Conrad Brumann - Revision history

Lex: fixed incorrect dating for the online facsimile, copied over from luscinius article

2024-11-12T19:48:19Z

fixed incorrect dating for the online facsimile, copied over from luscinius article

← Older revision		Revision as of 15:48, 12 November 2024
Line 16:		Line 16:
	\\ \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 bes4 d \bar "" }		\\ \relative c' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 bes4 d \bar "" }
	>> </score>		>> </score>
	\| \|\| <ref>[http://resolver.staatsbibliothek-berlin.de/SBB0002C41800000000 digital.staatsbibliothek-berlin.de], accessed on ~~28 October~~ 2024.</ref>		\| \|\| <ref>[http://resolver.staatsbibliothek-berlin.de/SBB0002C41800000000 digital.staatsbibliothek-berlin.de], accessed on 12 November 2024.</ref>
	\|-		\|-
	\| 59v-60r \|\| Carmen \|\| Carmen in sol } Org von Spyr. m. conrat \|\| (''to the side'') V. S. / de ůl etc \|\|		\| 59v-60r \|\| Carmen \|\| Carmen in sol } Org von Spyr. m. conrat \|\| (''to the side'') V. S. / de ůl etc \|\|

Lex: accidentally omitted part of one title - fixed

2024-11-10T16:33:17Z

accidentally omitted part of one title - fixed

← Older revision		Revision as of 12:33, 10 November 2024
Line 26:		Line 26:
	\| \|\| <ref>Ibid.</ref>		\| \|\| <ref>Ibid.</ref>
	\|-		\|-
	\| 66v-67r \|\| Zucht, Ehr' und Lob \|\| Zucht eer und lob. manu: \|\| Zucht / eer und / Lob. / manüaliter. \|\|		\| 66v-67r \|\| Zucht, Ehr' und Lob \|\| Zucht eer und lob. manu: \|\| Zucht / eer und / Lob. / manüaliter. <br> (''at top of page'') V. S. \|\|
	<score> << \clef bass \omit Score.TimeSignature		<score> << \clef bass \omit Score.TimeSignature
	\relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) f4 r16 e32 d c b c d e16 d e f d4 \bar "" }		\relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) f4 r16 e32 d c b c d e16 d e f d4 \bar "" }

Lex: improved incipits

2024-11-10T16:23:14Z

improved incipits

← Older revision		Revision as of 12:23, 10 November 2024
Line 2:		Line 2:

	== Biography & Works ==		== Biography & Works ==
	[[Otmar Nachtgall\|Luscinius]] numbers him among the pupils of [[Paul Hofhaimer]]. From 1513 on, he was employed at the cathedral of Speyer, and he is referred to by this title ~~(as "Org von Spyr. m. conrat")~~ in [[D-B Mus.ms. 40026\|Kleber's tablature]].		[[Otmar Nachtgall\|Luscinius]] numbers him among the pupils of [[Paul Hofhaimer]]. From 1513 on, Brumann was employed at the cathedral of Speyer, and he is referred to by this title in [[D-B Mus.ms. 40026\|Kleber's tablature]].

	In said source, his compositions are identified by the initials ''V. S.'' (presumably for "''von Speyer''"). Similarly to his teacher, Brumann made use of unusually virtuosic diminutions.		In said source, his compositions are identified by the initials ''V. S.'' (presumably for "''von Speyer''"). Similarly to his teacher, Brumann made use of unusually virtuosic diminutions.
Line 21:		Line 21:
	<score> << \clef alto \omit Score.TimeSignature		<score> << \clef alto \omit Score.TimeSignature
	\relative g' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 g4 g16 f g a \bar "" }		\relative g' { \set Timing.measureLength = #(ly:make-moment 2/4) r1*1/2 g4 g16 f g a \bar "" }
			\\ \relative g { \set Timing.measureLength = #(ly:make-moment 2/4) g8 c,32[ d e f] g[ f g a] g16[ f] e4 c \bar "" }
	\\ \relative g { \set Timing.measureLength = #(ly:make-moment 2/4) g4 g g8 g32[ f e d] c'4 \bar "" }		\\ \relative g { \set Timing.measureLength = #(ly:make-moment 2/4) g4 g g8 g32[ f e d] c'4 \bar "" }
	~~\\ \relative g { \set Timing.measureLength = #(ly:make-moment 2/4) g8 c,32[ d e f] g[ f g a] g16[ f] e4 c \bar "" }~~
	>> </score>		>> </score>
	\| \|\| <ref>Ibid.</ref>		\| \|\| <ref>Ibid.</ref>
Line 29:		Line 29:
	<score> << \clef bass \omit Score.TimeSignature		<score> << \clef bass \omit Score.TimeSignature
	\relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) f4 r16 e32 d c b c d e16 d e f d4 \bar "" }		\relative f' { \set Timing.measureLength = #(ly:make-moment 2/4) f4 r16 e32 d c b c d e16 d e f d4 \bar "" }
	\\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \once \~~omit Stem~~ f,4*2 c'4 bes16 c d e \bar "" }		\\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \once \override NoteHead.duration-log = #2 f,1*1/2 c'4 bes16 c d e \bar "" }
	\\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \once \~~omit Stem f4~~*2 g4 bes \bar "" }		\\ \relative f { \set Timing.measureLength = #(ly:make-moment 2/4) \once \override NoteHead.duration-log = #2 f1*1/2 g4 bes \bar "" }
	>> </score>		>> </score>
	\| Colorised version of Hofhaimer's song. \|\| <ref>Ibid.</ref>		\| Colorised version of Hofhaimer's song. \|\| <ref>Ibid.</ref>

Lex: added table of works; incipits need more tinkering

2024-11-10T09:28:44Z

added table of works; incipits need more tinkering

@@ Line 2: / Line 2: @@
 == Biography & Works ==
-[[Otmar Nachtgall|Luscinius]] numbers him among the pupils of [[Paul Hofhaimer]]. From 1513 on, he was employed at the cathedral of Speyer, and he is referred to by this title (as "Org von Spyr. m. conrat") in [[Leonhard Kleber Tablature|Kleber's tablature]].
+[[Otmar Nachtgall|Luscinius]] numbers him among the pupils of [[Paul Hofhaimer]]. From 1513 on, he was employed at the cathedral of Speyer, and he is referred to by this title (as "Org von Spyr. m. conrat") in [[D-B Mus.ms. 40026|Kleber's tablature]].
-In said source, his compositions are identified by the initials ''V. S.'' (presumably for "''von Speyer''"), and they include a "Pleni", an untitled "Carmen", a "Praeambalum in Sol", and a coloration of Hofhaimer's "Zucht eer und lob".
+In said source, his compositions are identified by the initials ''V. S.'' (presumably for "''von Speyer''"). Similarly to his teacher, Brumann made use of unusually virtuosic diminutions.
 == References ==

Lex: /* Biography & Works */ tiny clarification

2024-07-26T11:53:05Z

Biography & Works: tiny clarification

← Older revision		Revision as of 07:53, 26 July 2024
Line 2:		Line 2:

	== Biography & Works ==		== Biography & Works ==
	[[Otmar Nachtgall\|Luscinius]] numbers him among the pupils of [[Paul Hofhaimer]]. From 1513 on, he was employed at the cathedral of Speyer, and he is referred to by this title in [[Leonhard Kleber Tablature\|Kleber's tablature]].		[[Otmar Nachtgall\|Luscinius]] numbers him among the pupils of [[Paul Hofhaimer]]. From 1513 on, he was employed at the cathedral of Speyer, and he is referred to by this title (as "Org von Spyr. m. conrat") in [[Leonhard Kleber Tablature\|Kleber's tablature]].

	In said source, his compositions are identified by the initials ''V. S.'' (presumably for "''von Speyer''"), and they include a "Pleni", an untitled "Carmen", a "Praeambalum in Sol", and a coloration of Hofhaimer's "Zucht eer und lob".		In said source, his compositions are identified by the initials ''V. S.'' (presumably for "''von Speyer''"), and they include a "Pleni", an untitled "Carmen", a "Praeambalum in Sol", and a coloration of Hofhaimer's "Zucht eer und lob".

Lex: created page

2024-07-26T11:51:04Z

created page

New page

'''Conrad Brumann''' (~1480-1526) was a German organist.

== Biography & Works ==
[[Otmar Nachtgall|Luscinius]] numbers him among the pupils of [[Paul Hofhaimer]]. From 1513 on, he was employed at the cathedral of Speyer, and he is referred to by this title in [[Leonhard Kleber Tablature|Kleber's tablature]].

In said source, his compositions are identified by the initials ''V. S.'' (presumably for "''von Speyer''"), and they include a "Pleni", an untitled "Carmen", a "Praeambalum in Sol", and a coloration of Hofhaimer's "Zucht eer und lob".

== References ==
Moser, H. J. (1966). ''Paul Hofhaimer''. Georg Olms, Hildesheim.

Loewenfeld, H. (1897). ''Leonhard Kleber und sein Orgeltabulaturbuch als Beitrag zur Geschichte der Orgelmusik im beginnenden XVI. Jahrhundert''. Doctoral dissertation, Humboldt University, Berlin.

[[Category:Renaissance]][[Category:Organists]][[Category:Composers]]