Visby Tablature - Revision history

Fiskfan1999: Text replacement - "Swedish manuscripts" to "Swedish Manuscripts"

2024-11-14T00:54:48Z

Text replacement - "Swedish manuscripts" to "Swedish Manuscripts"

← Older revision		Revision as of 20:54, 13 November 2024
Line 32:		Line 32:
	[[Category:Manuscripts\|Visby Tablature]]		[[Category:Manuscripts\|Visby Tablature]]
	[[Category:Tablatures\|Visby Tablature]]		[[Category:Tablatures\|Visby Tablature]]
	[[Category:Swedish ~~manuscripts~~\|Visby Tablature]]		[[Category:Swedish Manuscripts\|Visby Tablature]]

Fiskfan1999: /* Johann Bahr */

2024-02-03T21:07:46Z

Johann Bahr

← Older revision		Revision as of 17:07, 3 February 2024
Line 13:		Line 13:
	The first musical edition of music from the Visby Tablature was the inclusion of both pieces by Jacob Praetorius in 1957<ref>[[Giesela Gerdes\|Gerdes, Giesela]] (editor), ''46 Choräle für Orgel von J. P. Sweelinck und seinen Schülern.'' Mainz: Schott, 1957.</ref>. In 1963, the first edition of the Magnificats was published as the 4th volume of [[Corpus of Early Keyboard Music]] by [[Clare Rayner]].		The first musical edition of music from the Visby Tablature was the inclusion of both pieces by Jacob Praetorius in 1957<ref>[[Giesela Gerdes\|Gerdes, Giesela]] (editor), ''46 Choräle für Orgel von J. P. Sweelinck und seinen Schülern.'' Mainz: Schott, 1957.</ref>. In 1963, the first edition of the Magnificats was published as the 4th volume of [[Corpus of Early Keyboard Music]] by [[Clare Rayner]].

	== [[Johann Bahr]] ==		== Johann Bahr ==
	[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' by Johann Bahr]]		[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' by Johann Bahr]]
	At a later point, Johann Bahr became the owner of the manuscript. During this time he wrote four of his own compositions (including the only two vocal cantatas in the manuscript) in some (but not all) of the remaining blank pages. These pieces are in a lighter hand, and two of them are dated 1655 and 1666. These are the only four pieces by Bahr which survive to the modern day.		At a later point, [[Johann Bahr]] became the owner of the manuscript. During this time he wrote four of his own compositions (including the only two vocal cantatas in the manuscript) in some (but not all) of the remaining blank pages. These pieces are in a lighter hand, and two of them are dated 1655 and 1666. These are the only four pieces by Bahr which survive to the modern day.

	== Anonymous Pieces ==		== Anonymous Pieces ==

Fiskfan1999: jacob

2023-08-16T01:15:36Z

jacob

← Older revision		Revision as of 21:15, 15 August 2023
Line 1:		Line 1:
	S-VIl SE/ViLA/20021/H/3 (also known as the '''Visby Tablature''' or ''Orgeltabulatur Petri-Bahr'') is an organ manuscript held in the Riksarkivet Landsarkivet i Visby, containing organ works by [[Hieronymus Praetorius\|Hieronymus]] and [[~~Jakob~~ Praetorius]], [[Johann Bahr]], and several anonymous pieces.		S-VIl SE/ViLA/20021/H/3 (also known as the '''Visby Tablature''' or ''Orgeltabulatur Petri-Bahr'') is an organ manuscript held in the Riksarkivet Landsarkivet i Visby, containing organ works by [[Hieronymus Praetorius\|Hieronymus]] and [[Jacob Praetorius]], [[Johann Bahr]], and several anonymous pieces.

	== Description ==		== Description ==

Fiskfan1999: move bahr picture to below header

2023-08-16T01:01:28Z

move bahr picture to below header

← Older revision		Revision as of 21:01, 15 August 2023
Line 13:		Line 13:
	The first musical edition of music from the Visby Tablature was the inclusion of both pieces by Jacob Praetorius in 1957<ref>[[Giesela Gerdes\|Gerdes, Giesela]] (editor), ''46 Choräle für Orgel von J. P. Sweelinck und seinen Schülern.'' Mainz: Schott, 1957.</ref>. In 1963, the first edition of the Magnificats was published as the 4th volume of [[Corpus of Early Keyboard Music]] by [[Clare Rayner]].		The first musical edition of music from the Visby Tablature was the inclusion of both pieces by Jacob Praetorius in 1957<ref>[[Giesela Gerdes\|Gerdes, Giesela]] (editor), ''46 Choräle für Orgel von J. P. Sweelinck und seinen Schülern.'' Mainz: Schott, 1957.</ref>. In 1963, the first edition of the Magnificats was published as the 4th volume of [[Corpus of Early Keyboard Music]] by [[Clare Rayner]].

			== [[Johann Bahr]] ==
	[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' by Johann Bahr]]		[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' by Johann Bahr]]

	~~== [[Johann Bahr]] ==~~
	At a later point, Johann Bahr became the owner of the manuscript. During this time he wrote four of his own compositions (including the only two vocal cantatas in the manuscript) in some (but not all) of the remaining blank pages. These pieces are in a lighter hand, and two of them are dated 1655 and 1666. These are the only four pieces by Bahr which survive to the modern day.		At a later point, Johann Bahr became the owner of the manuscript. During this time he wrote four of his own compositions (including the only two vocal cantatas in the manuscript) in some (but not all) of the remaining blank pages. These pieces are in a lighter hand, and two of them are dated 1655 and 1666. These are the only four pieces by Bahr which survive to the modern day.

Fiskfan1999: /* Description */ add more to description

2023-08-16T01:00:52Z

Description: add more to description

← Older revision		Revision as of 21:00, 15 August 2023
Line 9:		Line 9:
	The manuscript was first owned by its scribe, [[Berendt Petri]], and the writing on the title page was dated 1611. Since two pieces are dated 1609 and 1603, this suggests that the pieces within were written between these years (additionally, since some of the Magnificats by Hieronymus Praetorius use motives found in his vocal Magnificats, it is possible that the organ Magnificats were composed after they were published in 1602). After this, the manuscript was owned by Johann Bahr. Two dates found in pieces written in the manuscript by him are 1655 and 1666.		The manuscript was first owned by its scribe, [[Berendt Petri]], and the writing on the title page was dated 1611. Since two pieces are dated 1609 and 1603, this suggests that the pieces within were written between these years (additionally, since some of the Magnificats by Hieronymus Praetorius use motives found in his vocal Magnificats, it is possible that the organ Magnificats were composed after they were published in 1602). After this, the manuscript was owned by Johann Bahr. Two dates found in pieces written in the manuscript by him are 1655 and 1666.

	The first time that the manuscript became known to modern musicologists is in 1891 by [[Adolf Lindgren]]. After this, the next research on this manuscript was undertaken in 1914 by Anrep-Nordin, who published a series of articles on [[Johann Bahr]] and his works in the manuscript, as well as the ''Magnificat germanice'' by [[Jacob Praetorius]]. For the 9th German Bach Festical in Hamburg on 1921, the Visby Tablature was assigned number 460 in the catalogue of manuscripts. Between 1921-1934 more research was published on this manuscript.		The first time that the manuscript became known to modern musicologists is in 1891 by [[Adolf Lindgren]]. After this, the next research on this manuscript was undertaken in 1914 by Anrep-Nordin, who published a series of articles on [[Johann Bahr]] and his works in the manuscript, as well as the ''Magnificat germanice'' by [[Jacob Praetorius]]. For the 9th German Bach Festical in Hamburg on 1921, the Visby Tablature was assigned number 460 in the catalogue of manuscripts. Between 1921-1934 more research was published on this manuscript.

			The first musical edition of music from the Visby Tablature was the inclusion of both pieces by Jacob Praetorius in 1957<ref>[[Giesela Gerdes\|Gerdes, Giesela]] (editor), ''46 Choräle für Orgel von J. P. Sweelinck und seinen Schülern.'' Mainz: Schott, 1957.</ref>. In 1963, the first edition of the Magnificats was published as the 4th volume of [[Corpus of Early Keyboard Music]] by [[Clare Rayner]].

	[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' by Johann Bahr]]		[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' by Johann Bahr]]

Fiskfan1999: /* Description */ start longer description

2023-08-15T23:32:25Z

Description: start longer description

← Older revision		Revision as of 19:32, 15 August 2023
Line 6:		Line 6:

	The pieces written by both copyists are in [[New German Tablature Notation]]. Some pieces have a stylized ''f'' at the end of a multi-verse work signyfing "finis" (for an unknown reason, this symbol also appears at the end of the third verse of the five-verse setting of the ''Magnificat septimi toni'').		The pieces written by both copyists are in [[New German Tablature Notation]]. Some pieces have a stylized ''f'' at the end of a multi-verse work signyfing "finis" (for an unknown reason, this symbol also appears at the end of the third verse of the five-verse setting of the ''Magnificat septimi toni'').

			The manuscript was first owned by its scribe, [[Berendt Petri]], and the writing on the title page was dated 1611. Since two pieces are dated 1609 and 1603, this suggests that the pieces within were written between these years (additionally, since some of the Magnificats by Hieronymus Praetorius use motives found in his vocal Magnificats, it is possible that the organ Magnificats were composed after they were published in 1602). After this, the manuscript was owned by Johann Bahr. Two dates found in pieces written in the manuscript by him are 1655 and 1666.

			The first time that the manuscript became known to modern musicologists is in 1891 by [[Adolf Lindgren]]. After this, the next research on this manuscript was undertaken in 1914 by Anrep-Nordin, who published a series of articles on [[Johann Bahr]] and his works in the manuscript, as well as the ''Magnificat germanice'' by [[Jacob Praetorius]]. For the 9th German Bach Festical in Hamburg on 1921, the Visby Tablature was assigned number 460 in the catalogue of manuscripts. Between 1921-1934 more research was published on this manuscript.

	[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' by Johann Bahr]]		[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' by Johann Bahr]]

	== [[Johann Bahr]] ==		== [[Johann Bahr]] ==
	At a later point, Johann Bahr became the owner of the manuscript. During this time he wrote four of his own compositions (including the only two vocal cantatas in the manuscript) in some (but not all) of the remaining blank pages. These pieces are in a lighter hand, and two of them are dated 1655 and 1666. These are the only four pieces by Bahr which survive to the modern day.		At a later point, Johann Bahr became the owner of the manuscript. During this time he wrote four of his own compositions (including the only two vocal cantatas in the manuscript) in some (but not all) of the remaining blank pages. These pieces are in a lighter hand, and two of them are dated 1655 and 1666. These are the only four pieces by Bahr which survive to the modern day.

Fiskfan1999: add new link

2023-08-15T23:20:34Z

add new link

← Older revision		Revision as of 19:20, 15 August 2023
Line 19:		Line 19:
	== Reference ==		== Reference ==
	[[Jeffery T. Kite-Powell\|Kite-Powell, Jeffery T.]] (editor). ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichschofen's Verlag, 1979.		[[Jeffery T. Kite-Powell\|Kite-Powell, Jeffery T.]] (editor). ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichschofen's Verlag, 1979.

			[https://sok.riksarkivet.se/arkiv/gyqHzRbuYnDirmntWnHU45 sok.riksarkivet.se], accessed 15 August, 2023.

	A complete scan of the tablature is available at [https://sok.riksarkivet.se/bildvisning/J0000003_00001 sok.riksarkivet.se], mirrored {{IMSLP\|839399}}		A complete scan of the tablature is available at [https://sok.riksarkivet.se/bildvisning/J0000003_00001 sok.riksarkivet.se], mirrored {{IMSLP\|839399}}

Fiskfan1999: split johann bahr

2023-07-25T21:01:45Z

split johann bahr

← Older revision		Revision as of 17:01, 25 July 2023
Line 5:		Line 5:
	Almost all of the pieces in the tablature were written by [[Berendt Petri]] while he was studying under Jakob Praetorius. The copies were likely made from assorted loose leaves, which may have been mixed up (some evidence for this is that part of a [[Chorale Fantasia]] ''Ach Gott vom Himmel siehe darein'' which appears in the middle of a verse of the ''Magnificat septimi toni'')<ref name=":0">Beckmann, Klaus (editor). ''Hieronymus Praetorius: Sämtliche Orgelwerke'', vol. 1. Meister der norddeutschen Orgelschule 1. Mainz: Schott, 2003.</ref>.		Almost all of the pieces in the tablature were written by [[Berendt Petri]] while he was studying under Jakob Praetorius. The copies were likely made from assorted loose leaves, which may have been mixed up (some evidence for this is that part of a [[Chorale Fantasia]] ''Ach Gott vom Himmel siehe darein'' which appears in the middle of a verse of the ''Magnificat septimi toni'')<ref name=":0">Beckmann, Klaus (editor). ''Hieronymus Praetorius: Sämtliche Orgelwerke'', vol. 1. Meister der norddeutschen Orgelschule 1. Mainz: Schott, 2003.</ref>.

			The pieces written by both copyists are in [[New German Tablature Notation]]. Some pieces have a stylized ''f'' at the end of a multi-verse work signyfing "finis" (for an unknown reason, this symbol also appears at the end of the third verse of the five-verse setting of the ''Magnificat septimi toni'').

			[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' by Johann Bahr]]
			== [[Johann Bahr]] ==
	At a later point, Johann Bahr became the owner of the manuscript. During this time he wrote four of his own compositions (including the only two vocal cantatas in the manuscript) in some (but not all) of the remaining blank pages. These pieces are in a lighter hand, and two of them are dated 1655 and 1666. These are the only four pieces by Bahr which survive to the modern day.		At a later point, Johann Bahr became the owner of the manuscript. During this time he wrote four of his own compositions (including the only two vocal cantatas in the manuscript) in some (but not all) of the remaining blank pages. These pieces are in a lighter hand, and two of them are dated 1655 and 1666. These are the only four pieces by Bahr which survive to the modern day.

	The pieces written by both copyists are in [[New German Tablature Notation]]. Some pieces have a stylized ''f'' at the end of a multi-verse work signyfing "finis" (for an unknown reason, this symbol also appears at the end of the third verse of the five-verse setting of the ''Magnificat septimi toni'').

	== Anonymous Pieces ==		== Anonymous Pieces ==

Fiskfan1999: /* Reference */ fix format

2023-07-22T05:07:29Z

Reference: fix format

← Older revision		Revision as of 01:07, 22 July 2023
Line 18:		Line 18:
	[[Jeffery T. Kite-Powell\|Kite-Powell, Jeffery T.]] (editor). ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichschofen's Verlag, 1979.		[[Jeffery T. Kite-Powell\|Kite-Powell, Jeffery T.]] (editor). ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichschofen's Verlag, 1979.

	A complete scan of the tablature is available ~~on the Riksarkivet~~ [https://sok.riksarkivet.se/bildvisning/J0000003_00001 ~~website] ([https://imslp~~.~~org/wiki/Special:ReverseLookup/839399 imslp mirror~~]~~). Mirrored~~ {{IMSLP\|839399}}		A complete scan of the tablature is available at [https://sok.riksarkivet.se/bildvisning/J0000003_00001 sok.riksarkivet.se], mirrored {{IMSLP\|839399}}

	[[Category:Manuscripts\|Visby Tablature]]		[[Category:Manuscripts\|Visby Tablature]]
	[[Category:Tablatures\|Visby Tablature]]		[[Category:Tablatures\|Visby Tablature]]
	[[Category:Swedish manuscripts\|Visby Tablature]]		[[Category:Swedish manuscripts\|Visby Tablature]]

Fiskfan1999: imslp mirror

2023-07-22T05:02:15Z

imslp mirror

← Older revision		Revision as of 01:02, 22 July 2023
Line 18:		Line 18:
	[[Jeffery T. Kite-Powell\|Kite-Powell, Jeffery T.]] (editor). ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichschofen's Verlag, 1979.		[[Jeffery T. Kite-Powell\|Kite-Powell, Jeffery T.]] (editor). ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichschofen's Verlag, 1979.

	A complete scan of the tablature is available on the Riksarkivet [https://sok.riksarkivet.se/bildvisning/J0000003_00001 website] ([https://imslp.org/wiki/Special:ReverseLookup/839399 imslp mirror]).		A complete scan of the tablature is available on the Riksarkivet [https://sok.riksarkivet.se/bildvisning/J0000003_00001 website] ([https://imslp.org/wiki/Special:ReverseLookup/839399 imslp mirror]). Mirrored {{IMSLP\|839399}}

	[[Category:Manuscripts\|Visby Tablature]]		[[Category:Manuscripts\|Visby Tablature]]
	[[Category:Tablatures\|Visby Tablature]]		[[Category:Tablatures\|Visby Tablature]]
	[[Category:Swedish manuscripts\|Visby Tablature]]		[[Category:Swedish manuscripts\|Visby Tablature]]

← Older revision		Revision as of 20:54, 13 November 2024
Line 32:		Line 32:
	[[Category:Manuscripts\|Visby Tablature]]		[[Category:Manuscripts\|Visby Tablature]]
	[[Category:Tablatures\|Visby Tablature]]		[[Category:Tablatures\|Visby Tablature]]
	[[Category:Swedish ~~manuscripts~~\|Visby Tablature]]		[[Category:Swedish Manuscripts\|Visby Tablature]]

← Older revision		Revision as of 01:07, 22 July 2023
Line 18:		Line 18:
	[[Jeffery T. Kite-Powell\|Kite-Powell, Jeffery T.]] (editor). ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichschofen's Verlag, 1979.		[[Jeffery T. Kite-Powell\|Kite-Powell, Jeffery T.]] (editor). ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichschofen's Verlag, 1979.

	A complete scan of the tablature is available ~~on the Riksarkivet~~ [https://sok.riksarkivet.se/bildvisning/J0000003_00001 ~~website] ([https://imslp~~.~~org/wiki/Special:ReverseLookup/839399 imslp mirror~~]~~). Mirrored~~ {{IMSLP\|839399}}		A complete scan of the tablature is available at [https://sok.riksarkivet.se/bildvisning/J0000003_00001 sok.riksarkivet.se], mirrored {{IMSLP\|839399}}

	[[Category:Manuscripts\|Visby Tablature]]		[[Category:Manuscripts\|Visby Tablature]]
	[[Category:Tablatures\|Visby Tablature]]		[[Category:Tablatures\|Visby Tablature]]
	[[Category:Swedish manuscripts\|Visby Tablature]]		[[Category:Swedish manuscripts\|Visby Tablature]]

← Older revision		Revision as of 01:02, 22 July 2023
Line 18:		Line 18:
	[[Jeffery T. Kite-Powell\|Kite-Powell, Jeffery T.]] (editor). ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichschofen's Verlag, 1979.		[[Jeffery T. Kite-Powell\|Kite-Powell, Jeffery T.]] (editor). ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichschofen's Verlag, 1979.

	A complete scan of the tablature is available on the Riksarkivet [https://sok.riksarkivet.se/bildvisning/J0000003_00001 website] ([https://imslp.org/wiki/Special:ReverseLookup/839399 imslp mirror]).		A complete scan of the tablature is available on the Riksarkivet [https://sok.riksarkivet.se/bildvisning/J0000003_00001 website] ([https://imslp.org/wiki/Special:ReverseLookup/839399 imslp mirror]). Mirrored {{IMSLP\|839399}}

	[[Category:Manuscripts\|Visby Tablature]]		[[Category:Manuscripts\|Visby Tablature]]
	[[Category:Tablatures\|Visby Tablature]]		[[Category:Tablatures\|Visby Tablature]]
	[[Category:Swedish manuscripts\|Visby Tablature]]		[[Category:Swedish manuscripts\|Visby Tablature]]