Lüneburg Tablatures - Revision history

Fiskfan1999 at 22:25, 7 June 2024

2024-06-07T22:25:57Z

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	The collection of manuscripts at Lüneburg were some of the first manuscripts of early music known to musicologists. As early as 1827, the collection of manuscripts was mentioned by A. Martini<ref>Welter, V</ref>. Later on, the collection of manuscripts was described by Junghans in 1870, but it was overlooked by A.G. Ritter in his ''Geschichte des Orgelspiels''.<ref>[[Max Seiffert]]. ''[[Heinrich Scheidemann]]: 15 Praeludien und Fugen.'' [[Organum IV]] vol.1. Leipzig: Kistner & Siegel. p.2.</ref>		The collection of manuscripts at Lüneburg were some of the first manuscripts of early music known to musicologists. As early as 1827, the collection of manuscripts was mentioned by A. Martini<ref>Welter, V</ref>. Later on, the collection of manuscripts was described by Junghans in 1870, but it was overlooked by A.G. Ritter in his ''Geschichte des Orgelspiels''.<ref>[[Max Seiffert]]. ''[[Heinrich Scheidemann]]: 15 Praeludien und Fugen.'' [[Organum IV]] vol.1. Leipzig: Kistner & Siegel. p.2.</ref>

	== ~~K. N.~~ ==		== Description ==
	All of the ''Lüneburg Tablatures'' which are of interest to organ musicologists have a signature of form '''Mus.ant.pract. K.N. 209''',<ref>See {{RISM\|450101401}}</ref> etc. The manuscripts were originally known only by the "K. N." signature, the ''Mus.ant.pract.'' classifier was added later. The K. N. signatures must have been applied in the 19th century; apparently, the meaning of "K. N." has been forgotten<ref>Welter, VI footnote 8: ''Diese stammen vermutlich aus dem 19. Jh. ...Eine bündige Erklärung ihrer Bedeutung konnte jedochnicht gegeben werden.''</ref>. ''Mus.ant.pract.'' refers to manuscripts before 1850 (as opposed to ''Mus.pract.'')<ref>Welter, V-VI</ref>.		All of the ''Lüneburg Tablatures'' which are of interest to organ musicologists have a signature of form '''Mus.ant.pract. K.N. 209''',<ref>See {{RISM\|450101401}}</ref> etc. The manuscripts were originally known only by the "K.N." signature, the ''Mus.ant.pract.'' classifier was added later. The K.N. signatures must have been applied in the 19th century; apparently, the meaning of "K.N." has been forgotten<ref>Welter, VI footnote 8: ''Diese stammen vermutlich aus dem 19. Jh. ...Eine bündige Erklärung ihrer Bedeutung konnte jedochnicht gegeben werden.''</ref>. ''Mus.ant.pract.'' refers to manuscripts before 1850 (as opposed to ''Mus.pract.'')<ref>Welter, V-VI</ref>.

	== Scribes ==		== Scribes ==

Fiskfan1999 at 22:22, 7 June 2024

2024-06-07T22:22:33Z

← Older revision		Revision as of 18:22, 7 June 2024
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	== History ==		== History ==
	The collection of manuscripts at Lüneburg were some of the first manuscripts of early music known to musicologists. As early as 1827, the collection of manuscripts was mentioned by A. Martini<ref>Welter, V</ref>.		The collection of manuscripts at Lüneburg were some of the first manuscripts of early music known to musicologists. As early as 1827, the collection of manuscripts was mentioned by A. Martini<ref>Welter, V</ref>. Later on, the collection of manuscripts was described by Junghans in 1870, but it was overlooked by A.G. Ritter in his ''Geschichte des Orgelspiels''.<ref>[[Max Seiffert]]. ''[[Heinrich Scheidemann]]: 15 Praeludien und Fugen.'' [[Organum IV]] vol.1. Leipzig: Kistner & Siegel. p.2.</ref>

	== K. N. ==		== K. N. ==
	All of the ''Lüneburg Tablatures'' which are of interest to organ musicologists have a signature of form '''Mus.ant.pract. K. N. 209''', etc. The manuscripts were originally known only by the "K. N." signature, the ''Mus.ant.pract.'' classifier was added later. The K. N. signatures must have been applied in the 19th century; apparently, the meaning of "K. N." has been forgotten<ref>Welter, VI footnote 8: ''Diese stammen vermutlich aus dem 19. Jh. ...Eine bündige Erklärung ihrer Bedeutung konnte jedochnicht gegeben werden.''</ref>. ''Mus.ant.pract.'' refers to manuscripts before 1850 (as opposed to ''Mus.pract.'')<ref>Welter, V-VI</ref>.		All of the ''Lüneburg Tablatures'' which are of interest to organ musicologists have a signature of form '''Mus.ant.pract. K.N. 209''',<ref>See {{RISM\|450101401}}</ref> etc. The manuscripts were originally known only by the "K. N." signature, the ''Mus.ant.pract.'' classifier was added later. The K. N. signatures must have been applied in the 19th century; apparently, the meaning of "K. N." has been forgotten<ref>Welter, VI footnote 8: ''Diese stammen vermutlich aus dem 19. Jh. ...Eine bündige Erklärung ihrer Bedeutung konnte jedochnicht gegeben werden.''</ref>. ''Mus.ant.pract.'' refers to manuscripts before 1850 (as opposed to ''Mus.pract.'')<ref>Welter, V-VI</ref>.

	== Scribes ==		== Scribes ==

Fiskfan1999 at 20:36, 7 March 2024

2024-03-07T20:36:10Z

← Older revision		Revision as of 16:36, 7 March 2024
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	== K. N. ==		== K. N. ==
	All of the ''Lüneburg Tablatures'' which are of interest to organ musicologists have a signature of form '''Mus.ant.pract. K. N. 209''', etc. The manuscripts were originally known only by the "K. N." signature, the ''Mus.ant.pract.'' classifier was added later. The K. N. signatures must have been applied in the 19th century; apparently, the meaning of "K. N." has been forgotten<ref>Welter, VI footnote 8: ''Diese stammen vermutlich aus dem 19. Jh. ...Eine bündige Erklärung ihrer Bedeutung konnte jedochnicht gegeben werden.''</ref>. ''Mus.ant.pract.'' refers to manuscripts before 1850 (as opposed to ''Mus.pract.'')<ref>Welter, V-VI</ref>.		All of the ''Lüneburg Tablatures'' which are of interest to organ musicologists have a signature of form '''Mus.ant.pract. K. N. 209''', etc. The manuscripts were originally known only by the "K. N." signature, the ''Mus.ant.pract.'' classifier was added later. The K. N. signatures must have been applied in the 19th century; apparently, the meaning of "K. N." has been forgotten<ref>Welter, VI footnote 8: ''Diese stammen vermutlich aus dem 19. Jh. ...Eine bündige Erklärung ihrer Bedeutung konnte jedochnicht gegeben werden.''</ref>. ''Mus.ant.pract.'' refers to manuscripts before 1850 (as opposed to ''Mus.pract.'')<ref>Welter, V-VI</ref>.

			== Scribes ==
			Some scribes of the manuscripts include:<ref>Beckmann (2009).</ref>

			* [[Franz Schaumkell]] (1589-1676), who served for more than 50 years at St. Johannis.
			* [[Heinrich Baltzer Wedemann]] (1646-1718), a student of Schaumkell,
			* [[Joachim Dralle]] (1642-1702), a regalist at St. Johannis and later organist at St. Nikolai.
			* [[Franciscus Witzendorf]] (1642-1664), also a student of Schaumkell.
			* [[Johann Kortkamp]], whos name can be found as the copyist of [[D-Lr Mus.ant.pract. K.N. 207/19]].

			The scribes of a few manuscripts can not yet be identified.

	== Manuscripts ==		== Manuscripts ==
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	== References ==		== References ==
			{{NdS2 2009}} 428-429.

	Görges, W.. ''Zur Geschichte der Stadtbibliothek.'' (Progr. d. Johanneums Lüneburg) 1880.		Görges, W.. ''Zur Geschichte der Stadtbibliothek.'' (Progr. d. Johanneums Lüneburg) 1880.

	[[Friedrich Welter\|Welter, Friedrich]]. ''Katalog der Musikalien der Ratsbücherei Lüneburg.'' Lippstadt: Kistner & Siegel, 1950.		[[Friedrich Welter\|Welter, Friedrich]]. ''Katalog der Musikalien der Ratsbücherei Lüneburg.'' Lippstadt: Kistner & Siegel, 1950.

WillsSchoolAccount at 22:10, 11 January 2024

2024-01-11T22:10:48Z

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	~~The~~ '''~~Lüneburg Tablatures~~'~~'' are~~ a collection of manuscripts ~~are a~~ collection ~~of manuscripts that are held in~~ the ''~~Ratsbücherei~~''~~, Lüneburg. In addition to early manuscripts~~ of ~~all different music, there are several manuscripts~~ of North-German organ music in [[~~New German Tablature Notation~~]].		In addition to historical manuscripts of all different music, the ''Ratsbucherei'', Luneburg, contains a large collection of manuscripts written in [[New German Tablature Notation]]. This collection, referred to as the '''Luneburg Tablatures''' has stood as one of the cornerstones of North-German early organ music since the 19th century. Along with other collections such as the [[Lynar Tablatures]] and [[Zellerfeld Organ Tablatures]], it transmits a large percentage of organ music from this time period, including many pieces (and even composers) that are not found in any other manuscript.

	{{Stub}}		{{Stub}}

Fiskfan1999: /* K. N. */

2023-11-06T19:58:59Z

K. N.

← Older revision		Revision as of 15:58, 6 November 2023
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	== K. N. ==		== K. N. ==
	All of the ''Lüneburg Tablatures'' which are of interest to organ musicologists have a signature of form '''Mus.ant.pract. K. N. 209''', etc. The signatures must have been applied in the 19th century; apparently, the meaning of "K. N." has been forgotten<ref>Welter, VI footnote 8: ''Diese stammen vermutlich aus dem 19. Jh. ...Eine bündige Erklärung ihrer Bedeutung konnte jedochnicht gegeben werden.''</ref>. ''Mus.ant.pract.'' refers to manuscripts before 1850 (as opposed to ''Mus.pract.'')<ref>Welter, V-VI</ref>.		All of the ''Lüneburg Tablatures'' which are of interest to organ musicologists have a signature of form '''Mus.ant.pract. K. N. 209''', etc. The manuscripts were originally known only by the "K. N." signature, the ''Mus.ant.pract.'' classifier was added later. The K. N. signatures must have been applied in the 19th century; apparently, the meaning of "K. N." has been forgotten<ref>Welter, VI footnote 8: ''Diese stammen vermutlich aus dem 19. Jh. ...Eine bündige Erklärung ihrer Bedeutung konnte jedochnicht gegeben werden.''</ref>. ''Mus.ant.pract.'' refers to manuscripts before 1850 (as opposed to ''Mus.pract.'')<ref>Welter, V-VI</ref>.

	== Manuscripts ==		== Manuscripts ==

WillsSchoolAccount: Created page with "The '''Lüneburg Tablatures''' are a collection of manuscripts are a collection of manuscripts that are held in the ''Ratsbücherei'', Lüneburg. In addition to early manuscripts of all different music, there are several manuscripts of North-German organ music in New German Tablature Notation. {{Stub}} == History == The collection of manuscripts at Lüneburg were some of the first manuscripts of early music known to musicologists. As early as 1827, the collection o..."

2023-11-06T15:31:11Z

Created page with "The '''Lüneburg Tablatures''' are a collection of manuscripts are a collection of manuscripts that are held in the ''Ratsbücherei'', Lüneburg. In addition to early manuscripts of all different music, there are several manuscripts of North-German organ music in New German Tablature Notation. {{Stub}} == History == The collection of manuscripts at Lüneburg were some of the first manuscripts of early music known to musicologists. As early as 1827, the collection o..."

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The '''Lüneburg Tablatures''' are a collection of manuscripts are a collection of manuscripts that are held in the ''Ratsbücherei'', Lüneburg. In addition to early manuscripts of all different music, there are several manuscripts of North-German organ music in [[New German Tablature Notation]].

{{Stub}}

== History ==
The collection of manuscripts at Lüneburg were some of the first manuscripts of early music known to musicologists. As early as 1827, the collection of manuscripts was mentioned by A. Martini<ref>Welter, V</ref>.

== K. N. ==
All of the ''Lüneburg Tablatures'' which are of interest to organ musicologists have a signature of form '''Mus.ant.pract. K. N. 209''', etc. The signatures must have been applied in the 19th century; apparently, the meaning of "K. N." has been forgotten<ref>Welter, VI footnote 8: ''Diese stammen vermutlich aus dem 19. Jh. ...Eine bündige Erklärung ihrer Bedeutung konnte jedochnicht gegeben werden.''</ref>. ''Mus.ant.pract.'' refers to manuscripts before 1850 (as opposed to ''Mus.pract.'')<ref>Welter, V-VI</ref>.

== Manuscripts ==
''See also: '' [[:Category:Lüneburg Tablatures]]

== References ==
Görges, W.. ''Zur Geschichte der Stadtbibliothek.'' (Progr. d. Johanneums Lüneburg) 1880.

[[Friedrich Welter|Welter, Friedrich]]. ''Katalog der Musikalien der Ratsbücherei Lüneburg.'' Lippstadt: Kistner & Siegel, 1950.