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'''Franz Tunder''' | '''Franz Tunder''' | ||
== Analysis == | |||
The organ chorale works of Franz Tunder can be divided into four categories<ref>{{NdS2 2009}} 277</ref>: | |||
* ''Verse cycles'' with separate verses - Jesus Christus, unser Heiland | |||
* Continuous ''Verse cycles'' - Auf meinen lieben Gott | |||
* ''Choral ricercare'' - Jesus Christus, wahr' Gottes Sohn | |||
* ''Choral Fantasie'' (the rest of the surviving compositions) | |||
== Works == | == Works == | ||
[[File:S-Uu Ms Ihre 285 Tunder.jpg|thumb|right|The Canzona by Franz Tunder, found in S-Uu Ms. Ihre 285]]Except for one work, all remaining pieces by Franz Tunder | [[File:S-Uu Ms Ihre 285 Tunder.jpg|thumb|right|The Canzona by Franz Tunder, found in S-Uu Ms. Ihre 285]]Except for one work, all remaining pieces by Franz Tunder are unicas. The sources of Tunder's organ music are in three main categories: | ||
* [[:Category:Lüneburg Tablatures|The Lüneburg Tablatures]], including Mus.ant.pract. | * [[:Category:Lüneburg Tablatures|The Lüneburg Tablatures]], including [[D-Lr Mus.ant.pract. K.N. 209]]. | ||
*[[The Pelplin Tablatures]], a collection of manuscripts from the Pelplin Monestary. | *[[Pelplin Tablatures|The Pelplin Tablatures]], a collection of manuscripts from the Pelplin Monestary. | ||
*The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala. | *The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala. | ||
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|+ Surviving works by Franz Tunder | |+ Surviving works by Franz Tunder | ||
|- | |- | ||
! Source(s) !! Title !! Notes !! | ! Source(s) !! Title !! Notes !! Incipit | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P486-489 || [34] Auff meinen Lieben / Gott / Auff 2 Clavier / Manualiter / F. Tunder || || <score>\relative d' {\key g \minor \partial 4 d8 e16 fis | g4 a8 bes16 c bes4 c | d2. }</score> | ||
|- | |- | ||
| [[ | | [[Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] P282-293 || Christ lag in / todtes banden / Frans: Tunder: || || <score><< \relative a' { \clef alto a1 g2 a2*1/2 } \\ \relative a { r4 a d c | b c4. a8 }>></score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 207/17/1]] P428-431 | ||
[[D-Lr Mus.ant.pract. | [[D-Lr Mus.ant.pract. K.N. 209]] P644-649 | ||
| [207/17/1:] [13] Herr Gott / dich loben wir p / auff 2. Clav. / Franciscus Tunder. || || | | [207/17/1:] [13] Herr Gott / dich loben wir p / auff 2. Clav. / Franciscus Tunder. || || <score><< \relative e' { \clef alto e1 g2 a4. b8 } \\ \relative a { r4 a c2 b4 <e e,> <c f,> <d d,> } >></score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P474-477 || [30] Indich habichge / hoffet Herr. / Auff 2. Clavier. / F. Tunder. || || <score>\relative g { \key g \minor g16 a b a g a b c d g e fis g a fis a g1 }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P562-565 || [48] Jesus Christus / Unser Heÿland. / F. T. || || <score>\relative a { \clef bass r16 a g a fis g e g fis8 g16 e fis d e cis << d1 \\ \relative d, { r4 d g1*1/2 } >> }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P470-473 || [29] Jesus Christus / wahr Gottes Sohn / F: Tunder || || <score><< \relative g' { \key g \minor \time 3/2 \partial 2 g4 a bes1 c2 d1*1/4 } \\ \relative g' { r2 r2 g4 f ees f bes, } >></score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P634-639 || [72] Komm Heÿliger / Geist Herre Gott / Auff 2 Clauier / Franciscus: Tunder: Ped: || || <score>\relative d' { \key g \major r16 d e fis g a fis a g a b c d e cis e << d1 \\ { r2 <g, b, g>2 } >> }</score> | ||
|- | |- | ||
| [[ | | [[Pelplin Tablatures|PL-PE 305 (Tabulatura organowa Tom. II)]] P288-294 || Was kan uns / kommen an fur: / Noth / 2 Clav: Ped: / Frans: Tunder. || Pelplin/C-Major version, fragment || <score><< \relative c'' { c1 c4. d8 e2 } \\ \relative g' { r2 g2 a g } \\ \\ \relative e' { r2 e2 e4 f e c } >></score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P612-621 || [65] Waß kan vns / kommen an / für noth / Auf 2. Clauier. / F. Tunder. Ped: || Lüneburg/F-Major version || <score>\relative f { \key f \major \clef bass f16 c a' f c' a f c' \clef treble f2 f8. e16 d e f g a2 }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 207/16]] F3v-4r || Praeludium / [3] / Franc: Tunder. || F-Major || <score>\relative f'' { \key f \major f8. g16 a e f g c, f e f c d a bes << c1*1/2 \\ { r4 <a f>4 } >> }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 207/16]] F2v-3r || Praeludium / [2] / Franc. Tunder. || G-Minor || <score>\relative d'' { \key g \minor r16 d e f g d f ees d b c d g, b a c << <b d, g,>4. \\ g1*3/8 >> }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 207/16]] F4v-5r || Praeludium / Franc. Tunder. [4] || G-Minor || <score>\relative g { \key g \minor g16 b a b g a b c b d c d b c d ees d g e fis g }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 207/16]] F5v-6r || Praeludium [5] / Franc: Tunder || G-Minor || <score><< \relative d'' { \key g \minor d8. ees16 d8. c16 b4 c } \\ \relative g' g1 \\ \\ \relative b { b4 c d8. ees16 c8. d16 } >></score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 207/15]] P909-910 || [55] Praeludium / F. Tund: || G-Minor || <score><< \relative a'' { \key g \minor r16 a g e fis g e fis d c bes c a bes g a fis } \\ \relative a' { s2 r16 a g e fis g e fis d } >></score> | ||
|- | |- | ||
| [[S-Uu Ms. Ihre 285]] P50-52 || [20] Cantzon / F: Töndern || On a theme by [[Francesco Della Porta]] || | | [[S-Uu Ms. Ihre 285]] P50-52 || [20] Cantzon / F: Töndern || On a theme by [[Francesco Della Porta]] || <score>\relative d'' { \key g \major d8 d d e c8. b16 a8 b16 c d8 d, g a }</score> | ||
|} | |} | ||
=== Other theorized works === | |||
Two chorale fantasias from the [[Pelplin Tablatures]] are theorized to be by Franz Tunder by [[Klaus Beckmann]], despite the composer "H.S.M." being written<ref>[[Klaus Beckmann|Beckmann, Klaus]] (editor), ''Zwei Choralfantasien: Allein zu dir, Herr Jesu Christ ; Ein feste Burg ist unser Gott.'' Wiesbaden: Breitkopf & Härtel, 1991.</ref>. He also theorized that the anonymous ''Magnificat octavi toni'' (also a chorale fantasia) from the [[Zellerfeld Tablatures]] no.1 is by Tunder{{Citation needed}}. | |||
The first praeludium in [[D-Lr Mus.ant.pract. K.N. 207/16]], which is anonymous, has been described as being reminiscent of Tunder<ref>[[Organum IV]] vol.10</ref>. | |||
=== Editions === | |||
An incomplete list of editions of the organ works of Tunder is included below. | |||
* [[Max Seiffert]], Leipzig: Kistner & Siegel, n.d. ([[Organum IV]] vol. 6).<br>(Preludia only) | |||
* [[Rudolf Walter]]. ''Sämtliche Choralbearbeitungen für Orgel / Franz Tunder.'' Mainz: Schott, 1958. | |||
* [[Klaus Beckmann]], Wiesbaden: Breitkopf & Hartel. | |||
* [[Jan van Biezen]]. ''Christ lag in Todesbanden : für Orgel / Franz Tunder.'' Amsterdam : Annie Bank, 1982. (Stichting Centrum voor de Kerkzang 129) | |||
* [[Michel Belotti]], Wiesbaden: Breitkopf & Hartel. | |||
* [[Claudia Schumacher]], Mainz: Schott. 2022 (revised edition) ([[Meister der Norddeutschen Orgelschule|MdNO]] 17) | |||
== References == | == References == | ||
[[Claudia Schumacher|Schumacher, Claudia]] (editor). ''Franz Tunder: Sämtliche Orgelwerke''. Mainz: Schott, 2019. | [[Claudia Schumacher|Schumacher, Claudia]] (editor). ''Franz Tunder: Sämtliche Orgelwerke''. Mainz: Schott, 2019. | ||
[[Category:Persons|Tunder, Franz]] | |||
[[Category:Composers|Tunder, Franz]] | |||
[[Category:Baroque Composers|Tunder, Franz]] | |||
[[Category:Organists|Tunder, Franz]] | |||
[[Category:Baroque|Tunder, Franz]] | |||
[[Category:Norddeutsche Orgelschule|Tunder, Franz]] |
Revision as of 16:39, 7 March 2024
Franz Tunder
Analysis
The organ chorale works of Franz Tunder can be divided into four categories[1]:
- Verse cycles with separate verses - Jesus Christus, unser Heiland
- Continuous Verse cycles - Auf meinen lieben Gott
- Choral ricercare - Jesus Christus, wahr' Gottes Sohn
- Choral Fantasie (the rest of the surviving compositions)
Works
![](/wiki/images/thumb/a/ae/S-Uu_Ms_Ihre_285_Tunder.jpg/300px-S-Uu_Ms_Ihre_285_Tunder.jpg)
Except for one work, all remaining pieces by Franz Tunder are unicas. The sources of Tunder's organ music are in three main categories:
- The Lüneburg Tablatures, including D-Lr Mus.ant.pract. K.N. 209.
- The Pelplin Tablatures, a collection of manuscripts from the Pelplin Monestary.
- The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala.
Note: numbers in brackets are written in the manuscript by a librarian.
Source(s) | Title | Notes | Incipit |
---|---|---|---|
D-Lr Mus.ant.pract. K.N. 209 P486-489 | [34] Auff meinen Lieben / Gott / Auff 2 Clavier / Manualiter / F. Tunder | ![]() | |
PL-PE 306 (Tabulatura organowa Tom. III) P282-293 | Christ lag in / todtes banden / Frans: Tunder: | ![]() | |
D-Lr Mus.ant.pract. K.N. 207/17/1 P428-431
D-Lr Mus.ant.pract. K.N. 209 P644-649 |
[207/17/1:] [13] Herr Gott / dich loben wir p / auff 2. Clav. / Franciscus Tunder. | ![]() | |
D-Lr Mus.ant.pract. K.N. 209 P474-477 | [30] Indich habichge / hoffet Herr. / Auff 2. Clavier. / F. Tunder. | ![]() | |
D-Lr Mus.ant.pract. K.N. 209 P562-565 | [48] Jesus Christus / Unser Heÿland. / F. T. | ![]() | |
D-Lr Mus.ant.pract. K.N. 209 P470-473 | [29] Jesus Christus / wahr Gottes Sohn / F: Tunder | ![]() | |
D-Lr Mus.ant.pract. K.N. 209 P634-639 | [72] Komm Heÿliger / Geist Herre Gott / Auff 2 Clauier / Franciscus: Tunder: Ped: | ![]() | |
PL-PE 305 (Tabulatura organowa Tom. II) P288-294 | Was kan uns / kommen an fur: / Noth / 2 Clav: Ped: / Frans: Tunder. | Pelplin/C-Major version, fragment | ![]() |
D-Lr Mus.ant.pract. K.N. 209 P612-621 | [65] Waß kan vns / kommen an / für noth / Auf 2. Clauier. / F. Tunder. Ped: | Lüneburg/F-Major version | ![]() |
D-Lr Mus.ant.pract. K.N. 207/16 F3v-4r | Praeludium / [3] / Franc: Tunder. | F-Major | ![]() |
D-Lr Mus.ant.pract. K.N. 207/16 F2v-3r | Praeludium / [2] / Franc. Tunder. | G-Minor | ![]() |
D-Lr Mus.ant.pract. K.N. 207/16 F4v-5r | Praeludium / Franc. Tunder. [4] | G-Minor | ![]() |
D-Lr Mus.ant.pract. K.N. 207/16 F5v-6r | Praeludium [5] / Franc: Tunder | G-Minor | ![]() |
D-Lr Mus.ant.pract. K.N. 207/15 P909-910 | [55] Praeludium / F. Tund: | G-Minor | ![]() |
S-Uu Ms. Ihre 285 P50-52 | [20] Cantzon / F: Töndern | On a theme by Francesco Della Porta | ![]() |
Other theorized works
Two chorale fantasias from the Pelplin Tablatures are theorized to be by Franz Tunder by Klaus Beckmann, despite the composer "H.S.M." being written[2]. He also theorized that the anonymous Magnificat octavi toni (also a chorale fantasia) from the Zellerfeld Tablatures no.1 is by Tunder[Citation needed].
The first praeludium in D-Lr Mus.ant.pract. K.N. 207/16, which is anonymous, has been described as being reminiscent of Tunder[3].
Editions
An incomplete list of editions of the organ works of Tunder is included below.
- Max Seiffert, Leipzig: Kistner & Siegel, n.d. (Organum IV vol. 6).
(Preludia only) - Rudolf Walter. Sämtliche Choralbearbeitungen für Orgel / Franz Tunder. Mainz: Schott, 1958.
- Klaus Beckmann, Wiesbaden: Breitkopf & Hartel.
- Jan van Biezen. Christ lag in Todesbanden : für Orgel / Franz Tunder. Amsterdam : Annie Bank, 1982. (Stichting Centrum voor de Kerkzang 129)
- Michel Belotti, Wiesbaden: Breitkopf & Hartel.
- Claudia Schumacher, Mainz: Schott. 2022 (revised edition) (MdNO 17)
References
Schumacher, Claudia (editor). Franz Tunder: Sämtliche Orgelwerke. Mainz: Schott, 2019.
- ↑ Beckmann, Klaus, Die Norddeutsche Schule. Teil II: Blütezeit und Verfall. Mainz: Schott, 2009. 277
- ↑ Beckmann, Klaus (editor), Zwei Choralfantasien: Allein zu dir, Herr Jesu Christ ; Ein feste Burg ist unser Gott. Wiesbaden: Breitkopf & Härtel, 1991.
- ↑ Organum IV vol.10