Heinrich Scheidemann: Difference between revisions

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[[File:Heinrich Scheidemann.jpg|thumb|right|[[Heinrich Scheidemann]]]]
'''Heinrich Scheidemann''' (1595-1663)
'''Heinrich Scheidemann''' (1595-1663)


''NOTE: this article was automatically generated from an entry submitted to '''wvlist.net'''. You can help add pictures and more information to this article!''
Scheidemann has been described as ''both the originator as well as the principal master of the North German [[Chorale Fantasia]]''.<ref>[[Pieter Dirksen|Dirksen, Pieter]] (editor), ''Heinrich Scheidemann: Choralfantasien für Orgel''. Wiesbaden: Breitkopf & Härtel, 2022. p.7</ref>


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== Works ==
== Works ==
=== Works secured according to attribution and style ===
{| class="wikitable"
{| class="wikitable"
|-
|-
! Sources<ref name="dirked">[[Pieter Dirksen|Dirksen, Pieter]] (editor), ''Heinrich Scheidemann: Choralfantasien für Orgel''. Wiesbaden: Breitkopf & Härtel, 2022. Dirksens says "KN 208i" instead of "KN 208"</ref> !! WV !! Title !! Incipit
! Sources !! WV !! Title !! Incipit !! Notes !! Ref.
|-
|-
|
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|A solis ortus cardine
|A solis ortus cardine
|<score>{\clef alto \relative a { a1 c2 c d e  } << {a2 f'\laissezVibrer} \\ {d1} >>}</score>
|<score>{\clef alto \relative a { a1 c2 c d e  } << {a2 f'\laissezVibrer} \\ {d1} >>}</score>
|
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|-
|-
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Line 40: Line 44:
|Aus tiefer Not schrei ich zu dir
|Aus tiefer Not schrei ich zu dir
|<score>{\key g \major << \relative g' { R1 g1 fis2. g4 } \\ \relative c' { c1 b2 c d d } >>}</score>
|<score>{\key g \major << \relative g' { R1 g1 fis2. g4 } \\ \relative c' { c1 b2 c d d } >>}</score>
|
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|-
|-
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Line 45: Line 51:
|Christ lag in Todesbanden
|Christ lag in Todesbanden
|<score>{<< \relative a' { a1 gis2 a c2*1/4 } \\ \relative e' { R1 r4 e c d e8 } >>}</score>
|<score>{<< \relative a' { a1 gis2 a c2*1/4 } \\ \relative e' { R1 r4 e c d e8 } >>}</score>
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|Erbarm dich mein, o Herre Gott
|Erbarm dich mein, o Herre Gott
|<score>{\relative e' { e1 c2 c b <a e'> }}</score>
|<score>{\relative e' { e1 c2 c b <a e'> }}</score>
|
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|-
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|Es spricht der Unweisen Mund wohl
|Es spricht der Unweisen Mund wohl
|<score>{<< \relative c'' { c1 c2. } \\ \relative e' { r4 e4 c d8 e f2 c4 } >>}</score>
|<score>{<< \relative c'' { c1 c2. } \\ \relative e' { r4 e4 c d8 e f2 c4 } >>}</score>
|
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|-
|-
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|Gott sei gelobet und gebenedeiet
|Gott sei gelobet und gebenedeiet
|<score>{<< \relative g' { g1 g2 } \\ \relative c' { r4 c b a g2 } \\ \relative e' { r4 e d c b4 } >>}</score>
|<score>{<< \relative g' { g1 g2 } \\ \relative c' { r4 c b a g2 } \\ \relative e' { r4 e d c b4 } >>}</score>
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|Herr Christ, der einig Gottes Sohn
|Herr Christ, der einig Gottes Sohn
|<score>{\key g \major \relative g { g1 g2 b a g }}</score>
|<score>{\key g \major \relative g { g1 g2 b a g }}</score>
|
|
|-
|-
|[[Lynar Tablatures|D-B Ms. Lynar B 4]] f.1r-2r<br>[[D-Lr Mus.ant.pract. KN 208]] f.38v-41r<br>[[Zellerfeld Tablatures|D-CZu Zellerfelder Orgeltabulatur 2]] f.24v
|[[Lynar Tablatures|D-B Ms. Lynar B 4]] f.1r-2r<br>[[D-Lr Mus.ant.pract. K.N. 208]] f.38v-41r<br>[[Zellerfeld Tablatures|D-CZu Zellerfelder Orgeltabulatur 2]] f.24
|8
|8
|In dich hab ich gehoffet, Herr
|In dich hab ich gehoffet, Herr
|<score>{\clef alto << \relative d' { d1 d2 a' e2*1/4 } \\ \relative d { r2 d2~4 e f g a8 } >>}</score>
|<score>{\clef alto << \relative d' { d1 d2 a' e2*1/4 } \\ \relative d { r2 d2~4 e f g a8 } >>}</score>
|
|<ref name="dirked">[[Pieter Dirksen|Dirksen, Pieter]] (editor), ''Heinrich Scheidemann: Choralfantasien für Orgel''. Wiesbaden: Breitkopf & Härtel, 2022. Dirksens says "KN 208i" instead of "K.N. 208"</ref>
|-
|-
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|In dich hab ich gehoffet, Herr
|In dich hab ich gehoffet, Herr
|<score>{\clef alto << \relative d' { d1 d2 a' e } \\ \relative d { r2 d2~4 e f g a2 } \\ \relative a { R1 a2. b4 c } >>}</score>
|<score>{\clef alto << \relative d' { d1 d2 a' e } \\ \relative d { r2 d2~4 e f g a2 } \\ \relative a { R1 a2. b4 c } >>}</score>
|
|
|-
|-
|[[Zellerfeld Tablatures|D-CZu Zellerfelder Orgeltabulatur 1]] p.111<br>[[Lynar Tablatures|D-B Ms. Lynar B 4]] f.2v-5r<br>[[Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] f.139v-144r
|[[Zellerfeld Tablatures|D-CZu Zellerfelder Orgeltabulatur 1]] p.111<ref name="dirked"></ref><br>[[Lynar Tablatures|D-B Ms. Lynar B 4]] f.2v-5r<ref name="dirked"></ref><br>[[Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] f.139v-144r<ref name="dirked"></ref>
|10
|10
|Jesus Christus, unser Heiland
|Jesus Christus, unser Heiland
|<score>{\clef alto \relative a { a1 d d2 cis d }}</score>
|<score>{\clef alto \relative a { a1 d d2 cis d }}</score>
|
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Line 85: Line 107:
|Kyrie dominicale
|Kyrie dominicale
|<score>{\key f \major << \relative a' { a1 bes1*3/4 \bar "" } \\ \relative d' { r4 d4. e8 fis4 g f8 e d4 } >>}</score>
|<score>{\key f \major << \relative a' { a1 bes1*3/4 \bar "" } \\ \relative d' { r4 d4. e8 fis4 g f8 e d4 } >>}</score>
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|Kyrie summum
|Kyrie summum
|<score>{<< \relative g' { g1 a b2 } \\ \relative c' { r2 c2~4 c d2~4 } \\ \relative e' { r2 e2~4 e fis2~4 } >>}</score>
|<score>{<< \relative g' { g1 a b2 } \\ \relative c' { r2 c2~4 c d2~4 } \\ \relative e' { r2 e2~4 e fis2~4 } >>}</score>
|
|
|-
|-
|[[D-Lr Mus.ant.pract. KN 209]] pp.174f
|[[D-Lr Mus.ant.pract. K.N. 209]] pp.174f<ref name="dirked"></ref>
|13
|13
|Lobet den Herren, denn er ist sehr freundlich
|Lobet den Herren, denn er ist sehr freundlich
|<score>{\key f \major \clef bass << \relative d' { R1 d2 cis4 } \\ \relative g { g2 fis4 g4 8 a bes g a } >>}</score>
|<score>{\key f \major \clef bass << \relative d' { R1 d2 cis4 } \\ \relative g { g2 fis4 g4 8 a bes g a } >>}</score>
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Line 100: Line 128:
|Magnificat I. Toni
|Magnificat I. Toni
|<score>{<< \relative f' { f1 g2. 4 a4 } \\ \relative d' { r2 d e4 d c b a } >>}</score>
|<score>{<< \relative f' { f1 g2. 4 a4 } \\ \relative d' { r2 d e4 d c b a } >>}</score>
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Line 105: Line 135:
|Magnificat II. Toni
|Magnificat II. Toni
|<score>{<< \relative f' { f1 g f2 } \\ \relative d' { r4 d f2~4 f ees2 d2. } >>}</score>
|<score>{<< \relative f' { f1 g f2 } \\ \relative d' { r4 d f2~4 f ees2 d2. } >>}</score>
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Line 110: Line 142:
|Magnificat III. Toni
|Magnificat III. Toni
|<score>{<< \relative g' { g1 a1*5/8 \bar "" } \\ \relative e' { r4 e c4. d16 e f4. e8 d } >>}</score>
|<score>{<< \relative g' { g1 a1*5/8 \bar "" } \\ \relative e' { r4 e c4. d16 e f4. e8 d } >>}</score>
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Line 115: Line 149:
|Magnificat IV. Toni
|Magnificat IV. Toni
|<score>{<< \relative e' { e1 g a2 c\laissezVibrer } \\ \relative a { R1 R a } >>}</score>
|<score>{<< \relative e' { e1 g a2 c\laissezVibrer } \\ \relative a { R1 R a } >>}</score>
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Line 120: Line 156:
|Magnificat V. Toni
|Magnificat V. Toni
|<score>{<< \relative f' { R1 f a2 } \\ \relative bes { bes1 d2 d4. e8 f2 }  >>}</score>
|<score>{<< \relative f' { R1 f a2 } \\ \relative bes { bes1 d2 d4. e8 f2 }  >>}</score>
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Line 125: Line 163:
|Magnificat VI. Toni
|Magnificat VI. Toni
|<score>{<< \relative f' { f1 g  } \\ \relative d' { r4 d f2~4 e8 d e f g e } >>}</score>
|<score>{<< \relative f' { f1 g  } \\ \relative d' { r4 d f2~4 e8 d e f g e } >>}</score>
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Line 130: Line 170:
|Magnificat VIII. Toni
|Magnificat VIII. Toni
|<score>{<< \relative g' { r2 g2~4 a b c d1 } \\ \relative g { g1~1 a } \\ \relative d' { r2 d2 e4 fis g2~4 fis8 e fis2 } \\ \relative b { r2 b c d2~2 2 } >>}</score>
|<score>{<< \relative g' { r2 g2~4 a b c d1 } \\ \relative g { g1~1 a } \\ \relative d' { r2 d2 e4 fis g2~4 fis8 e fis2 } \\ \relative b { r2 b c d2~2 2 } >>}</score>
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Line 135: Line 177:
|Mensch, willst du leben seliglich
|Mensch, willst du leben seliglich
|<score>{\clef alto << \relative e' { e1 g2 } \\ \relative a { r4 <a c>4 <g b> <a f> <e g> <d b'> } >>}</score>
|<score>{\clef alto << \relative e' { e1 g2 } \\ \relative a { r4 <a c>4 <g b> <a f> <e g> <d b'> } >>}</score>
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Line 140: Line 184:
|O Gott, wir danken deiner Güt
|O Gott, wir danken deiner Güt
|<score>{\time 3/2 \partial 2 \key d \minor \relative d' { <d fis a d>2 <d g bes>1 <d f bes>2 <c f a>2 }}</score>
|<score>{\time 3/2 \partial 2 \key d \minor \relative d' { <d fis a d>2 <d g bes>1 <d f bes>2 <c f a>2 }}</score>
|
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Line 145: Line 191:
|O lux beata trinitas
|O lux beata trinitas
|<score>{<< \relative e' { r1 a g2 } \\ \relative e' { e1 d2 c b4 } >>}</score>
|<score>{<< \relative e' { r1 a g2 } \\ \relative e' { e1 d2 c b4 } >>}</score>
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Line 150: Line 198:
|O lux beata trinitas (Frag.)
|O lux beata trinitas (Frag.)
|<score>{\clef alto \relative e' { e1~2 d c b c }}</score>
|<score>{\clef alto \relative e' { e1~2 d c b c }}</score>
|
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Line 155: Line 205:
|Te Deum laudamus (Frag.)
|Te Deum laudamus (Frag.)
|<score>{<< \relative a' { a1 gis4 gis8 a b4 e,8 fis  } \\ \relative c' { c4 d8 e f4 c8 d e1  } >>}</score>
|<score>{<< \relative a' { a1 gis4 gis8 a b4 e,8 fis  } \\ \relative c' { c4 d8 e f4 c8 d e1  } >>}</score>
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Line 160: Line 212:
|Vater unser im Himmelreich
|Vater unser im Himmelreich
|<score>{\key bes \major << \relative g' { g1 g2 ees f } \\ \relative c' { r4 c c d ees d c bes aes } >>}</score>
|<score>{\key bes \major << \relative g' { g1 g2 ees f } \\ \relative c' { r4 c c d ees d c bes aes } >>}</score>
|
|
|-
|-
|[[D-Lr Mus.ant.pract. KN 208]] f.25v-28r
|[[D-Lr Mus.ant.pract. K.N. 208]] f.25v-28r<ref name="dirked"></ref>
|27
|27
|Vater unser im Himmelreich (Fantasy)
|Vater unser im Himmelreich (Fantasy)
|<score>{\clef alto \key bes \major << \relative ees' { r4 ees d c bes a g bes a } \\ \relative g { g1 g2 ees f } >>}</score>
|<score>{\clef alto \key bes \major << \relative ees' { r4 ees d c bes a g bes a } \\ \relative g { g1 g2 ees f } >>}</score>
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Line 170: Line 226:
|Vater unser im Himmelreich
|Vater unser im Himmelreich
|<score>{\key bes \major << \relative g' { g1 g2 ees f g ees } \\ \relative c' { r2 c2~2 c aes bes c } >>}</score>
|<score>{\key bes \major << \relative g' { g1 g2 ees f g ees } \\ \relative c' { r2 c2~2 c aes bes c } >>}</score>
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Line 175: Line 233:
|Wir glauben all an einen Gott
|Wir glauben all an einen Gott
|<score>{<< \relative d' { d1 a'2 g a } \\ \relative a { R1 r4 a e' d c } >>}</score>
|<score>{<< \relative d' { d1 a'2 g a } \\ \relative a { R1 r4 a e' d c } >>}</score>
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Line 180: Line 240:
|Praeambulum in C
|Praeambulum in C
|<score>{\relative g' { g4 a8 b c b c d <e g,>2. }}</score>
|<score>{\relative g' { g4 a8 b c b c d <e g,>2. }}</score>
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Line 185: Line 247:
|Praeambulum in d
|Praeambulum in d
|<score>{<< \relative d' { d1~4 e8 fis g4 a bes2. } \\ \relative a { a1 bes2. c4 d1 } >>}</score>
|<score>{<< \relative d' { d1~4 e8 fis g4 a bes2. } \\ \relative a { a1 bes2. c4 d1 } >>}</score>
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Line 190: Line 254:
|Praeambulum in d
|Praeambulum in d
|<score>{\relative a' { <a d, a fis>1 } \bar "||" << \relative g' { g4\repeatTie g4 fis e f! } \\ \relative bes { bes4\repeatTie bes a g a4 } \\ \relative d' { d1\repeatTie~4 }  >>}</score>
|<score>{\relative a' { <a d, a fis>1 } \bar "||" << \relative g' { g4\repeatTie g4 fis e f! } \\ \relative bes { bes4\repeatTie bes a g a4 } \\ \relative d' { d1\repeatTie~4 }  >>}</score>
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Line 195: Line 261:
|Praeambulum in d
|Praeambulum in d
|<score>{\relative a' { a4 b!8 c d4 c } \bar "||" \partial 4 << \relative d'' { d4~d8 d a4 c4. } \\ \relative d' { r4 <d f>4. 8 <e a,>4 } >>}</score>
|<score>{\relative a' { a4 b!8 c d4 c } \bar "||" \partial 4 << \relative d'' { d4~d8 d a4 c4. } \\ \relative d' { r4 <d f>4. 8 <e a,>4 } >>}</score>
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Line 200: Line 268:
|Praeambulum in d
|Praeambulum in d
|<score>{<< \relative a' { R1 a1~4 } \\ \relative f' { R1 f2. e8 d cis4 } \\ \\ \relative d' { d1~d4 c8 b a2~4 } >>}</score>
|<score>{<< \relative a' { R1 a1~4 } \\ \relative f' { R1 f2. e8 d cis4 } \\ \\ \relative d' { d1~d4 c8 b a2~4 } >>}</score>
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Line 205: Line 275:
|Praeambulum in d
|Praeambulum in d
|<score>{\relative a' { <a d, fis,>1 } \bar "||" \partial 2 << \relative a' { a2~4 a d2 c4 } \\ \relative c' { r2 d2. d4 a'2.*1/3 } >>}</score>
|<score>{\relative a' { <a d, fis,>1 } \bar "||" \partial 2 << \relative a' { a2~4 a d2 c4 } \\ \relative c' { r2 d2. d4 a'2.*1/3 } >>}</score>
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Line 210: Line 282:
|Praeambulum in d
|Praeambulum in d
|<score>{<< \relative d' { d2~8 e f g <f a>1 } \\ \relative a { R1 r8 a b c d2 } >>}</score>
|<score>{<< \relative d' { d2~8 e f g <f a>1 } \\ \relative a { R1 r8 a b c d2 } >>}</score>
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Line 215: Line 289:
|Praeambulum in e
|Praeambulum in e
|<score>{<< \relative b' { b4 c8 d e2~e4 d c b a1 } \\ \relative b { b1 a2. b c2 } >>}</score>
|<score>{<< \relative b' { b4 c8 d e2~e4 d c b a1 } \\ \relative b { b1 a2. b c2 } >>}</score>
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Line 220: Line 296:
|Praeambulum in e
|Praeambulum in e
|<score>{<< \relative b' { b1~8 b c d e4 b8 d }\\ { <e' b gis>1 1 } >>}</score>
|<score>{<< \relative b' { b1~8 b c d e4 b8 d }\\ { <e' b gis>1 1 } >>}</score>
|
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|-
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Line 225: Line 303:
|Praeambulum in F
|Praeambulum in F
|<score>{\key f \major c''1 << \relative c'' { c8) c8 d e f a, bes c } \\ \relative c' {  <c a f>1 }  >>}</score>
|<score>{\key f \major c''1 << \relative c'' { c8) c8 d e f a, bes c } \\ \relative c' {  <c a f>1 }  >>}</score>
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Line 230: Line 310:
|Praeambulum in F
|Praeambulum in F
|<score>{\key f \major << \relative c'' { c1 d4 ees8 d c bes c4 } \\ \relative f' { f1 f } >>}</score>
|<score>{\key f \major << \relative c'' { c1 d4 ees8 d c bes c4 } \\ \relative f' { f1 f } >>}</score>
|
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|-
|-
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Line 235: Line 317:
|Praeambulum in g
|Praeambulum in g
|<score>{\key f \major << \relative g' { g1~4 a8 b c4 d } \\ \relative d' { d1 ees2. f4 } >>}</score>
|<score>{\key f \major << \relative g' { g1~4 a8 b c4 d } \\ \relative d' { d1 ees2. f4 } >>}</score>
|
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|-
|-
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Line 240: Line 324:
|Fuga in D
|Fuga in D
|<score>{<< \relative a' { a2 f4 d a' b c2 r8 } \\ \relative d' { R1 r4 d c a f' } >>}</score>
|<score>{<< \relative a' { a2 f4 d a' b c2 r8 } \\ \relative d' { R1 r4 d c a f' } >>}</score>
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|-
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Line 245: Line 331:
|Toccata in G
|Toccata in G
|<score>{\clef alto << \relative d' { r2 d d4. e8 d4 c b2 } \\ \relative g { g1 g~4 } \\ \relative b { b2. a4 b4. c8 b4 a g2 } >>}</score>
|<score>{\clef alto << \relative d' { r2 d d4. e8 d4 c b2 } \\ \relative g { g1 g~4 } \\ \relative b { b2. a4 b4. c8 b4 a g2 } >>}</score>
|
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|-
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Line 250: Line 338:
|Canzon in F
|Canzon in F
|<score>{\key f \major \relative c'' { c4 a8 c \repeat tremolo 4 bes8 a4 g8 f g8. }}</score>
|<score>{\key f \major \relative c'' { c4 a8 c \repeat tremolo 4 bes8 a4 g8 f g8. }}</score>
|
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Line 255: Line 345:
|(Haßler) Alleluja. Laudem dicite
|(Haßler) Alleluja. Laudem dicite
|<score>{\relative e' { <e e'>2 <a cis>4 <f d'> <e e'>2 }}</score>
|<score>{\relative e' { <e e'>2 <a cis>4 <f d'> <e e'>2 }}</score>
|
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|-
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Line 260: Line 352:
|(Lasso) Angelus ad pastores ait
|(Lasso) Angelus ad pastores ait
|<score>{\key f \major \clef alto << { R1 g'1~4. } \\ \relative g { g1~2 g4 a bes2*3/4 } \\ \relative d' { R1 r2 d2~2*3/4 } \\ \relative g { R1 R1 g1*3/8 \bar "" } >>}</score>
|<score>{\key f \major \clef alto << { R1 g'1~4. } \\ \relative g { g1~2 g4 a bes2*3/4 } \\ \relative d' { R1 r2 d2~2*3/4 } \\ \relative g { R1 R1 g1*3/8 \bar "" } >>}</score>
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Line 265: Line 359:
|(Lasso) Benedicam Dominum
|(Lasso) Benedicam Dominum
|<score>{<< \relative g' { g1~2 g4 a b4. a8 b4 } \\ \relative g { R1 g1~2 4 } \\ \relative d' { R1 R1 d\laissezVibrer \bar "" } >>}</score>
|<score>{<< \relative g' { g1~2 g4 a b4. a8 b4 } \\ \relative g { R1 g1~2 4 } \\ \relative d' { R1 R1 d\laissezVibrer \bar "" } >>}</score>
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|-
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Line 270: Line 366:
|(Hier. Praetorius) Benedicam Dominum
|(Hier. Praetorius) Benedicam Dominum
|<score>{<< \relative a' { R1 r8 a16 b c d e f g2\laissezVibrer } \\ \relative c'' { c1 g } >>}</score>
|<score>{<< \relative a' { R1 r8 a16 b c d e f g2\laissezVibrer } \\ \relative c'' { c1 g } >>}</score>
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|-
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Line 275: Line 373:
|(Lasso) Confitemini Domino et invocate
|(Lasso) Confitemini Domino et invocate
|<score>{\clef alto << \relative a' { R1 a a2 2\laissezVibrer  \bar "" } \\ \relative d { R1 R1 d } \\ \relative d' { R1 R1 r2 d\laissezVibrer } \\ \relative a { a1 a2 a2~4 4 4. } >>}</score>
|<score>{\clef alto << \relative a' { R1 a a2 2\laissezVibrer  \bar "" } \\ \relative d { R1 R1 d } \\ \relative d' { R1 R1 r2 d\laissezVibrer } \\ \relative a { a1 a2 a2~4 4 4. } >>}</score>
|
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|-
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Line 280: Line 380:
|(Lasso) De ore prudentis procedit mel
|(Lasso) De ore prudentis procedit mel
|<score>{<< \relative a' { a1~8 d c bes a bes a g } \\ \relative d' { R1 d\laissezVibrer }  >>}</score>
|<score>{<< \relative a' { a1~8 d c bes a bes a g } \\ \relative d' { R1 d\laissezVibrer }  >>}</score>
|
|
|-
|-
|
|
Line 285: Line 387:
|(Bassano) Dic nobis, Maria, quid vidisti in via
|(Bassano) Dic nobis, Maria, quid vidisti in via
|<score>{<< \relative d'' { d4 d d8  c16 d e f g c, d8 } \\ \relative g' { <g b>4 4 4 <c c,> <g b>2*1/4 } >>}</score>
|<score>{<< \relative d'' { d4 d d8  c16 d e f g c, d8 } \\ \relative g' { <g b>4 4 4 <c c,> <g b>2*1/4 } >>}</score>
|
|
|-
|-
|
|
Line 290: Line 394:
|(Haßler) Dixit Maria ad angelum
|(Haßler) Dixit Maria ad angelum
|<score>{\key f \major \clef bass \relative f { f1 f2 f g2. f8 }}</score>
|<score>{\key f \major \clef bass \relative f { f1 f2 f g2. f8 }}</score>
|
|
|-
|-
|
|
Line 295: Line 401:
|(Lasso) Ego sum panis
|(Lasso) Ego sum panis
|<score>{\key f \major << \relative c'' { c1~2 c8. d16 bes8. c16 a2\laissezVibrer } \\ \relative f' { R1 f1 f8. g16 e8. } >>}</score>
|<score>{\key f \major << \relative c'' { c1~2 c8. d16 bes8. c16 a2\laissezVibrer } \\ \relative f' { R1 f1 f8. g16 e8. } >>}</score>
|
|
|-
|-
|
|
Line 300: Line 408:
|(Lasso) Omnia, quae fecisti nobis
|(Lasso) Omnia, quae fecisti nobis
|<score>{<< \relative a' { R1 a\laissezVibrer } \\ \relative d' { d1~8 e f e d cis d4 } >>}</score>
|<score>{<< \relative a' { R1 a\laissezVibrer } \\ \relative d' { d1~8 e f e d cis d4 } >>}</score>
|
|
|-
|-
|
|
Line 305: Line 415:
|(Lasso) Surrexit pastor bonus
|(Lasso) Surrexit pastor bonus
|<score>{\key f \major << \relative c' { c2. d8 e f1~2 f4 } \\ \relative f { R1 f2. a8 bes bes1\laissezVibrer \bar "" } \\ \relative c' { R1 r2 c d1\laissezVibrer } >>}</score>
|<score>{\key f \major << \relative c' { c2. d8 e f1~2 f4 } \\ \relative f { R1 f2. a8 bes bes1\laissezVibrer \bar "" } \\ \relative c' { R1 r2 c d1\laissezVibrer } >>}</score>
|
|
|-
|-
|
|
Line 310: Line 422:
|(Haßler) Verbum caro factum est
|(Haßler) Verbum caro factum est
|<score>{<< \relative e'' { e8. d16 e8. f16 e4 e } \\ \relative a' { <a c>2. 4 } >>}</score>
|<score>{<< \relative e'' { e8. d16 e8. f16 e4 e } \\ \relative a' { <a c>2. 4 } >>}</score>
|
|
|}
=== Anonymous pieces attributed to Scheidemann ===
{| class="wikitable"
|-
! Sources !! WV !! Title !! Incipit !! Notes !! Ref.
|-
|-
|
|
Line 315: Line 436:
|Durch Adams Fall ist ganz verderbt
|Durch Adams Fall ist ganz verderbt
|<score>{<< \relative a' { a1 a2 a g } \\ \relative d' { r2 d4 e f2 <a, c>4 <b d> <c e>2 } >>}</score>
|<score>{<< \relative a' { a1 a2 a g } \\ \relative d' { r2 d4 e f2 <a, c>4 <b d> <c e>2 } >>}</score>
|
|
|-
|-
|
|
Line 320: Line 443:
|Es ist das Heil uns kommen her
|Es ist das Heil uns kommen her
|<score>{\key d \major << \relative a' { a1 a2 a a c b } \\ \relative d' { s1 s r4 d e fis g2 } >>}</score>
|<score>{\key d \major << \relative a' { a1 a2 a a c b } \\ \relative d' { s1 s r4 d e fis g2 } >>}</score>
|
|
|-
|-
|
|
Line 325: Line 450:
|Es ist gewißlich an der Zeit
|Es ist gewißlich an der Zeit
|<score>{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}</score>
|<score>{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}</score>
|
|
|-
|-
|
|
Line 330: Line 457:
|Gelobet seist du, Jesu Christ
|Gelobet seist du, Jesu Christ
|<score>{<< \relative g' { g1 g2 2 } \\ \relative g { r2 <g b>4 <a c> <b d> <g b> <c e\laissezVibrer >2 } >>}</score>
|<score>{<< \relative g' { g1 g2 2 } \\ \relative g { r2 <g b>4 <a c> <b d> <g b> <c e\laissezVibrer >2 } >>}</score>
|
|
|-
|-
|
|
Line 335: Line 464:
|Herr Christ, der einig Gotts Sohn
|Herr Christ, der einig Gotts Sohn
|<score>{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}</score>
|<score>{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}</score>
|
|
|-
|-
|
|
Line 340: Line 471:
|Herzlich lieb hab ich dich, o Herr
|Herzlich lieb hab ich dich, o Herr
|<score>{<< \relative c'' { c1~4 d8 c b4 c8 b a4 } \\ \relative c' { <c e g>1~2 <g d' g>2 <a c e> } >>}</score>
|<score>{<< \relative c'' { c1~4 d8 c b4 c8 b a4 } \\ \relative c' { <c e g>1~2 <g d' g>2 <a c e> } >>}</score>
|
|
|-
|-
|
|
Line 345: Line 478:
|Jesus Christus, unser Heiland
|Jesus Christus, unser Heiland
|<score>{\clef bass \relative d { d1 a' a2 g a d,2~4 }}</score>
|<score>{\clef bass \relative d { d1 a' a2 g a d,2~4 }}</score>
|
|
|-
|-
|
|
Line 350: Line 485:
|Jesus Christus, unser Heiland
|Jesus Christus, unser Heiland
|<score>{\clef alto << \relative d' { d2 a'2~4 g f2~4 g8 f e4  } \\ \relative d { R1 r2 d a'1*3/4 \bar "" } \\ \relative a { r2 r4 a d2 d2~4 d c  } >>}</score>
|<score>{\clef alto << \relative d' { d2 a'2~4 g f2~4 g8 f e4  } \\ \relative d { R1 r2 d a'1*3/4 \bar "" } \\ \relative a { r2 r4 a d2 d2~4 d c  } >>}</score>
|
|
|-
|-
|
|
Line 355: Line 492:
|Magnificat VII. Toni
|Magnificat VII. Toni
|<score>{<< \relative a' { a1 gis2 a r4 } \\ \relative d' { r2 d e4. d8 cis4 a d2 } >>}</score>
|<score>{<< \relative a' { a1 gis2 a r4 } \\ \relative d' { r2 d e4. d8 cis4 a d2 } >>}</score>
|
|
|-
|-
|
|
Line 360: Line 499:
|Magnificat VIII. Toni
|Magnificat VIII. Toni
|<score>{\clef alto << \relative b { r4 b e d g4. f8 e f d e c1\laissezVibrer } \\ \relative g { g1~1 a\laissezVibrer } >>}</score>
|<score>{\clef alto << \relative b { r4 b e d g4. f8 e f d e c1\laissezVibrer } \\ \relative g { g1~1 a\laissezVibrer } >>}</score>
|
|
|-
|-
|[[D-Lr Mus.ant.pract. KN 208]] f.30v-33r
|[[D-Lr Mus.ant.pract. K.N. 208]] f.30v-33r<ref name="dirked"></ref>
|67
|67
|Nun freut euch, lieben Christen gmein
|Nun freut euch, lieben Christen gmein
|<score>{\clef bass \relative g { g1 g2 d g <c g'\laissezVibrer> }}</score>
|<score>{\clef bass \relative g { g1 g2 d g <c g'\laissezVibrer> }}</score>
|
|
|-
|-
|
|
Line 370: Line 513:
|Victimae paschali laudes
|Victimae paschali laudes
|<score>{\clef bass << \relative a { r2 a2~4 a g2 f4 } \\ \relative d { d1 c d2.*1/3 } >>}</score>
|<score>{\clef bass << \relative a { r2 a2~4 a g2 f4 } \\ \relative d { d1 c d2.*1/3 } >>}</score>
|
|
|-
|-
|
|
Line 375: Line 520:
|Vom Himmel hoch da komm ich her
|Vom Himmel hoch da komm ich her
|<score>{<< \relative c'' { c1 b2 a b4. } \\ \relative b { R1 r4 b c d b }\\ \relative c' { r4 c e fis g2. fis4 g4. } >>}</score>
|<score>{<< \relative c'' { c1 b2 a b4. } \\ \relative b { R1 r4 b c d b }\\ \relative c' { r4 c e fis g2. fis4 g4. } >>}</score>
|
|
|-
|-
|
|
Line 380: Line 527:
|Wär Gott nicht mit uns diese Zeit
|Wär Gott nicht mit uns diese Zeit
|<score>{\clef alto \key g \major << \relative e' { e1 g2 g a } \\ \relative a { r2 a e'2. d4 cis } >>}</score>
|<score>{\clef alto \key g \major << \relative e' { e1 g2 g a } \\ \relative a { r2 a e'2. d4 cis } >>}</score>
|
|
|-
|-
|
|
Line 385: Line 534:
|Wo Gott der Herr nicht bei uns hält
|Wo Gott der Herr nicht bei uns hält
|<score>{\clef bass << \relative g { r4 g bes c d4. g8 d4 e f2 } \\ \relative g, { R1 r4 g bes c d } \\ \\ \relative bes { R1 bes1 bes2 } >>}</score>
|<score>{\clef bass << \relative g { r4 g bes c d4. g8 d4 e f2 } \\ \relative g, { R1 r4 g bes c d } \\ \\ \relative bes { R1 bes1 bes2 } >>}</score>
|
|
|-
|-
|
|
Line 390: Line 541:
|Praeambulum in C
|Praeambulum in C
|<score>{<< \relative g' { g2. a8 b c2. d8 e } \\ \relative c' { c1~1 } \\ \relative e' { e1~4 f8 g a2 } >>}</score>
|<score>{<< \relative g' { g2. a8 b c2. d8 e } \\ \relative c' { c1~1 } \\ \relative e' { e1~4 f8 g a2 } >>}</score>
|
|
|-
|-
|
|
Line 395: Line 548:
|Praeambulum in G
|Praeambulum in G
|<score>{<< \relative g' { g2. a4 b c d2~2*1/2 } \\ \relative b { b2. c4 d2. c4 b2.*1/3 } \\ \relative d' { d1 g2 a~4 } >>}</score>
|<score>{<< \relative g' { g2. a4 b c d2~2*1/2 } \\ \relative b { b2. c4 d2. c4 b2.*1/3 } \\ \relative d' { d1 g2 a~4 } >>}</score>
|
|
|-
|-
|
|
Line 400: Line 555:
|Canzon in G
|Canzon in G
|<score>{\clef alto << \relative d' { d2 4 4 g f8 e d4 g e } \\ \relative g { R1 g2 g4 g c } >>}</score>
|<score>{\clef alto << \relative d' { d2 4 4 g f8 e d4 g e } \\ \relative g { R1 g2 g4 g c } >>}</score>
|
|
|}
=== Works of dubious authenticity with Scheidemann's name ===
{| class="wikitable"
|-
|-
|[[Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] f.123v-127r
! Sources !! WV !! Title !! Incipit !! Notes !! Ref.
|-
|[[Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] f.123v-127r<ref name="dirked"></ref>
|75
|75
|Allein zu dir, Herr Jesu Christ
|Allein zu dir, Herr Jesu Christ
|<score>{\clef alto << \relative g'  {r4 g4~16. f32 e16. d32 c8 } \\ \relative c' { c4 c16. c32 b16. a32 g4 a8.*2/3 } >>}</score>
|<score>{\clef alto << \relative g'  {r4 g4~16. f32 e16. d32 c8 } \\ \relative c' { c4 c16. c32 b16. a32 g4 a8.*2/3 } >>}</score>
|
|
|-
|-
|[[Pelplin Tablatures|PL-PE 304 (Tabulatura organowa Tom. I)]]<br>[[D-Lr Mus.ant.pract. KN 208]] f.11v-12r
|[[Pelplin Tablatures|PL-PE 304 (Tabulatura organowa Tom. I)]]<ref name="dirked"></ref><br>[[D-Lr Mus.ant.pract. K.N. 208]] f.11v-12r<ref name="dirked"></ref>
|76
|76
|Ein feste Burg ist unser Gott
|Ein feste Burg ist unser Gott
|<score>{\clef alto << \relative g' { r2 r4 g g g c,4. d8 e2 } \\ \relative c' { c2 c4 c g2 a4. b8 c2 } >>}</score>
|<score>{\clef alto << \relative g' { r2 r4 g g g c,4. d8 e2 } \\ \relative c' { c2 c4 c g2 a4. b8 c2 } >>}</score>
|
|
|-
|-
|
|
Line 415: Line 583:
|Gott der Vater wohn uns bei
|Gott der Vater wohn uns bei
|<score>{\partial 4 << \relative g' { g16 g a b c8 c b4 a8. b16 c4*1/4 \bar "" } \\ \relative c' { r4 c8 c d e f f e16 } >>}</score>
|<score>{\partial 4 << \relative g' { g16 g a b c8 c b4 a8. b16 c4*1/4 \bar "" } \\ \relative c' { r4 c8 c d e f f e16 } >>}</score>
|
|
|-
|-
|
|
Line 420: Line 590:
|(Gastoldi) Jesu, wollst uns weisen
|(Gastoldi) Jesu, wollst uns weisen
|<score>{\clef alto \partial 2 \relative g { <g d' g b>4 8 8 4 <e g g' cis> }}</score>
|<score>{\clef alto \partial 2 \relative g { <g d' g b>4 8 8 4 <e g g' cis> }}</score>
|
|
|-
|-
|
|
Line 425: Line 597:
|Jesus Christus, unser Heiland
|Jesus Christus, unser Heiland
|<score>{<< \relative d' { d2 a'2 a4 g a } \\ \relative d { \clef alto r4 d8 e f g a b! c8 d e d c } >>}</score>
|<score>{<< \relative d' { d2 a'2 a4 g a } \\ \relative d { \clef alto r4 d8 e f g a b! c8 d e d c } >>}</score>
|
|
|-
|-
|
|
Line 430: Line 604:
|Komm, heiliger Geist, Herre Gott
|Komm, heiliger Geist, Herre Gott
|<score>{\clef bass \key f \major \relative f { f1 g2 <f c'>2 <d d'> <f\laissezVibrer c'> }}</score>
|<score>{\clef bass \key f \major \relative f { f1 g2 <f c'>2 <d d'> <f\laissezVibrer c'> }}</score>
|
|
|-
|-
|
|
Line 435: Line 611:
|Nun bitten wir den heiligen Geist
|Nun bitten wir den heiligen Geist
|<score>{\clef alto \key f \major << \relative bes { bes1 c2 c bes4 a bes c d } \\ \relative f { R1 r2 f g g f4 } >>}</score>
|<score>{\clef alto \key f \major << \relative bes { bes1 c2 c bes4 a bes c d } \\ \relative f { R1 r2 f g g f4 } >>}</score>
|
|
|-
|-
|
|
Line 440: Line 618:
|Fantasia in C
|Fantasia in C
|<score>{<< \relative c'' { <c g>1 <c a>2. <b g>8 <a f> <e g>4 } \\ \relative e' { e1 f4 e8 d c4 d e } >>}</score>
|<score>{<< \relative c'' { <c g>1 <c a>2. <b g>8 <a f> <e g>4 } \\ \relative e' { e1 f4 e8 d c4 d e } >>}</score>
|
|
|-
|-
|
|
Line 445: Line 625:
|Fantasia in d
|Fantasia in d
|<score>{\relative a' { a2 4 4 c cis d c8 b  } << { a'2} \\ { r4 d'4 } >>}</score>
|<score>{\relative a' { a2 4 4 c cis d c8 b  } << { a'2} \\ { r4 d'4 } >>}</score>
|
|
|-
|-
|
|
Line 450: Line 632:
|Fuga
|Fuga
|<score>{\clef alto \relative e' { e2 4 4 a, c d e f4. }}</score>
|<score>{\clef alto \relative e' { e2 4 4 a, c d e f4. }}</score>
|
|
|-
|-
|
|
Line 455: Line 639:
|Toccata in C
|Toccata in C
|<score>{\relative c'' { <c g e>4 b8 a g f e d <e g>1 }}</score>
|<score>{\relative c'' { <c g e>4 b8 a g f e d <e g>1 }}</score>
|
|
|-
|-
|
|
Line 460: Line 646:
|Fantasia in C
|Fantasia in C
|<score>{<< \relative d'' { d2. d4 e2~8 d c b a2*1/4 } \\ \relative g' { r2 g2~4 g a2~8 } >>}</score>
|<score>{<< \relative d'' { d2. d4 e2~8 d c b a2*1/4 } \\ \relative g' { r2 g2~4 g a2~8 } >>}</score>
|
|
|}
=== Later additions to Scheidemann WV table ===
{| class="wikitable"
|-
! Sources !! WV !! Title !! Incipit !! Notes !! Ref.
|-
|-
|[[Lynar Tablatures|D-B Ms. Lynar B 2]] f.6v-8r
|[[Lynar Tablatures|D-B Ms. Lynar B 2]] f.6v-8r
| 89<ref name="dirked"></ref>
| 89
| Ach Gott, vom Himmel sieh darein
| Ach Gott, vom Himmel sieh darein
|
|
|
|<ref name="dirked"></ref>
|-
|-
|[[Lynar Tablatures|D-B Ms. Lynar B 2]] f.12v-15r, 22v-23r
|[[Lynar Tablatures|D-B Ms. Lynar B 2]] f.12v-15r, 22v-23r
| 91<ref name="dirked"></ref>
| 91
| Nun freut euch, lieben Christen gmein
| Nun freut euch, lieben Christen gmein
|
|
|
|<ref name="dirked"></ref>
|}
|}


Latest revision as of 22:45, 10 June 2024

Heinrich Scheidemann

Heinrich Scheidemann (1595-1663)

Scheidemann has been described as both the originator as well as the principal master of the North German Chorale Fantasia.[1]

This article is a stub, you can help expand it with more information and citations!

WVlist Notes

WV numbers are from the complete works edition by Werner Brieg, which are themselves derived from "Die Orgelwerke von Heinrich Scheidemann", Wiesbaden, 1967
-William Rehwinkel, Feb 20, 2022

Full catalogue of WV list of Scheidemann organ works from Werner Breig, "Die Orgelwerke von Heinrich Scheidemann". Wiesbaden, Franz Steiner Verlag Gmbh, 1967. The table is divided in the following catagories: 1-56: Works secured according to tradition and style (1-29: Chorale-based works, 30-44: Free compositions, 45-56: Motet intabulations), 57-74: Anonymous pieces that can be attributed to Scheidemann (57-71: Chorale-based compositions, 72-74: Free works), 75-86: Works of dubious authenticity inscribed with Scheidemann's initials in the sources (75-81: Chorale-based works, 82-86: Free works), 87-88: works incorrectly identified with scheidemann's initials in individual sources
-William Rehwinkel, Feb 26, 2022

WV 1-13 incipits are derived from Fock according to "Ausgaben" in Brieg.
-William Rehwinkel, Mar 3, 2022

Breig does not list any published edition of the Motet Intabulations WV 45-56. Incipits are from Scheidemann, Heinrich: "12 Orgelintavolierungen", edited by Cleveland Johnson. Wilhelmshaven: Heinrichshofen (1990). (vol. 1-3)
-William Rehwinkel, Mar 3, 2022

Incipits for chorale-based works (confirmed, anonymous but attributed, listed as composer but considered dubious) in which Brieg lists the work in BA 5481, edited by Gustav Fock.
-William Rehwinkel, Mar 5, 2022


-Anonymous, Mar 14, 2022

Incipits for Fragmentary O Lux Beata Trinitas and Te Deum are derived from Dirksen, Pieter. "Heinrich Scheidemann's Keyboard Music: Transmission, Style and Chronology", Hampshire: Ashgate Publishing Limited, 2007.
-William Rehwinkel, Apr 18, 2022


-William Rehwinkel, May 9, 2022

The 7th intabulation, WV 51, has been found to have been based on a motet by Giovanni Bassano.
-William Rehwinkel, May 9, 2022

According to Dirksen, WV 78 has been found to be an intabulation of a dance song by Giovanni Gastoldi.
-WR, May 11, 2022

Works

Works secured according to attribution and style

Sources WV Title Incipit Notes Ref.
1 A solis ortus cardine
{\clef alto \relative a { a1 c2 c d e } << {a2 f'\laissezVibrer} \\ {d1} >>}
2 Aus tiefer Not schrei ich zu dir
{\key g \major << \relative g' { R1 g1 fis2. g4 } \\ \relative c' { c1 b2 c d d } >>}
3 Christ lag in Todesbanden
{<< \relative a' { a1 gis2 a c2*1/4 } \\ \relative e' { R1 r4 e c d e8 } >>}
4 Erbarm dich mein, o Herre Gott
{\relative e' { e1 c2 c b <a e'> }}
5 Es spricht der Unweisen Mund wohl
{<< \relative c'' { c1 c2. } \\ \relative e' { r4 e4 c d8 e f2 c4 } >>}
6 Gott sei gelobet und gebenedeiet
{<< \relative g' { g1 g2 } \\ \relative c' { r4 c b a g2 } \\ \relative e' { r4 e d c b4 } >>}
7 Herr Christ, der einig Gottes Sohn
{\key g \major \relative g { g1 g2 b a g }}
D-B Ms. Lynar B 4 f.1r-2r
D-Lr Mus.ant.pract. K.N. 208 f.38v-41r
D-CZu Zellerfelder Orgeltabulatur 2 f.24 		8 In dich hab ich gehoffet, Herr
{\clef alto << \relative d' { d1 d2 a' e2*1/4 } \\ \relative d { r2 d2~4 e f g a8 } >>}
 [2]
9 In dich hab ich gehoffet, Herr
{\clef alto << \relative d' { d1 d2 a' e } \\ \relative d { r2 d2~4 e f g a2 } \\ \relative a { R1 a2. b4 c } >>}
D-CZu Zellerfelder Orgeltabulatur 1 p.111[2]
D-B Ms. Lynar B 4 f.2v-5r[2]
PL-PE 306 (Tabulatura organowa Tom. III) f.139v-144r[2] 		10 Jesus Christus, unser Heiland
{\clef alto \relative a { a1 d d2 cis d }}
11 Kyrie dominicale
{\key f \major << \relative a' { a1 bes1*3/4 \bar "" } \\ \relative d' { r4 d4. e8 fis4 g f8 e d4 } >>}
12 Kyrie summum
{<< \relative g' { g1 a b2 } \\ \relative c' { r2 c2~4 c d2~4 } \\ \relative e' { r2 e2~4 e fis2~4 } >>}
D-Lr Mus.ant.pract. K.N. 209 pp.174f[2] 13 Lobet den Herren, denn er ist sehr freundlich
{\key f \major \clef bass << \relative d' { R1 d2 cis4 } \\ \relative g { g2 fis4 g4 8 a bes g a } >>}
14 Magnificat I. Toni
{<< \relative f' { f1 g2. 4 a4 } \\ \relative d' { r2 d e4 d c b a } >>}
15 Magnificat II. Toni
{<< \relative f' { f1 g f2 } \\ \relative d' { r4 d f2~4 f ees2 d2. } >>}
16 Magnificat III. Toni
{<< \relative g' { g1 a1*5/8 \bar "" } \\ \relative e' { r4 e c4. d16 e f4. e8 d } >>}
17 Magnificat IV. Toni
{<< \relative e' { e1 g a2 c\laissezVibrer } \\ \relative a { R1 R a } >>}
18 Magnificat V. Toni
{<< \relative f' { R1 f a2 } \\ \relative bes { bes1 d2 d4. e8 f2 } >>}
19 Magnificat VI. Toni
{<< \relative f' { f1 g } \\ \relative d' { r4 d f2~4 e8 d e f g e } >>}
20 Magnificat VIII. Toni
{<< \relative g' { r2 g2~4 a b c d1 } \\ \relative g { g1~1 a } \\ \relative d' { r2 d2 e4 fis g2~4 fis8 e fis2 } \\ \relative b { r2 b c d2~2 2 } >>}
21 Mensch, willst du leben seliglich
{\clef alto << \relative e' { e1 g2 } \\ \relative a { r4 <a c>4 <g b> <a f> <e g> <d b'> } >>}
22 O Gott, wir danken deiner Güt
{\time 3/2 \partial 2 \key d \minor \relative d' { <d fis a d>2 <d g bes>1 <d f bes>2 <c f a>2 }}
23 O lux beata trinitas
{<< \relative e' { r1 a g2 } \\ \relative e' { e1 d2 c b4 } >>}
24 O lux beata trinitas (Frag.)
{\clef alto \relative e' { e1~2 d c b c }}
25 Te Deum laudamus (Frag.)
{<< \relative a' { a1 gis4 gis8 a b4 e,8 fis } \\ \relative c' { c4 d8 e f4 c8 d e1 } >>}
26 Vater unser im Himmelreich
{\key bes \major << \relative g' { g1 g2 ees f } \\ \relative c' { r4 c c d ees d c bes aes } >>}
D-Lr Mus.ant.pract. K.N. 208 f.25v-28r[2] 27 Vater unser im Himmelreich (Fantasy)
{\clef alto \key bes \major << \relative ees' { r4 ees d c bes a g bes a } \\ \relative g { g1 g2 ees f } >>}
28 Vater unser im Himmelreich
{\key bes \major << \relative g' { g1 g2 ees f g ees } \\ \relative c' { r2 c2~2 c aes bes c } >>}
29 Wir glauben all an einen Gott
{<< \relative d' { d1 a'2 g a } \\ \relative a { R1 r4 a e' d c } >>}
30 Praeambulum in C
{\relative g' { g4 a8 b c b c d <e g,>2. }}
31 Praeambulum in d
{<< \relative d' { d1~4 e8 fis g4 a bes2. } \\ \relative a { a1 bes2. c4 d1 } >>}
32 Praeambulum in d
{\relative a' { <a d, a fis>1 } \bar "||" << \relative g' { g4\repeatTie g4 fis e f! } \\ \relative bes { bes4\repeatTie bes a g a4 } \\ \relative d' { d1\repeatTie~4 } >>}
33 Praeambulum in d
{\relative a' { a4 b!8 c d4 c } \bar "||" \partial 4 << \relative d'' { d4~d8 d a4 c4. } \\ \relative d' { r4 <d f>4. 8 <e a,>4 } >>}
34 Praeambulum in d
{<< \relative a' { R1 a1~4 } \\ \relative f' { R1 f2. e8 d cis4 } \\ \\ \relative d' { d1~d4 c8 b a2~4 } >>}
35 Praeambulum in d
{\relative a' { <a d, fis,>1 } \bar "||" \partial 2 << \relative a' { a2~4 a d2 c4 } \\ \relative c' { r2 d2. d4 a'2.*1/3 } >>}
36 Praeambulum in d
{<< \relative d' { d2~8 e f g <f a>1 } \\ \relative a { R1 r8 a b c d2 } >>}
37 Praeambulum in e
{<< \relative b' { b4 c8 d e2~e4 d c b a1 } \\ \relative b { b1 a2. b c2 } >>}
38 Praeambulum in e
{<< \relative b' { b1~8 b c d e4 b8 d }\\ { <e' b gis>1 1 } >>}
39 Praeambulum in F
{\key f \major c''1 << \relative c'' { c8) c8 d e f a, bes c } \\ \relative c' { <c a f>1 } >>}
40 Praeambulum in F
{\key f \major << \relative c'' { c1 d4 ees8 d c bes c4 } \\ \relative f' { f1 f } >>}
41 Praeambulum in g
{\key f \major << \relative g' { g1~4 a8 b c4 d } \\ \relative d' { d1 ees2. f4 } >>}
42 Fuga in D
{<< \relative a' { a2 f4 d a' b c2 r8 } \\ \relative d' { R1 r4 d c a f' } >>}
43 Toccata in G
{\clef alto << \relative d' { r2 d d4. e8 d4 c b2 } \\ \relative g { g1 g~4 } \\ \relative b { b2. a4 b4. c8 b4 a g2 } >>}
44 Canzon in F
{\key f \major \relative c'' { c4 a8 c \repeat tremolo 4 bes8 a4 g8 f g8. }}
45 (Haßler) Alleluja. Laudem dicite
{\relative e' { <e e'>2 <a cis>4 <f d'> <e e'>2 }}
46 (Lasso) Angelus ad pastores ait
{\key f \major \clef alto << { R1 g'1~4. } \\ \relative g { g1~2 g4 a bes2*3/4 } \\ \relative d' { R1 r2 d2~2*3/4 } \\ \relative g { R1 R1 g1*3/8 \bar "" } >>}
47 (Lasso) Benedicam Dominum
{<< \relative g' { g1~2 g4 a b4. a8 b4 } \\ \relative g { R1 g1~2 4 } \\ \relative d' { R1 R1 d\laissezVibrer \bar "" } >>}
48 (Hier. Praetorius) Benedicam Dominum
{<< \relative a' { R1 r8 a16 b c d e f g2\laissezVibrer } \\ \relative c'' { c1 g } >>}
49 (Lasso) Confitemini Domino et invocate
{\clef alto << \relative a' { R1 a a2 2\laissezVibrer \bar "" } \\ \relative d { R1 R1 d } \\ \relative d' { R1 R1 r2 d\laissezVibrer } \\ \relative a { a1 a2 a2~4 4 4. } >>}
50 (Lasso) De ore prudentis procedit mel
{<< \relative a' { a1~8 d c bes a bes a g } \\ \relative d' { R1 d\laissezVibrer } >>}
51 (Bassano) Dic nobis, Maria, quid vidisti in via
{<< \relative d'' { d4 d d8 c16 d e f g c, d8 } \\ \relative g' { <g b>4 4 4 <c c,> <g b>2*1/4 } >>}
52 (Haßler) Dixit Maria ad angelum
{\key f \major \clef bass \relative f { f1 f2 f g2. f8 }}
53 (Lasso) Ego sum panis
{\key f \major << \relative c'' { c1~2 c8. d16 bes8. c16 a2\laissezVibrer } \\ \relative f' { R1 f1 f8. g16 e8. } >>}
54 (Lasso) Omnia, quae fecisti nobis
{<< \relative a' { R1 a\laissezVibrer } \\ \relative d' { d1~8 e f e d cis d4 } >>}
55 (Lasso) Surrexit pastor bonus
{\key f \major << \relative c' { c2. d8 e f1~2 f4 } \\ \relative f { R1 f2. a8 bes bes1\laissezVibrer \bar "" } \\ \relative c' { R1 r2 c d1\laissezVibrer } >>}
56 (Haßler) Verbum caro factum est
{<< \relative e'' { e8. d16 e8. f16 e4 e } \\ \relative a' { <a c>2. 4 } >>}

Anonymous pieces attributed to Scheidemann

Sources WV Title Incipit Notes Ref.
57 Durch Adams Fall ist ganz verderbt
{<< \relative a' { a1 a2 a g } \\ \relative d' { r2 d4 e f2 <a, c>4 <b d> <c e>2 } >>}
58 Es ist das Heil uns kommen her
{\key d \major << \relative a' { a1 a2 a a c b } \\ \relative d' { s1 s r4 d e fis g2 } >>}
59 Es ist gewißlich an der Zeit
{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}
60 Gelobet seist du, Jesu Christ
{<< \relative g' { g1 g2 2 } \\ \relative g { r2 <g b>4 <a c> <b d> <g b> <c e\laissezVibrer >2 } >>}
61 Herr Christ, der einig Gotts Sohn
{\key g \major << \relative g' { g1 g2 b a } \\ \relative c' { r2 c4 d e fis g2 fis } >>}
62 Herzlich lieb hab ich dich, o Herr
{<< \relative c'' { c1~4 d8 c b4 c8 b a4 } \\ \relative c' { <c e g>1~2 <g d' g>2 <a c e> } >>}
63 Jesus Christus, unser Heiland
{\clef bass \relative d { d1 a' a2 g a d,2~4 }}
64 Jesus Christus, unser Heiland
{\clef alto << \relative d' { d2 a'2~4 g f2~4 g8 f e4 } \\ \relative d { R1 r2 d a'1*3/4 \bar "" } \\ \relative a { r2 r4 a d2 d2~4 d c } >>}
65 Magnificat VII. Toni
{<< \relative a' { a1 gis2 a r4 } \\ \relative d' { r2 d e4. d8 cis4 a d2 } >>}
66 Magnificat VIII. Toni
{\clef alto << \relative b { r4 b e d g4. f8 e f d e c1\laissezVibrer } \\ \relative g { g1~1 a\laissezVibrer } >>}
D-Lr Mus.ant.pract. K.N. 208 f.30v-33r[2] 67 Nun freut euch, lieben Christen gmein
{\clef bass \relative g { g1 g2 d g <c g'\laissezVibrer> }}
68 Victimae paschali laudes
{\clef bass << \relative a { r2 a2~4 a g2 f4 } \\ \relative d { d1 c d2.*1/3 } >>}
69 Vom Himmel hoch da komm ich her
{<< \relative c'' { c1 b2 a b4. } \\ \relative b { R1 r4 b c d b }\\ \relative c' { r4 c e fis g2. fis4 g4. } >>}
70 Wär Gott nicht mit uns diese Zeit
{\clef alto \key g \major << \relative e' { e1 g2 g a } \\ \relative a { r2 a e'2. d4 cis } >>}
71 Wo Gott der Herr nicht bei uns hält
{\clef bass << \relative g { r4 g bes c d4. g8 d4 e f2 } \\ \relative g, { R1 r4 g bes c d } \\ \\ \relative bes { R1 bes1 bes2 } >>}
72 Praeambulum in C
{<< \relative g' { g2. a8 b c2. d8 e } \\ \relative c' { c1~1 } \\ \relative e' { e1~4 f8 g a2 } >>}
73 Praeambulum in G
{<< \relative g' { g2. a4 b c d2~2*1/2 } \\ \relative b { b2. c4 d2. c4 b2.*1/3 } \\ \relative d' { d1 g2 a~4 } >>}
74 Canzon in G
{\clef alto << \relative d' { d2 4 4 g f8 e d4 g e } \\ \relative g { R1 g2 g4 g c } >>}

Works of dubious authenticity with Scheidemann's name

Sources WV Title Incipit Notes Ref.
PL-PE 306 (Tabulatura organowa Tom. III) f.123v-127r[2] 75 Allein zu dir, Herr Jesu Christ
{\clef alto << \relative g' {r4 g4~16. f32 e16. d32 c8 } \\ \relative c' { c4 c16. c32 b16. a32 g4 a8.*2/3 } >>}
PL-PE 304 (Tabulatura organowa Tom. I)[2]
D-Lr Mus.ant.pract. K.N. 208 f.11v-12r[2] 		76 Ein feste Burg ist unser Gott
{\clef alto << \relative g' { r2 r4 g g g c,4. d8 e2 } \\ \relative c' { c2 c4 c g2 a4. b8 c2 } >>}
77 Gott der Vater wohn uns bei
{\partial 4 << \relative g' { g16 g a b c8 c b4 a8. b16 c4*1/4 \bar "" } \\ \relative c' { r4 c8 c d e f f e16 } >>}
78 (Gastoldi) Jesu, wollst uns weisen
{\clef alto \partial 2 \relative g { <g d' g b>4 8 8 4 <e g g' cis> }}
79 Jesus Christus, unser Heiland
{<< \relative d' { d2 a'2 a4 g a } \\ \relative d { \clef alto r4 d8 e f g a b! c8 d e d c } >>}
80 Komm, heiliger Geist, Herre Gott
{\clef bass \key f \major \relative f { f1 g2 <f c'>2 <d d'> <f\laissezVibrer c'> }}
81 Nun bitten wir den heiligen Geist
{\clef alto \key f \major << \relative bes { bes1 c2 c bes4 a bes c d } \\ \relative f { R1 r2 f g g f4 } >>}
82 Fantasia in C
{<< \relative c'' { <c g>1 <c a>2. <b g>8 <a f> <e g>4 } \\ \relative e' { e1 f4 e8 d c4 d e } >>}
83 Fantasia in d
{\relative a' { a2 4 4 c cis d c8 b } << { a'2} \\ { r4 d'4 } >>}
84 Fuga
{\clef alto \relative e' { e2 4 4 a, c d e f4. }}
85 Toccata in C
{\relative c'' { <c g e>4 b8 a g f e d <e g>1 }}
86 Fantasia in C
{<< \relative d'' { d2. d4 e2~8 d c b a2*1/4 } \\ \relative g' { r2 g2~4 g a2~8 } >>}

Later additions to Scheidemann WV table

Sources WV Title Incipit Notes Ref.
D-B Ms. Lynar B 2 f.6v-8r 89 Ach Gott, vom Himmel sieh darein [2]
D-B Ms. Lynar B 2 f.12v-15r, 22v-23r 91 Nun freut euch, lieben Christen gmein [2]

References

See notes

  1. ↑ Dirksen, Pieter (editor), Heinrich Scheidemann: Choralfantasien für Orgel. Wiesbaden: Breitkopf & Härtel, 2022. p.7
  2. ↑ 2.00 2.01 2.02 2.03 2.04 2.05 2.06 2.07 2.08 2.09 2.10 2.11 Dirksen, Pieter (editor), Heinrich Scheidemann: Choralfantasien für Orgel. Wiesbaden: Breitkopf & Härtel, 2022. Dirksens says "KN 208i" instead of "K.N. 208"
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