Johann Bahr - Revision history

Fiskfan1999 at 22:27, 24 October 2024

2024-10-24T22:27:12Z

← Older revision		Revision as of 18:27, 24 October 2024
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	The first edition of the ''Magnificat Octavi Toni'' was in the second volume of the dissertation on Magnificat Settings by [[Gordon Harold Farndell]] (see references). An excerpt of ''O Lux beata Trinitas'' appeared in [[Willi Apel]]'s book on ''The History of Keyboard Music to 1700.''		The first edition of the ''Magnificat Octavi Toni'' was in the second volume of the dissertation on Magnificat Settings by [[Gordon Harold Farndell]] (see references). An excerpt of ''O Lux beata Trinitas'' appeared in [[Willi Apel]]'s book on ''The History of Keyboard Music to 1700.''

	All four pieces by Johann Bahr in the [[Visby Tablature]] were published in [[Jeffery Kite-Powell]]'s investigation and critical edition. In 2023, these four pieces were edited by [[William Rehwinkel]]<ref>Rehwinkel, William. "Editions of early music by William Rehwinkel." [https://ftp.williamrehwinkel.net/scores/early/ ftp.williamrehwinkel.net], Accessed 2 July, 2024.</ref>.		All four pieces by Johann Bahr in the [[Visby Tablature]] were published in [[Jeffery Kite-Powell]]'s investigation and critical edition.

	== Links ==		== Links ==

Fiskfan1999: expand and overhaul article

2024-07-02T06:17:15Z

expand and overhaul article

← Older revision		Revision as of 02:17, 2 July 2024
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	== Life ==		== Life ==
	Bahr was probably born in Schleswig around 1610. He traveled to Visby in 1630 (he had come into the possession of the [[Visby Tablature]] before this). He became the substitute organist at [[Visby ~~domkyrka~~]] sometime in the 1630s, and in 1638 he was promoted to organist after the death of [[David Herlicius]]. He passed away in June 1670.		Bahr was probably born in Schleswig around 1610. He traveled to Visby in 1630 (he had come into the possession of the [[Visby Tablature]] before this). He became the substitute organist at [[Visby Cathedral]] sometime in the 1630s, and in 1638 he was promoted to organist after the death of [[David Herlicius]]. He passed away in June 1670.

	~~== Analysis ==~~
	~~=== Willi Apel ===~~
	The Magnificat by Bahr has been described by ''nothing of particular interest.'' On the other hand, ''O Lux beata Trinitas'' was described as ''a noteworthy early example of the extended chorale fantasy replete with echoes and echo-like sound effects.''<ref>Apel, 1972.</ref>

	== Works ==		== Works ==
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	\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00071 sok.riksarkivet.se], accessed 15 August, 2023.</ref><ref>Rehwinkel, William (editor), "Johann Bahr: O Lux beata Trinitas." 2023. [https://ftp.williamrehwinkel.net/scores/early/files/bahr%20O%20Lux%20beata%20Trinitas.pdf ftp.williamrehwinkel.net], accessed 25 September, 2023.</ref>		\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00071 sok.riksarkivet.se], accessed 15 August, 2023.</ref><ref>Rehwinkel, William (editor), "Johann Bahr: O Lux beata Trinitas." 2023. [https://ftp.williamrehwinkel.net/scores/early/files/bahr%20O%20Lux%20beata%20Trinitas.pdf ftp.williamrehwinkel.net], accessed 25 September, 2023.</ref>
	\|}		\|}

			Bahr placed his setting of the ''Magnificat Octavi Toni'' immediately adjacent to the setting by [[Hieronymus Praetorius]] and his chorale fantasia within the area of the manuscript dedicated to the anonymous chorale settings. Therefore, [[Klaus Beckmann]] noted that it seems that Bahr had intended to neatly organize his pieces in the manuscript ''genre by genre'' (and ''tone by tone''), instead of in random positions. For this reason, one can not conclude that the ''Magnificat Octavi Toni'' was written much earlier than ''O Lux beata Trinitas'' simply based on its position.

			The Magnificat by Bahr has been described by [[Willi Apel]] as ''nothing of particular interest;'' On the other hand, ''O Lux beata Trinitas'' was described as ''a noteworthy early example of the extended chorale fantasy replete with echoes and echo-like sound effects.''<ref>Apel, 1972.</ref>

			[[Klaus Beckmann\|Beckmann]] said that Bahr's setting of the ''Magnificat Octavi Toni'' (which could possibly be dated to the same time as ''O Lux beata Trinitas'') was evidence that the Hamburg-model of the [[Magnificat]] setting (from around 1605, represented by [[Hieronymus Praetorius]]) had been retained to as late as 1650, even though the first verse had shifted from a tenor- to a bass cantus firmus. It seems like Bahr (and perhaps the other organists in Visby) continued to model their church music after their masters from 50 years before.<ref>Beckmann, 2009. 499-500.</ref>

			For ''O Lux beata Trinitas'', Beckmann noted that there was a clear attempt to create a varied collection of different textures and sounds, but this attempt fell short by high repetitions of some motifs and writing styles and the complete lack of other techniques, such as the cantus firmus appearing in the alto and tenor. This points to an unfortunately low level of compositional competence compared with other well-known composers in the [[North German Organ School]].<ref>Beckmann, 2009. 501.</ref>

			== Editions ==
			The first edition of the ''Magnificat Octavi Toni'' was in the second volume of the dissertation on Magnificat Settings by [[Gordon Harold Farndell]] (see references). An excerpt of ''O Lux beata Trinitas'' appeared in [[Willi Apel]]'s book on ''The History of Keyboard Music to 1700.''

			All four pieces by Johann Bahr in the [[Visby Tablature]] were published in [[Jeffery Kite-Powell]]'s investigation and critical edition. In 2023, these four pieces were edited by [[William Rehwinkel]]<ref>Rehwinkel, William. "Editions of early music by William Rehwinkel." [https://ftp.williamrehwinkel.net/scores/early/ ftp.williamrehwinkel.net], Accessed 2 July, 2024.</ref>.

	== Links ==		== Links ==
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	{{NdS2 2009}} 499-501.		{{NdS2 2009}} 499-501.

			[[Gordon Harold Farndell\|Farndell, Gordon Harold]]. ''The development of organ Magnificat settings as found in representative German composers between 1450 and 1750.'' Dissertaion: The University of Michigan, 1966. UMI 66-14,516.

	[[Jeffery Kite-Powell\|Kite-Powell, Jeffery T.]], ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichshofen's Verlag, 1979.		[[Jeffery Kite-Powell\|Kite-Powell, Jeffery T.]], ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichshofen's Verlag, 1979.

Fiskfan1999: minor edits

2024-02-03T21:05:21Z

minor edits

← Older revision		Revision as of 17:05, 3 February 2024
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	== Analysis ==		== Analysis ==
	=== Willi Apel~~<ref>Apel, 1972.</ref>~~ ===		=== Willi Apel ===
	The Magnificat by Bahr has been described by ''nothing of particular interest.'' On the other hand, ''O Lux beata Trinitas'' was described as ''a noteworthy early example of the extended chorale fantasy replete with echoes and echo-like sound effects.''		The Magnificat by Bahr has been described by ''nothing of particular interest.'' On the other hand, ''O Lux beata Trinitas'' was described as ''a noteworthy early example of the extended chorale fantasy replete with echoes and echo-like sound effects.''<ref>Apel, 1972.</ref>

	== Works ==		== Works ==
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	\|-		\|-
	\| [[Visby Tablature]] f.37v-39r		\| [[Visby Tablature]] f.37v-39r
	\|A 4. Voc. / Magnificat / octavi toni /<br>In Basso. / Johan Bahr.		\|A 4. Voc. /<br>Magnificat /<br>octavi toni /<br>In Basso. /<br>Johan Bahr.
	\|<score>\relative d' { \clef alto d1 e <<{ d2 g2\laissezVibrer } \\ g,1 >> }</score><br>Secundus / Versus / auff / 2 Clavir.<br><score><< \relative d' { \time 4/2 \clef alto R\breve r1 d1*1/4 } \\ \relative g { g1 a g2 c2~4 } >></score><br>Tertius Versus / a 3. Voc: / In Basso. / Joh: Bahr.<br><score><< \relative g' { \time 4/2 \clef alto r2 r8 g a g c2 } \\ \relative g { g1 a2 } \\ \relative g' { e8\rest g a g d2 r8 d e fis } >></score>		\|<score>\relative d' { \clef alto \time 4/2 d1 e <<{ d2 g2\laissezVibrer } \\ g,1 >> }</score><br>Secundus / Versus / auff / 2 Clavir.<br><score><< \relative d' { \time 4/2 \clef alto R\breve r1 d1*1/4 } \\ \relative g { g1 a g2 c2~4 } >></score><br>Tertius Versus / a 3. Voc: / In Basso. / Joh: Bahr.<br><score><< \relative g' { \time 4/2 \clef alto r2 r8 g a g c2 } \\ \relative g { g1 a2 } \\ \relative g' { e8\rest g a g d2 r8 d e fis } >></score>
	\|		\|
	\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00030 sok.riksarkivet.se], accessed 15 August, 2023.</ref><ref>Rehwinkel, William (editor), "Johann Bahr: Magnificat Octavi Toni." 2023. [https://ftp.williamrehwinkel.net/scores/early/files/bahr_magnificat_8_toni.pdf ftp.williamrehwinkel.net], accessed 25 September, 2023.</ref>		\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00030 sok.riksarkivet.se], accessed 15 August, 2023.</ref><ref>Rehwinkel, William (editor), "Johann Bahr: Magnificat Octavi Toni." 2023. [https://ftp.williamrehwinkel.net/scores/early/files/bahr_magnificat_8_toni.pdf ftp.williamrehwinkel.net], accessed 25 September, 2023.</ref>
	\|-		\|-
	\| [[Visby Tablature]] f.78v-82r		\| [[Visby Tablature]] f.78v-82r
	\| I.N.I. / O Lux beata / Trinitas. /<br>auff zweÿ Clavir. / Johann Bahr.		\| I.N.I. /<br>O Lux beata /<br>Trinitas. /<br>auff zweÿ Clavir. /<br>Johann Bahr.
	\|<score>\relative e' { \clef alto << { e1 d2 c b c } \\ { R1 r2 a g f4 e } >> }</score>		\|<score>\relative e' { \clef alto << { \time 4/2 e1 d2 c b c } \\ { r1 r2 a g f4 e } >> }</score>
	\| ''At end:''<br>Anno 1655 / Die /<br>20. Martz Wisbüens		\| ''At end:''<br>Anno 1655 / Die /<br>20. Martz Wisbüens
	\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00071 sok.riksarkivet.se], accessed 15 August, 2023.</ref><ref>Rehwinkel, William (editor), "Johann Bahr: O Lux beata Trinitas." 2023. [https://ftp.williamrehwinkel.net/scores/early/files/bahr%20O%20Lux%20beata%20Trinitas.pdf ftp.williamrehwinkel.net], accessed 25 September, 2023.</ref>		\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00071 sok.riksarkivet.se], accessed 15 August, 2023.</ref><ref>Rehwinkel, William (editor), "Johann Bahr: O Lux beata Trinitas." 2023. [https://ftp.williamrehwinkel.net/scores/early/files/bahr%20O%20Lux%20beata%20Trinitas.pdf ftp.williamrehwinkel.net], accessed 25 September, 2023.</ref>

Fiskfan1999: norddeutsche schule citation

2024-02-03T20:59:16Z

norddeutsche schule citation

← Older revision		Revision as of 16:59, 3 February 2024
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	[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' from the [[Visby Tablature]]]]		[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' from the [[Visby Tablature]]]]
	'''Johann Bahr''' (1610-1670) was a German-Swedish organist and composer. The only surviving compositions by him were written by him in the [[Visby Tablature]].		'''Johann Bahr''' (1610?-1670) was a German-Swedish organist and composer. The only surviving compositions by him were written by him in the [[Visby Tablature]].

	<blockquote> Bahr performed an important role as an intermediary between the north German music tradition and Gotland’s music life during the island’s first years as a part of Sweden.<ref>"Johann Bahr (ca 1610−1670)" [https://swedishmusicalheritage.com/tonsattare/bahr-johan/ swedishmusicalheritage.com], accessed 24 August, 2023.</ref></blockquote>		<blockquote> Bahr performed an important role as an intermediary between the north German music tradition and Gotland’s music life during the island’s first years as a part of Sweden.<ref>"Johann Bahr (ca 1610−1670)" [https://swedishmusicalheritage.com/tonsattare/bahr-johan/ swedishmusicalheritage.com], accessed 24 August, 2023.</ref></blockquote>
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	== References ==		== References ==
	[[Willi Apel\|Apel, Willi]], ''The History of Keyboard Music to 1700,'' translated by Hans Tischler. Bloomington: Indiana University Press, 1972. ~~pages~~ 350, 380-381		[[Willi Apel\|Apel, Willi]], ''The History of Keyboard Music to 1700,'' translated by Hans Tischler. Bloomington: Indiana University Press, 1972. 350, 380-381.

			{{NdS2 2009}} 499-501.

	[[Jeffery Kite-Powell\|Kite-Powell, Jeffery T.]], ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichshofen's Verlag, 1979.		[[Jeffery Kite-Powell\|Kite-Powell, Jeffery T.]], ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichshofen's Verlag, 1979.

WillsSchoolAccount: /* Works */ rework works list

2023-09-25T20:34:28Z

Works: rework works list

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	== Works ==		== Works ==
	''~~Note~~: ~~works in italics are for the organ~~.''		In addition to two vocal cantatas in the same manuscript (''Concert a 4 voce: So Ziehet Hin'' f.81v-82r, ''Concert a sola voce: Befiehle Dem Herren Deine Wege'' f.82v-83r), Bahr copied two of his organ compositions into the [[Visby Tablature]].

	{\| class="wikitable"		{\| class="wikitable"
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	\|-		\|-
	\| [[Visby Tablature]] f.37v-39r		\| [[Visby Tablature]] f.37v-39r
	\|''Magnificat ~~Octavi Toni a 4 voc~~.''		\|A 4. Voc. / Magnificat / octavi toni /<br>In Basso. / Johan Bahr.
	\|<score>\relative d' { \clef alto d1 e <<{ d2 g2\laissezVibrer } \\ g,1 >> }</score>		\|<score>\relative d' { \clef alto d1 e <<{ d2 g2\laissezVibrer } \\ g,1 >> }</score><br>Secundus / Versus / auff / 2 Clavir.<br><score><< \relative d' { \time 4/2 \clef alto R\breve r1 d1*1/4 } \\ \relative g { g1 a g2 c2~4 } >></score><br>Tertius Versus / a 3. Voc: / In Basso. / Joh: Bahr.<br><score><< \relative g' { \time 4/2 \clef alto r2 r8 g a g c2 } \\ \relative g { g1 a2 } \\ \relative g' { e8\rest g a g d2 r8 d e fis } >></score>
	\| ~~Three verses~~		\|
	\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00030 sok.riksarkivet.se], accessed 15 August, 2023.</ref>		\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00030 sok.riksarkivet.se], accessed 15 August, 2023.</ref><ref>Rehwinkel, William (editor), "Johann Bahr: Magnificat Octavi Toni." 2023. [https://ftp.williamrehwinkel.net/scores/early/files/bahr_magnificat_8_toni.pdf ftp.williamrehwinkel.net], accessed 25 September, 2023.</ref>
	\|-		\|-
	\| [[Visby Tablature]] f.78v-82r		\| [[Visby Tablature]] f.78v-82r
	\|''O Lux ~~Beata~~ Trinitas''		\| I.N.I. / O Lux beata / Trinitas. /<br>auff zweÿ Clavir. / Johann Bahr.
	\|<score>\relative e' { \clef alto << { e1 d2 c b c } \\ { R1 r2 a g f4 e } >> }</score>		\|<score>\relative e' { \clef alto << { e1 d2 c b c } \\ { R1 r2 a g f4 e } >> }</score>
	\|		\| ''At end:''<br>Anno 1655 / Die /<br>20. Martz Wisbüens
	\|<~~ref~~>~~[https:~~//~~sok.riksarkivet.se/bildvisning/J0000003_00071 sok.riksarkivet.se], accessed 15 August, 2023.~~<~~/ref~~>		\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00071 sok.riksarkivet.se], accessed 15 August, 2023.</ref><ref>Rehwinkel, William (editor), "Johann Bahr: O Lux beata Trinitas." 2023. [https://ftp.williamrehwinkel.net/scores/early/files/bahr%20O%20Lux%20beata%20Trinitas.pdf ftp.williamrehwinkel.net], accessed 25 September, 2023.</ref>
	\|-
	~~\| [[Visby Tablature]] f~~.~~81v-82r~~
	~~\|Concert a 4 voce: So Ziehet Hin~~
	~~\|<score>\relative g { \clef bass g2 g8 fis g a bes2 a } \addlyrics { So zie -- _ _ het hin, so }</score>~~
	~~\| Dessus, dessus, tenore, bassus, basso continuo~~
	\|<ref>[https://sok.riksarkivet.se/bildvisning/~~J0000003_00074~~ sok.riksarkivet.se], accessed 15 August, 2023.</ref>
	\|-
	~~\| [[Visby Tablature]] f.82v-83r~~
	~~\|Concert a sola voce: Befiehle Dem Herren Deine Wege~~
	\|<~~score~~>~~{\relative a' { \partial 4 a4 e' cis d b a2 e'4 }} \addlyrics { Be -- fieh __ _ -- le dem Her -- rn }</score>~~
	~~\| Dessus vel tenore~~, ~~basso continuo~~
	~~\|<ref>~~[https://~~sok~~.~~riksarkivet~~.se/~~bildvisning~~/~~J0000003_00075 sok~~.~~riksarkivet~~.se], accessed ~~15 August~~, 2023.</ref>
	\|}		\|}

Fiskfan1999 at 02:02, 14 September 2023

2023-09-14T02:02:34Z

← Older revision		Revision as of 22:02, 13 September 2023
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	<blockquote> Bahr performed an important role as an intermediary between the north German music tradition and Gotland’s music life during the island’s first years as a part of Sweden.<ref>"Johann Bahr (ca 1610−1670)" [https://swedishmusicalheritage.com/tonsattare/bahr-johan/ swedishmusicalheritage.com], accessed 24 August, 2023.</ref></blockquote>		<blockquote> Bahr performed an important role as an intermediary between the north German music tradition and Gotland’s music life during the island’s first years as a part of Sweden.<ref>"Johann Bahr (ca 1610−1670)" [https://swedishmusicalheritage.com/tonsattare/bahr-johan/ swedishmusicalheritage.com], accessed 24 August, 2023.</ref></blockquote>

	~~''NOTE:~~ this ~~article~~ was ~~automatically generated from an entry submitted~~ to ~~'''wvlist~~.~~net'''~~. ~~You can help add pictures and more information to this article!''~~		== Life ==
			Bahr was probably born in Schleswig around 1610. He traveled to Visby in 1630 (he had come into the possession of the [[Visby Tablature]] before this). He became the substitute organist at [[Visby domkyrka]] sometime in the 1630s, and in 1638 he was promoted to organist after the death of [[David Herlicius]]. He passed away in June 1670.

	~~{{Stub}}~~		== Analysis ==
			=== Willi Apel<ref>Apel, 1972.</ref> ===
	== ~~WVlist Notes~~ ==		The Magnificat by Bahr has been described by ''nothing of particular interest.'' On the other hand, ''O Lux beata Trinitas'' was described as ''a noteworthy early example of the extended chorale fantasy replete with echoes and echo-like sound effects.''
	<~~blockquote~~><~~nowiki~~>~~Born in Schleswig-Holstein, then lived in Visby from 1630~~. ~~Organist~~, ~~composer. Only surviving works are from Visby Tablature. Pieces from Visby Tablature can be found in Kite~~-~~Powell, Jeffery T~~. ~~"The Visby (Petri) Organ Tablature: Investigation and Critical Edition". Wilhelmshaven: Heinrichshofen~~'~~s Verlag.</nowiki><br>-William Rehwinkel, Jan 26, 2023</blockquote>~~

	== Works ==		== Works ==
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	== References ==		== References ==
	''~~See notes~~''		[[Willi Apel\|Apel, Willi]], ''The History of Keyboard Music to 1700,'' translated by Hans Tischler. Bloomington: Indiana University Press, 1972. pages 350, 380-381

			[[Jeffery Kite-Powell\|Kite-Powell, Jeffery T.]], ''The Visby (Petri) Organ Tablature: Investigation and Critical Edition.'' Wilhelmshaven: Heinrichshofen's Verlag, 1979.

	[[Category:Persons\|Bahr, Johann]]		[[Category:Persons\|Bahr, Johann]]

Fiskfan1999 at 16:53, 24 August 2023

2023-08-24T16:53:33Z

← Older revision		Revision as of 12:53, 24 August 2023
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	[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' from the [[Visby Tablature]]]]		[[File:BahrOLux.jpg\|thumb\|right\|The autograph manuscript of ''O Lux beata Trinitas'' from the [[Visby Tablature]]]]
	'''Johann Bahr''' (1610-1670) was a German-Swedish organist and composer. The only surviving compositions by him were written by him in the [[Visby Tablature]].		'''Johann Bahr''' (1610-1670) was a German-Swedish organist and composer. The only surviving compositions by him were written by him in the [[Visby Tablature]].

			<blockquote> Bahr performed an important role as an intermediary between the north German music tradition and Gotland’s music life during the island’s first years as a part of Sweden.<ref>"Johann Bahr (ca 1610−1670)" [https://swedishmusicalheritage.com/tonsattare/bahr-johan/ swedishmusicalheritage.com], accessed 24 August, 2023.</ref></blockquote>

	''NOTE: this article was automatically generated from an entry submitted to '''wvlist.net'''. You can help add pictures and more information to this article!''		''NOTE: this article was automatically generated from an entry submitted to '''wvlist.net'''. You can help add pictures and more information to this article!''

Fiskfan1999: link to imslp

2023-08-24T16:44:27Z

link to imslp

← Older revision		Revision as of 12:44, 24 August 2023
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	\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00075 sok.riksarkivet.se], accessed 15 August, 2023.</ref>		\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00075 sok.riksarkivet.se], accessed 15 August, 2023.</ref>
	\|}		\|}

			== Links ==
			[https://imslp.org/wiki/Category:Bahr,_Johann Category:Bahr,_Johann] on IMSLP

	== References ==		== References ==

Fiskfan1999: /* WVlist Notes */ remove uncited part in wvlist notes

2023-08-15T23:16:49Z

WVlist Notes: remove uncited part in wvlist notes

← Older revision		Revision as of 19:16, 15 August 2023
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	== WVlist Notes ==		== WVlist Notes ==
	<blockquote><nowiki>Born in Schleswig-Holstein, then lived in Visby from 1630. Organist, composer. Only surviving works are from Visby Tablature ~~and fragment from Källunge book (of which only the alto part survives)~~. Pieces from Visby Tablature can be found in Kite-Powell, Jeffery T. "The Visby (Petri) Organ Tablature: Investigation and Critical Edition". Wilhelmshaven: Heinrichshofen's Verlag.</nowiki><br>-William Rehwinkel, Jan 26, 2023</blockquote>		<blockquote><nowiki>Born in Schleswig-Holstein, then lived in Visby from 1630. Organist, composer. Only surviving works are from Visby Tablature. Pieces from Visby Tablature can be found in Kite-Powell, Jeffery T. "The Visby (Petri) Organ Tablature: Investigation and Critical Edition". Wilhelmshaven: Heinrichshofen's Verlag.</nowiki><br>-William Rehwinkel, Jan 26, 2023</blockquote>

	== Works ==		== Works ==

Fiskfan1999: /* Works */ rework works table

2023-08-15T23:15:32Z

Works: rework works table

← Older revision		Revision as of 19:15, 15 August 2023
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	{\| class="wikitable"		{\| class="wikitable"
	\|-		\|-
	\|V		! Source !! Title !! Incipit !! Notes !! Ref.
	\|		\|-
			\| [[Visby Tablature]] f.37v-39r
	\|''Magnificat Octavi Toni a 4 voc.''		\|''Magnificat Octavi Toni a 4 voc.''
	\|<score>\relative d' { \clef alto d1 e <<{ d2 g2\laissezVibrer } \\ g,1 >> }</score>		\|<score>\relative d' { \clef alto d1 e <<{ d2 g2\laissezVibrer } \\ g,1 >> }</score>
			\| Three verses
			\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00030 sok.riksarkivet.se], accessed 15 August, 2023.</ref>
	\|-		\|-
	\|V		\| [[Visby Tablature]] f.78v-82r
	\|
	\|''O Lux Beata Trinitas''		\|''O Lux Beata Trinitas''
	\|<score>\relative e' { \clef alto << { e1 d2 c b c } \\ { R1 r2 a g f4 e } >> }</score>		\|<score>\relative e' { \clef alto << { e1 d2 c b c } \\ { R1 r2 a g f4 e } >> }</score>
			\|
			\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00071 sok.riksarkivet.se], accessed 15 August, 2023.</ref>
	\|-		\|-
	\|V		\| [[Visby Tablature]] f.81v-82r
	\|
	\|Concert a 4 voce: So Ziehet Hin		\|Concert a 4 voce: So Ziehet Hin
	\|<score>\relative g { \clef bass g2 g8 fis g a bes2 a } \addlyrics { So zie -- _ _ het hin, so }</score>		\|<score>\relative g { \clef bass g2 g8 fis g a bes2 a } \addlyrics { So zie -- _ _ het hin, so }</score>
			\| Dessus, dessus, tenore, bassus, basso continuo
			\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00074 sok.riksarkivet.se], accessed 15 August, 2023.</ref>
	\|-		\|-
	\|V		\| [[Visby Tablature]] f.82v-83r
	\|
	\|Concert a sola voce: Befiehle Dem Herren Deine Wege		\|Concert a sola voce: Befiehle Dem Herren Deine Wege
	\|<score>{\relative a' { \partial 4 a4 e' cis d b a2 e'4 }} \addlyrics { Be -- fieh __ _ -- le dem Her -- rn }</score>		\|<score>{\relative a' { \partial 4 a4 e' cis d b a2 e'4 }} \addlyrics { Be -- fieh __ _ -- le dem Her -- rn }</score>
	\|-		\| Dessus vel tenore, basso continuo
	\|K		\|<ref>[https://sok.riksarkivet.se/bildvisning/J0000003_00075 sok.riksarkivet.se], accessed 15 August, 2023.</ref>
	\|
	~~\|Adore me in die (lost)~~
	\|
	\|-
	\|K
	\|
	~~\|Die nobis Maria (lost)~~
	\|
	\|}		\|}