H. M. T. - Revision history

Fiskfan1999 at 22:53, 10 August 2024

2024-08-10T22:53:08Z

← Older revision		Revision as of 18:53, 10 August 2024
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	[[Category:Baroque\|H. M. T.]]		[[Category:Baroque\|H. M. T.]]
	[[Category:Norddeutsche Orgelschule\|H. M. T.]]		[[Category:Norddeutsche Orgelschule\|H. M. T.]]
			[[Category:Composers only known by initials]]

Fiskfan1999: fix partitura organum link

2024-02-08T10:58:45Z

fix partitura organum link

← Older revision		Revision as of 06:58, 8 February 2024
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	Editions of "Ich ruf zu dir, Herr Jesu Christ":		Editions of "Ich ruf zu dir, Herr Jesu Christ":

	* [[Partitura Organum]] (2019)[https://partitura.org/~~wp-content/uploads/2019/08~~/~~Anonymus-KN~~-~~209~~-~~p047~~-~~Ich~~-ruf-zu-dir-~~Herr~~-~~Jesu~~-~~Christ.pdf~~]		* [[Partitura Organum]] (2019)[https://partitura.org/index.php/h-m-t-ich-ruf-zu-dir-herr-jesu-christ/]
	* [[William Rehwinkel]] (2023)[https://ftp.williamrehwinkel.net/scores/early/files/hmt%20-%20Ich%20ruf%20zu%20dir%20herr%20Jesu%20Christ.pdf]		* [[William Rehwinkel]] (2023)[https://ftp.williamrehwinkel.net/scores/early/files/hmt%20-%20Ich%20ruf%20zu%20dir%20herr%20Jesu%20Christ.pdf]

Fiskfan1999 at 10:57, 8 February 2024

2024-02-08T10:57:09Z

← Older revision		Revision as of 06:57, 8 February 2024
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	== Attributions ==		== Attributions ==
	Several theories as to the identity of "H.M.T." have been made, but none have gained widespread approval. It was theorized to be the south German composer [[Michael Tonsor]]<ref>Junghans, Wilhelm. ''Lüneburg eine Pflegstätte kirchlicher Musik''. Aus dem Ostern 1870 herausgegebenen Programm des Johanneums zu Lun̈eburg abgedruckt. 33.</ref> (an [[Intabulation]] of a piece by Tonsor does appear in [[D-Lr Mus.ant.pract. K.N. 210]]<ref>[[Lydia Schierning]]. ''Die Überlieferung der deutschen Orgel- und Klaviermusik aus der ersten Hälfte des 17. Jahrhunderts.'' Kassel: Bärenreiter, 1961. 106.</ref><ref>{{RISM\|450101516}}</ref>). The musicologist [[Fritz Dietrich]] wrote that it may be a distortion of "F.T." (=[[Franz Tunder]]) and "H.S.M." (=[[Heinrich Scheidemann]]), two initials which appear in this manuscript<ref>Brieg, Werner. ''Die Orgelwerke von Heinrich Scheidemann''. Archiv für Musikwissenschaft. Wiesbaden: Franz Steiner Verlag, 1967. 56.</ref>.		Several theories as to the identity of "H.M.T." have been made, but none have gained widespread approval. It was theorized to be the south German composer [[Michael Tonsor]]<ref>Junghans, Wilhelm. ''Lüneburg eine Pflegstätte kirchlicher Musik''. Aus dem Ostern 1870 herausgegebenen Programm des Johanneums zu Lun̈eburg abgedruckt. 33.</ref> (an [[Intabulation]] of a piece by Tonsor does appear in [[D-Lr Mus.ant.pract. K.N. 210]]<ref>[[Lydia Schierning]]. ''Die Überlieferung der deutschen Orgel- und Klaviermusik aus der ersten Hälfte des 17. Jahrhunderts.'' Kassel: Bärenreiter, 1961. 106.</ref><ref>{{RISM\|450101516}}</ref>). The musicologist [[Fritz Dietrich]] wrote that it may be a distortion of "F.T." (=[[Franz Tunder]]) and "H.S.M." (=[[Heinrich Scheidemann]]), two initials which appear in this manuscript<ref name="Brieg">Brieg, Werner. ''Die Orgelwerke von Heinrich Scheidemann''. Archiv für Musikwissenschaft. Wiesbaden: Franz Steiner Verlag, 1967. 56.</ref>.

	Despite these, the initials remain unsolved; in ''Repertorium Orgelmusik'' the initials are left unattributed<ref>Beckmann, Klaus. ''Repertorium Orgelmusik''. New York: Schott, 2001.</ref>.		Despite these, the initials remain unsolved; in ''Repertorium Orgelmusik'' the initials are left unattributed<ref>Beckmann, Klaus. ''Repertorium Orgelmusik''. New York: Schott, 2001.</ref>.
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	3rd<br><score><< \relative e' { \time 4/2 \clef alto e2 c4 d c a' } \\ \relative a { r4 a4. f4 g8 a16 bes g a f g e f } >></score>		3rd<br><score><< \relative e' { \time 4/2 \clef alto e2 c4 d c a' } \\ \relative a { r4 a4. f4 g8 a16 bes g a f g e f } >></score>
	\|}		\|}

			This work was covered by [[Werner Brieg]] in his book on [[Heinrich Scheidemann\|Scheidemann's]] organ music.<ref name="Brieg">Brieg, Werner. ''Die Orgelwerke von Heinrich Scheidemann''. Archiv für Musikwissenschaft. Wiesbaden: Franz Steiner Verlag, 1967. 56.</ref> He stated that, despite the connection to Scheidemann suggested by Fritz Dietrich, the piece can not be attributed to him on stylistic grounds.

	== See also ==		== See also ==

Fiskfan1999 at 23:01, 3 November 2023

2023-11-03T23:01:14Z

← Older revision		Revision as of 19:01, 3 November 2023
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	== Attributions ==		== Attributions ==
	Several theories as to the identity of "H.M.T." have been made, but none have gained widespread approval. It was theorized to be the south German composer [[Michael Tonsor]]<ref>Junghans, Wilhelm. ''Lüneburg eine Pflegstätte kirchlicher Musik''. Aus dem Ostern 1870 herausgegebenen Programm des Johanneums zu Lun̈eburg abgedruckt. 33.</ref>. The musicologist [[Fritz Dietrich]] wrote that it may be a distortion of "F.T." (=[[Franz Tunder]]) and "H.S.M." (=[[Heinrich Scheidemann]]), two initials which appear in this manuscript<ref>Brieg, Werner. ''Die Orgelwerke von Heinrich Scheidemann''. Archiv für Musikwissenschaft. Wiesbaden: Franz Steiner Verlag, 1967. 56.</ref>.		Several theories as to the identity of "H.M.T." have been made, but none have gained widespread approval. It was theorized to be the south German composer [[Michael Tonsor]]<ref>Junghans, Wilhelm. ''Lüneburg eine Pflegstätte kirchlicher Musik''. Aus dem Ostern 1870 herausgegebenen Programm des Johanneums zu Lun̈eburg abgedruckt. 33.</ref> (an [[Intabulation]] of a piece by Tonsor does appear in [[D-Lr Mus.ant.pract. K.N. 210]]<ref>[[Lydia Schierning]]. ''Die Überlieferung der deutschen Orgel- und Klaviermusik aus der ersten Hälfte des 17. Jahrhunderts.'' Kassel: Bärenreiter, 1961. 106.</ref><ref>{{RISM\|450101516}}</ref>). The musicologist [[Fritz Dietrich]] wrote that it may be a distortion of "F.T." (=[[Franz Tunder]]) and "H.S.M." (=[[Heinrich Scheidemann]]), two initials which appear in this manuscript<ref>Brieg, Werner. ''Die Orgelwerke von Heinrich Scheidemann''. Archiv für Musikwissenschaft. Wiesbaden: Franz Steiner Verlag, 1967. 56.</ref>.

	Despite these, the initials remain unsolved; in ''Repertorium Orgelmusik'' the initials are left unattributed<ref>Beckmann, Klaus. ''Repertorium Orgelmusik''. New York: Schott, 2001.</ref>.		Despite these, the initials remain unsolved; in ''Repertorium Orgelmusik'' the initials are left unattributed<ref>Beckmann, Klaus. ''Repertorium Orgelmusik''. New York: Schott, 2001.</ref>.

Fiskfan1999: /* See also */ wrong year

2023-08-22T16:31:03Z

Fiskfan1999: mus => Mus

2023-07-30T17:59:25Z

mus => Mus

← Older revision		Revision as of 13:59, 30 July 2023
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	[[File:Signature-H. M. T..png\|thumb\|Initials in K.N. 209]]		[[File:Signature-H. M. T..png\|thumb\|Initials in K.N. 209]]
	One piece in [[D-Lr ~~mus~~.ant.pract. K.N. 209]] is headed by the currently unsolved initials '''"H.M.T."'''.		One piece in [[D-Lr Mus.ant.pract. K.N. 209]] is headed by the currently unsolved initials '''"H.M.T."'''.

	== Attributions ==		== Attributions ==

Fiskfan1999: incipits

2023-07-30T17:58:41Z

incipits

← Older revision		Revision as of 13:58, 30 July 2023
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	!Pages		!Pages
	!Title		!Title
			!Incipits
	\|-		\|-
	\|D-B mus.ant.pract. K.N. 209		\|D-B mus.ant.pract. K.N. 209
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	* 2dus Versus / Auf 2. Clavier		* 2dus Versus / Auf 2. Clavier
	* Tertius Versus. / Auff 2. Clavier.		* Tertius Versus. / Auff 2. Clavier.
			\|
			1st<br><score><< \relative a' { \time 4/2 a1 f2 g f d } \\ \relative d' { r1 r4 d bes4. c8 d4 c8 bes a4. bes8 } \\ \\ \relative a { s\breve r4 a f4. g8 } >></score><br>
			2nd<br><score><< \relative a' { \time 4/2 r2 r8 a f4 g2 f2. } \\ \relative d' { d2 bes8 c d4. d8 c bes a4 bes8 c d4 } \\ \relative a' { s1 s2 a4. g8 f2*1/2 } >> </score><br>
			3rd<br><score><< \relative e' { \time 4/2 \clef alto e2 c4 d c a' } \\ \relative a { r4 a4. f4 g8 a16 bes g a f g e f } >></score>
	\|}		\|}

Irahs: Categories

2023-07-22T20:35:44Z

Fiskfan1999: change to rism template

2023-07-22T03:54:02Z

change to rism template

← Older revision		Revision as of 23:54, 21 July 2023
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	Despite these, the initials remain unsolved; in ''Repertorium Orgelmusik'' the initials are left unattributed<ref>Beckmann, Klaus. ''Repertorium Orgelmusik''. New York: Schott, 2001.</ref>.		Despite these, the initials remain unsolved; in ''Repertorium Orgelmusik'' the initials are left unattributed<ref>Beckmann, Klaus. ''Repertorium Orgelmusik''. New York: Schott, 2001.</ref>.

	== Works<ref>Rehwinkel, William (editor). "Ich ruf zu dir, Herr Jesu Christ" 22 May, 2023. [https://ftp.williamrehwinkel.net/scores/early/files/hmt%20-%20Ich%20ruf%20zu%20dir%20herr%20Jesu%20Christ.pdf] Accessed 17 July, 2023.</ref> ==		== Works<ref>Rehwinkel, William (editor). "Ich ruf zu dir, Herr Jesu Christ" 22 May, 2023. [https://ftp.williamrehwinkel.net/scores/early/files/hmt%20-%20Ich%20ruf%20zu%20dir%20herr%20Jesu%20Christ.pdf] Accessed 17 July, 2023.</ref><ref>{{RISM\|450101450}}</ref> ==
	{\| class="wikitable"		{\| class="wikitable"
	\|+		\|+
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	\|D-B mus.ant.pract. K.N. 209		\|D-B mus.ant.pract. K.N. 209
	\|47		\|47
	\|256-261~~<ref>RISM id 450101450, [https://opac.rism.info/search?id=450101450&View=rism], accessed 19 July, 2023.</ref>~~		\|256-261
	\|		\|
	* Ich Rueff Zu / dir Herr Jesu / Christ. / H.M.T.		* Ich Rueff Zu / dir Herr Jesu / Christ. / H.M.T.

Fiskfan1999: /* Works[4] */ link to RISM for citation

2023-07-20T01:08:21Z

Works[4]: link to RISM for citation

← Older revision		Revision as of 21:08, 19 July 2023
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	\|D-B mus.ant.pract. K.N. 209		\|D-B mus.ant.pract. K.N. 209
	\|47		\|47
	\|256-261~~{{Citation needed}}~~		\|256-261<ref>RISM id 450101450, [https://opac.rism.info/search?id=450101450&View=rism], accessed 19 July, 2023.</ref>
	\|		\|
	* ~~256:~~ Ich Rueff Zu / dir Herr Jesu / Christ. / H.M.T.		* Ich Rueff Zu / dir Herr Jesu / Christ. / H.M.T.
	* ~~258:~~ 2dus Versus / Auf 2. Clavier		* 2dus Versus / Auf 2. Clavier
	* ~~260:~~ Tertius Versus. / Auff 2. Clavier.		* Tertius Versus. / Auff 2. Clavier.
	\|}		\|}

← Older revision		Revision as of 12:31, 22 August 2023
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	* [[Partitura Organum]] (2019)[https://partitura.org/wp-content/uploads/2019/08/Anonymus-KN-209-p047-Ich-ruf-zu-dir-Herr-Jesu-Christ.pdf]		* [[Partitura Organum]] (2019)[https://partitura.org/wp-content/uploads/2019/08/Anonymus-KN-209-p047-Ich-ruf-zu-dir-Herr-Jesu-Christ.pdf]
	* [[William Rehwinkel]] (~~2013~~)[https://ftp.williamrehwinkel.net/scores/early/files/hmt%20-%20Ich%20ruf%20zu%20dir%20herr%20Jesu%20Christ.pdf]		* [[William Rehwinkel]] (2023)[https://ftp.williamrehwinkel.net/scores/early/files/hmt%20-%20Ich%20ruf%20zu%20dir%20herr%20Jesu%20Christ.pdf]

	==References==		==References==

← Older revision		Revision as of 16:35, 22 July 2023
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	* [[Partitura Organum]] (2019)[https://partitura.org/wp-content/uploads/2019/08/Anonymus-KN-209-p047-Ich-ruf-zu-dir-Herr-Jesu-Christ.pdf]		* [[Partitura Organum]] (2019)[https://partitura.org/wp-content/uploads/2019/08/Anonymus-KN-209-p047-Ich-ruf-zu-dir-Herr-Jesu-Christ.pdf]
	* [[William Rehwinkel]] (2013)[https://ftp.williamrehwinkel.net/scores/early/files/hmt%20-%20Ich%20ruf%20zu%20dir%20herr%20Jesu%20Christ.pdf]		* [[William Rehwinkel]] (2013)[https://ftp.williamrehwinkel.net/scores/early/files/hmt%20-%20Ich%20ruf%20zu%20dir%20herr%20Jesu%20Christ.pdf]

			==References==
			<references />

			[[Category:Persons\|H. M. T.]]
			[[Category:Composers\|H. M. T.]]
			[[Category:Baroque Composers\|H. M. T.]]
			[[Category:Organists\|H. M. T.]]
			[[Category:Baroque\|H. M. T.]]
			[[Category:Norddeutsche Orgelschule\|H. M. T.]]