Notation.'' Chapter 3: "The Spanish Tablature". [https://www.researchcatalogue.net/view/532888/753073 www.researchcatalogue.net]. Archived at [https://archive.is/QxLol archive.is] and [https://ftp.williamrehwinkel.net/archives/www.researchcatalogue.net%20view%20532888%20753073%20.txt ftp.williamrehwinkel.net]. Accessed 12 October, 2024.
[[Christina Kwon|Kwon, Christina]]. ''16th-Century Keyboard Tablature as Performance Notation.'' Chapter 3: "The Spanish Tablature". [https://www.researchcatalogue.net/view/532888/753073 www.researchcatalogue.net]. Archived at [https://archive.is/QxLol archive.is]. Accessed 12 October, 2024.

Latest revision as of 18:23, 12 October 2024

The beginning of the first piece of the Facultad organica composed by Francisco Correa de Arauxo

Iberian (or Spanish) Tablature Notation is a system of notation using numbers representing pitches placed on lines to differentiate the voices and notes similar to mensural notation to show the rhythms.

This article is a stub, you can help expand it with more information and citations!

References

Kwon, Christina. 16th-Century Keyboard Tablature as Performance Notation. Chapter 3: "The Spanish Tablature". www.researchcatalogue.net. Archived at archive.is. Accessed 12 October, 2024.