Franz Tunder - Revision history

Fiskfan1999: two paragraphs about the canzon

2024-08-22T03:09:26Z

two paragraphs about the canzon

← Older revision		Revision as of 23:09, 21 August 2024
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	\| [[D-Lr Mus.ant.pract. K.N. 207/15]] P909-910 \|\| [55] Praeludium / F. Tund: \|\| G-Minor \|\| <score><< \relative a'' { \key g \minor r16 a g e fis g e fis d c bes c a bes g a fis } \\ \relative a' { s2 r16 a g e fis g e fis d } >></score>		\| [[D-Lr Mus.ant.pract. K.N. 207/15]] P909-910 \|\| [55] Praeludium / F. Tund: \|\| G-Minor \|\| <score><< \relative a'' { \key g \minor r16 a g e fis g e fis d c bes c a bes g a fis } \\ \relative a' { s2 r16 a g e fis g e fis d } >></score>
	\|-		\|-
	\| [[S-Uu Ms. Ihre 285]] P50-52 \|\| [20] Cantzon / F: Töndern \|\| On a theme by [[Francesco Della Porta]] \|\| <score>\relative d'' { \key g \major d8 d d e c8. b16 a8 b16 c d8 d, g a }</score>		\| [[S-Uu Ms. Ihre 285]] P50-52 \|\| [20] Cantzon / F: Töndern \|\| On a theme by [[Francesco Della Porta]]? \|\| <score>\relative d'' { \key g \major d8 d d e c8. b16 a8 b16 c d8 d, g a }</score>
	\|}		\|}

			[[Klaus Beckmann]] noted that the location of the ''Canzon'' in [[S-Uu Ms. Ihre 285]], a manuscript which primarily transmitted harpsichord suites, suggests that the piece may have been written for the harpsichord or other string keyboard instrument.<ref name="beckmann276">Beckmann (2009), 276.</ref>

			It has been found that the theme of the ''Canzon'' is similar to that of the motet ''Salve mi Jesu'' by [[Francesco Della Porta]] found in ''Motetti concertati'' (Venezia, 1647, published by [[Giovanni Rovetta]]).<ref name="beckmann276">Beckmann (2009), 276.</ref>

	=== Other theorized works ===		=== Other theorized works ===

Fiskfan1999: expand

2024-07-04T18:15:54Z

expand

@@ Line 1: / Line 1: @@
-'''Franz Tunder'''
+'''Franz Tunder''' (1614-1667) was a German organist, composer, and ''Werckmeister''. He was part of a prestigious line of organists (and one of the longest serving organists) working at the [[Marienkirche, Lübeck]], and was an important composer in the [[North German Organ School]].
 == Analysis ==
@@ Line 71: / Line 87: @@
 == References ==
 [[Claudia Schumacher|Schumacher, Claudia]] (editor). ''Franz Tunder: Sämtliche Orgelwerke''. Mainz: Schott, 2019.

Fiskfan1999: /* Works */

2024-03-07T20:39:32Z

Works

← Older revision		Revision as of 16:39, 7 March 2024
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	[[File:S-Uu Ms Ihre 285 Tunder.jpg\|thumb\|right\|The Canzona by Franz Tunder, found in S-Uu Ms. Ihre 285]]Except for one work, all remaining pieces by Franz Tunder are unicas. The sources of Tunder's organ music are in three main categories:		[[File:S-Uu Ms Ihre 285 Tunder.jpg\|thumb\|right\|The Canzona by Franz Tunder, found in S-Uu Ms. Ihre 285]]Except for one work, all remaining pieces by Franz Tunder are unicas. The sources of Tunder's organ music are in three main categories:

	~~a collection of manuscripts in the ''Rätsbucherei'', Lüneburg.~~		* [[:Category:Lüneburg Tablatures\|The Lüneburg Tablatures]], including [[D-Lr Mus.ant.pract. K.N. 209]].

	* [[:Category:Lüneburg Tablatures\|The Lüneburg Tablatures]], including Mus.ant.pract. K.N. 209.
	*[[Pelplin Tablatures\|The Pelplin Tablatures]], a collection of manuscripts from the Pelplin Monestary.		*[[Pelplin Tablatures\|The Pelplin Tablatures]], a collection of manuscripts from the Pelplin Monestary.
	*The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala.		*The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala.

WillsSchoolAccount at 02:53, 27 October 2023

2023-10-27T02:53:31Z

← Older revision		Revision as of 22:53, 26 October 2023
Line 61:		Line 61:

	The first praeludium in [[D-Lr Mus.ant.pract. K.N. 207/16]], which is anonymous, has been described as being reminiscent of Tunder<ref>[[Organum IV]] vol.10</ref>.		The first praeludium in [[D-Lr Mus.ant.pract. K.N. 207/16]], which is anonymous, has been described as being reminiscent of Tunder<ref>[[Organum IV]] vol.10</ref>.

			=== Editions ===
			An incomplete list of editions of the organ works of Tunder is included below.

			* [[Max Seiffert]], Leipzig: Kistner & Siegel, n.d. ([[Organum IV]] vol. 6).<br>(Preludia only)
			* [[Rudolf Walter]]. ''Sämtliche Choralbearbeitungen für Orgel / Franz Tunder.'' Mainz: Schott, 1958.
			* [[Klaus Beckmann]], Wiesbaden: Breitkopf & Hartel.
			* [[Jan van Biezen]]. ''Christ lag in Todesbanden : für Orgel / Franz Tunder.'' Amsterdam : Annie Bank, 1982. (Stichting Centrum voor de Kerkzang 129)
			* [[Michel Belotti]], Wiesbaden: Breitkopf & Hartel.
			* [[Claudia Schumacher]], Mainz: Schott. 2022 (revised edition) ([[Meister der Norddeutschen Orgelschule\|MdNO]] 17)

	== References ==		== References ==

Fiskfan1999: /* Other theorized works */ wrong composer initials

2023-10-07T19:20:44Z

Other theorized works: wrong composer initials

← Older revision		Revision as of 15:20, 7 October 2023
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	=== Other theorized works ===		=== Other theorized works ===
	Two chorale fantasias from the [[Pelplin Tablatures]] are theorized to be by Franz Tunder by [[Klaus Beckmann]], despite the composer "H.M.T." being written<ref>[[Klaus Beckmann\|Beckmann, Klaus]] (editor), ''Zwei Choralfantasien: Allein zu dir, Herr Jesu Christ ; Ein feste Burg ist unser Gott.'' Wiesbaden: Breitkopf & Härtel, 1991.</ref>. He also theorized that the anonymous ''Magnificat octavi toni'' (also a chorale fantasia) from the [[Zellerfeld Tablatures]] no.1 is by Tunder{{Citation needed}}.		Two chorale fantasias from the [[Pelplin Tablatures]] are theorized to be by Franz Tunder by [[Klaus Beckmann]], despite the composer "H.S.M." being written<ref>[[Klaus Beckmann\|Beckmann, Klaus]] (editor), ''Zwei Choralfantasien: Allein zu dir, Herr Jesu Christ ; Ein feste Burg ist unser Gott.'' Wiesbaden: Breitkopf & Härtel, 1991.</ref>. He also theorized that the anonymous ''Magnificat octavi toni'' (also a chorale fantasia) from the [[Zellerfeld Tablatures]] no.1 is by Tunder{{Citation needed}}.

	The first praeludium in [[D-Lr Mus.ant.pract. K.N. 207/16]], which is anonymous, has been described as being reminiscent of Tunder<ref>[[Organum IV]] vol.10</ref>.		The first praeludium in [[D-Lr Mus.ant.pract. K.N. 207/16]], which is anonymous, has been described as being reminiscent of Tunder<ref>[[Organum IV]] vol.10</ref>.

Fiskfan1999: /* Works */

2023-10-07T19:20:13Z

Works

← Older revision		Revision as of 15:20, 7 October 2023
Line 9:		Line 9:

	== Works ==		== Works ==
	[[File:S-Uu Ms Ihre 285 Tunder.jpg\|thumb\|right\|The Canzona by Franz Tunder, found in S-Uu Ms. Ihre 285]]Except for one work, all remaining pieces by Franz Tunder ~~only occur in one early source~~. The sources of Tunder's organ music are in three main categories:		[[File:S-Uu Ms Ihre 285 Tunder.jpg\|thumb\|right\|The Canzona by Franz Tunder, found in S-Uu Ms. Ihre 285]]Except for one work, all remaining pieces by Franz Tunder are unicas. The sources of Tunder's organ music are in three main categories:

	a collection of manuscripts in the ''Rätsbucherei'', Lüneburg.		a collection of manuscripts in the ''Rätsbucherei'', Lüneburg.

Fiskfan1999: Add analysis and remove editions (will be added back later)

2023-10-07T06:33:32Z

Add analysis and remove editions (will be added back later)

@@ Line 1: / Line 1: @@
 '''Franz Tunder'''
 == Works ==
@@ Line 54: / Line 61: @@
 The first praeludium in [[D-Lr Mus.ant.pract. K.N. 207/16]], which is anonymous, has been described as being reminiscent of Tunder<ref>[[Organum IV]] vol.10</ref>.
 == References ==

Fiskfan1999: fix links to pelplin tablatures

2023-09-16T19:57:10Z

fix links to pelplin tablatures

← Older revision		Revision as of 15:57, 16 September 2023
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	* [[:Category:Lüneburg Tablatures\|The Lüneburg Tablatures]], including Mus.ant.pract. K.N. 209.		* [[:Category:Lüneburg Tablatures\|The Lüneburg Tablatures]], including Mus.ant.pract. K.N. 209.
	*[[The Pelplin Tablatures]], a collection of manuscripts from the Pelplin Monestary.		*[[Pelplin Tablatures\|The Pelplin Tablatures]], a collection of manuscripts from the Pelplin Monestary.
	*The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala.		*The Canzona by Tunder is located in a manuscript currently housed in the Universitetsbibliotek, Uppsala.

Line 19:		Line 19:
	\| [[D-Lr Mus.ant.pract. K.N. 209]] P486-489 \|\| [34] Auff meinen Lieben / Gott / Auff 2 Clavier / Manualiter / F. Tunder \|\| \|\| <score>\relative d' {\key g \minor \partial 4 d8 e16 fis \| g4 a8 bes16 c bes4 c \| d2. }</score>		\| [[D-Lr Mus.ant.pract. K.N. 209]] P486-489 \|\| [34] Auff meinen Lieben / Gott / Auff 2 Clavier / Manualiter / F. Tunder \|\| \|\| <score>\relative d' {\key g \minor \partial 4 d8 e16 fis \| g4 a8 bes16 c bes4 c \| d2. }</score>
	\|-		\|-
	\| [[~~The~~ Pelplin Tablatures\|PL-PE 306 (Tabulatura organowa Tom. III)]] P282-293 \|\| Christ lag in / todtes banden / Frans: Tunder: \|\| \|\| <score><< \relative a' { \clef alto a1 g2 a2*1/2 } \\ \relative a { r4 a d c \| b c4. a8 }>></score>		\| [[Pelplin Tablatures\|PL-PE 306 (Tabulatura organowa Tom. III)]] P282-293 \|\| Christ lag in / todtes banden / Frans: Tunder: \|\| \|\| <score><< \relative a' { \clef alto a1 g2 a2*1/2 } \\ \relative a { r4 a d c \| b c4. a8 }>></score>
	\|-		\|-
	\| [[D-Lr Mus.ant.pract. K.N. 207/17/1]] P428-431		\| [[D-Lr Mus.ant.pract. K.N. 207/17/1]] P428-431
Line 33:		Line 33:
	\| [[D-Lr Mus.ant.pract. K.N. 209]] P634-639 \|\| [72] Komm Heÿliger / Geist Herre Gott / Auff 2 Clauier / Franciscus: Tunder: Ped: \|\| \|\| <score>\relative d' { \key g \major r16 d e fis g a fis a g a b c d e cis e << d1 \\ { r2 <g, b, g>2 } >> }</score>		\| [[D-Lr Mus.ant.pract. K.N. 209]] P634-639 \|\| [72] Komm Heÿliger / Geist Herre Gott / Auff 2 Clauier / Franciscus: Tunder: Ped: \|\| \|\| <score>\relative d' { \key g \major r16 d e fis g a fis a g a b c d e cis e << d1 \\ { r2 <g, b, g>2 } >> }</score>
	\|-		\|-
	\| [[~~The~~ Pelplin Tablatures\|PL-PE 305 (Tabulatura organowa Tom. II)]] P288-294 \|\| Was kan uns / kommen an fur: / Noth / 2 Clav: Ped: / Frans: Tunder. \|\| Pelplin/C-Major version, fragment \|\| <score><< \relative c'' { c1 c4. d8 e2 } \\ \relative g' { r2 g2 a g } \\ \\ \relative e' { r2 e2 e4 f e c } >></score>		\| [[Pelplin Tablatures\|PL-PE 305 (Tabulatura organowa Tom. II)]] P288-294 \|\| Was kan uns / kommen an fur: / Noth / 2 Clav: Ped: / Frans: Tunder. \|\| Pelplin/C-Major version, fragment \|\| <score><< \relative c'' { c1 c4. d8 e2 } \\ \relative g' { r2 g2 a g } \\ \\ \relative e' { r2 e2 e4 f e c } >></score>
	\|-		\|-
	\| [[D-Lr Mus.ant.pract. K.N. 209]] P612-621 \|\| [65] Waß kan vns / kommen an / für noth / Auf 2. Clauier. / F. Tunder. Ped: \|\| Lüneburg/F-Major version \|\| <score>\relative f { \key f \major \clef bass f16 c a' f c' a f c' \clef treble f2 f8. e16 d e f g a2 }</score>		\| [[D-Lr Mus.ant.pract. K.N. 209]] P612-621 \|\| [65] Waß kan vns / kommen an / für noth / Auf 2. Clauier. / F. Tunder. Ped: \|\| Lüneburg/F-Major version \|\| <score>\relative f { \key f \major \clef bass f16 c a' f c' a f c' \clef treble f2 f8. e16 d e f g a2 }</score>

Fiskfan1999: list of editions

2023-08-19T23:30:13Z

list of editions

← Older revision		Revision as of 19:30, 19 August 2023
Line 54:		Line 54:

	The first praeludium in [[D-Lr Mus.ant.pract. K.N. 207/16]], which is anonymous, has been described as being reminiscent of Tunder<ref>[[Organum IV]] vol.10</ref>.		The first praeludium in [[D-Lr Mus.ant.pract. K.N. 207/16]], which is anonymous, has been described as being reminiscent of Tunder<ref>[[Organum IV]] vol.10</ref>.

			== Editions ==
			The following is an incomplete list of editions of the organ music of Franz Tunder.

			[[Claudia Schumacher]], [[Meister der Norddeutschen Orgelschule]] vol.17, 2022 (revised edition).

			[[Michael Belotti]], ''Tunder: Complete Organ Works.'' Wiesbaden: Breitkopf & Härtel, 2012.

			[[Klaus Beckmann]], ''Sämtliche Orgelwerke.'' Wiesbaden: Breitkopf & Härtel, 1974.

			[[Jerzy Gołos]] and [[Adam Sutkowski]], [[Corpus of Early Keyboard Music]] vol.10-2. (the first edition of the chorale fantasias in the [[Pelplin Tablatures]])

			[[Rudolf Walter]], ''Sämtliche Choralbearbeitungen für Orgel.'' Mainz: Schott, 1958.

			[[Max Seiffert]], [[Organum IV]] vol.6 (preludiums)

	== References ==		== References ==

Fiskfan1999: /* Works */

2023-08-19T22:27:03Z

Works

← Older revision		Revision as of 18:27, 19 August 2023
Line 49:		Line 49:
	\| [[S-Uu Ms. Ihre 285]] P50-52 \|\| [20] Cantzon / F: Töndern \|\| On a theme by [[Francesco Della Porta]] \|\| <score>\relative d'' { \key g \major d8 d d e c8. b16 a8 b16 c d8 d, g a }</score>		\| [[S-Uu Ms. Ihre 285]] P50-52 \|\| [20] Cantzon / F: Töndern \|\| On a theme by [[Francesco Della Porta]] \|\| <score>\relative d'' { \key g \major d8 d d e c8. b16 a8 b16 c d8 d, g a }</score>
	\|}		\|}

			=== Other theorized works ===
			Two chorale fantasias from the [[Pelplin Tablatures]] are theorized to be by Franz Tunder by [[Klaus Beckmann]], despite the composer "H.M.T." being written<ref>[[Klaus Beckmann\|Beckmann, Klaus]] (editor), ''Zwei Choralfantasien: Allein zu dir, Herr Jesu Christ ; Ein feste Burg ist unser Gott.'' Wiesbaden: Breitkopf & Härtel, 1991.</ref>. He also theorized that the anonymous ''Magnificat octavi toni'' (also a chorale fantasia) from the [[Zellerfeld Tablatures]] no.1 is by Tunder{{Citation needed}}.

			The first praeludium in [[D-Lr Mus.ant.pract. K.N. 207/16]], which is anonymous, has been described as being reminiscent of Tunder<ref>[[Organum IV]] vol.10</ref>.

	== References ==		== References ==