Pelplin Tablatures: Difference between revisions

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According to [[Pieter Dirksen]], the works ''Gott der Vater wohn uns bei'' and ''Jesus Christus, unser Heiland'' are considered dubious compositions by Scheidemann. These works have some typically-Scheidemann motifs and idioms, but they are handled in "an entirely untypical stiff and dogmatic manner". In addition, it has been noted by [[Michael Belotti]] that the chorales in these pieces aligns with those in the [[Görlitzer Tabulaturbuch]] by [[Sammuel Scheidt]]<ref>[[Pieter Dirksen|Dirksen, Pieter]], ''Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology''. Hampshire: Ashgate, 2007. 57.</ref>.
According to [[Pieter Dirksen]], the works ''Gott der Vater wohn uns bei'' and ''Jesus Christus, unser Heiland'' are considered dubious compositions by Scheidemann. These works have some typically-Scheidemann motifs and idioms, but they are handled in "an entirely untypical stiff and dogmatic manner". In addition, it has been noted by [[Michael Belotti]] that the chorales in these pieces aligns with those in the [[Görlitzer Tabulaturbuch]] by [[Sammuel Scheidt]]<ref>[[Pieter Dirksen|Dirksen, Pieter]], ''Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology''. Hampshire: Ashgate, 2007. 57.</ref>.


[[Category:Manuscripts]][[Category:Baroque manuscripts]][[Category:Polish manuscripts]][[Category:Baroque]][[Category:Polish]][[Category:German]]
[[Category:Manuscripts]][[Category:Baroque Manuscripts]][[Category:Polish Manuscripts]][[Category:Baroque]][[Category:Polish]][[Category:German]]

Latest revision as of 19:53, 13 November 2024

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Contents

German Chorale Fantasias

The fantasias can be found in Corpus of Early Keyboard Music vol. 10 parts 1 and 2, and facsimiles in Antiquitates musicae in Polonia v.2-4.

Note: in the Fol. column, the lowercase "v" refers to "verso".

Chorale fantasias in Pelplin Tablatures[1][2][3][4][5]
Fol. Composer Title Incipit Notes Ref.
Vol. 1
Iv-VIIIold fol. Heinrich Scheidemann Ein feste burg H.S.M.
<< \relative g' { R1 r2 g g g } \\ \relative c' { c1 c2 c g1 } >>
 [1][5]
IXv-XInew fol. Ewaldt Hintz[6] Allein zu dir Herr Jesu Christ Ewaldt
<< \relative c' { \clef bass c2 g4 a c e } \\ \relative f { r2 r4 f c c } >>
 [1][4]
Vol. 2
IIv-IVnew fol. Nicolaus Hasse Allein Gott in d Höh sei Ehr Nic Hasse / Conscriptum a Fr Maurit
<< \relative c' { \time 6/4 \partial 4 r4 r4 c d e } \\ \relative f { \clef bass f8 g a2 bes4 c2*1/2 } >>
 [2][4]
IIIv-Vnew fol. Nicolaus Hasse Jesus Christus unser Heiland Nic Hasse
<< \relative d' { d2 a' a4 } \\ \relative g { r8 g bes g c a d e f4} >>
 [2][4]
V-VInew fol. Heinrich Scheidemann Jesus Christus unser Heiland H.S.M.
<< \relative d' { \clef bass d1 a'1*1/2 } \\ \relative d { r2 d4 e f g } >>
 [2][5]
143v-Xnew fol. Franz Tunder Was kan uns kommen an für Noth 2 Clav. Ped. Franz Tunder
<< \relative c'' { c1 c4. d8 e2*1/2} \\ \relative e' { r2 e e4 f e4 } \\ \relative g' { r2 g a g2*1/2 } >>
 [2][5]
Xv-XInew fol. Heinrich Scheidemann Gott der Vater / H.S.M.
<< \relative g' { \time 4/2 g4 g a b c c b2 } \\ \relative c' { r1 c4 c d e } >>
 One verse, chorale in basso. [2]
Vol. 3
Iv-VIIInew fol. Nicolaus Hasse Komm heiliger Geist Herre Gott auf 2 Clav. N H
<< \relative f' { r8 f16 g a bes a g f g a bes c } \\ \relative f { <f a c>2~2*1/2 } >>
 [3][4]
115v-118new fol. Nicolaus Hasse Jesus Christus pro 3 Clav. Nic Hasse
<< \relative a { \clef bass a2 e' e4 d e a,8 b } \\ \relative d { R1 r2 r4 d } >>
 [3][4]
123v-127new fol. Heinrich Scheidemann Allein zu dir Herr Jesu Christ pro 2 Clav. H.S.M.
<< \relative g' { r2 g2 g8. f16 e8. d16 } \\ \relative c' { c2 c8. c16 b8. a16 g2 } >>
 [3][5]
134v-XVIIInew fol. Franz Tunder Christ lag in Todtes Banden Frans Tunder
<< \relative a' { a1 g2 a } \\ \relative a { r4 a d c b c4. a8 <d d,>4 } >>
 [3][5]

Analysis of the North-German Organ Works

Heinrich Scheidemann

According to Pieter Dirksen, the works Gott der Vater wohn uns bei and Jesus Christus, unser Heiland are considered dubious compositions by Scheidemann. These works have some typically-Scheidemann motifs and idioms, but they are handled in "an entirely untypical stiff and dogmatic manner". In addition, it has been noted by Michael Belotti that the chorales in these pieces aligns with those in the Görlitzer Tabulaturbuch by Sammuel Scheidt[7].

  1. ↑ 1.0 1.1 1.2 Antiquitates musicae in Polonia, v.2
  2. ↑ 2.0 2.1 2.2 2.3 2.4 2.5 Antiquitates musicae in Polonia, v.3
  3. ↑ 3.0 3.1 3.2 3.3 3.4 Antiquitates musicae in Polonia, v.4
  4. ↑ 4.0 4.1 4.2 4.3 4.4 4.5 Corpus of Early Keyboard Music, vol. 10 part 1
  5. ↑ 5.0 5.1 5.2 5.3 5.4 5.5 Corpus of Early Keyboard Music, vol. 10 part 2
  6. ↑ Gołos, Jerzy: "Hintz [Hinsch], Ewaldt." [1], accessed 2 September, 2023.
  7. ↑ Dirksen, Pieter, Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology. Hampshire: Ashgate, 2007. 57.
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