Lynar Tablatures - Revision history

Fiskfan1999: /* Contents */ start incipits for lynar b 3

2024-12-22T02:22:55Z

Contents: start incipits for lynar b 3

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	! no. !! fol. !! Title !! Incipit !! Notes !! Ref.		! no. !! fol. !! Title !! Incipit !! Notes !! Ref.
	\|-		\|-
	\| 1 \|\| 1r \|\| [missing] \|\| \|\| Title is on missing verso side \|\|		\| 1 \|\| 1r \|\| [missing] \|\| <score><< \relative g' { \omit TimeSignature \clef alto \time 4/2 g1 g4 a8 b c2\laissezVibrer } \\ \relative g { g4 f e d c1 } \\ \relative d' { d2 e e1 } \\ \relative b { b1 c4 b a g } >></score> \|\| Title is on missing verso side \|\|
	\|-		\|-
	\| 1 \|\| 1r \|\| Praeludium \|\| \|\| Piece continues on missing verso side. \|\|		\| 1 \|\| 1r \|\| Praeludium \|\| <score><< \relative d' { \clef bass \time 4/2 \omit TimeSignature d1~ d4 e8 fis g4 a } \\ \relative d { d1 g,1 } \\ \relative a { a1 bes2. c4 } \\ \relative fis { fis1 g2 d2\laissezVibrer } >></score> \|\| Piece continues on missing verso side. \|\|
	\|-		\|-
	\| 2 \|\| 1v-2r \|\| Praludium \|\| \|\| \|\|		\| 2 \|\| 1v-2r \|\| Praludium \|\| <score><< \relative b' { b1~ b8 b c d e4 b8 d } \\ \relative e { e1 e } \\ \relative e' { e1 e1 } \\ \relative gis { gis1 gis } \\ \relative b { b1 b1 } >></score> \|\| \|\|
	\|-		\|-
	\| 3 \|\| 2v-3r \|\| Praludium \|\| \|\| \|\|		\| 3 \|\| 2v-3r \|\| Praludium \|\| <score><< \relative a' { \clef alto \time 4/2 a1 a1 a2. b4 } \\ \relative d { d1 a2. b4 cis2 d } \\ \relative d' { d1 cis2. d4 e2 f4 g } \\ \relative f { f1 e a\laissezVibrer } >></score> \|\| \|\|
	\|-		\|-
	\| 4 \|\| 3v-4r \|\| Praludium \|\| \|\| \|\|		\| 4 \|\| 3v-4r \|\| Praludium \|\| <score><< \relative g' { \clef alto \time 4/2 g1 g2 c~ c4 d8 c } \\ \relative g { g1 c, g'1*1/2 } \\ \relative d' { d1 ees2. f8 ees d2 } \\ \relative b { b1 g g2 } >></score> \|\| \|\|
	\|-		\|-
	\| 5 \|\| 4v-5r \|\| Praludium /<br>[[Heinrich Scheidemann\|H S M]] \|\| \|\| \|\|		\| 5 \|\| 4v-5r \|\| Praludium /<br>[[Heinrich Scheidemann\|H S M]] \|\| <score><< \relative g' { \time 4/2 \clef alto g1~ g4 a8 b c4 d } \\ \relative g { g1 c, } \\ \relative d' { d1 ees2. f4 } \\ \relative b { b1 c2 g2\laissezVibrer } >></score> \|\| \|\|
	\|-		\|-
	\| 6 \|\| 5v-6r \|\| Vater unser in Himmell /<br>reich. /<br>[[M. W. C. B. M.\|MW. C. B. M.]] \|\| [1]<br>2 Variation<br>3 \|\| \|\|		\| 6 \|\| 5v-6r \|\| Vater unser in Himmell /<br>reich. /<br>[[M. W. C. B. M.\|MW. C. B. M.]] \|\| [1]<br><score><< \relative a' { \time 4/2 \clef alto a1 a4 g f e8 f } \\ \relative a { a1 a2 d, } \\ \relative e' { e1 e2 d4 c } \\ \relative cis' { cis1 cis2 a } >></score><br>2 Variation<br><score><< \relative e' { \time 4/2 r8 e f g a g a bes c d c bes a g f a } \\ \relative a { a1 a2 f } >></score><br>3<br><score><< \relative a' { a1 a2 f g } \\ \relative a { \clef alto \time 4/2 r4 a f d f8 g a4 d, d' bes c } >></score> \|\| \|\|
	\|-		\|-
	\| 7-9 \|\| 6v-9r \|\| Fantasia /<br>J. P. \|\| \|\| \|\|		\| 7-9 \|\| 6v-9r \|\| Fantasia /<br>J. P. \|\| \|\| \|\|

Fiskfan1999: /* Description */

2024-12-22T01:59:27Z

Description

← Older revision		Revision as of 21:59, 21 December 2024
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	Each Lynar Tablature has a sheet pasted on the front with a description penciled in by [[Max Seiffert]] (the text is reproduced below).		Each Lynar Tablature has a sheet pasted on the front with a description penciled in by [[Max Seiffert]] (the text is reproduced below).

	According to the Berlin Staatsbibliothek website, the shelfmark for the manuscripts is stylized '''Ms. Lynar A 1''', '''Ms. Lynar B 2''', etc.		According to the Berlin Staatsbibliothek website, the shelfmark for the manuscripts is stylized '''Ms. Lynar A 1''', '''Ms. Lynar B 2''', etc.. One manuscript has the shelfmark '''Ms. Lynar C 1''', but it has been called "Lynar C" or "Lynar B 11" in some sources.

	The "A" tablatures are in various types of staff notation, and the "B" (and "C") tablatures are in [[New German Tablature Notation]].		The "A" tablatures are in various types of staff notation, and the "B" (and "C") tablatures are in [[New German Tablature Notation]].

Fiskfan1999: Text replacement - "German manuscripts" to "German Manuscripts"

2024-11-14T00:50:28Z

Text replacement - "German manuscripts" to "German Manuscripts"

← Older revision		Revision as of 20:50, 13 November 2024
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	[[Category:Manuscripts\|Lynar]]		[[Category:Manuscripts\|Lynar]]
	[[Category:Tablatures\|Lynar]]		[[Category:Tablatures\|Lynar]]
	[[Category:German ~~manuscripts~~\|Lynar]]		[[Category:German Manuscripts\|Lynar]]

Irahs: typo

2024-09-15T09:00:05Z

typo

← Older revision		Revision as of 05:00, 15 September 2024
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	{{RISM\|1001048785}}		{{RISM\|1001048785}}

	~~Scierning~~, 106		Schierning, 106

	<references />		<references />

Fiskfan1999: /* Lynar B 8 */

2024-09-14T22:40:43Z

Lynar B 8

← Older revision		Revision as of 18:40, 14 September 2024
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	Unlike all of the other Lynar B tablatures, this manuscript splits the octave at 'h' instead of 'c'.		Unlike all of the other Lynar B tablatures, this manuscript splits the octave at 'h' instead of 'c'.

	[[Lydia Schierning]] said that Neunhaber was only the composer of the second piece and that it is possible the scribe was planning to create a larger compilation of chorale settings on this chorale tune by different composers.		[[Lydia Schierning]] said that Neunhaber was only the composer of the second piece and that it is possible the scribe was planning to create a larger compilation of chorale settings on this chorale tune by different composers. On the other hand, [[Klaus Beckmann]] said that these are two verses of one piece by Neunhaber.<ref>Beckmann (2009), 397.</ref>

	The second piece is in five voices and has detailed manual change indications written into the tablature.<ref>[[Klaus Beckmann\|Beckmann, K.]] (editor). ''3 Choralbearbeitunten von Anton Neunhaber und Ewald Hintz''. Wiesbaden: Breitkopf & Härtel, 1974.</ref>		The second piece is in five voices and has detailed manual change indications written into the tablature.<ref>[[Klaus Beckmann\|Beckmann, K.]] (editor). ''3 Choralbearbeitunten von Anton Neunhaber und Ewald Hintz''. Wiesbaden: Breitkopf & Härtel, 1974.</ref>

Fiskfan1999: Re-write Lynar C 1 with link to RISM page

2024-09-13T14:20:32Z

Re-write Lynar C 1 with link to RISM page

← Older revision		Revision as of 10:20, 13 September 2024
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	The '''Lynar tablatures''' are a collection of manuscripts that are currently held in the Staatsbibliothek, Berlin. It has been interpreted as one of the most important sources for the works of the North-German pupils of [[Jan Pieterszoon Sweelinck]].		The '''Lynar tablatures''' are a collection of manuscripts that are currently held in the Staatsbibliothek, Berlin. It has been interpreted as one of the most important sources for the works of the North-German pupils of [[Jan Pieterszoon Sweelinck]].

	With a few exceptions, the Lynar Tablatures exclusively transmit keyboard music, mostly for organ. The exceptions are one manuscript which appears to contain an [[Intabulation]] of a cantata (see [[#Lynar B 10\|B 10]]) and another which appears to be transcribed from a psalm part book ([[#Lynar C\|C]]).		With a few exceptions, the Lynar Tablatures exclusively transmit keyboard music, mostly for organ. The exceptions are one manuscript which appears to contain an [[Intabulation]] of a cantata (see [[#Lynar B 10\|B 10]]) and another which appears to be transcribed from a psalm part book ([[#Lynar C 1\|C]]).

	The Lynar Tablatures are highly varied in their size and the pieces they contain. The individual manuscripts range in size from containing a fragment of a single piece or two präludia which fit on a single two-page opening to containing as many as 81 pieces or settings of all 150 psalms. The pieces contained in these manuscripts (some attributed to composers, others anonymous) have been connected to many different regions of Europe including the German-speaking Lands, the Netherlands, Poland, Italy, France and England. Likewise, they include a wide variety of genres of pieces including [[Toccata\|toccatas]], [[Präludium\|Präludia]], dance movements, [[Canzona\|canzonas]] and other fugal polyphonic works, variation cycles on chorales psalms and secular songs, and chorale settings–including the more developed German [[Chorale Fantasia]].		The Lynar Tablatures are highly varied in their size and the pieces they contain. The individual manuscripts range in size from containing a fragment of a single piece or two präludia which fit on a single two-page opening to containing as many as 81 pieces or settings of all 150 psalms. The pieces contained in these manuscripts (some attributed to composers, others anonymous) have been connected to many different regions of Europe including the German-speaking Lands, the Netherlands, Poland, Italy, France and England. Likewise, they include a wide variety of genres of pieces including [[Toccata\|toccatas]], [[Präludium\|Präludia]], dance movements, [[Canzona\|canzonas]] and other fugal polyphonic works, variation cycles on chorales psalms and secular songs, and chorale settings–including the more developed German [[Chorale Fantasia]].
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	The Lynar Tablatures themselves (as well as the pieces within) have been covered in-depth by many musicologists, including [[Lydia Schierning]] in her extensive book on manuscripts of german early keyboard music, and [[Pieter Dirksen]] in various books and publications.		The Lynar Tablatures themselves (as well as the pieces within) have been covered in-depth by many musicologists, including [[Lydia Schierning]] in her extensive book on manuscripts of german early keyboard music, and [[Pieter Dirksen]] in various books and publications.

	Thankfully, now all of the Lynar Tablatures ~~are available online~~ (except ~~for the elusive~~ '''C''' ~~tablature~~).		Thankfully, now all of the Lynar Tablatures (except '''C 1''') are available online.

	== History<ref>[[Hans Schnieders\|Schnieders, Hans]], "Fingersätze für Tasteninstrumente aus dem Umfeld Sweelincks und seiner Schüler". [https://archiv.ub.uni-heidelberg.de/volltextserver/12663/1/Schnieders_2011.pdf], accessed 15 September, 2023. 2.15 Lynar A1</ref> ==		== History<ref>[[Hans Schnieders\|Schnieders, Hans]], "Fingersätze für Tasteninstrumente aus dem Umfeld Sweelincks und seiner Schüler". [https://archiv.ub.uni-heidelberg.de/volltextserver/12663/1/Schnieders_2011.pdf], accessed 15 September, 2023. 2.15 Lynar A1</ref> ==
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	<references />		<references />

	=== Lynar C ===		=== Lynar C 1 ===
	'''Lynar C''' (also called C 1 or B 11{{Citation needed}})contains anonymous ~~polyphonic~~ settings of the 150 genevan psalms (actually only 124 settings, because of the reuse of psalm tunes). It is written on 119 sheets in [[New German Tablature Notation]].		----
			<blockquote>'''Title label, mid-20th century:''' ''Ms. Lynar C 1 Melodien zum 1. bis 150. Psalm''<br>
			Ms. Lynar C 1: Melodies of Psalms 1-150.</blockquote>
			----

			'''Lynar C 1''' (also called '''C''' or '''B 11'''{{Citation needed}})contains anonymous 4-voice settings of the 150 genevan psalms (actually only 124 settings, because of the reuse of psalm tunes). It is written on 119 sheets in [[New German Tablature Notation]].

	The settings are extremely simple. It appears that this was a psalm-book that used privately by people gathered together, who would sing the psalms, or play them on all different instruments, at social gatherings (or it was a copy of this type of book).		The settings are extremely simple. It appears that this was a psalm-book that used privately by people gathered together, who would sing the psalms, or play them on all different instruments, at social gatherings (or it was a copy of this type of book).

	''The current status of '''Ms. Lynar C''' is not clear. It is not found in the [https://stabikat.de] database under the shelfmark "Ms. Lynar C" or "Lynar B 11"<ref>See [https://stabikat.de/Search/Results?lookfor=~~ms.+lynar*&type~~=~~ShelfMark&limit~~=~~20], accessed 31 October, 2023.</ref>.''~~		==== References ====
			{{RISM\|1001300420}}

	~~==== References ====~~
	Schierning, 106-109.		Schierning, 106-109.

Fiskfan1999: /* Lynar A 1 */ change picture

2024-07-26T17:03:45Z

Lynar A 1: change picture

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	{{OnlFac\|sig=D-B Ms. Lynar A 1\|url=http://resolver.staatsbibliothek-berlin.de/SBB0002914D00000000\|urlc=digital.staatsbibliothek-berlin.de\|date=15 December, 2023}}		{{OnlFac\|sig=D-B Ms. Lynar A 1\|url=http://resolver.staatsbibliothek-berlin.de/SBB0002914D00000000\|urlc=digital.staatsbibliothek-berlin.de\|date=15 December, 2023}}
	----		----
	[[File:PPN1671389506 ~~00000031~~.jpg\|thumb\|~~Toccata~~ by Sweelinck ~~in Lynar A 1~~]]		[[File:PPN1671389506 00000170.jpg\|thumb\|The beginning of ''Mein Junges Leben Hat ein End'' by [[Jan Pieterszoon Sweelinck]]]]
	'''Ms. Lynar A 1''' is a manuscript in Dutch 6-line staff notation. It contains 81 keyboard pieces. It is one of the first manuscripts to be known to early musicologists and has been called "the primary source for the keyboard music of [[Jan Pieterszoon Sweelinck]]"<ref>[[Pieter Dirksen\|Dirksen, Pieter]] (editor). ''Psalm variations from Lynar B 7.'' Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1996. Page V.</ref>.		'''Ms. Lynar A 1''' is a manuscript in Dutch 6-line staff notation. It contains 81 keyboard pieces. It is one of the first manuscripts to be known to early musicologists and has been called "the primary source for the keyboard music of [[Jan Pieterszoon Sweelinck]]"<ref>[[Pieter Dirksen\|Dirksen, Pieter]] (editor). ''Psalm variations from Lynar B 7.'' Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1996. Page V.</ref>.

Fiskfan1999 at 01:52, 26 July 2024

2024-07-26T01:52:27Z

← Older revision		Revision as of 21:52, 25 July 2024
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	With a few exceptions, the Lynar Tablatures exclusively transmit keyboard music, mostly for organ. The exceptions are one manuscript which appears to contain an [[Intabulation]] of a cantata (see [[#Lynar B 10\|B 10]]) and another which appears to be transcribed from a psalm part book ([[#Lynar C\|C]]).		With a few exceptions, the Lynar Tablatures exclusively transmit keyboard music, mostly for organ. The exceptions are one manuscript which appears to contain an [[Intabulation]] of a cantata (see [[#Lynar B 10\|B 10]]) and another which appears to be transcribed from a psalm part book ([[#Lynar C\|C]]).

	The Lynar Tablatures are highly varied in their size and the pieces they contain. The individual manuscripts range in size from containing a fragment of a single piece or two präludia which fit on a single two-page opening to containing as many as 81 pieces or settings of all 150 psalms. The pieces contained in these manuscripts (some attributed to composers, others anonymous) have been connected to many different regions of Europe including the German-speaking Lands, the Netherlands, Poland, Italy and England. Likewise, they include a wide variety of genres of pieces including [[Toccata\|toccatas]], [[Präludium\|Präludia]], dance movements, [[Canzona\|canzonas]] and other fugal polyphonic works, variation cycles on chorales psalms and secular songs, and chorale settings–including the more developed German [[Chorale Fantasia]].		The Lynar Tablatures are highly varied in their size and the pieces they contain. The individual manuscripts range in size from containing a fragment of a single piece or two präludia which fit on a single two-page opening to containing as many as 81 pieces or settings of all 150 psalms. The pieces contained in these manuscripts (some attributed to composers, others anonymous) have been connected to many different regions of Europe including the German-speaking Lands, the Netherlands, Poland, Italy, France and England. Likewise, they include a wide variety of genres of pieces including [[Toccata\|toccatas]], [[Präludium\|Präludia]], dance movements, [[Canzona\|canzonas]] and other fugal polyphonic works, variation cycles on chorales psalms and secular songs, and chorale settings–including the more developed German [[Chorale Fantasia]].

	The composers who are represented the most within the Lynar tablatures are [[Jan Pieterszoon Sweelinck]], [[Christian Erbach]], and [[Heinrich Scheidemann]]. Over time, many of the other anonymous compositions have been linked to composers based on concordances and stylistic analysis.		The composers who are represented the most within the Lynar tablatures are [[Jan Pieterszoon Sweelinck]], [[Christian Erbach]], and [[Heinrich Scheidemann]]. Over time, many of the other anonymous compositions have been linked to composers based on concordances and stylistic analysis.

Fiskfan1999: expand introduction

2024-07-26T01:51:28Z

expand introduction

← Older revision		Revision as of 21:51, 25 July 2024
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	With a few exceptions, the Lynar Tablatures exclusively transmit keyboard music, mostly for organ. The exceptions are one manuscript which appears to contain an [[Intabulation]] of a cantata (see [[#Lynar B 10\|B 10]]) and another which appears to be transcribed from a psalm part book ([[#Lynar C\|C]]).		With a few exceptions, the Lynar Tablatures exclusively transmit keyboard music, mostly for organ. The exceptions are one manuscript which appears to contain an [[Intabulation]] of a cantata (see [[#Lynar B 10\|B 10]]) and another which appears to be transcribed from a psalm part book ([[#Lynar C\|C]]).

	The composers who are represented the most within the Lynar tablatures are [[Jan Pieterszoon Sweelinck]], [[Christian Erbach]], and [[Heinrich Scheidemann]]. ~~Overtime~~, many of the other anonymous compositions have been linked to composers based on concordances and stylistic analysis.		The Lynar Tablatures are highly varied in their size and the pieces they contain. The individual manuscripts range in size from containing a fragment of a single piece or two präludia which fit on a single two-page opening to containing as many as 81 pieces or settings of all 150 psalms. The pieces contained in these manuscripts (some attributed to composers, others anonymous) have been connected to many different regions of Europe including the German-speaking Lands, the Netherlands, Poland, Italy and England. Likewise, they include a wide variety of genres of pieces including [[Toccata\|toccatas]], [[Präludium\|Präludia]], dance movements, [[Canzona\|canzonas]] and other fugal polyphonic works, variation cycles on chorales psalms and secular songs, and chorale settings–including the more developed German [[Chorale Fantasia]].

			The composers who are represented the most within the Lynar tablatures are [[Jan Pieterszoon Sweelinck]], [[Christian Erbach]], and [[Heinrich Scheidemann]]. Over time, many of the other anonymous compositions have been linked to composers based on concordances and stylistic analysis.

	The Lynar Tablatures themselves (as well as the pieces within) have been covered in-depth by many musicologists, including [[Lydia Schierning]] in her extensive book on manuscripts of german early keyboard music, and [[Pieter Dirksen]] in various books and publications.		The Lynar Tablatures themselves (as well as the pieces within) have been covered in-depth by many musicologists, including [[Lydia Schierning]] in her extensive book on manuscripts of german early keyboard music, and [[Pieter Dirksen]] in various books and publications.

Fiskfan1999: slightly expand lynar b 5

2024-07-21T23:14:22Z

slightly expand lynar b 5

← Older revision		Revision as of 19:14, 21 July 2024
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	== References ==		== References ==
			{{NdS2 2009}} ("Beckmann (2009)")

	[[Pieter Dirksen\|Dirksen, Pieter]]. ''The Keyboard Music of Jan Pieterszoon Sweelinck: Its Style, Significance and Influence.'' Muziekhistorische Monografieen, vol. 15. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1997. ("Dirksen<sup>Sweelinck</sup>")		[[Pieter Dirksen\|Dirksen, Pieter]]. ''The Keyboard Music of Jan Pieterszoon Sweelinck: Its Style, Significance and Influence.'' Muziekhistorische Monografieen, vol. 15. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1997. ("Dirksen<sup>Sweelinck</sup>")

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	In addition, ''The scribe apparently had access to an exclusive strain of the Sweelinck transmission'',<ref>Dirksen<sup>Sweelinck</sup> 22.</ref> as many high-quality pieces (including ''Mein junges Leben hat ein End'') are included which would surely be copied by other scribes if they had access to them. Also, the staff notation layout (two staves with six lines each) and other aspects of the notation (including the ''musicality of the two hands over the two staves'') suggest a direct connection to Sweelinck autographs.<ref>Dirksen<sup>Sweelinck</sup> 22.</ref>		In addition, ''The scribe apparently had access to an exclusive strain of the Sweelinck transmission'',<ref>Dirksen<sup>Sweelinck</sup> 22.</ref> as many high-quality pieces (including ''Mein junges Leben hat ein End'') are included which would surely be copied by other scribes if they had access to them. Also, the staff notation layout (two staves with six lines each) and other aspects of the notation (including the ''musicality of the two hands over the two staves'') suggest a direct connection to Sweelinck autographs.<ref>Dirksen<sup>Sweelinck</sup> 22.</ref>

	However, [[Klaus Beckmann]] noted that it seems odd that someone so close to Sweelinck (or even a student of him) would badly misspell his name, as happens for some of the pieces. This was part of [[Johann Praetorius#Klaus Beckmann\|his argument]] that some pieces–in which the written composer name is ''Johann. Pieters.''–were composed by the Sweelinck student [[Johann Praetorius]].<ref>~~{{NdS2~~ 2009}} p.166-172.</ref>		However, [[Klaus Beckmann]] noted that it seems odd that someone so close to Sweelinck (or even a student of him) would badly misspell his name, as happens for some of the pieces. This was part of [[Johann Praetorius#Klaus Beckmann\|his argument]] that some pieces–in which the written composer name is ''Johann. Pieters.''–were composed by the Sweelinck student [[Johann Praetorius]].<ref>Beckmann (2009) p.166-172.</ref>

	==== Contents ====		==== Contents ====
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	[[Pieter Dirksen\|Dirksen, Pieter]] (editor). ''Orgelmusik av familjen Düben''. Stockholm: Runa Nototext, 1996. xxi-xxii.		[[Pieter Dirksen\|Dirksen, Pieter]] (editor). ''Orgelmusik av familjen Düben''. Stockholm: Runa Nototext, 1996. xxi-xxii.

	~~{{NdS2~~ 2009}}		Beckmann (2009)

	{{RISM\|1001048774}}		{{RISM\|1001048774}}
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	==== References ====		==== References ====
	~~{{NdS2~~ 2009}}		Beckmann (2009)

	[[Pieter Dirksen\|Dirksen, P.]], "Eight Chorale Settings by Jan P. Sweelinck and his School", 1991, Vereniging voor Nederlandse Muziekgeschiedenis, Utrecht		[[Pieter Dirksen\|Dirksen, P.]], "Eight Chorale Settings by Jan P. Sweelinck and his School", 1991, Vereniging voor Nederlandse Muziekgeschiedenis, Utrecht
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	[[File:PPN1032686251 00000006.jpg\|thumb\|The ending of the fragmented ''Durch Adams fall'' by Jacob Praetorius]]		[[File:PPN1032686251 00000006.jpg\|thumb\|The ending of the fragmented ''Durch Adams fall'' by Jacob Praetorius]]
	This manuscript contains one piece, a fragment of a [[Chorale Fantasia]] ''Durch Adams Fall ist ganz verderbt'' auff 3 clavier by [[Jakob Praetorius]]. The piece is neatly written in five voices, suggesting that the top voice is to be played on ''Rückpositiv'', the second on ''Brustwerk'', the third and fourth on ''Organum'', and the bottom in ''Pedal''~~<ref>[[Werner Brieg\|Brieg, Werner]] (editor)~~. ''~~Jacob~~ Praetorius~~: Choralbearbeitunen für Orgel.~~'' ~~Kassel: Bärenreiter, 1974.</ref>~~.		This manuscript contains one piece, a fragment of a [[Chorale Fantasia]] ''Durch Adams Fall ist ganz verderbt'' auff 3 clavier by [[Jakob Praetorius]].

			The piece is neatly written in five voices, suggesting that the top voice is to be played on ''Rückpositiv'', the second on ''Brustwerk'', the third and fourth on ''Organum'', and the bottom in ''Pedal''. It is written in the ''Echo'' style; furthermore, this piece provides evidence that Jakob Praetorius was the inventor of the ''Echo-Choralfantasia'' on 3 manuals (this style was also written in by [[Nicolaus Hasse]]).

	==== References ====		==== References ====
	{{RISM\|1001048780}}		{{RISM\|1001048780}}

			Beckmann (2009), 151-152.

			[[Werner Brieg\|Brieg, Werner]] (editor). ''Jacob Praetorius: Choralbearbeitunen für Orgel.'' Kassel: Bärenreiter, 1974.

	Schierning, 37-38.		Schierning, 37-38.

← Older revision		Revision as of 20:50, 13 November 2024
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	[[Category:Manuscripts\|Lynar]]		[[Category:Manuscripts\|Lynar]]
	[[Category:Tablatures\|Lynar]]		[[Category:Tablatures\|Lynar]]
	[[Category:German ~~manuscripts~~\|Lynar]]		[[Category:German Manuscripts\|Lynar]]