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'''Franz Tunder''' | '''Franz Tunder''' | ||
== Analysis == | |||
The organ chorale works of Franz Tunder can be divided into four categories<ref>{{NdS2 2009}} 277</ref>: | |||
* ''Verse cycles'' with separate verses - Jesus Christus, unser Heiland | |||
* Continuous ''Verse cycles'' - Auf meinen lieben Gott | |||
* ''Choral ricercare'' - Jesus Christus, wahr' Gottes Sohn | |||
* ''Choral Fantasie'' (the rest of the surviving compositions) | |||
== Works == | == Works == | ||
[[File:S-Uu Ms Ihre 285 Tunder.jpg|thumb|right|The Canzona by Franz Tunder, found in S-Uu Ms. Ihre 285]]Except for one work, all remaining pieces by Franz Tunder | [[File:S-Uu Ms Ihre 285 Tunder.jpg|thumb|right|The Canzona by Franz Tunder, found in S-Uu Ms. Ihre 285]]Except for one work, all remaining pieces by Franz Tunder are unicas. The sources of Tunder's organ music are in three main categories: | ||
* [[The Lüneburg Tablatures]], | * [[:Category:Lüneburg Tablatures|The Lüneburg Tablatures]], including [[D-Lr Mus.ant.pract. K.N. 209]]. | ||
* [[The Pelplin Tablatures]], a collection of | *[[Pelplin Tablatures|The Pelplin Tablatures]], a collection of manuscripts from the Pelplin Monestary. | ||
* The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala. | *The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala. | ||
''Note: numbers in brackets are written in the manuscript by a librarian.'' | ''Note: numbers in brackets are written in the manuscript by a librarian.'' | ||
Line 13: | Line 20: | ||
|+ Surviving works by Franz Tunder | |+ Surviving works by Franz Tunder | ||
|- | |- | ||
! Source(s) !! Title !! Notes | ! Source(s) !! Title !! Notes !! Incipit | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P486-489 || [34] Auff meinen Lieben / Gott / Auff 2 Clavier / Manualiter / F. Tunder || || <score>\relative d' {\key g \minor \partial 4 d8 e16 fis | g4 a8 bes16 c bes4 c | d2. }</score> | ||
|- | |- | ||
| [[ | | [[Pelplin Tablatures|PL-PE 306 (Tabulatura organowa Tom. III)]] P282-293 || Christ lag in / todtes banden / Frans: Tunder: || || <score><< \relative a' { \clef alto a1 g2 a2*1/2 } \\ \relative a { r4 a d c | b c4. a8 }>></score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. 207/17/1]] P428-431 | | [[D-Lr Mus.ant.pract. K.N. 207/17/1]] P428-431 | ||
[[D-Lr Mus.ant.pract. | [[D-Lr Mus.ant.pract. K.N. 209]] P644-649 | ||
| [207/17/1:] [13] Herr Gott / dich loben wir p / auff 2. Clav. / Franciscus Tunder. || | | [207/17/1:] [13] Herr Gott / dich loben wir p / auff 2. Clav. / Franciscus Tunder. || || <score><< \relative e' { \clef alto e1 g2 a4. b8 } \\ \relative a { r4 a c2 b4 <e e,> <c f,> <d d,> } >></score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P474-477 || [30] Indich habichge / hoffet Herr. / Auff 2. Clavier. / F. Tunder. || || <score>\relative g { \key g \minor g16 a b a g a b c d g e fis g a fis a g1 }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P562-565 || [48] Jesus Christus / Unser Heÿland. / F. T. || || <score>\relative a { \clef bass r16 a g a fis g e g fis8 g16 e fis d e cis << d1 \\ \relative d, { r4 d g1*1/2 } >> }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P470-473 || [29] Jesus Christus / wahr Gottes Sohn / F: Tunder || || <score><< \relative g' { \key g \minor \time 3/2 \partial 2 g4 a bes1 c2 d1*1/4 } \\ \relative g' { r2 r2 g4 f ees f bes, } >></score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P634-639 || [72] Komm Heÿliger / Geist Herre Gott / Auff 2 Clauier / Franciscus: Tunder: Ped: || || <score>\relative d' { \key g \major r16 d e fis g a fis a g a b c d e cis e << d1 \\ { r2 <g, b, g>2 } >> }</score> | ||
|- | |- | ||
| [[ | | [[Pelplin Tablatures|PL-PE 305 (Tabulatura organowa Tom. II)]] P288-294 || Was kan uns / kommen an fur: / Noth / 2 Clav: Ped: / Frans: Tunder. || Pelplin/C-Major version, fragment || <score><< \relative c'' { c1 c4. d8 e2 } \\ \relative g' { r2 g2 a g } \\ \\ \relative e' { r2 e2 e4 f e c } >></score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 209]] P612-621 || [65] Waß kan vns / kommen an / für noth / Auf 2. Clauier. / F. Tunder. Ped: || Lüneburg/F-Major version || <score>\relative f { \key f \major \clef bass f16 c a' f c' a f c' \clef treble f2 f8. e16 d e f g a2 }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 207/16]] F3v-4r || Praeludium / [3] / Franc: Tunder. || F-Major || <score>\relative f'' { \key f \major f8. g16 a e f g c, f e f c d a bes << c1*1/2 \\ { r4 <a f>4 } >> }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 207/16]] F2v-3r || Praeludium / [2] / Franc. Tunder. || G-Minor || <score>\relative d'' { \key g \minor r16 d e f g d f ees d b c d g, b a c << <b d, g,>4. \\ g1*3/8 >> }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 207/16]] F4v-5r || Praeludium / Franc. Tunder. [4] || G-Minor || <score>\relative g { \key g \minor g16 b a b g a b c b d c d b c d ees d g e fis g }</score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 207/16]] F5v-6r || Praeludium [5] / Franc: Tunder || G-Minor || <score><< \relative d'' { \key g \minor d8. ees16 d8. c16 b4 c } \\ \relative g' g1 \\ \\ \relative b { b4 c d8. ees16 c8. d16 } >></score> | ||
|- | |- | ||
| [[D-Lr Mus.ant.pract. | | [[D-Lr Mus.ant.pract. K.N. 207/15]] P909-910 || [55] Praeludium / F. Tund: || G-Minor || <score><< \relative a'' { \key g \minor r16 a g e fis g e fis d c bes c a bes g a fis } \\ \relative a' { s2 r16 a g e fis g e fis d } >></score> | ||
|- | |- | ||
| [[S-Uu Ms. Ihre 285]] P50-52 || [20] Cantzon / F: Töndern || On a theme by [[Francesco Della Porta]] | | [[S-Uu Ms. Ihre 285]] P50-52 || [20] Cantzon / F: Töndern || On a theme by [[Francesco Della Porta]] || <score>\relative d'' { \key g \major d8 d d e c8. b16 a8 b16 c d8 d, g a }</score> | ||
|} | |} | ||
=== Other theorized works === | |||
Two chorale fantasias from the [[Pelplin Tablatures]] are theorized to be by Franz Tunder by [[Klaus Beckmann]], despite the composer "H.S.M." being written<ref>[[Klaus Beckmann|Beckmann, Klaus]] (editor), ''Zwei Choralfantasien: Allein zu dir, Herr Jesu Christ ; Ein feste Burg ist unser Gott.'' Wiesbaden: Breitkopf & Härtel, 1991.</ref>. He also theorized that the anonymous ''Magnificat octavi toni'' (also a chorale fantasia) from the [[Zellerfeld Tablatures]] no.1 is by Tunder{{Citation needed}}. | |||
The first praeludium in [[D-Lr Mus.ant.pract. K.N. 207/16]], which is anonymous, has been described as being reminiscent of Tunder<ref>[[Organum IV]] vol.10</ref>. | |||
=== Editions === | |||
An incomplete list of editions of the organ works of Tunder is included below. | |||
* [[Max Seiffert]], Leipzig: Kistner & Siegel, n.d. ([[Organum IV]] vol. 6).<br>(Preludia only) | |||
* [[Rudolf Walter]]. ''Sämtliche Choralbearbeitungen für Orgel / Franz Tunder.'' Mainz: Schott, 1958. | |||
* [[Klaus Beckmann]], Wiesbaden: Breitkopf & Hartel. | |||
* [[Jan van Biezen]]. ''Christ lag in Todesbanden : für Orgel / Franz Tunder.'' Amsterdam : Annie Bank, 1982. (Stichting Centrum voor de Kerkzang 129) | |||
* [[Michel Belotti]], Wiesbaden: Breitkopf & Hartel. | |||
* [[Claudia Schumacher]], Mainz: Schott. 2022 (revised edition) ([[Meister der Norddeutschen Orgelschule|MdNO]] 17) | |||
== References == | == References == | ||
[[Claudia Schumacher|Schumacher, Claudia]] (editor). ''Franz Tunder: Sämtliche Orgelwerke''. Mainz: Schott, 2019. | [[Claudia Schumacher|Schumacher, Claudia]] (editor). ''Franz Tunder: Sämtliche Orgelwerke''. Mainz: Schott, 2019. | ||
[[Category:Persons|Tunder, Franz]] | |||
[[Category:Composers|Tunder, Franz]] | |||
[[Category:Baroque Composers|Tunder, Franz]] | |||
[[Category:Organists|Tunder, Franz]] | |||
[[Category:Baroque|Tunder, Franz]] | |||
[[Category:Norddeutsche Orgelschule|Tunder, Franz]] |
Revision as of 16:39, 7 March 2024
Franz Tunder
Analysis
The organ chorale works of Franz Tunder can be divided into four categories[1]:
- Verse cycles with separate verses - Jesus Christus, unser Heiland
- Continuous Verse cycles - Auf meinen lieben Gott
- Choral ricercare - Jesus Christus, wahr' Gottes Sohn
- Choral Fantasie (the rest of the surviving compositions)
Works
Except for one work, all remaining pieces by Franz Tunder are unicas. The sources of Tunder's organ music are in three main categories:
- The Lüneburg Tablatures, including D-Lr Mus.ant.pract. K.N. 209.
- The Pelplin Tablatures, a collection of manuscripts from the Pelplin Monestary.
- The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala.
Note: numbers in brackets are written in the manuscript by a librarian.
Source(s) | Title | Notes | Incipit |
---|---|---|---|
D-Lr Mus.ant.pract. K.N. 209 P486-489 | [34] Auff meinen Lieben / Gott / Auff 2 Clavier / Manualiter / F. Tunder | ||
PL-PE 306 (Tabulatura organowa Tom. III) P282-293 | Christ lag in / todtes banden / Frans: Tunder: | ||
D-Lr Mus.ant.pract. K.N. 207/17/1 P428-431
D-Lr Mus.ant.pract. K.N. 209 P644-649 |
[207/17/1:] [13] Herr Gott / dich loben wir p / auff 2. Clav. / Franciscus Tunder. | ||
D-Lr Mus.ant.pract. K.N. 209 P474-477 | [30] Indich habichge / hoffet Herr. / Auff 2. Clavier. / F. Tunder. | ||
D-Lr Mus.ant.pract. K.N. 209 P562-565 | [48] Jesus Christus / Unser Heÿland. / F. T. | ||
D-Lr Mus.ant.pract. K.N. 209 P470-473 | [29] Jesus Christus / wahr Gottes Sohn / F: Tunder | ||
D-Lr Mus.ant.pract. K.N. 209 P634-639 | [72] Komm Heÿliger / Geist Herre Gott / Auff 2 Clauier / Franciscus: Tunder: Ped: | ||
PL-PE 305 (Tabulatura organowa Tom. II) P288-294 | Was kan uns / kommen an fur: / Noth / 2 Clav: Ped: / Frans: Tunder. | Pelplin/C-Major version, fragment | |
D-Lr Mus.ant.pract. K.N. 209 P612-621 | [65] Waß kan vns / kommen an / für noth / Auf 2. Clauier. / F. Tunder. Ped: | Lüneburg/F-Major version | |
D-Lr Mus.ant.pract. K.N. 207/16 F3v-4r | Praeludium / [3] / Franc: Tunder. | F-Major | |
D-Lr Mus.ant.pract. K.N. 207/16 F2v-3r | Praeludium / [2] / Franc. Tunder. | G-Minor | |
D-Lr Mus.ant.pract. K.N. 207/16 F4v-5r | Praeludium / Franc. Tunder. [4] | G-Minor | |
D-Lr Mus.ant.pract. K.N. 207/16 F5v-6r | Praeludium [5] / Franc: Tunder | G-Minor | |
D-Lr Mus.ant.pract. K.N. 207/15 P909-910 | [55] Praeludium / F. Tund: | G-Minor | |
S-Uu Ms. Ihre 285 P50-52 | [20] Cantzon / F: Töndern | On a theme by Francesco Della Porta |
Other theorized works
Two chorale fantasias from the Pelplin Tablatures are theorized to be by Franz Tunder by Klaus Beckmann, despite the composer "H.S.M." being written[2]. He also theorized that the anonymous Magnificat octavi toni (also a chorale fantasia) from the Zellerfeld Tablatures no.1 is by Tunder[Citation needed].
The first praeludium in D-Lr Mus.ant.pract. K.N. 207/16, which is anonymous, has been described as being reminiscent of Tunder[3].
Editions
An incomplete list of editions of the organ works of Tunder is included below.
- Max Seiffert, Leipzig: Kistner & Siegel, n.d. (Organum IV vol. 6).
(Preludia only) - Rudolf Walter. Sämtliche Choralbearbeitungen für Orgel / Franz Tunder. Mainz: Schott, 1958.
- Klaus Beckmann, Wiesbaden: Breitkopf & Hartel.
- Jan van Biezen. Christ lag in Todesbanden : für Orgel / Franz Tunder. Amsterdam : Annie Bank, 1982. (Stichting Centrum voor de Kerkzang 129)
- Michel Belotti, Wiesbaden: Breitkopf & Hartel.
- Claudia Schumacher, Mainz: Schott. 2022 (revised edition) (MdNO 17)
References
Schumacher, Claudia (editor). Franz Tunder: Sämtliche Orgelwerke. Mainz: Schott, 2019.
- ↑ Beckmann, Klaus, Die Norddeutsche Schule. Teil II: Blütezeit und Verfall. Mainz: Schott, 2009. 277
- ↑ Beckmann, Klaus (editor), Zwei Choralfantasien: Allein zu dir, Herr Jesu Christ ; Ein feste Burg ist unser Gott. Wiesbaden: Breitkopf & Härtel, 1991.
- ↑ Organum IV vol.10