Anthoni van Noordt - Revision history

Fiskfan1999: Text replacement - "German composers" to "German Composers"

2024-11-14T01:00:36Z

Text replacement - "German composers" to "German Composers"

← Older revision		Revision as of 21:00, 13 November 2024
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	It has been theorized that the individual verses of the ''Tabulatuurboeck'' can be split into two periods, being composed before and after 1657. Those in the later period are characterized by a trio format and more active pedal part, which could be a reflection of the rise of ensemble writing in the Netherlands<ref>van Nieuwkoop, 47.</ref>.		It has been theorized that the individual verses of the ''Tabulatuurboeck'' can be split into two periods, being composed before and after 1657. Those in the later period are characterized by a trio format and more active pedal part, which could be a reflection of the rise of ensemble writing in the Netherlands<ref>van Nieuwkoop, 47.</ref>.

	Comparisons have been drawn between the Psalm verses by Anthoni van Noordt and the compositional style of the [[North German Organ School]]. The second verse of Psalm 24 has an ornamented cantus firmus in ''coloratura'', a rarity for the ''Tabulatuurboeck'' but a technique commonly used by other North German ~~composers~~ like [[Matthias Weckmann]]. Another similarity is the third verse of Psalm 24. [[Hans van Nieuwkoop]] theorizes that this is the only verse of the ''Tabulatuurboeck'' which is intended to be played with the ''plenum'' registration, as it is stylistically similar to the first verse of many Magnificat settings by Scheidemann and other composers, in which the ''cantus firmus'' is typically in Tenore or Bass and played with the ''plenum'' registration.<ref>van Nieuwkoop, 47.</ref>		Comparisons have been drawn between the Psalm verses by Anthoni van Noordt and the compositional style of the [[North German Organ School]]. The second verse of Psalm 24 has an ornamented cantus firmus in ''coloratura'', a rarity for the ''Tabulatuurboeck'' but a technique commonly used by other North German Composers like [[Matthias Weckmann]]. Another similarity is the third verse of Psalm 24. [[Hans van Nieuwkoop]] theorizes that this is the only verse of the ''Tabulatuurboeck'' which is intended to be played with the ''plenum'' registration, as it is stylistically similar to the first verse of many Magnificat settings by Scheidemann and other composers, in which the ''cantus firmus'' is typically in Tenore or Bass and played with the ''plenum'' registration.<ref>van Nieuwkoop, 47.</ref>

	== Works ==		== Works ==

Fiskfan1999: /* WVlist Notes */ remove

2024-07-07T02:11:20Z

WVlist Notes: remove

← Older revision		Revision as of 22:11, 6 July 2024
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	Comparisons have been drawn between the Psalm verses by Anthoni van Noordt and the compositional style of the [[North German Organ School]]. The second verse of Psalm 24 has an ornamented cantus firmus in ''coloratura'', a rarity for the ''Tabulatuurboeck'' but a technique commonly used by other North German composers like [[Matthias Weckmann]]. Another similarity is the third verse of Psalm 24. [[Hans van Nieuwkoop]] theorizes that this is the only verse of the ''Tabulatuurboeck'' which is intended to be played with the ''plenum'' registration, as it is stylistically similar to the first verse of many Magnificat settings by Scheidemann and other composers, in which the ''cantus firmus'' is typically in Tenore or Bass and played with the ''plenum'' registration.<ref>van Nieuwkoop, 47.</ref>		Comparisons have been drawn between the Psalm verses by Anthoni van Noordt and the compositional style of the [[North German Organ School]]. The second verse of Psalm 24 has an ornamented cantus firmus in ''coloratura'', a rarity for the ''Tabulatuurboeck'' but a technique commonly used by other North German composers like [[Matthias Weckmann]]. Another similarity is the third verse of Psalm 24. [[Hans van Nieuwkoop]] theorizes that this is the only verse of the ''Tabulatuurboeck'' which is intended to be played with the ''plenum'' registration, as it is stylistically similar to the first verse of many Magnificat settings by Scheidemann and other composers, in which the ''cantus firmus'' is typically in Tenore or Bass and played with the ''plenum'' registration.<ref>van Nieuwkoop, 47.</ref>

	~~== WVlist Notes ==~~
	<blockquote><nowiki>Organist in the Nieuwezijdskapel and Nieuwe Kerk, Amsterdam. All known works by van Noordt are contained in a published work: "Tabulatuurboeck van Psalmen en Fantasyen", published 1659 by Willem van Beaumont. Numbering system is the order of contents in this cycle. The facsimile can be viewed on IMSLP at the following link: https://imslp.org/wiki/Special:ReverseLookup/528368</nowiki><br>-William Rehwinkel, Feb 20, 2022</blockquote>

	~~<blockquote><nowiki>improved incipits</nowiki><br>-William Rehwinkel, May 9, 2022</blockquote>~~

	~~<blockquote><nowiki></nowiki><br>-wr, Jul 13, 2023</blockquote>~~

	== Works ==		== Works ==

Fiskfan1999: /* See also */

2024-01-12T04:36:24Z

Fiskfan1999: link to library pdf

2023-08-04T15:52:27Z

link to library pdf

← Older revision		Revision as of 11:52, 4 August 2023
Line 1:		Line 1:
	'''Anthoni van Noordt''' (1619-1675) was a Dutch organist and composer. His only known works are in a ''Tabulatuurboeck'' of Psalms and Fantasias published in 1659.		'''Anthoni van Noordt''' (1619-1675) was a Dutch organist and composer. His only known works are in a ''Tabulatuurboeck'' of Psalms and Fantasias published in 1659. The only surviving copy of this publication is [[PL-Kj Mus.ant.pract. N 250]]<ref>{{RISM\|1000000265}}</ref><ref>[https://fbc.pionier.net.pl/id/oai:jbc.bj.uj.edu.pl:368196 fbc.pionier.net.pl], accessed 4 August, 2023.</ref>.

	== History ==		== History ==
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	From 1652-1664 he was the organist at the ''Heilige Stede'' (now ''Nieuwezijds Kapel''). In 1664, he became the organist at ''Nieuwe Kerk'', and he oversaw the restoration of the organ by [[Jacobus van Hagerbeer]] and later by [[Roelof Barentszoon Duyschot]] upon van Hagerbeer's death. Van Noordt was named organist ''emeritus'' of the ''Niewe Kerk'' in 1973.		From 1652-1664 he was the organist at the ''Heilige Stede'' (now ''Nieuwezijds Kapel''). In 1664, he became the organist at ''Nieuwe Kerk'', and he oversaw the restoration of the organ by [[Jacobus van Hagerbeer]] and later by [[Roelof Barentszoon Duyschot]] upon van Hagerbeer's death. Van Noordt was named organist ''emeritus'' of the ''Niewe Kerk'' in 1973.

			== PL-Kj Mus.ant.pract. N 250 ==

	In 1659, van Noordt published his '''Tabulatuurboeck van Psalmen en Fantasyen''', titled "TABULATUURBOECK of Psalms and Fantasies of which Psalms varied in different verses in Soprano, Tenor or Bass in 2, 3 and 4 parts/voices by ANTHONI VAN NOORDT" [Javadova, 12], including ten Psalm fantasies, each from one to eight verses, and six fantasias. It seems that books of organ music were very rarely published in the Netherlands, indeed this was the first such book since a similar one by [[Henderick Joostenz Speuy]] in 1610. Apparently, there was some reluctance to granting van Noordt his copyright license, as it was doubted that such a book would sell enough copies to be worthwhile.		In 1659, van Noordt published his '''Tabulatuurboeck van Psalmen en Fantasyen''', titled "TABULATUURBOECK of Psalms and Fantasies of which Psalms varied in different verses in Soprano, Tenor or Bass in 2, 3 and 4 parts/voices by ANTHONI VAN NOORDT" [Javadova, 12], including ten Psalm fantasies, each from one to eight verses, and six fantasias. It seems that books of organ music were very rarely published in the Netherlands, indeed this was the first such book since a similar one by [[Henderick Joostenz Speuy]] in 1610. Apparently, there was some reluctance to granting van Noordt his copyright license, as it was doubted that such a book would sell enough copies to be worthwhile.
Line 134:		Line 136:

	== See also ==		== See also ==
	A facsimile of the ''Tabulatuurboeck'' is available at {{IMSLP\|506003}}		A facsimile of the ''Tabulatuurboeck'' is available at [http://jbc.bj.uj.edu.pl/Content/368196/PDF/DIGMUZ000161.pdf jbc.bj.uj.edu.pl] (accessed 4 August, 2023), mirror {{IMSLP\|506003}}

	== References ==		== References ==

Fiskfan1999: /* Works */ fix one wrong note

2023-07-30T02:14:08Z

Works: fix one wrong note

← Older revision		Revision as of 22:14, 29 July 2023
Line 55:		Line 55:
	\|1		\|1
	\|Psalm 35 (1 verse)		\|Psalm 35 (1 verse)
	\|<score><< {\time 4/2 \key d \minor a'1} \\ \relative d { r8 \clef bass d c d a d8. c16 bes a } >></score>		\|<score><< {\time 4/2 \key d \minor f'1} \\ \relative d { r8 \clef bass d c d a d8. c16 bes a } >></score>
	\|-		\|-
	\|No.		\|No.

Fiskfan1999: score incipits fixed

2023-07-30T02:10:48Z

score incipits fixed

← Older revision		Revision as of 22:10, 29 July 2023
Line 55:		Line 55:
	\|1		\|1
	\|Psalm 35 (1 verse)		\|Psalm 35 (1 verse)
	\|~~incipit:~~<score>\time 4/2 \key d \minor ~~<< {~~a'1} \\ \relative d { r8 \clef bass d c d a d8. c16 bes a } >></score>		\|<score><< {\time 4/2 \key d \minor a'1} \\ \relative d { r8 \clef bass d c d a d8. c16 bes a } >></score>
	\|-		\|-
	\|No.		\|No.
	\|2		\|2
	\|Psalm 38 (5)		\|Psalm 38 (5)
	\|~~incipit:~~<score>\time 4/2 ~~<< {~~c''1 b'} \\ \relative c' { c4 b a8 b c d e8 f g4 d e } >></score>		\|<score><< {\time 4/2 c''1 b'} \\ \relative c' { c4 b a8 b c d e8 f g4 d e } >></score>
	\|-		\|-
	\|No.		\|No.
	\|3		\|3
	\|Psalm 6 (5)		\|Psalm 6 (5)
	\|~~incipit:~~<score>\time 4/2 ~~<< {~~ r1 a'1 a'2*3/8 } \\ \relative d' { r2 d4 8 8 c4 c d8 e f4 e8. } >></score>		\|<score><< {\time 4/2 r1 a'1 a'2*3/8 } \\ \relative d' { r2 d4 8 8 c4 c d8 e f4 e8. } >></score>
	\|-		\|-
	\|No.		\|No.
	\|4		\|4
	\|Psalm 7 (3)		\|Psalm 7 (3)
	\|~~incipit:~~<score>~~\time 4/2~~ << \relative g' { g1 g2 a bes a c2*1/2 } \\ \relative f' { r1 r2 f4 ees d2 r4 d e } >></score>		\|<score><< \relative g' {\time 4/2 g1 g2 a bes a c2*1/2 } \\ \relative f' { r1 r2 f4 ees d2 r4 d e } >></score>
	\|-		\|-
	\|No.		\|No.
	\|5		\|5
	\|Psalm 2 (3)		\|Psalm 2 (3)
	\|~~incipit:~~<score>\clef alto \time 4/2 ~~<< \relative d' {~~ d1 f2 } \\ \relative d { r4 d d8 e16 d c8 d16 c bes4 a } \\ \\ \relative c' { r1 r4 c } >></score>		\|<score> << \relative d' {\clef alto \time 4/2 d1 f2 } \\ \relative d { r4 d d8 e16 d c8 d16 c bes4 a } \\ \\ \relative c' { r1 r4 c } >></score>
	\|-		\|-
	\|No.		\|No.
	\|6		\|6
	\|Psalm 50 (4)		\|Psalm 50 (4)
	\|~~incipit:~~<score>\clef alto \time 4/2 ~~<< \relative a' {~~ a1 g2 f } \\ \relative g { s1 r4 g d8 e f g } \\ \\ \relative d' { r4 d a8 b c d e4 b d a8 b } >></score>		\|<score><< \relative a' { \clef alto \time 4/2 a1 g2 f } \\ \relative g { s1 r4 g d8 e f g } \\ \\ \relative d' { r4 d a8 b c d e4 b d a8 b } >></score>
	\|-		\|-
	\|No.		\|No.
	\|7		\|7
	\|Psalm 119 (8)		\|Psalm 119 (8)
	\|~~incipit:~~<score>~~\time 4/2~~ << \relative g'' { r16 \clef treble g e f g a f g e f d e c } \\ \relative c { \clef bass c1*13/16 } >></score>		\|<score><< \relative g'' { \time 4/2 r16 \clef treble g e f g a f g e f d e c } \\ \relative c { \clef bass c1*13/16 } >></score>
	\|-		\|-
	\|No.		\|No.
	\|8		\|8
	\|Psalm 116 (5)		\|Psalm 116 (5)
	\|~~incipit:~~<score>~~\time 4/2~~ << \relative d'' { r4 d b c8 b16 c d8 c b a } \\ \relative d' { d1 b2 } >></score>		\|<score><< \relative d'' { \time 4/2 r4 d b c8 b16 c d8 c b a } \\ \relative d' { d1 b2 } >></score>
	\|-		\|-
	\|No.		\|No.
	\|9		\|9
	\|Psalm 22 (3)		\|Psalm 22 (3)
	\|~~incipit:~~<score>~~\time 4/2~~ << \relative c'' { c1 a } \\ \\ \relative e' { r4 e a g f4. e8 fis g e fis } \\ \relative a { r1 r4 a d c } >></score>		\|<score><< \relative c'' { \time 4/2 c1 a } \\ \\ \relative e' { r4 e a g f4. e8 fis g e fis } \\ \relative a { r1 r4 a d c } >></score>
	\|-		\|-
	\|No.		\|No.
	\|10		\|10
	\|Psalm 24 (3)		\|Psalm 24 (3)
	\|~~incipit:~~<score>~~\time 4/2~~ << \relative d' { r4 d a'2 f g g4 f e2*1/4 } \\ \relative a { r2 r4 a d2 b c2~8 } >></score>		\|<score><< \relative d' { \time 4/2 r4 d a'2 f g g4 f e2*1/4 } \\ \relative a { r2 r4 a d2 b c2~8 } >></score>
	\|-		\|-
	\|No.		\|No.
	\|11		\|11
	\|Fantasia [1] a 4		\|Fantasia [1] a 4
	\|~~incipit:~~<score>\clef bass \time 4/2 ~~\relative a {~~ a2 4 4 f8 e16 f d8 e f}</score>		\|<score>\relative a { \clef bass \time 4/2 a2 4 4 f8 e16 f d8 e f}</score>
	\|-		\|-
	\|No.		\|No.
	\|12		\|12
	\|Fantasia [2] a 4		\|Fantasia [2] a 4
	\|~~incipit:~~<score>\time 4/2 ~~\relative d' {~~ r8 d f g a g16 f e8 f g4 }</score>		\|<score>\relative d' { \time 4/2 r8 d f g a g16 f e8 f g4 }</score>
	\|-		\|-
	\|No.		\|No.
	\|13		\|13
	\|Fantasia [3] a 4		\|Fantasia [3] a 4
	\|~~incipit:~~<score>\clef bass \time 4/2 ~~\relative e {~~ e2 e4 f g8 a g f e2 r4 }</score>		\|<score>\relative e { \clef bass \time 4/2 e2 e4 f g8 a g f e2 r4 }</score>
	\|-		\|-
	\|No.		\|No.
	\|14		\|14
	\|Fantasia [4] a 4		\|Fantasia [4] a 4
	\|~~incipit:~~<score>\time 4/2 ~~\relative e' {~~ e2 e4 f g d4. e8 f4~8}</score>		\|<score>\relative e' { \time 4/2 e2 e4 f g d4. e8 f4~8}</score>
	\|-		\|-
	\|No.		\|No.
	\|15		\|15
	\|Fantasia [5] a 4		\|Fantasia [5] a 4
	\|~~incipit:~~<score>\time 4/2 ~~\relative c' {~~ r2 c2 b4 e d8 c b a g4 }</score>		\|<score>\relative c' { \time 4/2 r2 c2 b4 e d8 c b a g4 }</score>
	\|-		\|-
	\|No.		\|No.
	\|16		\|16
	\|Fantasia [6] a 4		\|Fantasia [6] a 4
	\|~~incipit:~~<score>\time 4/2 ~~\relative d' {~~ r2 d g4 g a e f fis g8 }</score>		\|<score>\relative d' { \time 4/2 r2 d g4 g a e f fis g8 }</score>
	\|}		\|}

Fiskfan1999: Text replacement - "" to ""

2023-07-30T02:00:03Z

Text replacement - "</nowiki></ref>" to "</score>"

← Older revision		Revision as of 22:00, 29 July 2023
Line 55:		Line 55:
	\|1		\|1
	\|Psalm 35 (1 verse)		\|Psalm 35 (1 verse)
	\|incipit:<score>\time 4/2 \key d \minor << {a'1} \\ \relative d { r8 \clef bass d c d a d8. c16 bes a } >></~~nowiki></ref~~>		\|incipit:<score>\time 4/2 \key d \minor << {a'1} \\ \relative d { r8 \clef bass d c d a d8. c16 bes a } >></score>
	\|-		\|-
	\|No.		\|No.
	\|2		\|2
	\|Psalm 38 (5)		\|Psalm 38 (5)
	\|incipit:<score>\time 4/2 << {c''1 b'} \\ \relative c' { c4 b a8 b c d e8 f g4 d e } >></~~nowiki></ref~~>		\|incipit:<score>\time 4/2 << {c''1 b'} \\ \relative c' { c4 b a8 b c d e8 f g4 d e } >></score>
	\|-		\|-
	\|No.		\|No.
	\|3		\|3
	\|Psalm 6 (5)		\|Psalm 6 (5)
	\|incipit:<score>\time 4/2 << { r1 a'1 a'2*3/8 } \\ \relative d' { r2 d4 8 8 c4 c d8 e f4 e8. } >></~~nowiki></ref~~>		\|incipit:<score>\time 4/2 << { r1 a'1 a'2*3/8 } \\ \relative d' { r2 d4 8 8 c4 c d8 e f4 e8. } >></score>
	\|-		\|-
	\|No.		\|No.
	\|4		\|4
	\|Psalm 7 (3)		\|Psalm 7 (3)
	\|incipit:<score>\time 4/2 << \relative g' { g1 g2 a bes a c2*1/2 } \\ \relative f' { r1 r2 f4 ees d2 r4 d e } >></~~nowiki></ref~~>		\|incipit:<score>\time 4/2 << \relative g' { g1 g2 a bes a c2*1/2 } \\ \relative f' { r1 r2 f4 ees d2 r4 d e } >></score>
	\|-		\|-
	\|No.		\|No.
	\|5		\|5
	\|Psalm 2 (3)		\|Psalm 2 (3)
	\|incipit:<score>\clef alto \time 4/2 << \relative d' { d1 f2 } \\ \relative d { r4 d d8 e16 d c8 d16 c bes4 a } \\ \\ \relative c' { r1 r4 c } >></~~nowiki></ref~~>		\|incipit:<score>\clef alto \time 4/2 << \relative d' { d1 f2 } \\ \relative d { r4 d d8 e16 d c8 d16 c bes4 a } \\ \\ \relative c' { r1 r4 c } >></score>
	\|-		\|-
	\|No.		\|No.
	\|6		\|6
	\|Psalm 50 (4)		\|Psalm 50 (4)
	\|incipit:<score>\clef alto \time 4/2 << \relative a' { a1 g2 f } \\ \relative g { s1 r4 g d8 e f g } \\ \\ \relative d' { r4 d a8 b c d e4 b d a8 b } >></~~nowiki></ref~~>		\|incipit:<score>\clef alto \time 4/2 << \relative a' { a1 g2 f } \\ \relative g { s1 r4 g d8 e f g } \\ \\ \relative d' { r4 d a8 b c d e4 b d a8 b } >></score>
	\|-		\|-
	\|No.		\|No.
	\|7		\|7
	\|Psalm 119 (8)		\|Psalm 119 (8)
	\|incipit:<score>\time 4/2 << \relative g'' { r16 \clef treble g e f g a f g e f d e c } \\ \relative c { \clef bass c1*13/16 } >></~~nowiki></ref~~>		\|incipit:<score>\time 4/2 << \relative g'' { r16 \clef treble g e f g a f g e f d e c } \\ \relative c { \clef bass c1*13/16 } >></score>
	\|-		\|-
	\|No.		\|No.
	\|8		\|8
	\|Psalm 116 (5)		\|Psalm 116 (5)
	\|incipit:<score>\time 4/2 << \relative d'' { r4 d b c8 b16 c d8 c b a } \\ \relative d' { d1 b2 } >></~~nowiki></ref~~>		\|incipit:<score>\time 4/2 << \relative d'' { r4 d b c8 b16 c d8 c b a } \\ \relative d' { d1 b2 } >></score>
	\|-		\|-
	\|No.		\|No.
	\|9		\|9
	\|Psalm 22 (3)		\|Psalm 22 (3)
	\|incipit:<score>\time 4/2 << \relative c'' { c1 a } \\ \\ \relative e' { r4 e a g f4. e8 fis g e fis } \\ \relative a { r1 r4 a d c } >></~~nowiki></ref~~>		\|incipit:<score>\time 4/2 << \relative c'' { c1 a } \\ \\ \relative e' { r4 e a g f4. e8 fis g e fis } \\ \relative a { r1 r4 a d c } >></score>
	\|-		\|-
	\|No.		\|No.
	\|10		\|10
	\|Psalm 24 (3)		\|Psalm 24 (3)
	\|incipit:<score>\time 4/2 << \relative d' { r4 d a'2 f g g4 f e2*1/4 } \\ \relative a { r2 r4 a d2 b c2~8 } >></~~nowiki></ref~~>		\|incipit:<score>\time 4/2 << \relative d' { r4 d a'2 f g g4 f e2*1/4 } \\ \relative a { r2 r4 a d2 b c2~8 } >></score>
	\|-		\|-
	\|No.		\|No.
	\|11		\|11
	\|Fantasia [1] a 4		\|Fantasia [1] a 4
	\|incipit:<score>\clef bass \time 4/2 \relative a { a2 4 4 f8 e16 f d8 e f}</~~nowiki></ref~~>		\|incipit:<score>\clef bass \time 4/2 \relative a { a2 4 4 f8 e16 f d8 e f}</score>
	\|-		\|-
	\|No.		\|No.
	\|12		\|12
	\|Fantasia [2] a 4		\|Fantasia [2] a 4
	\|incipit:<score>\time 4/2 \relative d' { r8 d f g a g16 f e8 f g4 }</~~nowiki></ref~~>		\|incipit:<score>\time 4/2 \relative d' { r8 d f g a g16 f e8 f g4 }</score>
	\|-		\|-
	\|No.		\|No.
	\|13		\|13
	\|Fantasia [3] a 4		\|Fantasia [3] a 4
	\|incipit:<score>\clef bass \time 4/2 \relative e { e2 e4 f g8 a g f e2 r4 }</~~nowiki></ref~~>		\|incipit:<score>\clef bass \time 4/2 \relative e { e2 e4 f g8 a g f e2 r4 }</score>
	\|-		\|-
	\|No.		\|No.
	\|14		\|14
	\|Fantasia [4] a 4		\|Fantasia [4] a 4
	\|incipit:<score>\time 4/2 \relative e' { e2 e4 f g d4. e8 f4~8}</~~nowiki></ref~~>		\|incipit:<score>\time 4/2 \relative e' { e2 e4 f g d4. e8 f4~8}</score>
	\|-		\|-
	\|No.		\|No.
	\|15		\|15
	\|Fantasia [5] a 4		\|Fantasia [5] a 4
	\|incipit:<score>\time 4/2 \relative c' { r2 c2 b4 e d8 c b a g4 }</~~nowiki></ref~~>		\|incipit:<score>\time 4/2 \relative c' { r2 c2 b4 e d8 c b a g4 }</score>
	\|-		\|-
	\|No.		\|No.
	\|16		\|16
	\|Fantasia [6] a 4		\|Fantasia [6] a 4
	\|incipit:<score>\time 4/2 \relative d' { r2 d g4 g a e f fis g8 }</~~nowiki></ref~~>		\|incipit:<score>\time 4/2 \relative d' { r2 d g4 g a e f fis g8 }</score>
	\|}		\|}

Fiskfan1999: Text replacement - "" to ""

2023-07-30T01:59:32Z

Text replacement - "<ref><nowiki>" to "<score>"

← Older revision		Revision as of 21:59, 29 July 2023
Line 55:		Line 55:
	\|1		\|1
	\|Psalm 35 (1 verse)		\|Psalm 35 (1 verse)
	\|incipit:<~~ref><nowiki~~>\time 4/2 \key d \minor << {a'1} \\ \relative d { r8 \clef bass d c d a d8. c16 bes a } >></nowiki></ref>		\|incipit:<score>\time 4/2 \key d \minor << {a'1} \\ \relative d { r8 \clef bass d c d a d8. c16 bes a } >></nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|2		\|2
	\|Psalm 38 (5)		\|Psalm 38 (5)
	\|incipit:<~~ref><nowiki~~>\time 4/2 << {c''1 b'} \\ \relative c' { c4 b a8 b c d e8 f g4 d e } >></nowiki></ref>		\|incipit:<score>\time 4/2 << {c''1 b'} \\ \relative c' { c4 b a8 b c d e8 f g4 d e } >></nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|3		\|3
	\|Psalm 6 (5)		\|Psalm 6 (5)
	\|incipit:<~~ref><nowiki~~>\time 4/2 << { r1 a'1 a'2*3/8 } \\ \relative d' { r2 d4 8 8 c4 c d8 e f4 e8. } >></nowiki></ref>		\|incipit:<score>\time 4/2 << { r1 a'1 a'2*3/8 } \\ \relative d' { r2 d4 8 8 c4 c d8 e f4 e8. } >></nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|4		\|4
	\|Psalm 7 (3)		\|Psalm 7 (3)
	\|incipit:<~~ref><nowiki~~>\time 4/2 << \relative g' { g1 g2 a bes a c2*1/2 } \\ \relative f' { r1 r2 f4 ees d2 r4 d e } >></nowiki></ref>		\|incipit:<score>\time 4/2 << \relative g' { g1 g2 a bes a c2*1/2 } \\ \relative f' { r1 r2 f4 ees d2 r4 d e } >></nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|5		\|5
	\|Psalm 2 (3)		\|Psalm 2 (3)
	\|incipit:<~~ref><nowiki~~>\clef alto \time 4/2 << \relative d' { d1 f2 } \\ \relative d { r4 d d8 e16 d c8 d16 c bes4 a } \\ \\ \relative c' { r1 r4 c } >></nowiki></ref>		\|incipit:<score>\clef alto \time 4/2 << \relative d' { d1 f2 } \\ \relative d { r4 d d8 e16 d c8 d16 c bes4 a } \\ \\ \relative c' { r1 r4 c } >></nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|6		\|6
	\|Psalm 50 (4)		\|Psalm 50 (4)
	\|incipit:<~~ref><nowiki~~>\clef alto \time 4/2 << \relative a' { a1 g2 f } \\ \relative g { s1 r4 g d8 e f g } \\ \\ \relative d' { r4 d a8 b c d e4 b d a8 b } >></nowiki></ref>		\|incipit:<score>\clef alto \time 4/2 << \relative a' { a1 g2 f } \\ \relative g { s1 r4 g d8 e f g } \\ \\ \relative d' { r4 d a8 b c d e4 b d a8 b } >></nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|7		\|7
	\|Psalm 119 (8)		\|Psalm 119 (8)
	\|incipit:<~~ref><nowiki~~>\time 4/2 << \relative g'' { r16 \clef treble g e f g a f g e f d e c } \\ \relative c { \clef bass c1*13/16 } >></nowiki></ref>		\|incipit:<score>\time 4/2 << \relative g'' { r16 \clef treble g e f g a f g e f d e c } \\ \relative c { \clef bass c1*13/16 } >></nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|8		\|8
	\|Psalm 116 (5)		\|Psalm 116 (5)
	\|incipit:<~~ref><nowiki~~>\time 4/2 << \relative d'' { r4 d b c8 b16 c d8 c b a } \\ \relative d' { d1 b2 } >></nowiki></ref>		\|incipit:<score>\time 4/2 << \relative d'' { r4 d b c8 b16 c d8 c b a } \\ \relative d' { d1 b2 } >></nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|9		\|9
	\|Psalm 22 (3)		\|Psalm 22 (3)
	\|incipit:<~~ref><nowiki~~>\time 4/2 << \relative c'' { c1 a } \\ \\ \relative e' { r4 e a g f4. e8 fis g e fis } \\ \relative a { r1 r4 a d c } >></nowiki></ref>		\|incipit:<score>\time 4/2 << \relative c'' { c1 a } \\ \\ \relative e' { r4 e a g f4. e8 fis g e fis } \\ \relative a { r1 r4 a d c } >></nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|10		\|10
	\|Psalm 24 (3)		\|Psalm 24 (3)
	\|incipit:<~~ref><nowiki~~>\time 4/2 << \relative d' { r4 d a'2 f g g4 f e2*1/4 } \\ \relative a { r2 r4 a d2 b c2~8 } >></nowiki></ref>		\|incipit:<score>\time 4/2 << \relative d' { r4 d a'2 f g g4 f e2*1/4 } \\ \relative a { r2 r4 a d2 b c2~8 } >></nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|11		\|11
	\|Fantasia [1] a 4		\|Fantasia [1] a 4
	\|incipit:<~~ref><nowiki~~>\clef bass \time 4/2 \relative a { a2 4 4 f8 e16 f d8 e f}</nowiki></ref>		\|incipit:<score>\clef bass \time 4/2 \relative a { a2 4 4 f8 e16 f d8 e f}</nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|12		\|12
	\|Fantasia [2] a 4		\|Fantasia [2] a 4
	\|incipit:<~~ref><nowiki~~>\time 4/2 \relative d' { r8 d f g a g16 f e8 f g4 }</nowiki></ref>		\|incipit:<score>\time 4/2 \relative d' { r8 d f g a g16 f e8 f g4 }</nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|13		\|13
	\|Fantasia [3] a 4		\|Fantasia [3] a 4
	\|incipit:<~~ref><nowiki~~>\clef bass \time 4/2 \relative e { e2 e4 f g8 a g f e2 r4 }</nowiki></ref>		\|incipit:<score>\clef bass \time 4/2 \relative e { e2 e4 f g8 a g f e2 r4 }</nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|14		\|14
	\|Fantasia [4] a 4		\|Fantasia [4] a 4
	\|incipit:<~~ref><nowiki~~>\time 4/2 \relative e' { e2 e4 f g d4. e8 f4~8}</nowiki></ref>		\|incipit:<score>\time 4/2 \relative e' { e2 e4 f g d4. e8 f4~8}</nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|15		\|15
	\|Fantasia [5] a 4		\|Fantasia [5] a 4
	\|incipit:<~~ref><nowiki~~>\time 4/2 \relative c' { r2 c2 b4 e d8 c b a g4 }</nowiki></ref>		\|incipit:<score>\time 4/2 \relative c' { r2 c2 b4 e d8 c b a g4 }</nowiki></ref>
	\|-		\|-
	\|No.		\|No.
	\|16		\|16
	\|Fantasia [6] a 4		\|Fantasia [6] a 4
	\|incipit:<~~ref><nowiki~~>\time 4/2 \relative d' { r2 d g4 g a e f fis g8 }</nowiki></ref>		\|incipit:<score>\time 4/2 \relative d' { r2 d g4 g a e f fis g8 }</nowiki></ref>
	\|}		\|}

Irahs: Categories

2023-07-26T21:40:57Z

Fiskfan1999: sort

2023-07-26T19:21:33Z

sort

← Older revision		Revision as of 15:21, 26 July 2023
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	'''Anthoni van Noordt''' (1619-1675) was a Dutch organist and composer. His only known works are in a ''Tabulatuurboeck'' of Psalms and Fantasias published in 1659.		'''Anthoni van Noordt''' (1619-1675) was a Dutch organist and composer. His only known works are in a ''Tabulatuurboeck'' of Psalms and Fantasias published in 1659.

	[[Category:Persons]][[Category:WVlist pages]]		[[Category:Persons\|Noordt]][[Category:WVlist pages]]

	== History ==		== History ==

← Older revision		Revision as of 00:36, 12 January 2024
Line 135:		Line 135:
	\|}		\|}

	== ~~See also~~ ==		== Facsimile ==
	~~A facsimile of the ''Tabulatuurboeck'' is available at [http~~://jbc.bj.uj.edu.pl/~~Content~~/~~368196~~/~~PDF~~/~~DIGMUZ000161.pdf~~ jbc.bj.uj.edu.pl~~] (accessed~~ 4 August, 2023~~), mirror {{IMSLP~~\|506003}}		{{OnlFac\|sig=PL-Kj Mus.ant.pract. N 250\|url=https://jbc.bj.uj.edu.pl/dlibra/publication/387034/edition/368196\|urlc=jbc.bj.uj.edu.pl\|date=4 August, 2023\|imslp=506003}}

	== References ==		== References ==

@@ Line 1: / Line 1: @@
 '''Anthoni van Noordt''' (1619-1675) was a Dutch organist and composer. His only known works are in a ''Tabulatuurboeck'' of Psalms and Fantasias published in 1659.
 == History ==
@@ Line 144: / Line 142: @@
 [[Hans van Nieuwkoop]]. “Anthoni van Noordt and the Organs of Seventeenth-Century Amsterdam,” The Organ Yearbook 21. Fritz Knuf: Buren, 1990,